Works of National Artists - Visual Arts
WONA-VS
Photo/Link (Source) | Name of Work of National Artist | Type | Support/Medium | Measurement | Date | Artist | Source | Short Description | Remarks | Collection |
Abstract Ceramic (1) | Painting | Jars | 17.8 x 23 cm; 25.5 x 20.3 cm | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Ceramic (2) | Painting | Plate | 34.5 cm (diameter) | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Ceramic (3) | Painting | Plate | 33 cm (diameter) | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | January 24, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | May 6, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | May 12, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | August 27, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | August 27, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | November 14, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Painting | Painting | Oil on marine plywood | 38.1 x 60.9 cm | 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Sketch | Painting | Marking Ink | 45.7 x 59.8 cm | November 14, 1967 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Slab | Painting | Ceramic tile | 28 x 45 cm | 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Study | Drawing | Ink on paper | 1956 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Abstract Study | Lithograph | 1960 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | An early, non-objective print where Joya explored line work through calligraphy, an artist's most versatile tool for expression. | |||||
Abstract Study | Painting | Oil | 28 x 23 cm | 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Study | Drawing | Marker pen on paper | 1967 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Abstract Study | Drawing | Pen and ink on paper | 1967 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Abstraction | Painting | Oil | 60.5 x 37.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
After Shock I | Painting | Acrylic collage | 25.5 x 33 cm | September 5, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
After Shock II | Painting | Acrylic collage | 33 x 25.5 cm | September 5, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Afternoon in Kuangchow | Painting | Oil | 121.8 x 162.5 cm | March 25, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Aleng may Salakot | Painting | Oil on Canvas | 1953 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | An old woman, kneeling on the ground, holding a "salakot" before her. It shows perfect anatomical form and portrayal of light, according to Defeo. It is also noteable for its definite "modern" brushworks. | University Art Collection Jorge B. Varge Museum and Filipiniana Research Center) | |||
An Impression, Amphiteatro Flavio, Rome | Painting | Watercolor | 26 x 41 cm | July 7-17, 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Angeles | Painting | Oil | 81.2 x 60.9 cm | 1966 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Approaching Storm | Painting | Oil on Canvas | 1951 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Features a boy with a herd of carabaos hurrying against a backdrop of portentous clouds. The white clouds showed the first signs of Joya's thick impasto. It is Joya's first award-winning student work. | Paulino and Hetty Que Collection | |||
Arayat | Painting | Acrylic collage | 41 x 63.5 cm | July 24, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Artist's Mother | Painting | Oil | 10 cm (diameter) | 1952 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Asean Odyssey | Painting | Acrylic collage | 39 x 60 cm | August 8, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Asean Sea | Painting | Acrylic collage | 28 x 41 cm | June 14, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Astral Odyssey | Painting | Oil on wood | 164 x 247.4 cm | November 2, 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Aurora | Painting | Acrylic collage | 91.4 x 134.6 cm | 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Back of a Young Man | Painting | Oil on Canvas | 28 x 23 cm | 1952 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A young man's back, exposed. It is compelling for its use of the "backlighting effect," a technique highly identified with Fernando Amorsolo. | |||
Back of Male Nude | Drawing | Colored pencil on paper | 1989 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A drawing of the back of a nude, male form. It exhibits Joya's bias for the idealized muscular build, not unlike those of body-builder's. | ||||
Bacolod from the Air | Painting | Mixed Media on Ceramic Tiles | 23 x 55 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Balete Trees | Painting | Oil | 30.5 x 38 cm | 1953 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Bicol Express | Painting | Acrylic | 56 x 76 cm | November 22, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Binhi, Seed | Painting | Oil on Canvas | 121 x 121 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Birth (Triptych) | Painting | Mixed Media on Ceramic Tiles | 33 x 62.5 cm | 1975 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Blue Horizon | Painting | Acrylic collage | 38 x 58.5 cm | April 13, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Lantern | Painting | Acrylic collage | 35.5 x 57 cm | April 10, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Magic | Painting | Acrylic collage | 91.4 x 134.6 cm | 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Niagara | Painting | Acrylic collage | 82 x 133.3 cm | September 12, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Shrine | Painting | Acrylic collage | 75.5 x 110 cm | April 20, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Sonata | Painting | Acrylic collage | 51 x 65 cm | March 4, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Tide | Painting | Oil | 121.8 x 162.5 cm | November 14, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Boat Cruise | Painting | Acrylic on paper | 38 x 58.5 cm | October 15, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Break Waters | Painting | Oil on Canvas | 76.5 x 61 cm | March 12, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Brick Bridge | Painting | Acrylic collage | 57 x 71 cm | September 3, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Buhawi | Ceramic | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||||
Bulacan Reflections | Painting | Oil on Canvas | .91 x 1.82 m | November 18, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Caballero Trees | Painting | Acrylic on paper | 23 x 38 cm | October 15, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cadmium Red Square | Painting | Oil on Canvas | 65.8 x 49.6 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Cagayan Mountain Range | Painting | Acrylic | 91.4 x 182.8 cm | 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Calumpit | Painting | Oil | 55.8 x 35.5 cm | March 5, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Camiguin | Painting | Oil | 30.5 x 44.5 cm | 1975 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Carcar, Cebu | Painting | Acrylic collage | 36.7 x 57 cm | June 30, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Carillon Tower | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Carousel | Painting | Woodcut | 34 x 47 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Carousel | Colored print | 1956 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Showcases Joya's floating abstract figures and early non-representational work. | |||||
Cascade | Painting | Oil | 71.2 x 71.2 cm | 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cathedral | Painting | Tempera | 27 x 47 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cave Light | Painting | Acrylic | 25.5 x 33 cm | December 25, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cavite | Painting | Acrylic collage | 101.5 x 67 cm | August 7, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Celestial Explosion | Painting | Acrylic on canvas | 61 x 91.5 cm | August 14, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Celestial Sunburst | Painting | Acrylic on canvas | 61 x 91.5 cm | November 7, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Central Oasis | Painting | Acrylic collage | 56 x 76.5 cm | April 26, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Chapel of the Holy Sacrifice | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Church of the Risen Lord | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
City Entering the Edge of Sundown | Painting | Oil on Canvas | 139.7 x 177.8 cm | November 15, 1959 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Coast of Cavite | Painting | Acrylic on canvas | 120.5 x 90 cm (47.5 x 35.5 in) | 1992 | Jose T. Joya | National Artist in Visual Arts | In this highly dynamic piece, National Artist Jose Joya merges flat color fields and loose, spontaneous gestural strokes - evoking two of the most prominent facets of American Abstract Expressionism. The subject and colors, however, are distinctly Filipino - the earthy brown, shades of blue-grey, and hints of rust are tones that dominate coastlines both in rural Cavite and the rest of the archipelago. Capturing both the rugged yet palliative mood of the seaside, bronze tones, refined gradients, and vigorous splashes layer atop and mix together to form one lyrical spectacle climaxing at the center. This seamless marriage of the modern international movement and local landscapes makes this piece a quintessential Joya - epitomizing the remarkable oeuvres of the prime pioneer of Philippine abstraction. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Cocktails | Painting | Oil on Canvas | 83.8 x 114.3 cm | 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Code | Painting | Oil | 37 x 56.5 cm | March 23, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Code of Kalantiao | Painting | Oil | 121.8 x 162.5 cm | 1967 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Columbia | Painting | Oil on marine plywood | 81.5 x 123 cm | May 4, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Conical Heap | Painting | Acrylic collage | 58.5 x 38.5 cm | July 31, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cosmic Trip | Painting | Acrylic | 25.5 x 33 cm | 1993 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Country Fair | Painting | Acrylic collage | 109 x 151 cm | October 23, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Country Ride | Painting | Acrylic collage | 50.8 x 67.2 cm | July 7, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Crumbling Hut, Dumangas, Iloilo | Drawing | Colored pencil on paper | 1983 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Dance of the Youth | Painting | Oil | 123 x 162.5 cm | 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Dancing Sun | Painting | Acrylic collage | 75 x 111 cm | March 8 1988 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Daybreak | Painting | Acrylic collage | 56 x 75 cm | November 25, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Decorative Painting | Painting | Oil on wood | 1958 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of Joya's early abstracts which he described as showing an "off-balanced, very oriental style." | University Art Collection (Executive House) | |||
Desert Dance | Painting | Acrylic collage | 56 x 76.5 cm | March 11, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Desert Light | Painting | Acrylic collage | 56 x 76.5 cm | January 31, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Details of Chartres Cathedral, Paris | Painting | Oil | 60.3 x 72.2 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Details of Notre Dame | Painting | Tempera and Sealing Wax | 50.8 x 80 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Dike | Painting | Acrylic collage | 25.5 x 33 cm | September 6, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Dimensions of Fear | Painting | Oil on Canvas | 101 x 298 cm | 1965 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Donato House, Vigan | Drawing | Pen and ink on paper | 1977 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture. | ||||
Dragon on the Roof | Painting | Acrylic collage | 102.5 x 67.5 cm | January 21, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Dream | Painting | Acrylic collage | 38 x 58.5 cm | September 8, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Drizzle on the Hill | Painting | Acrylic collage | 25.5 x 33 cm (10 x 13 in) | 1992 | Jose T. Joya | National Artist in Visual Arts | The familiar scene of raindrops kissing the earth is made anew in this collage. From paint splotches to overlapping mesh and paper, National Artist Jose Joya experiments with bold, loose lines; shapeless fields; and amonochrome palette in grey to depict a melancholic scene of a rainy day. The moon is found almost touching the hill, putting one in the perspective that is far and distant from the summit. In his refined abstraction, Joya captures the mood of a moment. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Early Rain | Painting | Acrylic collage | 25.5 x 33 cm | 1993 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ecru Light | Painting | Oil | 38 x 61 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Endangered Ozone | Painting | Acrylic collage | 76.5 x 56 cm | August 5, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Episode in Stockholm | Painting | Oil | 122 x 152.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Equinox | Painting | Acrylic collage | 67.5 x 102.5 cm | March 30, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ethereal Aura | Painting | Acrylic on canvas | 202 x 131 cm | 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Faded Yellow Era | Painting | Acrylic | 25.5 x 33 cm | March 7, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Farcical Masks | Painting | Acrylic | 76.2 x 61 cm | January 9, 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Father and Child | Painting | Pastel on paper | 1991 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Female Nude | Drawing | Watercolor and ink on paper | 1952 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A portrait of nude female model. One of Joya's student works, it displays his tentative lines which would disappear in his later works, according to Defeo. | ||||
Female Nude | Drawing | Pencil on paper | 1972 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | University Art Collection (University Library) | ||||
Female Torso | Sculpture | Wood | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of Joya's rare sculptures, showcasing his popular muscular and full-figured torso drawings actualized in three-dimensional space. The lines are clean, fluid, and economical, unvarying from the dominant linearity of Joya's nudes. | |||||
Festival Rhythm | Painting | Acrylic | 91.5 x 183 cm | March 31, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fiesta | Painting | Oil | 54.5 x 67.3 cm | May 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fire Dance | Painting | Oil | 35.5 x 56 cm | November 2, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fire Lake | Painting | Acrylic | 85 x 85 cm | 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fire Light | Painting | Acrylic collage | 38 x 58.5 cm | August 18, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fish | Ceramic | 1982 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Fishes | Painting | Plate | 32.4 cm (diameter) | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fishpond Reflections | Painting | Oil on Canvas | 178 x 117 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Flagellants | Painting | Oil on Canvas | 132 x 132 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Flash Rain | Painting | Acrylic collage | 25.5 x 33 cm | July 8, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Flashback | Painting | Acrylic on Board | 60.5 x 60.5 cm | 1972 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Fluvial Parade | Painting | Acrylic collage | 67.2 x 51.5 cm | June 14, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Forest Murmurs | Painting | Oil | 102.2 x 429.2 cm | 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fortune Hill | Painting | Acrylic | 91.4 x 182.8 cm | November 20, 1987 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fragmentary Yodel | Painting | Oil on Canvas | 46 x 61 cm | January 4, 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Framed Fishes | Painting | Plate | 33 cm (diameter) | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Freedom Boats | Painting | Acrylic on paper | 56 x 76.5 cm | August 10, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Full Cycle | Painting | Acrylic collage | 25.5 x 33 cm | July 20, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fun Strip | Painting | Oil | 56 x 71 cm | September 7, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Game | Painting | Oil | 35.5 x 55.8 cm | 1978 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Gates of Hapiness | Painting | Acrylic on Canvas | 122 x 78.5 cm | 1979 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Gemini | Painting | Oil on Canvas | 152.5 x 210.8 cm | 1966 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Geyser | Painting | Acrylic | 25.5 x 33 cm | August 6, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Global Warming | Painting | Acrylic collage | 1990 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | An abstract of Joya's that showed his shift from volatile energy to kinematics, according to Defeo. His dynamism and movement remained, but displayed themselves in more tempered floatations, fluxes, and oscillations rather than flustered outbursts. The pieces then featured geometric planes, rhytmic elements, with the brushstrokes and echo lines showing more control and calculation. As a result, the resulting compositions became "tidier." | ||||
Global Warming | Painting | Acrylic collage | 101.5 x 75 cm | Janary 30, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Golden Dragon | Painting | Acrylic collage | 101.5 x 67.2 cm | 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Golden Valley | Painting | Acrylic on canvas | 76 x 61 cm | August 1, 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Granadian Arabesque | Painting | Oil on Canvas | 119.4 x 305 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Granite Mountain | Painting | Acrylic collage | 25.5 x 33 cm | March 18, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Gray Afternoon | Painting | Oil | 47 x 63.5 cm | 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Green Mansion | Painting | Acrylic collage | 61 x 51 cm | March 25, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Green Sprouts | Painting | Oil | 45.7 x 35.5 cm | 1968 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Green Tunnels | Painting | Acrylic | 65.4 x 99.3 cm | June 9, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Guilin | Painting | Acrylic | 25.5 x 33 cm | January 22, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Heavenly Bodies | Painting | Acrylic | 45.5 x 61 cm | 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Heavenly Temple, Peking | Drawing | Pen and ink on paper | 1979 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture. | ||||
Hideaway | Painting | Oil on Canvas | 91.5 x 183 cm | March 30, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Hill Top | Painting | Oil on Canvas | 78.5 x 58.5 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Hill Town | Painting | Acrylic on paper | 25.5 x 53 cm | September 2, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Hills of Nikko, Japan | Painting | Oil on Canvas | 172.7 x 177.8 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | NMG. No.655 as cited in Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | |||
Hong Kong | Painting | Acrylic collage | 38 x 58.5 cm | April 8, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Horizon | Painting | Ceramic slab | 31.5 x 24 cm | 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
House of Life | Painting | Oil on Canvas | 116 x 116 cm | 1960 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Huang Po River, Shanghai | Painting | Acrylic on canvas | 181.5 x 138.5 cm | May 3, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Hymn | Painting | Oil | 35.5 x 55.8 cm | January 1980 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ilocos Sand Dunes | Painting | Acrylic collage | 91.4 x 182.8 cm | November 15, 1984 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Impulse | Painting | Oil | 30.5 x 43.2 cm | November 6, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Isang Umaga | Painting | Oil | 30.5 x 45 cm | November 16, 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Island Playground | Painting | Acrylic collage | 67 x 102.5 cm | January 15, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Jar | Ceramic | 1975 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Jar | Ceramic | 1976 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Karate | Painting | Oil on wood | 61 x 76 cm | August 1, 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Kasulugan | Ceramic | 1976 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Kun Yam Temple | Painting | Oil | 63.5 x 49.5 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Kundiman | Painting | Oil | 35.5 x 58.4 cm | November 14, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Landscape of the Inner Eye | Painting | Oil on Canvas | 115.5 x 115.5 cm | 1958 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Landslide | Painting | Acrylic collage | 25.5 x 33 cm | July 27, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Lanterns of Enlightenment | Painting | Oil on wood, triptych | 163.8 x 369 cm | 1977 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya); Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ligawan | Painting | Oil on Canvas | 1948 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | It depicts a formal courtship, carried out before the watchful presence of family members. It features classics of western art such as the Greek sculpture in the background, the presence of mirror reflections (popularized by Van Eyck), and the powerful chiaroscuro lighting of artists like da Vinci and Caravaggio. | ||||
Lin Yin Temple, Hangchow | Painting | Acrylic collage | 20 x 26.5 cm | March 1, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Lion Dance | Painting | Acrylic | 91.5 x 183 cm | 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Loreto | Painting | Oil | 40.5 x 30.5 cm | 1953 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Love Rite | Painting | Oil | 182.8 x 243.8 cm | February 13, 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Madrid | Drawing | Charcoal on paper | 1955 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Main Library | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Makati | Painting | Oil | 56 x 35.5 cm | September 26, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Makati Skyline | Painting | Acrylic collage | 91.5 x 183 cm | September 11, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Male Torso | Sculpture | Wood | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of Joya's rare sculptures, showcasing his popular muscular and full-figured torso drawings actualized in three-dimensional space. The lines are clean, fluid, and economical, unvarying from the dominant linearity of Joya's nudes. | |||||
Manila Bay | Painting | Oil | 24.8 x 38 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Manila Bay, 6:00 PM | Painting | Oil on paper | 35.5 x 56 cm | June 9, 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Marginal Forest | Painting | Acrylic | 38 x 58.5 cm | October 15, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Marikina | Painting | Oil | 56 x 71 cm | October 10, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mary Magdalene | Painting | Acrylic collage | 66 x 50.8 cm | 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
May Festival | Painting | Acrylic on paper | 58.5 x 38 cm | May 25, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Memories of Malacca | Painting | Acrylic collage | 56 x 75 cm | April 20, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Memories of Qin Ling Mountain | Painting | Acrylic collage | 57.1 x 72.3 cm | March 13, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Middle-Aged Man | Painting | Oil on Canvas | 38.5 x 30 cm | 1952 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||
Mind Landscape I | Painting | Oil | 81.2 x 122 cm | July 21, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mind Lanterns | Painting | Acrylic collage | 56 x 75.6 cm | March 23, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mind Tunnels | Painting | Acrylic | 25.5 x 33 cm | April 10, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mindanao Feast | Painting | Oil | 56 x 35.5 cm | June 12, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Minds Caves | Painting | Acrylic collage | 38.5 x 102.5 cm | October 19, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Moriones | Etched print, 2nd Proof | 1974 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | University Art Collection (College of Fine Arts), gifted by the artist | |||||
Mother and Child | Painting | Pastel on paper | 1995 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A figure drawing of a mother and child with unremarkable faces, demonstrating that Joya resists dependence on facial expressions to communicate emotion. He instead creates interest through his mastery of lines. This is shown in the mother's arms, her billowing veil and sleeves, the striped pattern in the clothes, and the outline of the boy's body and hair. | ||||
Mother Earth | Painting | Oil | 91.4 x 121.9 cm | November 14, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mountain Façade | Painting | Acrylic collage | 1991 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of Joya's pieces featuring texture, both actual and simulates, as prominent elements. He used materials such as sand and kalsomine to highlight the painterly quality of his early works. He also used handmade paper with very visible fibers to provide the tactile component of his later works. | ||||
Mountain Façade | Painting | Acrylic collage | 25.5 x 33 cm | February 25, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mountain Ridge | Painting | Acrylic collage | 25.5 x 33 cm | 1991 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mountain Tip | Painting | Acrylic | 33 x 25.5 cm | April 20, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mountain Trail | Painting | Acrylic on paper | 1995 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | An example of Joya's abstract work which, according to curator Rubén D. F. Defeo, can be appreciated as visualizations of explosive energy. As such, his works were often associated with Jackson Pollock and the New York School. | ||||
Mountain Trail | Painting | Acrylic | 25.5 x 33 cm | February 21, 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mural | Painting | Oil on Canvas | 550 x 700 cm | 1976 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Muralla | Painting | Acrylic collage | 108 x 75 cm | September 30, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Nanking | Painting | Oil on Canvas | 30.4 X 43.1 cm | Jose T. Joya | University of the Philippines Library | |||||
Nasugbu | Painting | Oil | 76 x 56 cm | March 4, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Nasugbu | Painting | Acrylic collage | 56 x 67.5 cm | June 12, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
New World | Painting | Acrylic collage | 91.4 x 134.6 cm | November 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Niad | Painting | Oil on Canvas | 605 x 15.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Night Fire | Painting | Acrylic collage | 56 x 75 cm | February 10, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Nude Boy | Drawing | Colored pencil on paper | 1974 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Nude Male | Drawing | Pencil on paper | 1973 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | University Art Collection (University Library) | ||||
Ocean View | Painting | Acrylic | 25.3 x 33 cm | December 25, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ode to Heidelberg | Painting | Acrylic collage | 109 x 75 cm | August 28, 1984 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Odyssey into the Inner Self | Painting | Acrylic collage | 101.5 x 72.5 cm | September 18, 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Old Man | Painting | Oil on Canvas | 1952 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Orange Moon | Painting | Acrylic collage | 55.8 x 38 cm | January 20, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Oton | Painting | Acrylic on Canvas | 61 x 77 cm | 1976 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Over the Rainbow, Shanghai | Painting | Acrylic collage | 56 x 76.5 cm | March 26, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Paco Park | Painting | Oil | 56 x 35.5 cm | January 1980 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Padang | Painting | Acrylic collage | 56 x 76.5 cm | October 2, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pagdiriwang | Painting | Oil | 5.5 x 7 cm | 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pageant | Painting | Acrylic collage | 65.4 x 48.8 cm | September 3, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pahiyas | Painting | Acrylic | 58.5 x 38 cm | 1993 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Paper Fish | Painting | Acrylic on Paper | 50 x 66 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Patrol | Painting | Acrylic | 66 x 50.8 cm | May 19, 1971 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Peace Route | Painting | Oil on Canvas | 91.5 x 183 cm | February 21, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
People Power | Painting | Acrylic on canvas | 87 x 174 cm | May 21, 1986 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pinatubo Prism | Painting | Acrylic collage | 33 x 25.3 cm | September 6, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Plate | Ceramic | 1982 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Playground of the Mind | Painting | Acrylic collage | 67.5 x 102.5 cm | March 31, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Porac | Painting | Acrylic on paper | 58.5 x 38 cm | August 28, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Portrait of Nene Borja | Drawing | Pencil on paper | 1952 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A pencil portrait of Nene Borja, the sole female in the graduating batch of 16 students in the UP School of Fine Arts in 1953. | University Art Collection (University Library) | |||
Primitive Disc | Painting | Intaglio | 15 x 16 cm | 1971 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Prismatic Vista | Painting | Oil | 56 x 35.5 cm | June 17, 1980 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pulsation | Painting | Oil | 121.8 x 162.5 cm | February 8, 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Puppets | Painting | Acrylic collage | 56.5 x 71 cm | October 28, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Puti | Painting | Oil | 61 x 61 cm | February 8, 1972 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Qin Ling Mountain | Painting | Acrylic collage | 67 x 101.5 cm | November 30, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Quiapo Nazarene Festival | Painting | Oil | 140 x 178 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Rain on the Lake | Painting | Acrylic collage | 58.5 x 38 cm | August 18, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Red Sarimanok | Painting | Oil on Canvas | 150.5 x 75 cm | 1964 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Red Song | Painting | Oil | 45.5 x 45.5 cm | 1966 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Red Talisman | Painting | Oil on Canvas | 57.1 x 57.1 cm | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Features Joya's affinity towards abstract shapes and attention to coloration like warm-on-warm, as seen here. | |||
River Parade | Painting | Acrylic collage | 67.5 x 46.5 cm | October 1, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Riverside | Painting | Acrylic collage | 46.5 x 67.5 cm | October 9, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sa Pula Sa Puti | Painting | Acrylic | 58.4 x 38 cm | April 17, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sa Pula Sa Puti (2) | Painting | Acrylic | 33 x 25.5 cm | March 12, 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
San Miguel, Bulacan | Painting | Acrylic collage | 56 x 75 cm | April 20, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sand Dunes | Painting | Oil on Wood | 86 x 106.5 cm | 1973 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Sand Island | Painting | Acrylic collage | 45.8 x 67.3 cm | June 12, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sangley Point (Dacion En Pago) | Painting | Oil on Canvas | 90 x 181 cm | 1977 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
https://httppinoyartshub.wordpress.com/ | Save the Earth | Painting | Acrylic | 58.4 x 38 cm | April 19, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | |||
Scarlet Drama | Painting | Acrylic collage | 50.8 x 33 cm | February 14, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Seated Old Man | Drawing | Colored pencil on paper | 1974 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A drawing of an old man; his isolation is emphasized by his compact form placed off-center against a sparse background. | ||||
Self-Portrait | Painting | Oil | 63 x 51 cm | 1952 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Serenade | Painting | Oil | 35.5 x 56 cm | October 28, 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Shooting Galery | Painting | Oil on Panel | 60 x 80 cm | 1967 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Shout of the Sea | Painting | Acrylic on paper | 56 x 76 cm | January 21, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sibol | Painting | Acrylic collage | 67.2 x 55.8 cm | July 21, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sierra Madre | Painting | Acrylic collage | 36 x 54 cm | August 2, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Wikimedia Commons | Silay Landscape | Painting | Acrylic on Canvas | 75 x 60.5 cm | 1976 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | |||
National Museum of the Philippines | Society Matron | Painting | Oil on wood | 76 x 61 cm | 1966 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | |||
Sound Break | Painting | Acrylic collage | 91.5 x 122 cm | November 6, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Soundwaves of Manila Bay | Painting | Acrylic | 56 x 76 cm | March 21, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Space Transfiguration | Painting | Oil on Canvas | 1959 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Space Transfiguration | Painting | Oil on Canvas | 152.3 x 177.8 cm | February 5, 1959 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Spirit of ASEAN | Painting | Acrylic collage | 1992 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Spirit of Asean | Painting | Acrylic collage | 28 x 41 cm | May 19, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Stone Lion | Painting | Acrylic collage | 51 x 67.3 cm | October 23, 1972 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Stone Quarry | Painting | Oil | 77.5 x 124.5 cm | August 4, 1959 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Storm Signal II | Painting | Acrylic collage | 100.2 x 129.5 cm | July 21, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Study after Hidalgo | Draiwing | Ink on paper | 1951 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Study for a Mural | Painting | Acrylic | 23 x 46 cm | 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Study for a Mural (2) | Painting | Acrylic | 30.5 x 23 cm | 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Study for Homage to Vasarely | Drawing | Pen and ink on paper | 1967 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Study of an Old Man | Drawing | Pencil on paper, back to back | 1952 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Back-to-back studies made on a sketchpad. | University Art Collection (University Library) | |||
Summer Retreat | Painting | Acrylic collage | 76.5 x 56 cm | May 16, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Summer's End, Edo | Painting | Acrylic | 36 x 69 cm | November 10, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sundial | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Sunrise Rites | Painting | Acrylic collage | 91.4 x 134.6 cm | 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sunshine Country | Painting | Acrylic collage | 38 x 58.5 cm | 1993 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tagaygay Mist | Painting | Oil on Canvas | 152.5 x 274.5 cm (60 x 108 in) | 1990 | Jose T. Joya | National Artist in Visual Arts | One of the largest paintings of National Artist Jose Joya, the master of the Philippine abstract expressionist movement, still in private hands, Tagaytay Mist holds within its frame the consummate skill of an artist at his apogee. Primary and pastel colors float above each other, clustered in the center and spreading out into the edges. There is purpose to the arrangement of the wafting forms, as incongruent lines move the viewer’s eyes in a small dance around the canvas. Joya shows a control and restraint that is not usually associated with the genre, and in doing so reclaims and expands its boundaries to meet his unique vision. There is something essentially Orientalist about Joya’s work, exuding the local through his calligraphic aesthetic. Differing from the Western postwar expressionist stalwarts such as Pollock and Rothko, Joya draws out a quintessentially Filipino spirit in gestural strokes of green and blue, subtly hinting to a transparency that he and his modernist contemporaries had honed. There is a feeling of lightness, and a unarticulated breeze that wafts through the canvas and shadows the senses of the viewer, provoking the familiar sensation of a crisp mountain breeze. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Tagaytay Mist | Painting | Oil on Canvas | 1.52 x 2.74 m | November 18, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tavern | Painting | Acrylic collage | 58.5 x 38 cm | March 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Temple on a Hll | Painting | Acrylic collage | 58.5 x 38 cm | November 22, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Big Circus | Painting | Acrylic collage | 38 x 58.5 cm | 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Caravan | Painting | Acrylic collage | 75.5 x 110 cm | April 3, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Jester | Painting | Acrylic collage | 101.5 x 67 cm | October 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Legend of the Sarimanok | Painting | Acrylic collage | 1.5 x 3.5 m | September 22, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Origins | Painting | Oil on Canvas | 203 x 351.5 cm | October 8, 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Ozone | Painting | Acrylic collage | 76 x 109.2 cm | April 9, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Ozone | Painting | Acrylic collage | 67 x 102.5 cm | March 21, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Rainbow | Painting | Acrylic collage | 56 x 67.5 cm | August 5, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Twelfth Night | Painting | Acrylic collage | 105.5 x 67 cm | January 6, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Universe Within a Square | Painting | Oil on marine plywood | 81.5 x 123 cm | 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Visayans | Embossed print, R 6/25 | 1974 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Swirling patterns inspired by the heavily tattooed bodies of the Pintados of the Visayas, displaying abstract, geometric patterns. | University Art Collection (College of Fine Arts), gifted by the artist | ||||
The Visayans | Painting | Intaglio | 19 x 25.33 cm | 1972 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Three Tales | Painting | Oil on Canvas | 177.8 x 274.5 cm | 1958 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tiananmen | Painting | Acrylic collage | 138 x 205 cm | May 15, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tiles | Ceramic | 1976 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Torogan | Painting | Acrylic on canvas | 90 x 120 cm | October 8, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Transparent Fantasy | Painting | Acrylic collage | 50.8 x 67.3 cm | January 1, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tree of Life | Painting | Oil | 35.5 x 55.8 cm | July 3, 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tutubi | Woodcut, 77/210 | 1967 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of noticeably Filipino-themed prints Joya created in a desire to use decorative motifs that were uncommon to his then western environment. | |||||
Two Boys, Cebu | Drawing | Colored pencil on paper | 1995 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Two Male Nudes | Drawing | Colored pencil on paper | 1989 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Two Studies | Painting, Drawing | Pencil and watercolor on paper | 1953 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Depicts the subjects participating in traditional crafts such as weaving, mat-making, carving, and pottery. | ||||
Two Women | Drawing | Ink on paper | 1956 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A drawing of two women, reflecting Joya's experimentations with the one line technique, simplified abstraction and exaggeration. | University Art Collection (University Library) | |||
Unititled (1956) | Painting | Tempera | 21.5 x 28.5 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitiled (Burning of Loreto) | Painting | Watercolor on paper | 1951 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A depiction of the burning of Loreto Church in Sampaloc. It is striking for its powerful expressions of the haunting, sorrow-stricken and beseeching masses against the burning red background. It also features Joya's (who was an art student at the time) awkward proportions, perspective, and foreshortening. | ||||
Untitled (1957) | Painting | Oil on board | 28.5 x 37.2 cm | 1957 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1959) | Painting | Oil on paper | 16 x 20.2 cm | 1959 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1960) | Painting | Oil on paper | 11.5 x 13.8 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1962) | Painting | Oil on paper | 25.2 x 43 cm | 1962 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1964) | Painting | Oil | 29 x 56.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1964) | Painting | Oil on paper | 15.5 x 21.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1964) (2) | Painting | Oil | 15 x 17 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1964) (3) | Painting | Oil | 30.5 x 44.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1987) | Painting | Acrylic collage | 51 x 66 cm | 1987 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1987) (2) | Painting | Acrylic collage | 33 x 25.5 cm | 1987 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1994) | Painting | Acrylic | 91.5 x 61 cm | 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1995) | Painting | Acrylic | 61 x 91.5 cm | 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1995) (2) | Painting | Acrylic | 59.5 x 38.5 cm | 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (Nude Couple) | Painting | Pastel on paper | 43.5 x 57 cm (17 x 22 1/2 in) | 1995 | Jose T. Joya | National Artist in Visual Arts | The lightness brought forth by the pastel medium both comprises and compliments the intimate scene sketched by National Artist Jose Joya. A woman rests her head on the lap of her lover, pulling him closer by the hand as the latter responds with a fond gaze. There is more to happen in the scene, but the artist chooses to render a moment in time captured. | |||
Untitled (NYC series) | Painting | Pen and ink | 28.5 x 35 cm (11 1/4 x 13 3/4 in) | Jose T. Joya | National Artist in Visual Arts | |||||
Untitled (Portrait of a Woman) | Painting | Oil on Canvas | 1952-1953 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A woman sitting sideways. An example of a portrait that Joya wanted to rework, with "misplaced highlights" indicating areas he intended to fix. | ||||
Untitled (Woman) | Painting | Sketch | 26.2 x 43.5 cm (10 x 17 in) | 1976 | Jose T. Joya | National Artist in Visual Arts | The pioneer of abstraction in the Philippines displays his inimitable versatility in this figurative sketch. A youthful woman gently sits slouched on a chair: her face both contemplative and at ease. A quiet, intimate mood is drawn with soft outlines, muted colors, and thick, light strokes creating depth. Nevertheless, Joya’s controlled shading and articulated lines evident in this piece prevail even in his most abstract drawings. The work thus exemplifies how Joya’s merit lay not merely in grasping a particular abstract style, but in mastering fundamental drawing skills in order to effectively evoke a feeling. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
UP Theater | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Urban Beat | Painting | Oil | 57 x 36 cm | December 15 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Vanishing Blue Ants | Painting | Acrylic collage | 108.5 x 66 cm. | 1994 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Venetian Female Model | Painting | Oil on Canvas | 1949 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A woman sitting still, with a dreamy face. The focus is on the lady's blouse and the curtain in the background. | ||||
Virgin of Peñafrancia | Painting | Oil on plywood | 76.2 x 61 cm | 1966 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Visayan Melody | Painting | Acrylic collage | 67.3 x 50.8 cm | 1976 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Vista Beyond Vision | Painting | Acrylic collage | 36 x 52 cm | August 2, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Wanchai | Painting | Acrylic collage | 38 x 58.5 cm | April 4, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Warm Afternoon | Painting | Oil | 40.5 x 81 cm | September 15, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
National Museum of the Philippines | West Lake, Hangzhou | Drawing | Pen and ink on paper | 1972 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture. | |||
Western End HK | Painting | Acrylic collage | 38 x 58.5 cm | February 28, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
White Poem | Painting | Oil | 86.5 x 183 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
White Shrieks | Painting | Oil on lawanit | 122 x 152 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
White Symbol | Painting | Oil | 61 x 81.2 cm | 1967 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Winter Light | Painting | Acrylic | 101 x 76 cm | February 12, 1978 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Yellow Era | Painting | Acrylic collage | 33 x 25 cm | June 11, 1987 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Yeseria IV | Painting | Oil on Canvas | 164 x 116.7 cm | 1955 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Yeseria VII | Painting | Oil on Canvas | 60 x 122 cm | 1958 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||
Yin Yang | Painting | Acrylic collage | 101.6 x 66 cm | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Zarraga, Iloilo | Drawing | Pen and ink on paper | 1980 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture. | ||||
Zen Black | Painting | Acrylic collage | 134.6 x 91.4 cm | 1982 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Zen Garden | Painting | Acrylic collage | 38 x 58 cm | August 21, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Marikina | Painting | Acrylic on Board | 55.50 x 71.50 cm. / 21.87 x 28.17 in. | 1981 | Jose T. Joya | Galleria Duemila | Ref. Number GDP-9058 (https://galleriaduemila.com/web2003/collection/jjo/jjo09058.html) | |||
Four Seasons (4 panels) | Painting | Oil on Paper | 37.50 x 62.50 cm. / 14.77 x 24.63 in. | 1960 | Jose T. Joya | Galleria Duemila | Ref. Number GDP-9167 (https://galleriaduemila.com/web2003/collection/jjo/jjo09167.html) | |||
Nude Woman | Sketch | Pastel on Paper | 44.00 x 30.00 cm. / 17.34 x 11.82 in. | 1974 | Jose T. Joya | Galleria Duemila | Ref. Number COP-540 (https://galleriaduemila.com/web2003/collection/jjo/jjo00540.html) | |||
Nude Woman | Sketch | Pastel on Paper | 43 x 29 cm. / 16.94 x 11.43 in. | 1973 | Jose T. Joya | Galleria Duemila | Ref. Number COP-535 (https://galleriaduemila.com/web2003/collection/jjo/jjo00535.html) | |||
Ang Paslit (male) | Sketch | Pastel on Paper | 45 x 30 cm. / 17.73 x 11.82 in. | 1974 | Jose T. Joya | Galleria Duemila | Ref. Number COP-538 (https://galleriaduemila.com/web2003/collection/jjo/jjo00538.html) | |||
Male Nude (1) | Sketch | Pastel on Paper | 43.00 x 29.00 cm. / 16.94 x 11.43 in. | 1974 | Jose T. Joya | Galleria Duemila | Ref. Number COP-532 (https://galleriaduemila.com/web2003/collection/jjo/jjo00532.html) | |||
Male Nude (2) | Sketch | Pastel on Paper | 43.00 x 29.00 cm. / 16.94 x 11.43 in. | 1974 | Jose T. Joya | Galleria Duemila | Ref. Number COP-534 (https://galleriaduemila.com/web2003/collection/jjo/jjo00534.html) | |||
Labyrinth | Painting | Oil on Canvas | 86 cm x 117 cm | 1960 | Jose T. Joya | Leon Gallery | Private collection | |||
Suso | Sculpture | Jose T. Joya | Philippine International Convention Center | “Suso”, the first and only sculpture by renowned National Artist, Jose Joya, was an inconspicuous masterpiece of PICC. https://www.facebook.com/watch/?v=412906519233772 | PICC Collection | |||||
Abstract (Manila) | Painting | Oil and metallic paint on wood | Undated | Jose T. Joya | Kalaw-Ledesma Foundation Inc. Facebook | Joya's art depicts a world beyond physical reality. Abstract (Manila) is made up of streaks of black, white, pink, grey, and beige paint on wood board. There are parts where colors are spread in a controlled manner, as though one puts butter on bread, while there are portions of the composition where paint is smeared in varying degrees of spontaneity and force. | Kalaw-Ledesma Foundation Inc | |||
Hala Bira | Painting | Acrylic collage | 1992 | Jose T. Joya | Kalaw-Ledesma Foundation Inc. Facebook | Today's featured work is Hala Bira, an Aklanon phrase which means to "dispense of all things." It is chanted in religious festivals such as the Ati-Atihan and Dinagyang in the Visayas. Joya's work combines diaphanous and textured shapes and layers of festive colors. What can you imagine from the work's dense composition? | Kalaw-Ledesma Foundation Inc | |||
Two Faces of Villa Fernandina | Painting | Oil on Canvas | 161.5 x 120.5 cm | 1970 | Jose T. Joya | Salcedo Auctions | This work is best seen as a bird’s eye view of a large tract of land, its rich primary color blocks straddling the energetic force of abstract expressionism and the detached stillness and cerebral quality of geometric abstraction. This is the largest work by the artist to come to the auction market in recent time. | |||
Folk Dance | Painting | Oil on Wood | 91.4 x 128.9 cm | 1977 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Forty years of Cesar Legaspi : a retrospective exhibition, 3 August to 27 September, 1978 | n/a | n/a | n/a | 1978 | Cesar T. Legaspi | Museum of Philippine Art [1978n]. | Publication/Exhibition | |||
Foundation of Philippine Linguistic | Painting | Tempera on Cardboard | 47 x 54 cm | 1967 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Four Heads | Painting | Oil on Wood | 1970 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Frugal Meal | Painting | Oil on Canvas | 58.4 x 41.9 cm | undated | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Gadget I | Painting | Oil on Canvas | 105 x 68 cm | 1948 | Cesar T. Legaspi | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | Four male figures, with lean and exaggerated musculature, stand amidst cogs and wheels. The arms of each figure extend in varying directions as their hands merge with the mechanica gadgets. The painting is rendered in deep shades of green, red, and purple. | Lucila Atacadero Salazar Collection/ Aurelio Sevilla Alvero Collection | ||
Gadget II | Painting | Oil on Canvas | 101 x 69 cm | 1949 | Cesar T. Legaspi | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Gadgets I | Painting | Oil on Canvas | 105 x 68 cm | 1948 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Gadgets III | Painting | Oil on Canvas | 101 x 69 cm | 1949 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Gadgets III | Painting | Oil on Wood | 56 x 33.5 cm | 1952 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Girl wth Mirror | Painting | Oil on Masonite | 90 x 54 cm | 1974 | Cesar T. Legaspi | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Gleaners | Painting | Oil on Canvas | 57 x 40 cm | 1946 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
GOMBURZA | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Grand Canyon | Painting | Oil on Plywood | 74.6 x 51.8 cm | 1981 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Green Flame | Painting | Oil on Canvas | 107 x 59 cm | 1960 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Group | Painting | Oil on Plywood | 60.5 x 106.2 cm | 1971 | Cesar T. Legaspi | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Guitarista | Painting | Oil on Canvas | 51 x 41 cm | 1951 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Icon | Painting | Oil on Wood | 64.8 x 42.2 cm | 1970 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Idols | Painting | Oil on Canvas | 72.8 x 51.3 cm | 1940 | Cesar T. Legaspi | Edades and the 13 Moderns (1995). | A head of a well-groomed man is found at the center of the canvas. Three female figures are seated at the bottom section section with their heads and arms raised to the central image. An autograph book is found at the center right while the phrase "POPULAR DEMAND" is inscribed at the top left section. The painting is rendered in varying shades of orange and green. | Paul and Helen Chan Collection | ||
Idols of the Third Eye | Painting | Gouache on Board | 44.4 x 58 cm | 1957 | Cesar T. Legaspi | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Idols of the Third Eye | Painting | Oil on Canvas | 44.4 x 58 cm | 1957 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Igorot Festival | 1951 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||||
In Deep | Painting | Oil on Canvas | 64.5 x 124 cm | 1992 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Innerscape | Drawing | Ballpen on Paper | 9 x 12.8 cm | 1987 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Itlog na Maalat | Painting | Oil on Plywood | 60 x 90 cm | 1973 | Cesar T. Legaspi | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Jugglers | Painting | Oil on Canvas | 113.7 x 141 cm | 1992 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Landscape | Painting | Oil on Canvas | 73 x 66 cm | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Lanzones | Painting | Patel on Paper | 60 x 45 cm | 1981 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Lavanderas | Painting | Oil on Canvas | 53 x 38 cm | 1946 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Leaves | 35 x 26 cm | 1961-1964 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | Reprinted by Virgilio Aviado in 1993 in etching and aquatint | |||||
Legazpi drawings : padding around Asia, Europe, and America with a ball point pen | n/a | n/a | n/a | 1990 | Cesar T. Legaspi | 1990 - The Brix Gallery, ; Makati | Publication | |||
Los Abanicos | Painting | Oil on Canvas | 58.4 x 73.7 cm | 1973 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Lot Next Door | Painting | Oil on Canvas | 54 x 76 cm | 1950 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Lourdes | Painting | Watercolor | 39 x 30 cm | 1980 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Mad Hour | Oil on Canvas | 122 x 288.5 cm | 1988 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Mag-anak | Painting | Oil on Canvas | 77 x 51 cm | 1973 | Cesar T. Legaspi | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Magtatagal | Painting | Oil on Canvas | 73 x 105 cm | 1982 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Malacanang Ball | Painting | Oil on Wood | 60 x 121.5 cm | 1964 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Man | Painting | Oil on Canvas | 91 x 61 cm | 1978 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Man Alone | Painting | Oil on Canvas | 45.7 x 30.5 cm | 1991 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Man and Woman | Painting | Oil on Masonite | 66 x 51 cm | 1952 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Mealtime | Painting | Oil on Wood | 61 x 41.9 cm | 1951 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Monument | 33.5 x 25 cm | 1961-1965 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | Reprinted by Virgilio Aviado in 1993 in etching and aquatint | |||||
Morning Dance | Painting | Oil on Plywood | 90 x 180 cm | 1975 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Mother and Child | Painting | Oil on Canvas | 61 x 46 cm | 1941 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Mother and Child | Painting | Oil on Wood | 61 x 32.4 cm | 1952 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Mother and Child | Painting | 1952 | Cesar T. Legaspi | Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | NMG No.658 | |||||
Mysterious Games | Painting | Oil on Wood | 61 x 91 cm | 1975 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Nagpipili ng Bigas | Painting | Oil on Canvas | 60 x 43 cm | 1946 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Night Scene | Painting | Oil on Plywood | 57.75 x 85 cm | 1971 | Cesar T. Legaspi | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Nightmare | Painting | Oil on Canvas | 75.5 x 60.5 cm | 1979 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Nude | Charcoal | 74.8 x 54 cm | 1979 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Nude | Painting | Oil on Canvas | 76 x 71 cm | 1979 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Nude Drawings | n/a | n/a | n/a | 2008 | Cesar T. Legaspi | De La Salle-College of Saint Benilde | Publication | |||
Onslaught | 54.5 x 35 cm | 1961-1963 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | Reprinted by Virgilio Aviado in 1993 in etching and aquatint | |||||
Ovary | Painting | Oil on Wood | 74.9 x 120.7 cm | 1960 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Palaspas | Painting | Oil on Canvas | 81 x 48 cm | 1955 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Paradise Found | Painting | Oil on Canvas | 71 x 91.5 cm | 1976 | Cesar T. Legaspi | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Patintero I | Painting | Oil on Wood | 74 x 112 cm | 1974 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Patintero II | Painting | Oil on Wood | 58.4 x 88.9 cm | 1975 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Peace | Painting | Oil on Canvas | 77 x 122 cm | 1986 | Cesar T. Legaspi | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Peace | Painting | Oil on Canvas | 77 x 112 cm | 1986 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Philippine Independence | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Philippine Matel Age | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Philippine Neolthic Stone Age | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Pillar of Fire | Painting | Oil on Canvas | 132 x 81.6 cm | 1992 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Portrait of Imelda Marcos | Painting | Pastel on Paper | 142 x 288 cm | 1978 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Predator | 34 x 49 cm | 1961-1967 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | Reprinted by Virgilio Aviado in 1993 in etching and aquatint | |||||
Pulang Dagat | Painting | Oil on Wood | 35 x 45 cm | 1978 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Randall and Pia Young Collection | Pencil on paper | 71 x 49.5 cm | 1988 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Reclining Nude | Painting | Oil on Canvas | 60 x 122 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Rising Tide 85' | Painitng | Oil on Canvas | 98 x 61 cm | 1986 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Ritual | Painting | Oil on Canvas | 80 x 60 cm | 1951 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Rocks | Painting | Watercolor on Paper | 46.5 x 58.6 | 1989 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Sabungeros | Painting | Oil on Wood | 73.6 x 88 cm | 1952 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Sentinels | Drawing | Ballpen on Paper | 1989 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Si Malakas at Si Maganda | Painting | Oil on Canvas | 61 x 81 cm | 1976 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Sick Child | Painting | Oil on Masonite | 48.3 x 38 cm | 1940 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Skecthes for Manunuklay | Pencil on Paper | 21.7 x 9.5 cm | 1946 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Sketch for Backyard | Pencil on Paper | 11 x 9 cm | 1946 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Sketch of Female Figure and Male Torso | Ballpen on Prescription Paper | 16.5 x 10.5 cm | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||||
Sketch of Ruins in Arle, Frances | Pencil on paper | 8 x 7 cm | 1981 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Sketch of Two Figures | Ballpen on Paper | 8.5 x 11.5 cm | 1988 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Song of Victory | Drawing | Oil on Cardboard | 8.6 x 14 cm | 1986 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Song to Victory | Painting | Oil on Canvas | 67 x 99 cm | 1986 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Stairway | Painting | Oil on Board | 70 x 54 cm | 1948 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Standing Figure | Painting | Oil on Wood | 62 x 40 cm | 1970 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Stone Workers | Painting | Oil on Canvas | 63.5 x 54 cm | 1950 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Street Incident | Painting | Oil on Wood | 59 x 119.5 cm | 1968 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Street Incident | Painting | Oil on Masonite | 60 x 120.5 cm | 1968 | Cesar T. Legaspi | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Struggle | Painting | Oil on Wood | 122 x 183 cm | 1978 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Study | Pencil on Paper | 23.8 x 15.5 cm | 1940 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Study | Drawing | Ballpen on Paper | 8 x 11.8 cm | 1992 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Study for Dancing Figures | Drawing | Pencil on Paper | 1970 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Study for Male Faces | Pencil on Paper | 21 x 14 cm | 1938 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Study of a Young Woman | Pencil on Paper | 22 x 14 cm | 1937 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Study of Study for Proposed Mural in Malacanang | Painting | Pencil on Paper | 16.7 x 17 cm | 1979 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Sugud | Painitng | Oil on Canvas | 59.5 x 80 cm | 1980 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Sungka | Painting | Oil on Canvas | 43 x 61 cm | 1953 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Superstition | Painting | undated | Cesar T. Legaspi | Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | NMG No.492 | |||||
Terra Incognita | Painting | Oil on Canvas | 167.5 x 244.5 cm | 1979 | Cesar T. Legaspi | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
The Age of Moslem Trade | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The American Period | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The Coming of the Spanish | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The Development of the Land | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The Guitarista | Painting | Oil on Canvas | 45 x 32 cm | 1946 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
The Idol | Painting | Oil on Canvas | 63 x 45 cm | 1949 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
The Katipunan | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The Kiss | Painting | Oil on Canvas | 51.8 x 45 cm | 1947 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
The Making of the Filipino Nation | Painting | Pencil on Illustration Board | 22,2 x 17.2 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
The Making of the Filipino Nation: The American Period | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The Memorial | Painting | Oil on Wood | 122 x 60 cm | 1966 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
The Mossy Place | Painting | Oil on Canvas | 49 x 39 cm | 1992 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
The Mourners | Painting | Oil on Canvas | 55 x 63 cm | 1946 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
The Old Wal | Painting | Oil on Wood | 72 x 56.8 cm | 1970 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
The Planters | Painting | Oil on Wood | 59 x 45 cm | 1947 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | A male figure, kneeling at the center, holds a seedling on his lefts hand while his right hand reaches down to the ground. A female figure, wearing a white bandana, stands behind him. Another male figure, holding a shovel, watches the two figures from the center left. Clusters of stylized structures rise from the left and right background. | p. 71 (61.3 x 46.3 cm) | Dominador and Celeste Gallardo Collection | |
The Propaganda Movement | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The Ritual | Painting | Oil on Canvas | 80 x 60 cm | Cesar T. Legaspi | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
The Survivor | Painting | Oil on Marine Plywood | 76 x 60.5 cm | Cesar T. Legaspi | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
The Survivor | Oil on Marine Plywood | 76 x 60.5 cm | 1976 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The Third Eye | Ballpen on Paper | 7.5 x 12 cm | 1987 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The Wall | Painitng | Oil on Canvas | 76.3 x 60.6 cm | 1986 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
The Wanderers | Painting | Oil on Wood | 121 x 181.27 cm | 1978 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Three Horses | Painting | Oil on Wood | 74 x 119.5 cm | 1978 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Tinikling | Painting | Oil on Wood | 89.2 x 181.5 cm | 1977 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Todos Los Santos | Painting | Oil on Wood | 19 x 27 cm | 1974 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Totemic Divagation II | Oil on wood | 116 x 44.2 cm | 1961 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Traces of Unknown God | Painting | Oil on Canvas | 62 x 92 cm | 1977 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Trade with China | Tempera on Illustration Board | 22.5 x 31.5 cm | 1972 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Transition | Painting | Oil on Canvas | 84.5 x 112.4 cm | 1992 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Tree Trunks | Painting | Oil in Canvas | 31.5 x 55.6 cm | 1990 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Trees on Rocks | Painting | Watercolor on Paper | 40 x 30 cm | 1989 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Tribal Rituals | Painting | Oil on Masonite | 120 x 169 cm | 1971 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Triptych | Painting | Oil on Wood | 128.8 x 722.4 cm | 1969 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Tropical Baroque | Painting | Oil on Canvas | 171 x 171 cm | 1988 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Turning Point | Painting | Oil on Canvas | 123 x 129 cm | 1985 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Two Bodies | Painting | Oil on Canvas | 56 x 71 cm | 1991 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Ubiquitous Moon | Painting | Oil on Canvas | 91 x 51 cm | 1965 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Underwater | Ballpen on Paper | 6.5 x 12 cm | 1991 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Unfinished Sketch | Ballpen on Paper | 18 x 12 cm | 1987 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Unfinished Study of Two Figures | Drawing | Ballpen on Paper | 12 x 15 cm | 1989 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Untitled (Nude) | Painting | Pastel | 59.69 x 74.93 cm (23 1/2 x 29 1/2 in) | 1984 | Cesar T. Legaspi | National Artist in Visual Arts | With her head turned to face the viewer, back unnaturally arched, and breasts and arms exaggerated, the laying nude figurepainted by National Artist Cesar Legaspi exudes an empowered presence. These subtle distortions show traces of Legaspi’s sharp, cubist tendencies, yet they are balanced out by supple and smooth gradations executed ina pastel medium giving the woman a graceful air. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Untitled (Nude) | Painting | Pastel | 93.35 x 72.39 cm (36 3/4 x 28 1/2 in) | Undated | Cesar T. Legaspi | National Artist in Visual Arts | Vital member of the Thirteen Moderns and Neo-Realists, National Artist CesarLegaspi exhibits his mastery in human anatomy in this female nude, appearing tranquil as she gazes at a faraway distance. The delicate strokes in pastel gradually grow rough and hazy as they move from the face to the torso, bringing light to the woman’s defying features—a graceful profile and the soft, natural waves of her hair. | |||
Valley of Three Moons | 33.5 x 25 cm | 1961-1966 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | Reprinted by Virgilio Aviado in 1993 in etching and aquatint | |||||
Vendor | Painting | Oil on Canvas | 54 x 40 cm | 1940 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Waterfall | Painting | Oil in Canvas | 40.1 x 56.5 cm | 1992 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Web | Painting | Oil on Canvas | 46.7 x 117 cm | 1992 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Wilderness | Painting | Pastel on Paper | 45.5 x 63 cm | 1976 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Windy Day | Painting | Pastel on Paper | 44 x 63 cm | 1975 | Cesar T. Legaspi | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Woman by a Woman | Painting | Oil on Wood | 50 x 75 cm | 1970 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Wood Gatherers | Painting | Oil on Canvas | 75 x55 cm | 1948 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Worshippers or Passion | Pencil on Paper | 11.5 x 9 cm | 1950 | Cesar T. Legaspi | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
Aguilar Alcuaz : wandtapijten. | Painting | 1973 | Federico Aguilar Alcuaz | Rizal Library, Ateneo de Manila University | Text by Leonidas V. Benesa. Photo reproductions by Nap Jamir | |||||
Federico Aguilar Alcuaz | Painting | c. 1967 | Federico Aguilar Alcuaz | Philippine Art Series [c1967]. | ||||||
Parallel texts : Federico Aguilar Alcuaz with Rod. Paras-Perez | Painting | c. 2005 | Federico Aguilar Alcuaz | Artlink Group,Inc. c2005. | ||||||
Untitled (Abstract) | Painting | Oil on Canvas | 27 x 34 cm (11 x 13 in) | 1979 | Federico Aguilar Alcuaz | National Artist in Visual Arts | National Artist Federico Aguilar Alcuaz refers to the terrain surrounding his beloved Barcelona in this abstract work that pays tribute to the painterly style of his artistic comrades in Spain in the 1960s, in particular the delineated, rough-hewn and gestural works of Antonio Saura. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
(South Islands) The Traders | Painting | Oil on Canvas | 115 x 89 cm | 1958 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
A Fisherman Making His Evening Catch | Painting | Oil on Canvas | 24 x 30 inches | 1944 | Fernando C. Amorsolo | Filipinas Heritage Library | Maxine Cacho Collection | |||
A set of 10 Nude Etchings | Painting | 28 x 43.2 cm (11 x 17 in) each | Undated c. irc. a 1920s | Fernando C. Amorsolo | National Artist in Visual Arts | One of the core appeals of Amorsolo’s cherished art work, was his impeccable skill to compose the human person in their most ideal light. Left with nothing to decorate their nude forms, these 10 charcoaled women exude a grace that radiates from the smooth gradient between shadow and light trickling on the curves of their forms. Light does not just accentuate them, but instead defines them, giving them dimensionality and existence in a plain of negative spa. | ||||
Afternoon Meal of the Rice Workers | Painting | Oil on Panel | 29 x 39.5 cm | 1941 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Agueda Paterno | Painting | Oil on Canvas | 66 x 52 cm | 1929 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Alejandro Roces | Painting | Oil on Canvas | 96.5 x 71.1 cm. | 1962 | Fernando C. Amorsolo | http://ilib.upd.edu.ph | ||||
Filipinas Heritage Library-Retrato Collection | An Old Woman Preparing Buyo | Painting | Oil on Canvas | 22" x 28" | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||
Ang Dalaga | Painting | Oil on Panel | 41.5 x 34 cm | 1929 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Angelus | Painting | Oil on Canvas | 61 x 86.5 cm | 1950 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Antipolo Fiesta Scene | Painting | Oil on Canvas | 70.1 x 100.4 cm | 1943 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Assassination of Governor - General Bustamante | Painting | Oil on Canvas | 39.5 x 49.5 cm | 1950 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Atimonan | Painting | Oil on Panel | 22.75 cm x 32 cm | 1922 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Baguio Market | Painting | Oil on Panel | 33 x 40.5 cm | 1927 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Bahay Pari | Painting | Oil on Canvas | 31.1 cm x 48.25 cm | 1931 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Balintawak Girl | Painting | Oil on Canvas | 98.5 x 76 cm | 1927 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Balintawak Girl with Banga | Painting | Oil on Canvas | 66 x 50.25 cm | 1935 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Baptism in Cebu | Painting | Oil on Canvas | 89 x 138 cm | 1948 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Baptism in Cebu | Painting | Oil on Canvas | 89 x 138 cm | 1948 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Baptismal of the Eldest | Painting | Oil on Canvas | 30.5 x 40.5 cm | 1950 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Barrio Fiesta | Painting | Oil on Canvas | 60 x 90.5 cm | 1949 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
National Museum of the Philippines | Bataan | Painting | Oil on Canvas | 1942 | Fernando C. Amorsolo | National Museum of the Philippines | Judge Guillermo B. Guevara Foundation on loan to the National Museum of the Philippines. | |||
Bathing with a Tabo | Painting | Oil on Panel | 29.75x 20.75 cm | 1943 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Bienvenido S. Gonzalez | Painting | Oil on Canvas | 79.3 x 59.6 cm. | 1954 | Fernando C. Amorsolo | http://ilib.upd.edu.ph | ||||
Filipinas Heritage Library-Retrato Collection | Bombing of Intendencia | Painting | Oil on Canvas | 44.4 x 65.4 cm | 1942 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Filipinas Heritage Library-Retrato Collection | Boy Fishing at Night | Drawing | Pencil and Watercolor | 7 3/4 x 5 inches | 1930s | Fernando C. Amorsolo | Filipinas Heritage Library | |||
Burning of Intendencia | Painting | Oil on Canvas | 72 x 100 cm | 1942 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
National Museum of the Philippines | Burning of Manila (Port Area) | Painting | Oil on Masonite | 1942 | Fernando C. Amorsolo | National Museum of the Philippines | National Artist Fernando Amorsolo's the Burning of Manila (1942, oil on masonite) showed a dramatic episode around the port area, not far from the Old Legislative Building, which is now the National Museum of Fine Arts. This painting is on loan from the collection of Enrique Zobel. | Enrique Zobel Collection | ||
Burning of Manila (Rizal Avenue) | Painting | Oil on Canvas | 89.5 x 120.5 cm | 1945 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Burning of Manila During Liberation | Painting | Oil on Canvas | 44 1/2" x 28 1/2" | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | Antonio Delgado Collection | ||
Filipinas Heritage Library-Retrato Collection | Burning of the Idols | Painting | Oil | 33.5 x 50.5 inches | ca. 1955-1960 | Fernando C. Amorsolo | Filipinas Heritage Library | Gift from IL-FGU. To secure a strong foothold for the Christian faith in the Islands, early Spanish missionaries who accompanied the castillian conquerors ordered the burning of the idols and anitos of the ancient Filipinos. Pagan images and carved wooden figures of the old gods were gathered, by force or persuasion, and collectively cast to the fires. Thus upon erasing the memories of the former faith, a new civilized belief was writ on the religious tablet of the people. | Ayala Museum Collection | |
National Museum of the Philippines | Burning of Sto. Domingo | Painting | 1940s | Fernando C. Amorsolo | National Museum of the Philippines | Amorsolo was able to capture on canvas the magnitude of the fire as well as the concerted effort of the firemen and the clergy to save the sanctuary. Noteworthy was his rendition of intensity of the fire through the application of hues, texture, and perspective, which were his trademarks. His early works such as this have a hyper-realistic style. The original church structure, which was of gothic architecture, was previously located within Intramuros (Manila) and managed by the Dominican Order. It was one of the landmarks of Old Manila and frequented by devotees because of the alleged miraculous image of the Our Lady of the Most Holy Rosary (Nuestra Señora del Rosario de la Naval). The image is now enshrined in the new church located in Quezon Avenue, Quezon City. One fine example of a historical painting, it depicts the destruction of the Sto. Domingo Church brought about by the tremendous fire that occurred in the 1940s. | ||||
Church in Baguio | Painting | Oil on Panel | 22.75 cm x 32 cm | 1923 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Church of San Francisco Del Monte | Painting | Oil on Panel | 40.5 x 33 cm | 1924 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Composition (Evacuation) December 1941 | Painting | Oil on Canvas | 110 x 150 cm | 1944 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Cubao Landscape | Painting | Oil on Panel | 22.75 x 32 cm | 1925 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
National Museum of the Philippines | Dalagang Bukid | Painting | Oil on Panel | 1928 | Fernando C. Amorsolo | National Museum of the Philippines | Benefactor: Patrick Eugenio | |||
Dalagang Bukid | Painting | Oil on Panel | 65 x 50 cm | 1936 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Dalagang Bukid | Painting | Oil on Panel | 50.5 x 40.5 cm | 1939 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Country Road | Painting | Oil on Panel | 36.8cm x 44.4cm | 1926 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Dalagang Bukid (Harvest Scene) | Painting | Oil on Panel | 45 x 64.5 cm | 1944 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Dalagang Bukid 2 | Painting | Oil on Canvas | 70.5 x 55 cm | 1949 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
December 1941 (First Sketch) | Painting | Oil on Panel | 25.5 x 35.5 cm | 1941 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
December 1941 (Second Sketch) | Painting | Oil on Panel | 25.5 x 35.5 cm | 1941 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
December 1941 (Third Sketch) | Painting | Oil on Panel | 25.5 x 35.5 cm | 1941 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | El Ciego | Painting | Oil on Canvas | 65.3 x 48 cm | 1928 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). ; Filipinas Heritage Library | A blind man singing with his guitar. | ||
Elpidio Quirino | Painting | Oil on Canvas | 69.8 x 54.6 cm. | 1953 | Fernando C. Amorsolo | http://ilib.upd.edu.ph | ||||
Filipinas Heritage Library-Retrato Collection | Evacuation | Painting | Oil on Canvas | 16 x 11 3/4 inches | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | |||
Family Boarding a Banca | Painting | Oil on Canvas | 56 x 71 cm | 1955 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Farm Scene | Painting | Oil on Wood | 10 1/2 x 8'' | 1969 | Fernando C. Amorsolo | Filipinas Heritage Library | Cacho Collection | ||
Family in a Banca | Painting | Oil on Canvas | 46.5 x 64 cm | 1947 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Faustino S. Aguilar | Painting | Oil on Canvas | 64.7 x 49.5 cm. | 1957 | Fernando C. Amorsolo | http://ilib.upd.edu.ph | ||||
Filipinas Heritage Library-Retrato Collection | Field Workers | Painting | Oil | 1920s | Fernando C. Amorsolo | Filipinas Heritage Library | ||||
Fisherman | Painting | Oil on Panel | 33 x 40 cm | 1928 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Fishermen at Sunset | Painting | Oil on Canvas | 85.5 x 55 cm (34 x 22 in) | 1955 | Fernando C. Amorsolo | National Artist in Visual Arts | The orange of dusk paints the sky, clouds colored in soft pastel hues. They serve as the backdrop to the fishermen preparing to set sail in the receding tide for what may be their last trip of the day. Beyond the reclaimed shores, a dark storm gathers, ominously breaking the sunlight and obscuring the seafarers’ way. Nonetheless the men push their boat off the sandbank. National Artist Fernando Amorsolo did more than just create picturesque scenes of Filipino life through his masterful strokes of the brush; he presented a people and their values - each perfect form imbued with dignity. We see here then the fishermen as embodiments of determination - indomitable spirits charging forward in spite of the storms of circumstance. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Filipinas Heritage Library-Retrato Collection | Fishing at Night | Painting | Oil on Panel | 33 cm x 41.9 cm | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Fishing Boats | Painting | Oil on Canvas | 32 x 39 cm | 1938 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Fishing Scene | Painting | Oil on Panel | 90 cm x 182 cm | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Fishpond in Malabon | Painting | Oil on Canvas | 15 x 22 cm | 1942 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Francis Burton Harrison | Painting | 1938 | Fernando C. Amorsolo | Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | NMG No.154 | |||||
Fruit Vendor | Painting | Oil on Canvas | 40.5 x 50.5 cm | 1947 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Fruit Vendors | Painting | Oil | 1920s | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Filipinas Heritage Library-Retrato Collection | Harvest Scene | Painting | Oil on Board | 90.2 x 182.9 cm. | 1942 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Harvest Scene- Dalagang Bukid | Painting | Oil on Masonite | 65 x 41 cm | 1944 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Filipinas Heritage Library-Retrato Collection | Harvest Scene at Mount Arayat | Painting | Oil on Canvas | 21 1/4" x 33 | 1936 | Fernando C. Amorsolo | Filipinas Heritage Library | |||
Harvest Time in Pinaglabanan | Painting | Oil on Canvas | 96 x 130 cm | 1922 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Harvesting Rice (Landspcape | Painting | Oil on Canvas | 60 x 90.5 cm | 1948 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Head Study of an Old Man | Painting | Crayon | 45.25 x 35.25 cm | 1920 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Imelda Cojuangco | Painting | Oil on Canvas | 145 x 86.5 cm | 1967 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Intramuros Destruide Por Los Salvajes Japoneses | Painting | Oil on Canvas | 15.5 x 21.5 cm | 1947 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Jorge C. Bocobo | Painting | Oil on Canvas | 80 x 59.6 cm | 1958 | Fernando C. Amorsolo | http://ilib.upd.edu.ph | ||||
Filipinas Heritage Library-Retrato Collection | Kawilihan | Painting | Oil on Masonite | 50.2 x 88.9 cm | 1944 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Filipinas Heritage Library-Retrato Collection | Laundry Women | Painting | Oil on Panel | 29.2 cm x 36.2 cm | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Lavanderas | Painting | Oil on Canvas | 47 x 54.5 cm | 1935 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Lavanderas | Painting | Oil on Canvas | 47.9 x 64.5 cm | 1943 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Lavanderas | Painting | Oil on Canvas | 48.5 x 65.5 cm | 1936 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Filipinas Heritage Library-Retrato Collection | Leyte Landing | Painting | 23 1/2 x 33 1/4 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Carlos P. Romulo Collection | ||||
Los Banos | Painting | Oil on Panel | 22.75 x 32 cm | 1924 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Maiden in a Stream | Painting | Oil on Canvas | 70.5 cm x 100 cm | 1921 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Maidens in the Stream | Painting | Oil on Panel | 30.5 x 20.5 cm | 1943 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Makopa | Painting | Oil on Canvas | 28.5 x 35 cm | 1954 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Malacanang by the Pasig River; Malacañan by the River | Painting | Oil on Panel | 32 x 44.5 cm | 1948 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Filipinas Heritage Library | Jorge B. Vargas Filipiniana Collection | ||
Filipinas Heritage Library-Retrato Collection | Mamimintakasi | Painting | Oil Painting | 43.8 cm x 33.65 cm | 1952 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Man with a Rooster | Painting | Oil on Panel | 65 x 50 cm | 1937 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Mandaluyong | Painting | Oil on Panel | 22.75 x 32 cm | 1921 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Manuel A. Roxas | Painting | Oil on Canvas | 90 x 70.4 cm. | 1938 | Fernando C. Amorsolo | http://ilib.upd.edu.ph | ||||
Marikina | Painting | Oil on Panel | 22.75 x 32 cm | 1934 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Marikina Mountain | Painting | Oil on Panel | 22.75 x 32 cm | 1925 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Mango Harvesters | Painting | Oil on Panel | 19" x 12 1/2" | 1936 | Fernando C. Amorsolo | Filipinas Heritage Library | Hofilena Collection, Silay City | ||
Mayon Volcano and Cagsawa Church | Painting | Oil on Canvas | 60 x 85 cm | 1956 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Maytime in Antipolo | Painting | Oil on Canvas | 72 x 102.75 cm | 1943 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Midday Meal in the Fields | Painting | Oil on Canvas | 62 x 87 cm | 1941 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Montalban | Painting | Oil on Panel | 22.75 x 32 cm | 1928 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Moro Vinta | Painting | Oil on Canvas | 32.4 cm x 22.85 cm | 1949 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Mother and Child | Painting | Oil on Board | 84 x 64 cm | 1942 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Murray S. Bartlett | Painting | Oil on Canvas | 80 x 59.6 cm. | 1958 | Fernando C. Amorsolo | http://ilib.upd.edu.ph | ||||
Naguilian Road | Painting | Oil on Panel | 40.5 x 33 cm | 1925 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Nude Bathing by the River | Painting | Oil on Panel | 66 x 50 cm | Undated | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
National Commission for Culture and the Arts | Oracion | Painting | Oil on Canvas | 1959 | Fernando C. Amorsolo | National Commission for Culture and the Arts | ||||
Paul V. McNutt | Painting | 1938 | Fernando C. Amorsolo | Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | ||||||
Filipinas Heritage Library-Retrato Collection | Picnic in Tagaytay | Painting | Oil on Canvas | 30" x 20" | Fernando C. Amorsolo | Filipinas Heritage Library | Collection of Juan Garcia, Sr. | |||
Planting Rice | Painting | Oil on Canvas | 55 x 68. 5 cm | 1943 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Planting Rice | Painting | Oil on Canvas | 55 x 68.5 cm | 1946 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Planting Rice | Painting | Oil on Canvas | 60 x 85.5 cm | 1952 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Planting Rice | Painting | Oil on Canvas | 24 3/4" x 17 1/2" | Fernando C. Amorsolo | Filipinas Heritage Library | Collection of Juan Garcia, Sr. | |||
Filipinas Heritage Library-Retrato Collection | Plowing the Field | Painting | Oil on Canvas | 24 3/4" x 17 1/2" | Fernando C. Amorsolo | Filipinas Heritage Library | Collection of Juan Garcia, Sr. | |||
Portrait of a Cadet | Painting | Oil on Canvas | 69.5 x 54.5 cm | 1954 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Portrait of a Spanish Lady | Painting | Charcoal | 45.25 x 35.25 cm | 1919 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Portrait of an American Boy | Undated | 64.5 x 49. 5 cm | Undated | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | |||||
Portrait of Mrs. Sonia Rifkin | Painting | Oil on Canvas | 105 x 78 cm | 1930 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Portrait of T.B. | Painting | Oil on Canvas | 58 x 51.5 cm | 1935 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Portrait of Teodoro F. Valencia | Painting | Oil on Canvas | 63 x 50 cm | 1964 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Rafael V. Palma | Painting | Oil on Canvas | 79.3 x 59.6 cm. | 1958 | Fernando C. Amorsolo | http://ilib.upd.edu.ph | ||||
Reclining Woman Reading | Painting | Oil on Canvas | 57.5 x 75 cm | 1942 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Resting in the Shade | Painting | Oil on Canvas | 69 x 86 cm | 1939 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Filipinas Heritage Library-Retrato Collection | Rice Planting | Painting | Oil on Canvas | 54 cm x 76.8cm | 1943 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Filipinas Heritage Library-Retrato Collection | River Scene with Two Women | Painting | Oil on Canvas | 22" x 28" | ca. 1946 | Fernando C. Amorsolo | Filipinas Heritage Library | Jun B. Silva Collection | ||
Filipinas Heritage Library-Retrato Collection | Rizal Avenue on Fire | Painting | Oil on Masonite | 39.35cm x 59.7cm | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Ruins of Intramuros | Painting | Oil on Canvas | 32.5 x 49 cm | 1948 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Ruins of the Manila Cathedral | Painting | Oil on Masonite | 32.3cm x 39.8cm | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
San Francisco Del Monte River | Painting | Oil on Panel | 22.75 x 32 cm | 1924 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | San Sebastian Church through Quiapo Ruins | Painting | Oil on Masonite | 39.7cm x 32.3cm | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Self-Portrait | Painting | Oil on Canvas | 51.5 x 46.5 cm | 1942 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Still Life | Painting | Oil on Canvas | 53.5 x 73 cm | 1968 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Storm Clouds | Painting | Oil on Panel | 22.75 cm x 32 cm | 1921 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Stream (Lavanderas and Bathers) | Painting | Oil on Canvas | 22.5 x 25 cm | 1953 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
National Museum of the Philippines | Study for Rizal Memorial Stadium Sweepstakes | Study | Graphite on paper | c. 1932 | Fernando C. Amorsolo | National Museum of the Philippines | National Fine Art Collection | |||
Sugar Cane Field, Nasugbu | Painting | Oil on Panel | 22.75 x 32 cm | 1936 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Sunday Morning, Going to Church | Painting | Oil on Canvas | 60.5 x 85.5 cm | 1953 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). ; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Sunday Morning, Going to Town | Painting | Oil | 41 1/2" x 46 1/2" | 1958 | Fernando C. Amorsolo | Filipinas Heritage Library | Ayala Museum Collection | ||
Sundown in San Juan River | Painting | Oil on Panel | 22.75 cm x 32 cm | 1923 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Sunset | Painting | Oil on Canvas | 55 x 75 cm | 1968 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Sunset at Cubao | Painting | Oil on Panel | 22.75 cm x 32 cm | 1923 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Tagaytay | Painting | Oil on Panel | 33 x 40.5 cm | 1941 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Tagaytay | Painting | Oil on Canvas | 117 x 113 cm | 1958 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Teresa Stream | Painting | Oil on Panel | 33 x 40.5 cm | 1928 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
The Ambassador's Wife | Painting | Oil on Canvas | 78 x 62.5 cm | 1942 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
The Cockfighter | Painting | Oil on Canvas | 33 x 41.5 cm | 1935 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
The House in the Forest | Painting | Oil on Panel | 22.75 cm x 32 cm | 1921 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
The Mestiza | Painting | Oil on Canvas | 70 x 96.6 cm | 1943 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Tinikling | Painting | Oil on Canvas | 60 x 75.5 cm | 1950 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
To Defend Thy Honor | Painting | Oil on Canvas | 25 x 20 cm | 1943 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Twilight at the Luneta | Painting | Oil on Panel | 22.75 x 32 cm | 1927 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Two Woman in a Stream | Painting | Oil on Canvas | 62 x 89 cm | 1958 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Under a Mango Tree | Painting | Oil on Canvas | 62 x 87.5 cm | 1948 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Under a Mango Tree 2 | Painting | Oil on Canvas | 65 x 90.5 cm | 1949 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Untitled | Painting | Oil on Canvas | 85.5 x 60 cm (33 1/2 x 23 3/4 in) | 1961 | Fernando C. Amorsolo | National Artist in Visual Arts | One of Amorsolo’s best - known subjects, two young women bathe in a flowing river conversing as one dries herself and the other washes clothes. There is a bucolic lushness in this setting, even the smallest of the cascading bamboo leaves are rendered in their most perfect form. The women’s bodies glow with a smooth glaze, sunlight smoothly spread across their young skin, vitality and beauty at their peak, and their expressions show joy and contentment in the simple life they share. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Vidal A. Tan | Painting | Oil on Canvas | 78.7 x 59 cm. | 1954 | Fernando C. Amorsolo | http://ilib.upd.edu.ph | ||||
View of Mayon | Painting | Oil on Panel | 32 x 39 cm | 1946 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
View of Teresa | Painting | Oil on Panel | 40.55 x 33 cm | 1927 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Winnowing Rice | Painting | Oil on Canvas | 55 x 70 cm | 1948 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Winnowing Rice | Painting | Oil | 32" x 26" | 1948 | Fernando C. Amorsolo | Filipinas Heritage Library | Ayala Museum Collection | ||
Woman Cooking | Painting | Oil on Canvas | 34 x 44 cm | 1955 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Filipinas Heritage Library-Retrato Collection | Woman Cooking in the Kitchen | Painting | Oil on Canvas | 55.85 cm x 40.65cm | 1959 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Woman in Blue | Painting | Oil on Canvas | 51 x 41 cm | 1944 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Woman Reading | Painting | Oil on Canvas | 57 x 74.5 cm | 1942 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Woman with a Banga | Painting | Oil on Canvas | 51 x 37. 5 cm | 1941 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Woman with a Locket | Painting | Oil on Canvas | 66 x 49 cm | 1935 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Woman with Bandana (Liberation) | Painting | Oil on Canvas | 82 x 65 cm | 1946 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Woman with Banga | Painting | Oil on Canvas | 55 x 40 cm | 1938 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Woman with Umbrella in a Banca | Painting | Oil on Canvas | 22.5 x 36 cm | 1941 | Fernando C. Amorsolo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Women Bathers | Painting | Oil on Canvas | 150 x 200 cm | 1933 | Fernando C. Amorsolo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Approaching Storm | Painting | Oil on Canvas | 56 x 71 cm | 1951 | Francisco V. Coching | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Barter of Panay | Painting | Oil | 28.5 x 38.3 cm | 1948 | Francisco V. Coching | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Brook | Painting | Oil on Canvas | 38.3 x 62.3 cm | 1951 | Francisco V. Coching | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fish Ponds | Painting | Oil | 23 x 28 cm | 1952 | Francisco V. Coching | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ligawan | Painting | Oil | 47 x 37.5 cm | 1948 | Francisco V. Coching | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Recoletos Church, Intramuros | Painting | Oil | 38 x 49 cm | 1948 | Francisco V. Coching | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Satur | Comic Novel | c. 1951 | Francisco V. Coching | |||||||
Still Life | Painting | Oil | 30.5 x 38.5 cm | 1950 | Francisco V. Coching | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Pipeline | Painting | Oil | 65.5 x 92.8 cm | 1949 | Francisco V. Coching | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1951) | Painting | Watercolor | 39.3 x 56 cm | 1951 | Francisco V. Coching | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Victorio Edades and his art [microfilm] | Publication book | 1935 | Francisco V. Coching | In: Philipp. mag. (Dec 1935), v. 32, no. 12, p. 601. | ||||||
A mestiza, a donna per bene | Sculpture | Wax Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Ady Zaguire | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Alma Mater at U.E. | Sculpture | Monuments with Bronze Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Amang Rodriguez | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
and Don Isauro Gabaldon (also in bronze) | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Balagtas | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Bas relief and portrait busts of King Alfonso XIII and Cervantes on the facade of Casino Espanol | Sculpture | Cement | 1915-1919 | Guillermo E. Tolentino | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | Done in the Philippines (1915-1919) | |||
Batute | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Bonifacio and Del Pilar at the Lyceum of the Philippines | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Bonifacio Monument | Sculpture | Postage Stamps | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Bonifacio Monument at Caloocan City | Sculpture | Monuments with Bronze Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Bust of gen. Antonio Luna at Malacanang Palace | Sculpture | Iron Wood | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
busts of Hon. and Mrs. Jaime de Veyra | Sculpture | Cement | 1919-1921 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Cabeza de Barangay | Sculpture | Wax Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Co Keng | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Commonwealth Triumphal Arch | Sculpture | Postage Stamps | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Commonwealth Triumphal Arch | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Biaggio | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Crispulo Zamora (all in bronze) | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Juan Sumulong in Antipolo | Sculpture | Granolithics | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Leon Ma. Guerrero | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Manuel Tiacqui | Sculpture | Monuments with Bronze Figures (Bas Reliefs) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Mariano Limjap | Sculpture | Monuments with Bronze Figures (Statuettes) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Ramos Santos | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Teodoro Langco | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Vicente Carmona | Sculpture | Monuments with Bronze Figures (Bas Reliefs) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Don Vicente Carmona, Don Bibiano Meer, President Tan, Regent Arturo Garcia, Dean Fonacier, Pres. Manuel Roxas | Sculpture | Monuments with Bronze Figures (Miniature Heads) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dona Consolacion Singian | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Jose Rizal | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Jose Rizal | Sculpture | Wax Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Jose Rizal (won first prize in 1962) | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Rizal (life-size-full figure) in San Simon, Pampanga | Sculpture | Granolithics | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Rizal at Plaridel Temple | Sculpture | Monuments with Bronze Figures (Life-size Figures) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Rizal at U.E. | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Rizal at U.P. | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Rizal in Kawit, Cavite | Sculpture | Granolithics | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Rizal in Pasig City | Sculpture | Granolithics | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Dr. Rizal with Mabini | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Elias and two beauties | Sculpture | Wax Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
F.E.U. Pres. Nicanor Reyes | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Fernando Ma. Guerrero | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Filipinas freed | Sculpture | Postage Stamps | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Fr. Juan Somera | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Funeral sculptures for cemeteries | Sculpture | Cement | 1915-1919 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Gen. Carlos P. Romulo | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Gen. Carlos P. Romulo | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Gen. Emilio Aguinaldo | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Gen. Gregorio del Pilar | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Genato of Genato Commercial | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Gold and bronze Ramon Magsaysay for Ramon Magsaysay Award Foundation | Sculpture | Medals | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Gold, silver and bronze Dr. Rizal's Centennery (1962) | Sculpture | Medals | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | |||||
Heroic statues of Rizal and Fr. Burgos fpr monuments | Sculpture | Cement | 1915-1919 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Heroic statues representing education, medicine, forestry, veterinary science, fine arts, music and oblation of U.P. | Sculpture | Granolithics | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Hon. and Mrs. Feliciano Ramoso | Sculpture | Marble | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Hon. and Mrs. Gabaldon (made in Italy) | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Hon. and Mrs. Melencio Cojuangco | Sculpture | Monuments with Bronze Figures (Bas Reliefs) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Hon. Jose Abad Santos | Sculpture | Monuments with Bronze Figures (Bas Reliefs) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Hon. Juan Sumulong | Sculpture | Marble | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Hon. Santiago Lucero | Sculpture | Marble | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
horse | Sculpture | Monuments with Bronze Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
II Rimorso | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Jose Cojuangco (Dr. Fa) in Panique, Tarlac | Sculpture | Granolithics | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Jose Cojuangco (grandfather) and Jose Cojuangco (grandchild) | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Jose Rizal at San Juan and Pasig City | Sculpture | Monuments with Bronze Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Julian Felipe | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Lello; Luizette | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Life size image of La Milagrosa in amrble for San Juan de Dios | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Lim Bun Chit | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Lim Chui Tee | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Little Boy for Dr. Laurel | Sculpture | Granolithics | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Liwanag | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Lualhati | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Luisa Marasigan | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | Done in the Philippines (1925-1959) | |||
Luwalhati | Sculpture | Marble | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
M.U. Pres. Mariano de los Santos | Sculpture | Monuments with Bronze Figures (Life-size Figures) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Madonna and Child | Sculpture | Marble | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Mama Nella | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Manuel Quezon | Sculpture | Wax Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Marcelo H. del Pilar (sitting full figure) | Sculpture | Postage Stamps | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Maria Clara award | Sculpture | Monuments with Bronze Figures (Statuettes) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Maria Makiling for Dr. Laurel | Sculpture | Granolithics | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Marikit | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Monina Acuna | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Mr. and Mrs. Filemon Sta. Ana | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Mr. and Mrs. Mariano Limjap | Sculpture | Marble | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Mr. and Mrs. Wenceslao Trinidad | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Mrs. Gabaldon | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Mrs. Gabaldon | Sculpture | Marble | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Mrs. Pangan | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Multiple busts and studies in plaster of Paris | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
N.U. Pres. Mariano Jhocson | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
naked foregin man and woman | Sculpture | Sketches | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Nicanor Abelardo | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Obispo Maximo Gregorio Aglipay | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Oblation at U.P. | Sculpture | Monuments with Bronze Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
others exhibited at World's Fair in Paris (1935) and Golden Gate World's Fair (1940) including Tagala, Mora, Bisaya, Igorota, Ancient Warrior and Wife | Sculpture | Wax Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Pacita delos Reyes | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
pencil sketch of a composition showing a much taller woman (symbolizing the U.S.) handing the Philippine flag to a Filipina in native costume (when the Philippines was granted independence) | Sculpture | Sketches | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Persian Bulls for the Solomon Masonic Temple in Tondo | Sculpture | Cement | 1915-1919 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Philippines Independence (July 4, 1946) | Sculpture | Postage Stamps | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Portrait painting of Hugo Villa, etc. | Sculpture | Cement | 1919-1921 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Pres. Carlos Garcia | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Pres. Elpidio Quirino | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Pres. Manuel Quezon | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
President Quezon at Quezon Memorial | Sculpture | Monuments with Bronze Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Pre-Spanish scribe, a martyr in garrote, a scholar, a devout catholic kissing hand of friar | Sculpture | Wax Figures | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Profile of Elias | Sculpture | Postage Stamps | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Quintin Paredes | Sculpture | Monuments with Bronze Figures (Life-size Figures) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Ramon Magsaysay in GSIS Bldg. and Davao (granolithic) | Sculpture | Marble | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Saluto Romano | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | Done in Italy (1921-1924) | |||
Seal of the Republic of the Philippines | Sculpture | Seal | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Sec. Juan Pajo | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
self-portrait (1931) | Sculpture | Sketches | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | |||||
six oriental dancers (these 11 pieces are in Malacanang Palace) | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Spirit of Bataan | Sculpture | Monuments with Bronze Figures (Symbolical Groups) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Statuette of Peace; The Slave (bronze) | Sculpture | Cement | 1919-1921 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | Done in USA (1919-1921) | |||
Terpsicore | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
The Doughboy in Action | Sculpture | Cement | 1919-1921 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
The Four Horsemen of the Apocalypse | Sculpture | Cement | 1919-1921 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
The Philippines | Sculpture | Cement | 1921-1924 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
U.E. Pres. Francisco Dalupan | Sculpture | Monuments with Bronze Figures (Life-size Busts) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
U.P. Presidents Ignacio Villamor and Dr. Rafael Palma | Sculpture | Plaster | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Unknown teacher | Sculpture | Monuments with Bronze Figures (Symbolical Groups) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
Venus | Sculpture | Marble | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
woman in Philippine dress | Sculpture | Monuments with Bronze Figures (Statuettes) | 1925-1959 | Guillermo E. Tolentino | National Artists of the Philippines | Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972) | ||||
A Song for Summer | Painting | Oil on Canvas | 81.5 x 61.5 cm | 1973 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Abstraction #15 | Painting | Acrylic on Paper | 54 x 38 cm | 1976 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Abstraction #17 | Painting | Acrylic on Paper Mounted on Board | 54 x 38 cm | 1976 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Abstraction #18 | Painting | Acrylic on Paper | 37.5 x 54.5 cm | 1976 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Abstraction #22 | Painting | Acrylic on Paper Mounted on Board | 55 x 38 cm | 1976 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Abstraction #23 | Painting | Acrylic on Paper | 54 x 37.5 | 1976 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Abstraction #26 | Painting | Acrylic on Paper Mounted on Board | 56 x 38 cm | 1976 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Ancestors | Painting | Oil on Canvas | 51 x 61 cm | 1951 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Ang Pulubi | Painting | 1946 | Hernando R. Ocampo | Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | NMG No.489 | |||||
Angel's Kiss | Painting | Oil on Canvas | 25 x 20 cm | 1949 | Hernando R. Ocampo | Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Another Day | Painting | Oil on Canvas | 54.7 x 70 cm | 1968 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Backdrop | Painting | Oil on Canvas | 152 x 91.5 cm | 1956 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Calvary | Painting | Oil on Canvas | 71 x 56 cm | 1948 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | Three stylized figures hang, with arms anchored, on green crosses. They are rendered with minimal anatomical details. Tall purple smoke attacks are found in the background. The sky is rendered in varying shades of red. | Lucila Acatadera Salazar Collection/ Aurelio Sevilla Alvero Collection | ||
Decorative Motif | Painting | Oil on Canvas | 34 x 50 cm | 1967 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Easter Sunday | Painting | Acrylic on Wood | 59.5 x 45 cm | 1974 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Fiesta | Painting | Oil on Canvas | 84 x 126.5 cm | 1957 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). ; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Fifty- Three "Q" | Painting | Oil on Canvas | 108. 5 x 93.5 cm | 1953 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Final Rehearsal | Painting | Oil on Wood | 50 x 40 cm | 1971 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Final Rehearsal | Painting | Oil on Board | 60 x 45.5 cm | 1974 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Genesis | Painting | Oil on Canvas | 24 x 48 cm | 1968 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Growth | Painting | Oil on Canvas | 70.5 x 55 cm | 1957 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Hat Weavers | Painting | Oil on Canvas | 53.8 x 67.9 cm | 1940 | Hernando R. Ocampo | Edades and the 13 Moderns (1995). | Three figures- two females and one male- sit on the ground surrounded by straw hats. The female figure at the center is weaving a hat while the two figures on each side are in more relaxed poses. The figures are portrayed with minimal anatomical and facial details. Tha painting is rendered in varying tones of yellows, greens, abd oranges. | Atty. Antonio Quintos Collection | ||
Heart Flame (Green) | Painting | Watercolor, Ink on Paper | 43 x 29 cm | 1972 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Heart Flame (Red) | Painting | Watercolor, Ink on Paper | 44 x 29 cm | 1972 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Homage to Andres Bonifacio | Painting | Oil on Canvas, mounted on plywood | 101.5 x 76 cm | 1976 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Homage to Jose Rizal | Painting | Acrylic on Canvas | 101 x 76 cm | 1976 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Homage to Tandang Sora | Painting | 1977 | Hernando R. Ocampo | Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | NMG No.457 | |||||
Ina ng Balon | Painting | Oil on Canvas | 59.5 x 47.5 cm | 1939 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Isda at Mangga | Painting | Oil on Canvas | 34 x 43 cm | 1952 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Lupang Hinirang (Triptych) | Painting | Acrylic on Canvas | 152.5 x 152.5 cm | 1976 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Madonna of the Well | Painting | Oil on Canvas | 61.3 x 49.3 cm | 1939 | Hernando R. Ocampo | Edades and the 13 Moderns (1995). | A mother, wearing a blue blouse and red skirt, is standing at the center carrying a child with back turned. The middle ground is covered with green grass. The opening of the well is found at the lower right with a bucket standing on its rim while a carabao lies sleeping at the left side. Two haystacks and a cropped view of a nipa hut roof are found in the background. | Mr. and Mrs. Paulino Que Collection | ||
Man and Carabao | Painting | Oil on Canvas | 52 x 68 cm | 1949 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Mask | Painting | Oil on Canvas | 70.5 x 54.6 cm (27 3/4 x 21 1/2 in) | 1961 | Hernando R. Ocampo | National Artist in Visual Arts | In this rare 1960s work, National Artist H.R. Ocampo engages hisoften used stippling technique to create the image of a tribal mask inhis signature biomorphic style, his deft hand creating quick short strokes that neatly texture the canvas of familiar reds and greens. Ocampo’s abstracted forms were ceaselessly calculated and yet unconstrained, completely fluid and open to interpretation. The forms he thoughtfully laid out were constantly drawn from varying sources of inspiration, his‘Mask’ series in particular kindled by books he encountered on African masks - their faces, hybrids of humans as well as horned animals such as antelope and buffalo. The masks were traditionally considered to impart the character of the animals on to their wearers - the antelope bringing good harvest and bounty, the buffalo strength and good relations. Ocampo began depicting masks as part of a series in the 1950s, and a similar work was sold at Christie’s Hong Kong in 2014. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Mga Kiti | Painting | Acrylic on Tetoron Fabric | 91 x 914 cm | 1972 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Mutation | Painting | Oil on Canvas | 58 x 83 cm | 1950 | Hernando R. Ocampo | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Nude | Painting | Oil on Canvas | 102 x 76 cm | 1975 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Nude with the Candle and Flower | Painting | Oil on Canvas | 21.5 x 33 cm | 1948 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Palayok at Kalan | Painting | Oil on Canvas | 51 x 61 cm | 1950 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Piniritung Isda | Painting | 1958 | Hernando R. Ocampo | Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | NMG No.668 | |||||
Promenade | Painting | Oil on Canvas | 121 x 162 cm | 1973 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Ritual | Painting | Oil on Canvas | 87 x 127.5 cm | 1966 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Semana Santa | Painting | Oil on Canvas | 75 x 100 cm (39.4 x 29.5 in) | 1978 | Hernando R. Ocampo | National Artist in Visual Arts | Monochromatic forms oscillate spontaneously in this masterpiece by National Artist Hernando R. Ocampo, swirling both above and alongside each other in a fluid dance of organic bodies. There is a synergetic flow to their interaction, none striking the other’s path but instead harmoniously influencing the balance shared by one another as if cogs of a plasmic mechanism. As Semana Santa devotees march behind Christ’s corpus, they become a living breathing wave of spiritual potency. Prayers are shared by thousands of tongues as fervent faith feeds off one another, amplifying the potency of their shared tradition. This is not so much a celebration, but a time for reflection. The energy that looms above the crowd is solemn with thoughts of the Crucifixion - a phalanx of penitents moving forward, a grey essence flowing in an unfixed yet singular path. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Seremonya | Painting | Oil on Canvas | 87 x 127.5 cm | 1966 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Slum Dwellers | Painting | Oil on Canvas | 40.5 x 35.3 cm | 1948 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Social Disease | 1939 | Hernando R. Ocampo | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | Social Disease part of his Luetica Series | ||||||
The Miners | Painting | Oil on Canvas | 44.7 x 34.7 cm | 1952 | Hernando R. Ocampo | Edades and the 13 Moderns (1995). | A scene of two male figures inside a mine shaft. The figure in the foreeground is holding an electric drill thrusted towards the left while the top figure is holding a spade.. The figures are rendered in bold and solid forms with minimal anatomical details. | Esther Vibal Collection | ||
The Resurrection | Painting | Oil on Canvas | 65 x 130 cm | 1952 | Hernando R. Ocampo | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Untitled | Painting | Oil on Wood | 27.5 x 21 cm (10 3/4 x 8 1/4 in) | 1970 | Hernando R. Ocampo | National Artist in Visual Arts | Created only one year after executing his iconic Genesis tapestry at the Cultural Center of the Philippines Main Theater, this oil-onwood work is a testament to National Artist and leading modernist H.R. Ocampo evolving into his most exuberant creative period - “visual melody”. Though the work exhibits the artist’s distinct quality of forming abstracted organic forms in luminous color and texture, the fields found in this piece contain darker, richer, and deeper tones layered and mixed together in thick impasto. With a harmony of somber notes in brown and dark ochre, the work sings a melancholic melody accentuated by hints of vibrant tones in yellow and orange. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Untitled | Painting | Ink on paper | 29 x 21.5 cm (11 1/2 x 8 1/2 in) | 1978 | Hernando R. Ocampo | National Artist in Visual Arts | https://salcedoauctions.com/lots/important-philippine-art.html | |||
Untitled (Dedicated to Candea) | Painting | Ink on paper | 27.5 x 21 cm (10 3/4 x 8 1/4 in) | 1978 | Hernando R. Ocampo | National Artist in Visual Arts | ||||
Untitled (Dedicatred to Celia) | Painting | Ink on paper | 30 x 22.5 cm (12 x 9 in) | 1977 | Hernando R. Ocampo | National Artist in Visual Arts | ||||
Untitles (Mother and Child) | Painting | Acrylic on paper | 44 x 30 cm ( 17 1/4 x 11 3/4 in) | 1974 | Hernando R. Ocampo | National Artist in Visual Arts | A popular theme in Philippine art becomes a wholly unique piece under the rendition of champion of the Neo-Realist movement in the Philippines, H.R. Ocampo. The Artist reevaluates reality, and pieces it back together, creating a more unbound interpretation of phenomena. here, there is a warmth and germinal reliance that spreads through the fused that compose this intimate piece | |||
A Flying Contraption for Mr. Icarus | Painting | Painted Wood Sculpture | 1984 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
A Foul Wind on the Eleventh Day of February: The Murder of Evelio Javier | Painting | 1986 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||||
A Patch of Landscape | Painting | Acrylic and Papier on canvas | 1975 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
A Sixty-four Dinner at New York 21 | Painting | Oil on Canvas | 1992 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
All Because of Humpty Dumpty's Fall | Painting | OIl and acrylic | 1991 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
An Ivory Tower for Emmanuel T. | Painting | Oil on Canvas | 1992 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Awesome in Her Beauty When Mother Earth | Painting | Acrylic on canvas | 1996 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Bagusina Islet, Padre Burgos, Lucena | painting | Watercolor on paper | 32.5 x 22 cm (12 3/4 x 8 3/4 in) | 1979 | J. Elizalde Navarro | National Artist in Visual Arts | National Artist J. Elizalde Navarro hanesses the challenging medium of waterclor to create three distinct textures of nature: the serenity of water, the rigid structure of rock formations, and the lush softness of greenery. | |||
Bathers | Painting | Oil on Canvas | 1957 | J. Elizalde Navarro | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Black Machine | Painting | Painted Wood Relief | 1961 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Crufixion | Painting | 1947 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||||
Desaparecidos | Sculpture | Wood Sculpture | 1984 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Detail of a Temple | Painting | Oil on Canvas | 1961 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Ecce Homo (Is He the Man?) | Painting | Wood, Oil on Canvas | early 1960s | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Gabor- Pendet Dance | Painting | Acylic on canvas | 1989 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Gestures in the Wind: Self- Portrait | Painting | Oil and acrylic on canvas | 1994 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Grand Prix: Homage to Dodgie Laurel | Painting | Wood and Metal Sculpture Ateneo University Art Gallery collection | 1968 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
I am Sorry, Jesus, I Can't Attend Christmas | Painting | Mixed media relief | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||||
I Saw My Tia Consuelo Dance the La Jota | Painting | Acrylic on canvas | 1998 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Incomplete Man | Painting | 1970s | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||||
Kyoto Sounds | Painting | Acrylic on canvas | 1970 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Looking for the Fourth Season | Painting | Oil on Canvas | 1979 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Man and Woman | Painting | Oil on Canvas | 1995 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Musician | 25.5 x 28.5 cm | 1980s | J. Elizalde Navarro | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | 27/188 Seisgraph | |||||
My Masks | Painting | 1975-1989 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||||
Posters | Painting | Casein on Panel | 1961 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
The Avenging Mother Earth | Painting | Acrylic on canvas | 1997 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
The Battered Woman | Painting | Oil on Canvas | 1995 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
The Degreening of Mother Earth | Painting | Oil on Canvas | 1993 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
The Four Seasons | Painting | Oil on Canvas | 1992 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
The Kimono from Bali | Painting | Oil on Canvas | 1994 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
The Other Side of Ubod, Bali | Painting | Acylic on canvas | 1993 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
The Woman Who Loved Masks | Painting | Oil and acrylic on canvas | 1994 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Ubod, My Bali | Painting | Oil on Canvas | 1991 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Vendor | Painting | Oil on Panel | 1955 | J. Elizalde Navarro | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | |||||
Abstract Ceramic (1) | Painting | Jars | 17.8 x 23 cm; 25.5 x 20.3 cm | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Ceramic (2) | Painting | Plate | 34.5 cm (diameter) | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Ceramic (3) | Painting | Plate | 33 cm (diameter) | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | January 24, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | May 6, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | May 12, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | August 27, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | August 27, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Drawing, New York | Drawing | Colored pencil on paper | November 14, 1968 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems | ||||
Abstract Painting | Painting | Oil on marine plywood | 38.1 x 60.9 cm | 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Sketch | Painting | Marking Ink | 45.7 x 59.8 cm | November 14, 1967 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Slab | Painting | Ceramic tile | 28 x 45 cm | 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Study | Drawing | Ink on paper | 1956 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Abstract Study | Lithograph | 1960 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | An early, non-objective print where Joya explored line work through calligraphy, an artist's most versatile tool for expression. | |||||
Abstract Study | Painting | Oil | 28 x 23 cm | 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Abstract Study | Drawing | Marker pen on paper | 1967 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Abstract Study | Drawing | Pen and ink on paper | 1967 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Abstraction | Painting | Oil | 60.5 x 37.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
After Shock I | Painting | Acrylic collage | 25.5 x 33 cm | September 5, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
After Shock II | Painting | Acrylic collage | 33 x 25.5 cm | September 5, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Afternoon in Kuangchow | Painting | Oil | 121.8 x 162.5 cm | March 25, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Aleng may Salakot | Painting | Oil on Canvas | 1953 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | An old woman, kneeling on the ground, holding a "salakot" before her. It shows perfect anatomical form and portrayal of light, according to Defeo. It is also noteable for its definite "modern" brushworks. | University Art Collection Jorge B. Varge Museum and Filipiniana Research Center) | |||
An Impression, Amphiteatro Flavio, Rome | Painting | Watercolor | 26 x 41 cm | July 7-17, 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Angeles | Painting | Oil | 81.2 x 60.9 cm | 1966 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Approaching Storm | Painting | Oil on Canvas | 1951 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Features a boy with a herd of carabaos hurrying against a backdrop of portentous clouds. The white clouds showed the first signs of Joya's thick impasto. It is Joya's first award-winning student work. | Paulino and Hetty Que Collection | |||
Arayat | Painting | Acrylic collage | 41 x 63.5 cm | July 24, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Artist's Mother | Painting | Oil | 10 cm (diameter) | 1952 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Asean Odyssey | Painting | Acrylic collage | 39 x 60 cm | August 8, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Asean Sea | Painting | Acrylic collage | 28 x 41 cm | June 14, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Astral Odyssey | Painting | Oil on wood | 164 x 247.4 cm | November 2, 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Aurora | Painting | Acrylic collage | 91.4 x 134.6 cm | 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Back of a Young Man | Painting | Oil on Canvas | 28 x 23 cm | 1952 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A young man's back, exposed. It is compelling for its use of the "backlighting effect," a technique highly identified with Fernando Amorsolo. | |||
Back of Male Nude | Drawing | Colored pencil on paper | 1989 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A drawing of the back of a nude, male form. It exhibits Joya's bias for the idealized muscular build, not unlike those of body-builder's. | ||||
Bacolod from the Air | Painting | Mixed Media on Ceramic Tiles | 23 x 55 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Balete Trees | Painting | Oil | 30.5 x 38 cm | 1953 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Bicol Express | Painting | Acrylic | 56 x 76 cm | November 22, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Binhi, Seed | Painting | Oil on Canvas | 121 x 121 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Birth (Triptych) | Painting | Mixed Media on Ceramic Tiles | 33 x 62.5 cm | 1975 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Blue Horizon | Painting | Acrylic collage | 38 x 58.5 cm | April 13, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Lantern | Painting | Acrylic collage | 35.5 x 57 cm | April 10, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Magic | Painting | Acrylic collage | 91.4 x 134.6 cm | 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Niagara | Painting | Acrylic collage | 82 x 133.3 cm | September 12, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Shrine | Painting | Acrylic collage | 75.5 x 110 cm | April 20, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Sonata | Painting | Acrylic collage | 51 x 65 cm | March 4, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Blue Tide | Painting | Oil | 121.8 x 162.5 cm | November 14, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Boat Cruise | Painting | Acrylic on paper | 38 x 58.5 cm | October 15, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Break Waters | Painting | Oil on Canvas | 76.5 x 61 cm | March 12, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Brick Bridge | Painting | Acrylic collage | 57 x 71 cm | September 3, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Buhawi | Ceramic | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||||
Bulacan Reflections | Painting | Oil on Canvas | .91 x 1.82 m | November 18, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Caballero Trees | Painting | Acrylic on paper | 23 x 38 cm | October 15, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cadmium Red Square | Painting | Oil on Canvas | 65.8 x 49.6 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Cagayan Mountain Range | Painting | Acrylic | 91.4 x 182.8 cm | 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Calumpit | Painting | Oil | 55.8 x 35.5 cm | March 5, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Camiguin | Painting | Oil | 30.5 x 44.5 cm | 1975 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Carcar, Cebu | Painting | Acrylic collage | 36.7 x 57 cm | June 30, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Carillon Tower | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Carousel | Painting | Woodcut | 34 x 47 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Carousel | Colored print | 1956 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Showcases Joya's floating abstract figures and early non-representational work. | |||||
Cascade | Painting | Oil | 71.2 x 71.2 cm | 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cathedral | Painting | Tempera | 27 x 47 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cave Light | Painting | Acrylic | 25.5 x 33 cm | December 25, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cavite | Painting | Acrylic collage | 101.5 x 67 cm | August 7, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Celestial Explosion | Painting | Acrylic on canvas | 61 x 91.5 cm | August 14, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Celestial Sunburst | Painting | Acrylic on canvas | 61 x 91.5 cm | November 7, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Central Oasis | Painting | Acrylic collage | 56 x 76.5 cm | April 26, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Chapel of the Holy Sacrifice | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Church of the Risen Lord | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
City Entering the Edge of Sundown | Painting | Oil on Canvas | 139.7 x 177.8 cm | November 15, 1959 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Coast of Cavite | Painting | Acrylic on canvas | 120.5 x 90 cm (47.5 x 35.5 in) | 1992 | Jose T. Joya | National Artist in Visual Arts | In this highly dynamic piece, National Artist Jose Joya merges flat color fields and loose, spontaneous gestural strokes - evoking two of the most prominent facets of American Abstract Expressionism. The subject and colors, however, are distinctly Filipino - the earthy brown, shades of blue-grey, and hints of rust are tones that dominate coastlines both in rural Cavite and the rest of the archipelago. Capturing both the rugged yet palliative mood of the seaside, bronze tones, refined gradients, and vigorous splashes layer atop and mix together to form one lyrical spectacle climaxing at the center. This seamless marriage of the modern international movement and local landscapes makes this piece a quintessential Joya - epitomizing the remarkable oeuvres of the prime pioneer of Philippine abstraction. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Cocktails | Painting | Oil on Canvas | 83.8 x 114.3 cm | 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Code | Painting | Oil | 37 x 56.5 cm | March 23, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Code of Kalantiao | Painting | Oil | 121.8 x 162.5 cm | 1967 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Columbia | Painting | Oil on marine plywood | 81.5 x 123 cm | May 4, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Conical Heap | Painting | Acrylic collage | 58.5 x 38.5 cm | July 31, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Cosmic Trip | Painting | Acrylic | 25.5 x 33 cm | 1993 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Country Fair | Painting | Acrylic collage | 109 x 151 cm | October 23, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Country Ride | Painting | Acrylic collage | 50.8 x 67.2 cm | July 7, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Crumbling Hut, Dumangas, Iloilo | Drawing | Colored pencil on paper | 1983 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Dance of the Youth | Painting | Oil | 123 x 162.5 cm | 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Dancing Sun | Painting | Acrylic collage | 75 x 111 cm | March 8 1988 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Daybreak | Painting | Acrylic collage | 56 x 75 cm | November 25, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Decorative Painting | Painting | Oil on wood | 1958 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of Joya's early abstracts which he described as showing an "off-balanced, very oriental style." | University Art Collection (Executive House) | |||
Desert Dance | Painting | Acrylic collage | 56 x 76.5 cm | March 11, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Desert Light | Painting | Acrylic collage | 56 x 76.5 cm | January 31, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Details of Chartres Cathedral, Paris | Painting | Oil | 60.3 x 72.2 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Details of Notre Dame | Painting | Tempera and Sealing Wax | 50.8 x 80 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Dike | Painting | Acrylic collage | 25.5 x 33 cm | September 6, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Dimensions of Fear | Painting | Oil on Canvas | 101 x 298 cm | 1965 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Donato House, Vigan | Drawing | Pen and ink on paper | 1977 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture. | ||||
Dragon on the Roof | Painting | Acrylic collage | 102.5 x 67.5 cm | January 21, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Dream | Painting | Acrylic collage | 38 x 58.5 cm | September 8, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Drizzle on the Hill | Painting | Acrylic collage | 25.5 x 33 cm (10 x 13 in) | 1992 | Jose T. Joya | National Artist in Visual Arts | The familiar scene of raindrops kissing the earth is made anew in this collage. From paint splotches to overlapping mesh and paper, National Artist Jose Joya experiments with bold, loose lines; shapeless fields; and amonochrome palette in grey to depict a melancholic scene of a rainy day. The moon is found almost touching the hill, putting one in the perspective that is far and distant from the summit. In his refined abstraction, Joya captures the mood of a moment. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Early Rain | Painting | Acrylic collage | 25.5 x 33 cm | 1993 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ecru Light | Painting | Oil | 38 x 61 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Endangered Ozone | Painting | Acrylic collage | 76.5 x 56 cm | August 5, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Episode in Stockholm | Painting | Oil | 122 x 152.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Equinox | Painting | Acrylic collage | 67.5 x 102.5 cm | March 30, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ethereal Aura | Painting | Acrylic on canvas | 202 x 131 cm | 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Faded Yellow Era | Painting | Acrylic | 25.5 x 33 cm | March 7, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Farcical Masks | Painting | Acrylic | 76.2 x 61 cm | January 9, 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Father and Child | Painting | Pastel on paper | 1991 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Female Nude | Drawing | Watercolor and ink on paper | 1952 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A portrait of nude female model. One of Joya's student works, it displays his tentative lines which would disappear in his later works, according to Defeo. | ||||
Female Nude | Drawing | Pencil on paper | 1972 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | University Art Collection (University Library) | ||||
Female Torso | Sculpture | Wood | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of Joya's rare sculptures, showcasing his popular muscular and full-figured torso drawings actualized in three-dimensional space. The lines are clean, fluid, and economical, unvarying from the dominant linearity of Joya's nudes. | |||||
Festival Rhythm | Painting | Acrylic | 91.5 x 183 cm | March 31, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fiesta | Painting | Oil | 54.5 x 67.3 cm | May 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fire Dance | Painting | Oil | 35.5 x 56 cm | November 2, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fire Lake | Painting | Acrylic | 85 x 85 cm | 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fire Light | Painting | Acrylic collage | 38 x 58.5 cm | August 18, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fish | Ceramic | 1982 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Fishes | Painting | Plate | 32.4 cm (diameter) | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fishpond Reflections | Painting | Oil on Canvas | 178 x 117 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Flagellants | Painting | Oil on Canvas | 132 x 132 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Flash Rain | Painting | Acrylic collage | 25.5 x 33 cm | July 8, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Flashback | Painting | Acrylic on Board | 60.5 x 60.5 cm | 1972 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Fluvial Parade | Painting | Acrylic collage | 67.2 x 51.5 cm | June 14, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Forest Murmurs | Painting | Oil | 102.2 x 429.2 cm | 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fortune Hill | Painting | Acrylic | 91.4 x 182.8 cm | November 20, 1987 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fragmentary Yodel | Painting | Oil on Canvas | 46 x 61 cm | January 4, 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Framed Fishes | Painting | Plate | 33 cm (diameter) | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Freedom Boats | Painting | Acrylic on paper | 56 x 76.5 cm | August 10, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Full Cycle | Painting | Acrylic collage | 25.5 x 33 cm | July 20, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Fun Strip | Painting | Oil | 56 x 71 cm | September 7, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Game | Painting | Oil | 35.5 x 55.8 cm | 1978 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Gates of Hapiness | Painting | Acrylic on Canvas | 122 x 78.5 cm | 1979 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Gemini | Painting | Oil on Canvas | 152.5 x 210.8 cm | 1966 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Geyser | Painting | Acrylic | 25.5 x 33 cm | August 6, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Global Warming | Painting | Acrylic collage | 1990 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | An abstract of Joya's that showed his shift from volatile energy to kinematics, according to Defeo. His dynamism and movement remained, but displayed themselves in more tempered floatations, fluxes, and oscillations rather than flustered outbursts. The pieces then featured geometric planes, rhytmic elements, with the brushstrokes and echo lines showing more control and calculation. As a result, the resulting compositions became "tidier." | ||||
Global Warming | Painting | Acrylic collage | 101.5 x 75 cm | Janary 30, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Golden Dragon | Painting | Acrylic collage | 101.5 x 67.2 cm | 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Golden Valley | Painting | Acrylic on canvas | 76 x 61 cm | August 1, 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Granadian Arabesque | Painting | Oil on Canvas | 119.4 x 305 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Granite Mountain | Painting | Acrylic collage | 25.5 x 33 cm | March 18, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Gray Afternoon | Painting | Oil | 47 x 63.5 cm | 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Green Mansion | Painting | Acrylic collage | 61 x 51 cm | March 25, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Green Sprouts | Painting | Oil | 45.7 x 35.5 cm | 1968 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Green Tunnels | Painting | Acrylic | 65.4 x 99.3 cm | June 9, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Guilin | Painting | Acrylic | 25.5 x 33 cm | January 22, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Heavenly Bodies | Painting | Acrylic | 45.5 x 61 cm | 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Heavenly Temple, Peking | Drawing | Pen and ink on paper | 1979 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture. | ||||
Hideaway | Painting | Oil on Canvas | 91.5 x 183 cm | March 30, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Hill Top | Painting | Oil on Canvas | 78.5 x 58.5 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Hill Town | Painting | Acrylic on paper | 25.5 x 53 cm | September 2, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
National Museum of the Philippines | Hills of Nikko, Japan | Painting | Oil on Canvas | 172.7 x 177.8 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | NMG. No.655 as cited in Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | ||
Hong Kong | Painting | Acrylic collage | 38 x 58.5 cm | April 8, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Horizon | Painting | Ceramic slab | 31.5 x 24 cm | 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
House of Life | Painting | Oil on Canvas | 116 x 116 cm | 1960 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Huang Po River, Shanghai | Painting | Acrylic on canvas | 181.5 x 138.5 cm | May 3, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Hymn | Painting | Oil | 35.5 x 55.8 cm | January 1980 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ilocos Sand Dunes | Painting | Acrylic collage | 91.4 x 182.8 cm | November 15, 1984 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Impulse | Painting | Oil | 30.5 x 43.2 cm | November 6, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Isang Umaga | Painting | Oil | 30.5 x 45 cm | November 16, 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Island Playground | Painting | Acrylic collage | 67 x 102.5 cm | January 15, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Jar | Ceramic | 1975 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Jar | Ceramic | 1976 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Karate | Painting | Oil on wood | 61 x 76 cm | August 1, 1965 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Kasulugan | Ceramic | 1976 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Kun Yam Temple | Painting | Oil | 63.5 x 49.5 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Kundiman | Painting | Oil | 35.5 x 58.4 cm | November 14, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Landscape of the Inner Eye | Painting | Oil on Canvas | 115.5 x 115.5 cm | 1958 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Landslide | Painting | Acrylic collage | 25.5 x 33 cm | July 27, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Lanterns of Enlightenment | Painting | Oil on wood, triptych | 163.8 x 369 cm | 1977 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya); Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ligawan | Painting | Oil on Canvas | 1948 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | It depicts a formal courtship, carried out before the watchful presence of family members. It features classics of western art such as the Greek sculpture in the background, the presence of mirror reflections (popularized by Van Eyck), and the powerful chiaroscuro lighting of artists like da Vinci and Caravaggio. | ||||
Lin Yin Temple, Hangchow | Painting | Acrylic collage | 20 x 26.5 cm | March 1, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Lion Dance | Painting | Acrylic | 91.5 x 183 cm | 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Loreto | Painting | Oil | 40.5 x 30.5 cm | 1953 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Love Rite | Painting | Oil | 182.8 x 243.8 cm | February 13, 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Madrid | Drawing | Charcoal on paper | 1955 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Main Library | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Makati | Painting | Oil | 56 x 35.5 cm | September 26, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Makati Skyline | Painting | Acrylic collage | 91.5 x 183 cm | September 11, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Male Torso | Sculpture | Wood | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of Joya's rare sculptures, showcasing his popular muscular and full-figured torso drawings actualized in three-dimensional space. The lines are clean, fluid, and economical, unvarying from the dominant linearity of Joya's nudes. | |||||
Manila Bay | Painting | Oil | 24.8 x 38 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Manila Bay, 6:00 PM | Painting | Oil on paper | 35.5 x 56 cm | June 9, 1979 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Marginal Forest | Painting | Acrylic | 38 x 58.5 cm | October 15, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Marikina | Painting | Oil | 56 x 71 cm | October 10, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mary Magdalene | Painting | Acrylic collage | 66 x 50.8 cm | 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
May Festival | Painting | Acrylic on paper | 58.5 x 38 cm | May 25, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Memories of Malacca | Painting | Acrylic collage | 56 x 75 cm | April 20, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Memories of Qin Ling Mountain | Painting | Acrylic collage | 57.1 x 72.3 cm | March 13, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Middle-Aged Man | Painting | Oil on Canvas | 38.5 x 30 cm | 1952 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||
Mind Landscape I | Painting | Oil | 81.2 x 122 cm | July 21, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mind Lanterns | Painting | Acrylic collage | 56 x 75.6 cm | March 23, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mind Tunnels | Painting | Acrylic | 25.5 x 33 cm | April 10, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mindanao Feast | Painting | Oil | 56 x 35.5 cm | June 12, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Minds Caves | Painting | Acrylic collage | 38.5 x 102.5 cm | October 19, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Moriones | Etched print, 2nd Proof | 1974 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | University Art Collection (College of Fine Arts), gifted by the artist | |||||
Mother and Child | Painting | Pastel on paper | 1995 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A figure drawing of a mother and child with unremarkable faces, demonstrating that Joya resists dependence on facial expressions to communicate emotion. He instead creates interest through his mastery of lines. This is shown in the mother's arms, her billowing veil and sleeves, the striped pattern in the clothes, and the outline of the boy's body and hair. | ||||
Mother Earth | Painting | Oil | 91.4 x 121.9 cm | November 14, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mountain Façade | Painting | Acrylic collage | 1991 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of Joya's pieces featuring texture, both actual and simulates, as prominent elements. He used materials such as sand and kalsomine to highlight the painterly quality of his early works. He also used handmade paper with very visible fibers to provide the tactile component of his later works. | ||||
Mountain Façade | Painting | Acrylic collage | 25.5 x 33 cm | February 25, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mountain Ridge | Painting | Acrylic collage | 25.5 x 33 cm | 1991 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mountain Tip | Painting | Acrylic | 33 x 25.5 cm | April 20, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mountain Trail | Painting | Acrylic on paper | 1995 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | An example of Joya's abstract work which, according to curator Rubén D. F. Defeo, can be appreciated as visualizations of explosive energy. As such, his works were often associated with Jackson Pollock and the New York School. | ||||
Mountain Trail | Painting | Acrylic | 25.5 x 33 cm | February 21, 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Mural | Painting | Oil on Canvas | 550 x 700 cm | 1976 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Muralla | Painting | Acrylic collage | 108 x 75 cm | September 30, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Nanking | Painting | Oil on Canvas | 30.4 X 43.1 cm | Jose T. Joya | University of the Philippines Library | |||||
Nasugbu | Painting | Oil | 76 x 56 cm | March 4, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Nasugbu | Painting | Acrylic collage | 56 x 67.5 cm | June 12, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
New World | Painting | Acrylic collage | 91.4 x 134.6 cm | November 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Niad | Painting | Oil on Canvas | 605 x 15.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Night Fire | Painting | Acrylic collage | 56 x 75 cm | February 10, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Nude Boy | Drawing | Colored pencil on paper | 1974 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Nude Male | Drawing | Pencil on paper | 1973 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | University Art Collection (University Library) | ||||
Ocean View | Painting | Acrylic | 25.3 x 33 cm | December 25, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Ode to Heidelberg | Painting | Acrylic collage | 109 x 75 cm | August 28, 1984 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Odyssey into the Inner Self | Painting | Acrylic collage | 101.5 x 72.5 cm | September 18, 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Old Man | Painting | Oil on Canvas | 1952 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Orange Moon | Painting | Acrylic collage | 55.8 x 38 cm | January 20, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Oton | Painting | Acrylic on Canvas | 61 x 77 cm | 1976 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Over the Rainbow, Shanghai | Painting | Acrylic collage | 56 x 76.5 cm | March 26, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Paco Park | Painting | Oil | 56 x 35.5 cm | January 1980 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Padang | Painting | Acrylic collage | 56 x 76.5 cm | October 2, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pagdiriwang | Painting | Oil | 5.5 x 7 cm | 1961 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pageant | Painting | Acrylic collage | 65.4 x 48.8 cm | September 3, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pahiyas | Painting | Acrylic | 58.5 x 38 cm | 1993 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Paper Fish | Painting | Acrylic on Paper | 50 x 66 cm | 1971 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Patrol | Painting | Acrylic | 66 x 50.8 cm | May 19, 1971 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Peace Route | Painting | Oil on Canvas | 91.5 x 183 cm | February 21, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
People Power | Painting | Acrylic on canvas | 87 x 174 cm | May 21, 1986 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pinatubo Prism | Painting | Acrylic collage | 33 x 25.3 cm | September 6, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Plate | Ceramic | 1982 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Playground of the Mind | Painting | Acrylic collage | 67.5 x 102.5 cm | March 31, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Porac | Painting | Acrylic on paper | 58.5 x 38 cm | August 28, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Portrait of Nene Borja | Drawing | Pencil on paper | 1952 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A pencil portrait of Nene Borja, the sole female in the graduating batch of 16 students in the UP School of Fine Arts in 1953. | University Art Collection (University Library) | |||
Primitive Disc | Painting | Intaglio | 15 x 16 cm | 1971 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Prismatic Vista | Painting | Oil | 56 x 35.5 cm | June 17, 1980 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Pulsation | Painting | Oil | 121.8 x 162.5 cm | February 8, 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Puppets | Painting | Acrylic collage | 56.5 x 71 cm | October 28, 1983 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Puti | Painting | Oil | 61 x 61 cm | February 8, 1972 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Qin Ling Mountain | Painting | Acrylic collage | 67 x 101.5 cm | November 30, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Quiapo Nazarene Festival | Painting | Oil | 140 x 178 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Rain on the Lake | Painting | Acrylic collage | 58.5 x 38 cm | August 18, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Red Sarimanok | Painting | Oil on Canvas | 150.5 x 75 cm | 1964 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Red Song | Painting | Oil | 45.5 x 45.5 cm | 1966 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Red Talisman | Painting | Oil on Canvas | 57.1 x 57.1 cm | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Features Joya's affinity towards abstract shapes and attention to coloration like warm-on-warm, as seen here. | |||
River Parade | Painting | Acrylic collage | 67.5 x 46.5 cm | October 1, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Riverside | Painting | Acrylic collage | 46.5 x 67.5 cm | October 9, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sa Pula Sa Puti | Painting | Acrylic | 58.4 x 38 cm | April 17, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sa Pula Sa Puti (2) | Painting | Acrylic | 33 x 25.5 cm | March 12, 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
San Miguel, Bulacan | Painting | Acrylic collage | 56 x 75 cm | April 20, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sand Dunes | Painting | Oil on Wood | 86 x 106.5 cm | 1973 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Sand Island | Painting | Acrylic collage | 45.8 x 67.3 cm | June 12, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sangley Point (Dacion En Pago) | Painting | Oil on Canvas | 90 x 181 cm | 1977 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Save the Earth | Painting | Acrylic | 58.4 x 38 cm | April 19, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Scarlet Drama | Painting | Acrylic collage | 50.8 x 33 cm | February 14, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Seated Old Man | Drawing | Colored pencil on paper | 1974 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A drawing of an old man; his isolation is emphasized by his compact form placed off-center against a sparse background. | ||||
Self-Portrait | Painting | Oil | 63 x 51 cm | 1952 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Serenade | Painting | Oil | 35.5 x 56 cm | October 28, 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Shooting Galery | Painting | Oil on Panel | 60 x 80 cm | 1967 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Shout of the Sea | Painting | Acrylic on paper | 56 x 76 cm | January 21, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sibol | Painting | Acrylic collage | 67.2 x 55.8 cm | July 21, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sierra Madre | Painting | Acrylic collage | 36 x 54 cm | August 2, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Silay Landscape | Painting | Acrylic on Canvas | 75 x 60.5 cm | 1976 | Jose T. Joya | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Society Matron | Painting | Oil on wood | 76 x 61 cm | 1966 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sound Break | Painting | Acrylic collage | 91.5 x 122 cm | November 6, 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Soundwaves of Manila Bay | Painting | Acrylic | 56 x 76 cm | March 21, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Space Transfiguration | Painting | Oil on Canvas | 1959 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Space Transfiguration | Painting | Oil on Canvas | 152.3 x 177.8 cm | February 5, 1959 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Spirit of ASEAN | Painting | Acrylic collage | 1992 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Spirit of Asean | Painting | Acrylic collage | 28 x 41 cm | May 19, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Stone Lion | Painting | Acrylic collage | 51 x 67.3 cm | October 23, 1972 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Stone Quarry | Painting | Oil | 77.5 x 124.5 cm | August 4, 1959 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Storm Signal II | Painting | Acrylic collage | 100.2 x 129.5 cm | July 21, 1973 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Study after Hidalgo | Draiwing | Ink on paper | 1951 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Study for a Mural | Painting | Acrylic | 23 x 46 cm | 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Study for a Mural (2) | Painting | Acrylic | 30.5 x 23 cm | 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Study for Homage to Vasarely | Drawing | Pen and ink on paper | 1967 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Study of an Old Man | Drawing | Pencil on paper, back to back | 1952 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Back-to-back studies made on a sketchpad. | University Art Collection (University Library) | |||
Summer Retreat | Painting | Acrylic collage | 76.5 x 56 cm | May 16, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Summer's End, Edo | Painting | Acrylic | 36 x 69 cm | November 10, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sundial | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Sunrise Rites | Painting | Acrylic collage | 91.4 x 134.6 cm | 1982 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Sunshine Country | Painting | Acrylic collage | 38 x 58.5 cm | 1993 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tagaygay Mist | Painting | Oil on Canvas | 152.5 x 274.5 cm (60 x 108 in) | 1990 | Jose T. Joya | National Artist in Visual Arts | One of the largest paintings of National Artist Jose Joya, the master of the Philippine abstract expressionist movement, still in private hands, Tagaytay Mist holds within its frame the consummate skill of an artist at his apogee. Primary and pastel colors float above each other, clustered in the center and spreading out into the edges. There is purpose to the arrangement of the wafting forms, as incongruent lines move the viewer’s eyes in a small dance around the canvas. Joya shows a control and restraint that is not usually associated with the genre, and in doing so reclaims and expands its boundaries to meet his unique vision. There is something essentially Orientalist about Joya’s work, exuding the local through his calligraphic aesthetic. Differing from the Western postwar expressionist stalwarts such as Pollock and Rothko, Joya draws out a quintessentially Filipino spirit in gestural strokes of green and blue, subtly hinting to a transparency that he and his modernist contemporaries had honed. There is a feeling of lightness, and a unarticulated breeze that wafts through the canvas and shadows the senses of the viewer, provoking the familiar sensation of a crisp mountain breeze. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Tagaytay Mist | Painting | Oil on Canvas | 1.52 x 2.74 m | November 18, 1990 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tavern | Painting | Acrylic collage | 58.5 x 38 cm | March 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Temple on a Hll | Painting | Acrylic collage | 58.5 x 38 cm | November 22, 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Big Circus | Painting | Acrylic collage | 38 x 58.5 cm | 1991 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Caravan | Painting | Acrylic collage | 75.5 x 110 cm | April 3, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Jester | Painting | Acrylic collage | 101.5 x 67 cm | October 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Legend of the Sarimanok | Painting | Acrylic collage | 1.5 x 3.5 m | September 22, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Origins | Painting | Oil on Canvas | 203 x 351.5 cm | October 8, 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Ozone | Painting | Acrylic collage | 76 x 109.2 cm | April 9, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Ozone | Painting | Acrylic collage | 67 x 102.5 cm | March 21, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Rainbow | Painting | Acrylic collage | 56 x 67.5 cm | August 5, 1989 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Twelfth Night | Painting | Acrylic collage | 105.5 x 67 cm | January 6, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Universe Within a Square | Painting | Oil on marine plywood | 81.5 x 123 cm | 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
The Visayans | Embossed print, R 6/25 | 1974 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Swirling patterns inspired by the heavily tattooed bodies of the Pintados of the Visayas, displaying abstract, geometric patterns. | University Art Collection (College of Fine Arts), gifted by the artist | ||||
The Visayans | Painting | Intaglio | 19 x 25.33 cm | 1972 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Three Tales | Painting | Oil on Canvas | 177.8 x 274.5 cm | 1958 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tiananmen | Painting | Acrylic collage | 138 x 205 cm | May 15, 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tiles | Ceramic | 1976 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||||
Torogan | Painting | Acrylic on canvas | 90 x 120 cm | October 8, 1985 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Transparent Fantasy | Painting | Acrylic collage | 50.8 x 67.3 cm | January 1, 1976 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tree of Life | Painting | Oil | 35.5 x 55.8 cm | July 3, 1977 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Tutubi | Woodcut, 77/210 | 1967 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of a series of noticeably Filipino-themed prints Joya created in a desire to use decorative motifs that were uncommon to his then western environment. | |||||
Two Boys, Cebu | Drawing | Colored pencil on paper | 1995 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Two Male Nudes | Drawing | Colored pencil on paper | 1989 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | |||||
Two Studies | Painting, Drawing | Pencil and watercolor on paper | 1953 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | Depicts the subjects participating in traditional crafts such as weaving, mat-making, carving, and pottery. | ||||
Two Women | Drawing | Ink on paper | 1956 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A drawing of two women, reflecting Joya's experimentations with the one line technique, simplified abstraction and exaggeration. | University Art Collection (University Library) | |||
Unititled (1956) | Painting | Tempera | 21.5 x 28.5 cm | 1956 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitiled (Burning of Loreto) | Painting | Watercolor on paper | 1951 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A depiction of the burning of Loreto Church in Sampaloc. It is striking for its powerful expressions of the haunting, sorrow-stricken and beseeching masses against the burning red background. It also features Joya's (who was an art student at the time) awkward proportions, perspective, and foreshortening. | ||||
Untitled (1957) | Painting | Oil on board | 28.5 x 37.2 cm | 1957 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1959) | Painting | Oil on paper | 16 x 20.2 cm | 1959 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1960) | Painting | Oil on paper | 11.5 x 13.8 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1962) | Painting | Oil on paper | 25.2 x 43 cm | 1962 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1964) | Painting | Oil | 29 x 56.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1964) | Painting | Oil on paper | 15.5 x 21.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1964) (2) | Painting | Oil | 15 x 17 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1964) (3) | Painting | Oil | 30.5 x 44.5 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1987) | Painting | Acrylic collage | 51 x 66 cm | 1987 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1987) (2) | Painting | Acrylic collage | 33 x 25.5 cm | 1987 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1994) | Painting | Acrylic | 91.5 x 61 cm | 1994 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1995) | Painting | Acrylic | 61 x 91.5 cm | 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (1995) (2) | Painting | Acrylic | 59.5 x 38.5 cm | 1995 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Untitled (Nude Couple) | Painting | Pastel on paper | 43.5 x 57 cm (17 x 22 1/2 in) | 1995 | Jose T. Joya | National Artist in Visual Arts | The lightness brought forth by the pastel medium both comprises and compliments the intimate scene sketched by National Artist Jose Joya. A woman rests her head on the lap of her lover, pulling him closer by the hand as the latter responds with a fond gaze. There is more to happen in the scene, but the artist chooses to render a moment in time captured. | |||
Untitled (NYC series) | Painting | Pen and ink | 28.5 x 35 cm (11 1/4 x 13 3/4 in) | Jose T. Joya | National Artist in Visual Arts | |||||
Untitled (Portrait of a Woman) | Painting | Oil on Canvas | 1952-1953 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A woman sitting sideways. An example of a portrait that Joya wanted to rework, with "misplaced highlights" indicating areas he intended to fix. | ||||
Untitled (Woman) | Painting | Sketch | 26.2 x 43.5 cm (10 x 17 in) | 1976 | Jose T. Joya | National Artist in Visual Arts | The pioneer of abstraction in the Philippines displays his inimitable versatility in this figurative sketch. A youthful woman gently sits slouched on a chair: her face both contemplative and at ease. A quiet, intimate mood is drawn with soft outlines, muted colors, and thick, light strokes creating depth. Nevertheless, Joya’s controlled shading and articulated lines evident in this piece prevail even in his most abstract drawings. The work thus exemplifies how Joya’s merit lay not merely in grasping a particular abstract style, but in mastering fundamental drawing skills in order to effectively evoke a feeling. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
UP Theater | Offset Lithograph | 1985 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of six drawings of UP landmarks that Joya donated to the school. | University Art Collection (University Library) | ||||
Urban Beat | Painting | Oil | 57 x 36 cm | December 15 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Vanishing Blue Ants | Painting | Acrylic collage | 108.5 x 66 cm. | 1994 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Venetian Female Model | Painting | Oil on Canvas | 1949 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | A woman sitting still, with a dreamy face. The focus is on the lady's blouse and the curtain in the background. | ||||
Virgin of Peñafrancia | Painting | Oil on plywood | 76.2 x 61 cm | 1966 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Visayan Melody | Painting | Acrylic collage | 67.3 x 50.8 cm | 1976 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005). | ||||
Vista Beyond Vision | Painting | Acrylic collage | 36 x 52 cm | August 2, 1981 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Wanchai | Painting | Acrylic collage | 38 x 58.5 cm | April 4, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Warm Afternoon | Painting | Oil | 40.5 x 81 cm | September 15, 1974 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
West Lake, Hangzhou | Drawing | Pen and ink on paper | 1972 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture. | ||||
Western End HK | Painting | Acrylic collage | 38 x 58.5 cm | February 28, 1992 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
White Poem | Painting | Oil | 86.5 x 183 cm | 1960 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
White Shrieks | Painting | Oil on lawanit | 122 x 152 cm | 1964 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
White Symbol | Painting | Oil | 61 x 81.2 cm | 1967 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Winter Light | Painting | Acrylic | 101 x 76 cm | February 12, 1978 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Yellow Era | Painting | Acrylic collage | 33 x 25 cm | June 11, 1987 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Yeseria IV | Painting | Oil on Canvas | 164 x 116.7 cm | 1955 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Yeseria VII | Painting | Oil on Canvas | 60 x 122 cm | 1958 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | ||||
Yin Yang | Painting | Acrylic collage | 101.6 x 66 cm | 1975 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Zarraga, Iloilo | Drawing | Pen and ink on paper | 1980 | Jose T. Joya | Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya) | One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture. | ||||
Zen Black | Painting | Acrylic collage | 134.6 x 91.4 cm | 1982 | Jose T. Joya | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Zen Garden | Painting | Acrylic collage | 38 x 58 cm | August 21, 1993 | Jose T. Joya | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
Asiong Aksaya | 1976-1984 | Lauro Z. Alcala | 2018 Order of National Artist | |||||||
Baryo Pogspak | Cartooning | 1966-1972 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Bing Bang Bung | Cartooning | 1978-1989 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Cartoon Feature | 1963 | Lauro Z. Alcala | 2018 Order of National Artist | |||||||
Congressman Kalog | Cartooning | 1966-1972 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Islaw Palitaw | 1946-1948 | Lauro Z. Alcala | 2018 Order of National Artist | |||||||
Kalabog en Bosyo | Cartooning | 1949-1983 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Kalabogesyons | Cartooning | 1966-1972 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Loverboy | Cartooning | 1964-1969 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Mang Ambo | 1963-1965 | Lauro Z. Alcala | 2018 Order of National Artist | |||||||
Mod-Caps | 1974-2002 | Lauro Z. Alcala | 2018 Order of National Artist | |||||||
Project 13 | Cartooning | 1966-1972 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Siopawman | 1972-1983, 2002 | Lauro Z. Alcala | 2018 Order of National Artist | |||||||
Slices of Life Weekend | Painting | 1980-1986 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Smolbatteribols | Cartooning | 1972-1984 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Snickerteens | 1973-1984 | Lauro Z. Alcala | 2018 Order of National Artist | |||||||
Tipin | Cartooning | 1951-1965 | Lauro Z. Alcala | 2018 Order of National Artist | ||||||
Weekly Nation | 1965-1972 | Lauro Z. Alcala | 2018 Order of National Artist | |||||||
Allegorical Harpoon | Sculpture | Wood | 1964 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Alma Mater | Sculpture | Wood | 1955 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Baby Moses Floating Sculpture | Sculpture | Wood | 1951 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Bagong Bahay | Sculpture | Marble | 1974 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Bench | Sculpture | Wood | 1992 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Bird | Sculpture | Wood | 1958 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Born Free | Sculpture | Marble | 1967 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Bridge of Love | Sculpture | Reinforced Concrete | 1970 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Ceremonial Urn at Dambana ng Kagitingan Cross | Sculpture | Reinforced Concrete | 1968 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Column | Sculpture | Wood | 1982 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Consummate Embrace | Sculpture | Bronze | 1970 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Crucifix | Sculpture | Wood | 1957 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Dambanan nf Kagitingan Reliefs | Sculpture | Marble | 1968 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Divider and Reception Desk | Sculpture | Wood and Metal | 1967 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Family Group | Sculpture | Wood | 1952 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Family Group | Sculpture | Stainless Steel | 1975 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Flight | Sculpture | Molave | 1964 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Gossips Study | Painting | Oil | 26 x 20 cm | 1952 | Napoleon V. Abueva | Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises. | ||||
High Reliefs at Dambana ng Kagitingan Cross | Sculpture | Reinforced Concrete | 1968 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Homage to D. M. Consunji | Sculpture | Reinforced Concrete | 1973 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Ilohan | Sculpture | Wood, Stone and Bronze | 1970 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Kaganapan | Sculpture | Marble | 1953 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Kalesa | Sculpture | Various Materials | 1993 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
National Museum of the Philippines | Kiss of Judas | Sculpture | Wood | 1955 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | Benefactor: Mr. Patrick Eugenio | |||
Magtanim Hindi Biro | Sculpture | Narra | 1978 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Moses | Sculpture | Albaster | 1952 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Mother and Child | Sculpture | Marble | 1987 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
National Museum of the Philippines | Mother and Child | Sculpture | 1960s | Napoleon V. Abueva | Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | The huge art piece is sculpted from solid adobe and shows abstract figures of a woman in a sitting position and holding a child. The child, meanwhile, clings on the head of his mother. The subject Mother and Child is very popular among visual artists. The National Museum prides itself with this Mother and Child sculpture created by Napoleon V. Abueva, a pioneer of Philippine modern sculpture. | ||||
Murmurings of a wood, stone and metal carver | Painting | 1990 | Napoleon V. Abueva | |||||||
Nine Muses | Sculpture | Reinforced Concrete | 1994 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Oblation | Sculpture | Concrete Cast | 1983 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Planting Rice | Sculpture | Narra | 1951 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Play Sculpture | Sculpture | Reinforced Concrete | 1968 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Pres. Carlos P. Garcia Statue | Sculpture | Bronze | 1962 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Ring of the Gods | Sculpture | Stainless Steel | 1971 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Roses, Wine, and a Woman to Dance in My Boat | Sculpture | Wood, Steel, and Polymer | 1991 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Scultured Bench | Sculpture | Wood | 1977 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
See Your Profile | Sculpture | Wood and Glass | 1978 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Spirit of Business | Sculpture | Concrete and Metal | 1979 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Sunburst | Sculpture | Metal | 1994 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Tamaraw with Wings | Sculpture | Reinforced Concrete and Fiberglass | 1996 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
The Rice Planters | Sculpture | Wood | 1952 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
The Vanishing Nobility of Man | Sculpture | Mulawin | 1973 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Three Graces | Sculpture | Narra | 1979 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Three Women Weaving the Filipino Flag | Sculpture | Concrete and Marble | 1996 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Torso | Sculpture | Adobe | 1972 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Transfiguration | Sculpture | Welded Brass | 1979 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Tribute to Higher Education | Sculpture | Concrete | 1966 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Tribute to the Filipino Entrepreneur | Sculpture | Steel | 1970 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
U.P. Gateway | Sculpture | Concrete | 1967 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Untitled (Doves | Sculpture | Marble | 16 x 36 x 24 cm (6 1/4 x 14 1/2 x 7 1/2 in) | 1977 | Napoleon V. Abueva | https://salcedoauctions.com/lots/important-philippine-art.html | Napoleon Abueva was named National Artist in 1976. This marble work displays the artist’s unparalleled ability to tell a story and evoke a mood through the simplest forms and the essence of the material used. Marble is molded into two tender doves resting in harmony—the top bird gently kissing the head of the bottom one. In its power and purity, the work is a testament to Abueva’s genius | |||
Water Buffalo | Sculpture | Reinforced Concrete | 1968 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Water Catapult (For the Burning Books of Alexandria) | Sculpture | Wood, Bronze and Copper | 1990 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Woman's World | Sculpture | Marble | 1971 | Napoleon V. Abueva | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
A Cluster of Nipa Huts | Painting | Oil on Canvas | 36.2 x 49.5 cm | 1943 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Abstract Sumi-e | Painting | Inkwash on Paper | 23 x 20.3 cm | 1967 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Angelus | Painting | 1939 | Vicente S. Manansala | Edades and the 13 Moderns (1995). | ||||||
Balut Vendors | Painting | Oil on Canvas | 145.5 x 165 cm | 1981 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Banaklaot | Painting | Oil on Canvas | 61 x 85.5 cm | 1948 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Banaklaot | Painting | Oil on Canvas | 107.7 x 133.3 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Bankusay | Painting | Watercolor on Paper | 44.3 x 62 cm | 1957 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Barong-barong | Painting | Watercolor | 28 x 38 cm | 1975 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Barong-barong with Bangka | Painting | Watercolor on Paper | 26.8 x 34.4 cm | 1951 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Beggar | Painting | Watercolor on Paper | 71.5 x 50 cm | 1963 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Beggars at Malacanang | Painting | Watercolor | 68 x 67.5 cm | 1971 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Birds | Painting | Watercolor on Paper | 54.2 x 73.8 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Birds | Painting | Pen and Ink | 11.7 x 17 cm | 1978 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Birds | Painting | Oil on Canvas | 119.3 x 73.5 cm | 1980 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Birds in Motion | Painting | Oil on Canvas | 78.7 x 99 cm | 1978 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Boatmen | Painting | Watercolor on Paper | 26.3 x 54.5 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Burial | Painting | Oil on Canvas | 88 x 75 cm | 1951 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A burial scene with a woman carrying a child grieving over a coffin that is about to be lowered into the grave by two male figures. Five mourners stand in the backgrund while a man carrying a cross lunges towards the grave. Dark and somber hues applied on a rough surface dominate the painting. | p.66 (76.7 x 89.8)cm 1948 | National Museum Collection | |
Calesa | Painting | Watercolor | 47.5 x 63 cm | 1950 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Calesa | Painting | Watercolor | 47.5 x 63 cm | 1951 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Calesa | Painting | Oil on Panel | 48.2 x 63.5 cm | 1955 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Candle Vendors | Watercolor on Paper | 70.3 x 97.2 cm | 1967 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Candle Vendors | Painting | Watercolor on Paper | 54 x 74 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Cluster of Ninja Huts | Painting | Oil on Canvas | 59.5 x 70.8 cm | 1943 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Cockfight | Woodcut | 27.6 x 74.6 cm | 1960 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Code of Kalantiaw | Sculpture | Bronze | 1969 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Crucifixion | Painting | Pen and Ink | 25.4 x 20.2 cm | 1950 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Crucifixion | Painting | Oil on CaIvorynvas | 14.9 x 13.5 cm | 1971 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Crucifixion | Painting | Oil on Canvas | 155 x 109.2 cm | 1980 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Crucifixion | Painting | Oil on Canvas | 137.2 x 98.2 cm | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | Unfinished | ||||
Cumbanchero | Painting | Oil on Canvas | 59.66 x 66.4 cm | 1958 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Dambana | Painting | Enamel, Oil and Tin Strip on Masonite Board | 92.2 x 66.8 cm | 1956 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Disco Combo | Painting | Oil on Canvas | 77.6 x 117 cm | 1975 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Establishment of a Stable and Healthy Citizenry | Sculpture | Bronze | 1969 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Female Nude | Drawing | Charcoal on Paper | 37.8 x 41.8 cm | 1974 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Female Nude | Drawing | Charcoal on Paper | 69.8 x 49.6 cm | 1980 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Female Nude | Drawing | Charcoal on Paper | 23.6 x 29.2 cm | undated | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Female Nude | Drawing | Charcoal on Paper | 52.6 x 72.2 cm | 1978 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Fish | Painting | Pen and Ink | 12.1 x 16.8 cm | 1978 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Fish and Fruit Vendor | Stained Glass | 25.4 x 85 cm | 1960 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Fish Vendor | Painting | Mixed Media Collage | 73.7 x 53.1 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Fish Vendors | Silk Screen | 60.1 x 50 cm | 1967 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Flowers | Painting | Watercolor on Paper | 70 x 57.4 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Freedom of the Press | Painting | Oil on Lawanit Board | 301.6 x 1742.4 cm | 1955 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
French Nude | Painting | Pastel on Paper | 44.5 x 60 cm | 1974 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Give Us This Day Our Daily Bread | Painting | Oil on Canvas | 69 x 86 cm | 1981 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Grand Patriarch | Painting | Oil on Board | 61.4 x 46.8 cm | 1944 | Vicente S. Manansala | Edades and the 13 Moderns (1995). | A portrait of a white-haired man with an austere expression. He is seated on a rattan chair clasping a book on his lap with both hands. A table stands behind him with a vase of flowers, a cross, and books on top. Th painting is reflected in glazed passages with impasto accents and a somber color scheme. | Hermenegilda Manansala Collection | ||
Guadalupe | Painting | Oil on Canvas | 56 x 41 cm (22 x 16 in) | 1955 | Vicente S. Manansala | National Artist in Visual Arts | An early painting by National Artist Vicente Manansala in excellent condition, its rarity beyond its period and pre-cubist style lies in its very medium. Where most landscapes by the master are rendered in watercolor, this is a very rare oil on canvas depicting the misty, verdant environs of Guadalupe. Today, the painting comes across with wistful nostalgia, a picture of nature now replaced by the built environment. Provenance: Acquired by the present owner from Ma. Cristina ‘Kit’ Ongpin-Roxas, Tawalisi Antiques, Makati City | https://salcedoauctions.com/lots/important-philippine-art.html | ||
I believe in God | Painting | Oil on Canvas | 77.7 x 68.5 cm | 1948 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | A group composition --one male and two females-- framed in a nipa shed. All figures are facing leftwards, heads bowed. Each is holding a wooden mortar as they pause from pounding rice. A dog lies on the ground in a curled-up position. A man ridinga carabao is seen in the far right side near a haysyack. | p.63 (66.3 x 75.9)cm oil on lawanit ______________ NMG. No. 51 as cited in Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | National Museum Collection | |
Iba't Ibang Mukha ni Eva | Painting | Oil on Canvas | 87.8 x 67.4 cm | 1978 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
International Year of the Child | Painting | Oil on Canvas | 107.3 x 92 cm | 1979 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Jeepneys | Painting | Oil on Plywood | 51 x 59 cm | 1951 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Jeepneys | Painting | Enamel on Masonite Board | 50 x 59 cm | 1951 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
La Luna | Painting | Pen and Ink | 40.3 x 32.8 cm | 1961 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Landscape | Painting | Watercolor on Paper | 31.4 x 38 cm | 1939 | Vicente S. Manansala | Edades and the 13 Moderns (1995). | A watercolor landscape with trees and shrubs on the upper half of the picture plane. A stream of water in the foreground reflects the lush vegetation. The wet-on-wet technique is employed throughout the painting | Hermenegilda Manansala Collection | ||
Landscape | Painting | Oil on Canvas | 31.1 x 30.9 cm | 1947 | Vicente S. Manansala | Edades and the 13 Moderns (1995). | Branches of a tree stretch from the left across the foreground while a nipa hut is found at the center. The scene is rendered in broad impasto strokes. | Ambassador J.V. Cruz Collection | ||
London Scene | Painting | Watercolor on Paper | 42 x 57.3 cm | 1976 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Madonna of the Slums | Painting | Oil on Lawanit Board | 86 x 61 cm | 1950 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A mother, standing at the center and facing left, carries her child as she stares to the right. The chid's right hand is touching her mother's cheek. Clotheslinws hang behind the two figures at the bottom section while a cluster of makeshift houses occupy the the entire background. The painting is dominated by varying shades of browns and greens. The sky is rendered bright blue. | Lucila Atacero Salazar Collection/ Aurelio Sevilla Alvero Collection | ||
Mag-anak | Watercolor on Paper | 74.7 x 54.8 cm | 1974 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Male Study | Painting | Ink and Watercolor on Paper | 32.3 x 13.5 cm | 1973 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Mamimintakasi | Painting | Mixed Media on Masonite | 66 x 58 cm | 1954 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Man with Guitar | Painting | Pen and Ink | 14.5 x 9.5 cm | 1965 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Maria Clara | Painting | Pen and Ink | 40.3 x 30.2 cm | 1961 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Market Scene | Drawing | Roller ball pen | 25.9 x 25.9 cm | 1957 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Market Scene | Painting | Oil on Canvas | 43.4 x 65 cm | 1980 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Market Venders | Painting | Oil on Canvas | 37 x 43.5 cm | 1949 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Mother and Child | Painting | Oil on Wood Panel | 59.4 x 32.7 cm | 1952 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Mother and Child | Woodcut | 45 x 21 cm | 1961 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Mother and Child | Painting | Oil on Ivory | 14.9 x 13.5 cm | 1971 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Mother and Child | Painting | Oil on Canvas | 85 x 64.6 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Mother and Child in Repose | Painting | Oil on Canvas | 67.3 x 130.7 cm | 1973 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Nude | Painting | Charcoal on Paper | 63 x 89 cm | 1981 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Nude | Painting | Charcoal on paper | 41.5 x 33 cm (16 1/4 x 13 in) | Undated | Vicente S. Manansala | National Artist in Visual Arts | Critics are one in saying that among Philippine visual artists, when it comes to rendering the female nude, nobody comes close to the technical skill and deft handling of form, light, and shadow of National Artist Vicente Manansala. Owing to his renown, it is well known that many ladies of Philippine society were more than happy to be drawn in the nude by the maestro, their demure poses, with faces tilted away from the viewer, maintaining their anonymity. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Nude #11 | Painting | Charcoal and Watercolor | 44 x 30.2 cm | 1971 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Ottawa Forest | Painting | Watercolor on Paper | 50.7 x 37.3 cm | 1949 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Panguingui | Painting | Oil on Canvas | 85.1 x 96.5 cm | undated | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Paris Scene | Painting | Watercolor on Paper | 44.5 x 59.2 cm | 1978 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Pila sa Bigas | Painting | Pastel on Paper | 115.3 x 189.2 cm | 1974 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Pila sa Bigas | Painting | Pastel on Paper | 114 x 187 cm | 1975 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
National Museum of the Philippines | Planting of the First Cross | Painting | Oil on Canvas | 301 x 145 cm | 1965 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | The painting depicts the planting of the cross in Cebu in 1521 with Ferdinand Magellan, Spanish soldiers and the natives with intricate tattoos known as pintados. The original cross can still be found in a special kiosk in Cebu City. This mural painting is one of the best representations of historical artwork in the collection. Manansala’s rendition is an amalgamation of the traditional and modern techniques in painting. It also manifests his mastery of transparent cubism. The artwork was commissioned by the national government in celebration of the 400 years of Philippine Christianization held in Cebu in 1965. | NMG. No.314 as cited in Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc. | |
Planting Rice | Painting | Mixed Media Collage | 61.7 x 82.2 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Portrait of Lucila | Painting | Oil on Canvas | 75 x 59.5 cm | 1950 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Pounding Rice | Painting | Oil on Canvas | 84.8 x 97.2 cm | 1979 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Prisoner | Painting | Watercolor on Paper | 91 x 69.6 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Prisoner | Painting | Oil on Canvas | 35.8 x 24.3 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Puto Bumbong at Bibingka | Painting | Oil on Wood Panel | 60.6 x 63.8 cm | 1950 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Reclining Mother and Child | Painting | Oil on Wood | 56.9 x 119.4 cm | 1967 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Rooster | Painting | Watercolor on Paper | 53.2 x 34.4 cm | 1957 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Salvador P. Lopez | Painting | Oil on Canvas | 82.8 x 66.6 cm | 1972 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
San Francisco del Monte | Painting | Oil on Wood | 35 x 48.5 cm | 1946 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Shrimps | Painting | Chinese Ink on Paper | 36.3 x 90.8 cm | 1950 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Simoun | Painting | Pen and Ink | 40.3 x 32.7 cm | 1961 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Sinigang | Painting | Oil on Canvas | 49 x 59 cm | 1956 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Stil Life with Green Guitar | Painting | Oil on Plywood | 60 x 50 cm | 1952 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Stil Life with Life Guitar | Painting | Oil on Plywood | 60 x 50 cm | 1951 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Still Life | Painting | Mixed Media Collage | 54 x 73.7 cm | 1966 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Still Life | Painting | Pen and Ink | 55.8 x 78.5 cm | 1967 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Still Life | Painting | Pen and Ink | 27.8 x 34.5 cm | 1980 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Still Life with Watermelon | Painting | Oil on Wood Panel | 49.5 x 45.7 cm | 1952 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Study from Artist's Sketchbook | Drawing | Charcoal on Paper | 30 x 23.5 cm | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Study Prisoner | Drawing | Charcoal on Paper | 18.8 x 16.2 cm | 1977 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Study, Code of Kalantiaw | Painting | Watercolor on Paper | 20.7 x 51.8 cm | 1969 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Study, Establishment of a Stable and Healthy Citizenry | Painting | Watercolor on Paper | 20.7 x 51.8 cm | 1969 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Study, Market Scene | Painting | Pen and Ink | 18 x 25.5 cm | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | |||||
Sungka | Painting | Oil on Canvas | 79.3 x 92.2 cm | 1979 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Tarragona Spain | Painting | Watercolor on Paper | 72.3 x 52.5 cm | 1967 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
The Arts and the Sciences | Painting | Oil on Canvas | 208.2 x 1412.2 cm | 1960 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
The Ascencion | Painting | Oil on Board | 274.3 x 457.2 cm | 1957 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
The Ascension | Painting | Oil on Masonite Board | 274.3 x 457.2 cm | 1956 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
The Crucifixion | Painting | Watercolor | 99 x 104 cm | 1971 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Three Carabaos | Painting | Oil on Plywood | 53 x 62 cm | 1958 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Tindera | Painting | Oil on Canvas | 84.8 x 60. 8 cm | 1978 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Trees | Painting | Watercolor on Paper | 54 x 74.4 cm | 1975 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Trees | Painting | Watercolor on Paper | 61 x 46 cm | 1979 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Tuba Drinkers | Painting | Oil on Masonite | 83.2 x 134.6 cm | 1954 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Two Women | Painting | Pastel on Paper | 60.5 x 45.3 cm | 1973 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Untitled | Painting | Oil on Wood Canvas | 91.6 x 44.5 cm | 1965 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Venorica | Painting | Enamel on Masonite | 118 x 62.4 cm | 1957 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Via Crucis | Painting | Oil on Board | 274.3 x 457.2 cm | 1957 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Via Crucis, Jesus Carries His Criss | Painting | Oil on Masonite Board | 274.3 x 457.2 cm | 1956 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Whirr | Painting | Oil on Canvas | 80.9 x 92.8 cm | 1962 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Whirr | Painting | Oil on Canvas | 74.3 x 64.7 | 1962 | Vicente S. Manansala | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Woman Sewing | Painting | Oil on Canvas | 85.3 x 68 cm | 1980 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Woman with a Cat | Painting | Watercolor on Paper | 74 x 53.8 cm | 1974 | Vicente S. Manansala | Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc. | ||||
Alice Bonoan | Painting | Oil on Canvas | 135 x 103.5 cm | 1971 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Antipolo Church Scene | Painting | Oil on Canvas | 80 x 18 cm | 1959 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Artist and Model | Painting | 59 x 87.25 cm | 1927 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Baguio Market | Painting | Oil on Canvas | 38 x 53.5 cm | 1968 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Baptismal of the Eldest | Painting | Oil on Canvas | 60 x 85.75 cm | 1961 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Bontoc Folk | Painting | Oil on Canvas | 89.1 x 70.9 cm | undated | Victorio C. Edades | Edades and the 13 Moderns (1995). | ||||
Bringing in the Catch | Painting | 73 x 62.5 cm | 1976 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
By the Seashore | Painting | Oil on Canvas | 70.5 x 106 cm | 1969 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Children Playing | Painting | Oil on Canvas | 45 x 58 cm | 1963 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Cockfighting at Noon | Painting | Oil on Canvas | 60.5 x 80.5 cm | 1963 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Country Scene | Painting | Oil on Canvas | 32 x 39.5 cm | 1959 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Davao Fruits | Painting | Oil on Canvas | 50 x 61 cm (19 3/4 x 24 in | 1980 | Victorio C. Edades | National Artist in Visual Arts | Veering from the overtly crude and distorted forms that defined his earlyworks, National Artist Victorio Edades, Father of Modern Philippine Art, applies rich color and texture to a pineapple, rambutan, and the famed durian of Davao, where the artist spent his final years. There is finesse to the brushwork - tiny strokes convey the rough and thorny surfaces of the fruits, while broad, layered strokes create a lavish background in ochre. In spite of its refinement, there are prevailing modern traces in the work: a flat perspective and a heightened, exaggerated contrast in colors. These note worthy qualities hold parallels to two forerunners of modern art in Europe: Manet and Cezanne. Employed on local fruit, they become distinctly Edades - telling of how the artist paved the way in transposing modernism to the Philippine context. | https://salcedoauctions.com/lots/important-philippine-art.html | ||
Davao Industries | Painting | Oil on Canvas | 122 x 366 cm | 1981 | Victorio C. Edades | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Davao Industries | Painting | Oil on Canvas | 150 x 1158 cm | 1982 | Victorio C. Edades | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Davao Landscape | Painting | Oil on Canvas | 75 x 60 cm | 1980 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Desmoiselle de Davao | Painting | Oil on Canvas | 129.5 x 99 cm | 1976 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Dr. Frederick Starr | Painting | 74.5 x 96 cm | 1928 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Elias | Painting | Oil on Canvas | 65 x 85 cm | 1963 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Elias | Painting | Oil on Canvas | 60 x 85.5 cm | 1968 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Esther | Painting | Oil on Wood | 122 x 153 cm | 1965 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A portrait of a short-haired woman wearing a whitegown in Filipiniana motif. She is seated on a blue cushioned chair, gazing to her right side, with handss resting on her lap. The background is rendered in varying shades of blue and brown. | p. 53 (150.5 x 199.6)cm | Teresita C. Lopa Collection | |
Fishing Scene at Dawn | Painting | Oil on Canvas | 55 x 75 cm | 1959 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Founding of Manila | Painting | Oil on Canvas | 100 x 150 cm | 1959 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Fruit Vendor | Painting | Oil on Canvas | 60 x 85.5 cm | 1966 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Harvest | Painting | Oil on Canvas | 70 x 100.5 cm | 1962 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Japanese Girl | Painting | 38.75 x 46 cm | 1927 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Joan | Painting | 86 x 121 cm | 1949 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Lady in Red | Painting | Oil on Masonite | 122 x 99 cm | 1970s | Victorio C. Edades | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Laundry Woman in the Stream | Painting | Oil on Canvas | 79 x 59.5 cm | 1967 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Lavanderas | Painting | Oil on Canvas | 101.6 x 78.7 cm | 1964 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Man and Woman Riding on a Carabao | Painting | Oil on Canvas | 70 x 100 cm | 1959 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Mango Vendor | Painting | Oil on Canvas | 38 x 53.5 cm | 1966 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Market Scene | Painting | Oil on Board | 61 x 85 cm | 1928 | Victorio C. Edades | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Modern Maria Clara | Painting | Oil on Canvas | 94 x 75 cm | 1958 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | NMG No.52 | |||
Montalban Woods | Painting | Oil on Canvas | 76 x 61 cm | 1980 | Victorio C. Edades | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Morning Dip | Painting | Oil on Canvas | 59.75 x 44.5 cm | 1961 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Moro Lass | Painting | Oil on Ply | 77 x 53 cm | 1981 | Victorio C. Edades | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Mother and Daughter | Painting | 106 x 122 cm | 1927 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
My Sweetheart | Painting | 66 x 83.5 cm | 1928 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Nude | Painting | 69 x 73.5 cm | 1976 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Philippine Rural Scene (at Dawn) | Painting | Oil on Panel | 27.5 x 44.5 cm | 1963 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Picnic in Taal | Painting | Oil on Canvas | 61 x 83 cm | 1970 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Poinsettia Girl | Painting | Oil on Canvas | 62 x 54.4 cm | 1976 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A portrait of a long-haired girl in a red dress, sitting on a yellow xushioned chair with bth hands clasped on her lap. Poinsentia flowers bend her from the right. The background is composed of leaf-like patterns rendered in quick strokes of yellow and blue pigment. | p.51 (63.2 x 55.8) cm | Mr. and Mrs. Victor Puyat Collection | |
Portrait of Fr. Silvestre Sancho | Painting | Oil on Panel | 121 x 37 cm | 1938 | Victorio C. Edades | Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | ||||
Portrait of Joan | Painting | Oil on Canvas | 58.3 x 48.3 cm | 1939 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A portrait of young Joan Edades, the artist's daughter, sitting on a green cushioned chair as she holds a doll with both hands. The painting is rendered in short and broad strokes. | Private Collection | ||
Portrait of Purita Kalaw-Ledesma | Painting | Oil on Canvas | 97 x 81.5 cm | 1977 | Victorio C. Edades | Edades and the 13 Moderns (1995). | A seated portrait of Purita Kalaw-Ledesma, one of the founders of the Arts Association of the Philippines (AAP). She is bespectacled and rendered frontally with both hands on the arms rest.n Ms. Ledesma is wearing a cream colored mestiza dress and a necklace. The portrait is presented against an aqua-colored background while the lower section is rendered in a dark shade of rose. | Purita Kalaw-Ledesma Collection | ||
Portrait of the Professor | Painting | Oil on Canvas | 61.3 x 45.8 cm | 1927 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A half-lenght portrait of a bald man, bespectacled and bearded, wearing a black suit with high-colarshirt and printed tie | p. 50 | Mr. and Mrs. Paulino Que Collection | |
Preparing for the Picnic | Painting | 66 x 77 cm | 1968 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Puente de Cana | Painting | Oil on Canvas | 70 x 101 cm | 1959 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Purita | Painting | Oil on Canvas | 81.5 x 96.7 cm | 1977 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Rear View At Bas Samois | Painting | Watercolor | 48.9 x 35.5 cm | 1937 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Rising Philippines | Painting | Oil on Canvas | 15.7 x 26.5 cm | 1935 | Victorio C. Edades | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | ||||
Rural Scene (Ladies to the Market) | Painting | Oil on Canvas | 80 x 118 cm | 1959 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Self-Portrait | Painting | Oil on Canvas | 22 x 21 cm | 1980 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). | The artist at 33 years old, is portrayed and seated with his right arm on the arm rest and the left hand hold a hat on his lap | p.48. 62.2 x 52.3cm | ||
Stella | Painting | 64.5 x 82 cm | 1966 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Still Life No. 1 "Flowers" | Painting | Oil on Canvas | 44 x 55 cm | 1963 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Store | Painting | Oil on Canvas | 65 x 85.5 cm | 1964 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Stream | Painting | Oil on Canvas | 55 x 75.5 cm | 1959 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Stream | Painting | Oil on Canvas | 55 x 74.5 cm | 1961 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Sunday Morning Going to Town | Painting | Oil on Canvas | 108 x 129 cm | 1958 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Sunset | Painting | Oil on Canvas | 79 x 59.5 cm | 1964 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Sunset | Painting | Oil on Canvas | 51 x 70.5 cm | 1959 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Susan | Painting | Oil on Canvas | 122 x 153 cm | 1971 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
The Artist and the Model | Painting | Oil on Wood | 87.2 cm x 60.5 cm | 1927 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A femal nude model with short wavy hair. She is surrounded by propped canvasses on easles with one male painter in the center background. | |||
The Arts | Painting | Oil on Canvas | 1930 | Victorio C. Edades | Roces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop | |||||
The Builders | Painting | Oil on Plywood | 120.5 x 321.5 cm | 1928 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A multi-figure composition of men portrayed in various poses working on rough cuts of bolders. | p47. (182 x 321)cm | ||
The Picnic | Painting | 92 x 62.5 cm | 1928 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
The Sketch | Painting | Oil on Canvas | 117 x 96 cm | 1928 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A woman lies on a bed combing her hair with eyes gazing down while a man sits by the bed sketching a still life set on a table. | p 49 (97.3 x 118.2) cm, undated | ||
The Wrestlers | Painting | Oil on Wood | 44 x 60 cm | 1927 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | A scene of nude male figures with their backs turned. The figures are rendered in impasto strokes | p.50 (61.3 x 45.3) undated | Mel Calderon Collection | |
Tinikling | Painting | Oil on Canvas | 64 x 84 cm | 1970 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Two Igorot Women | Painting | Oil on Canvas | 49.5 x 59.7 cm | 1940 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | Two women in ethnic attire resting on a hilltop beside a cluster of banana trees. The figures are rendered in simplified form using rough and broad strokes of pigment. | p. 52 (50.1 x 61.5)cm | U.P Vargas Museum and Filipiniana Research and Collection. | |
Two Young People | Painting | 122 x 153 cm | 1964 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | |||||
Wedding of a Muslim Princess | Painting | Oil on Canvas | 83 x 60 cm | 1971 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Women Washing by the River | Painting | Oil on Canvas | 101.6 x 78.7 cm | 1967 | Victorio C. Edades | Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. | ||||
Oath-taking of Regent Jorge Vargas before President Quezon | Painting | Oil on Canvas | 53.3 cm x 64.1 cm | 1941 | Fernando C. Amorsolo | Filipinas Heritage Library | ||||
Nude | Painting | Oil | 26 x 19 inches | 1948 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Nude with orchids | Painting | Oil on Canvas | 50.8 cm x 40.6 cm | 1939 | Fernando C. Amorsolo | Filipinas Heritage Library | Ayala Museum Collection | |||
Portrait of Amorsolo's grandfather | Sketch | Charcoal Pencil and Pastel Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||||
Madamme Nena Gabaldon | Painting | Oil on Canvas | 41.9 cm x 29.9 cm | 1955 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||
Madam Kimura | Painting | Oil on Canvasboard | 24.8 cm x 17.5 cm | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||||
President Jose P. Laurel | Painting | Oil on Canvas | 90.2 cm x 64.75 cm | 1944 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Mrs. Luz B. Magsaysay | Painting | Oil on Canvas | 49.5 cm x 39.3 cm | 1954 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Dona Damiana R. vda. De Ortiz | Painting | Oil on Canvas | 34.25 cm x 24.1 cm | 1944 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Dona Leona Pasion de Garcia | Painting | Oil on Canvas | 21 1/2 inches x 28 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||||
Portrait of Priscilla | Painting | Oil on Woodboard | 40 cm x 29.85 cm | 1955 | Fernando C. Amorsolo | Filipinas Heritage Library | Collection of Juan Garcia Sr | |||
Portrait of Dona Angela Rico | Painting | Oil on Canvas | 33 1/2 x 33 1/2 inches | 1928 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Portrait of Angela Vargas y Tiongco | Painting | Oil on Canvasboard | 44.4 cm x 34.9 cm | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Dona Filomena Celis de Vargas | Painting | Oil on Canvasboard | 44.4 cm x 34.9 cm | 1940 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Ambassador Jorge B. Vargas | Painting | Oil on Canvas | 90.2 cm x 64.75 cm | 1944 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Jorge B. Vargas | Painting | Oil on Canvas | 123.8 cm x 90.2 cm | 1943 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Nena Vargas | Painting | Oil on Canvasboard | 64.75cm x 47 cm | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Filipinas Heritage Library | Teresita Carolina Vargas | Painting | Oil on Canvasboard | 48.9 cm x 39.35 cm | 1944 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | ||
Dona Filomena Ortiz de Yulo | Painting | Oil on Canvas | 45 cm x 35.55 cm | 1940 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Don Gregorio Yulo | Painting | Oil on Canvasboard | 41.1 cm x 34.9 cm | 1943 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Marina Yulo Vargas | Painting | Oil on Masonite | 36.8 cm x 29.1 cm | 1943 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
For World and Philippine Scouting | Painting | Oil on Canvas | 60.95 cm x 76.2 cm | 1951 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Mrs. Alicia Syquia Quirino | Painting | Oil on Canvas | 28 inches x 34 inches | 1949 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Portrait of a Bagobo chief | Painting | Oil | Fernando C. Amorsolo | Filipinas Heritage Library | Syquia Mansion, Vigan, Ilocos Sur | |||||
Portrait of a Datu | Painting | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||||
Caricature of Don Ignacio Villamor | Sketch | Pen and Ink | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Caricature of Stephen Boncal | Sketch | Pen and Ink | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Portrait of a young man with a cigarette | Painting | Oil | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Portrait of an old man | Painting | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||||
Portrait of a Spanish mestiza | Sketch | Charcoal-Pastel | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Portrait of a violinist | Painting | Oil | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Poster of the Manila Carnival | Painting | Pen-Watercolor | 1924 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Adoring of the Idols | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Antipolo Market Day | Study | Pencil and Watercolor | 11 x 8 1/2 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Attire | Sketch | Pencil Sketch | 6 x 7 3/4 inches | 1934 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||
Study of a female nude | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Studies of Baguio Natives | Sketch | Charcoal Pencil Sketch | 1963 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of "Battle of Bataan" | Sketch | Charcoal Pencil | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of "Burning of Manila" | Sketch | 10 x 5 1/2 inches | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of carabao grazing | Sketch | Pencil Sketch | 12 x 9 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Caricature of two women | Sketch | 7 1/2 x 6 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Cristy and Maring | Sketch | Graphite | 1963 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Studies of the custom of kissing the hand | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Christina C. Amorsolo | |||||
Study of a Farm scene | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Baguio scene | Sketch | 8 x 5 3/8 inches | 1934 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of female bathers | Sketch | Pencil Sketch | 10 1/2 x 8 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of a female nude holding up her hair | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Studies of female nude | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Figure studies | Sketch | 11 x 8 1/2 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Studies of children at play | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Scene of Children at Play | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Figure Studies | Sketch | 10 x 8 1/2 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Figure Studies of a Naked Woman | Sketch | 9 x 6 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Figure Studies | Sketch | 9 x 6 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Figure Studies of Planting Rice | Sketch | Charcoal Pencil Sketch | 1952 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Scaled Study of the First Baptism | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Pencil Sketch of a Fisherman | Sketch | 8 6/8 x 6 2/8 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Fisherman's Village | Sketch | 11 1/4 x 8 1/2 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Fishing in the Nude | Sketch | Pencil Sketch | 7 1/2 x 11 inches | 1934 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||
Gay Lady | Sketch | 3 1/4 x 4 1/2 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Studies of "Girl with Bilao" | Sketch | 8 4/8 x 11 6/8 inches | 1960 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of Rice Harvest | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Studies of Baguio Igorots and Market | Sketch | Pencil | 8 x 6 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of a Female Nude | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Kneeling Female Nude | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Jose Paciano Laurel | Sketch | 6 x 6 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Miguel Lopez de Legaspi Being Feted by Natives | Sketch | 12 x 9 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Studies of a Woman Holding Up a Piece of Cloth | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Boatman Holding an Oar | Sketch | Pencil Sketch | 9 x 1 3/4 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Studies of a Man Holding a Glass | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Farmer Carrying Rice Stalks on a Pole | Sketch | Pencil Sketch | 5 3/4 x 5 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Model at Rest | Sketch | 17.15 x 24.1 cm | 1919 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of a Monument | Sketch | 6 x 6 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Female Nude Cleaning a Jar | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Female Nude, Back View | Sketch | 5 1/4 x 6 3/4 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Male Nude, Back View | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Nude Studies | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Female Nude with Jar | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Nude Studies | Sketch | Pencil Sketch | 9 x 11 7/8 inches | 1952 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||
Study of the Manila Cathedral | Sketch | 9 x 6 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Peasant Girl | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Studies of a Peasant Girl | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Female Figure for Planting Rice | Sketch | 5 1/2 x 7 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Pen and Ink Portrait | Sketch | Pen and Ink | 1907 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of a Pensive Nude | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Studies of the Back View of a Woman Carrying a Jar | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Reclining Female Nude | Sketch | 8 4/8 x 11 inches | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
River Bank | Sketch | 9 x 6 inches | 1926 | Fernando C. Amorsolo | Filipinas Heritage Library | |||||
Study of Ruins | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Fort Santiago | Sketch | Pencil Sketch | 10 1/2 x 7 1/2 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of Cockfight Aficionado and His Game Cock | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
study for a Brochure for Amigos Hospital San Lazaro | Sketch | 8 1/2 x 11 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Seated Nude | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Woman Sowing Seeds | Sketch | 9 x 12 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Spanish Model in the Nude | Sketch | 6 3/4 x 10 inches | 1919 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of the SS Dona Alicia | Sketch | Pencil Sketch | 9 x 11 3/4 | 1952 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||
Studies of Baguio Street Vendors | Sketch | Charcoal Pencil Sketch | 1963 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of an Advertisement for Sun-Maid Raisins | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of "Sunduan" | Sketch | 7 x 5 1/2 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Teenage Nude | Sketch | 9 1/2 x 11 inches | 1947 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Studies of Two Half Nudes | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Two Women | Sketch | Charcoal Pencil Sketch | 1962 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of Laundrywomen on River Bank | Sketch | 8 1/4 x 5 1/4 inches | Fernando C. Amorsolo | Filipinas Heritage Library | ||||||
Study of "Wealth and Poverty" | Sketch | 9 x 11 3/4 inches | 1946 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of a Woman Drying Palaya | Sketch | 8 1/2 x 11 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Woman | Sketch | Charcoal Pencil Sketch | 1963 | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of a Woman | Sketch | 7 x 5 1/8 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Woman Cooking and a Man with His Game Cock | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Woman on a Banca | Sketch | 10 5/8 x 7 6/8 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Woman in Tapis | Sketch | Pencil Sketch | 6 6/8 x 9 2/8 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||
Study of a Woman Picking Fruit and Her Panuelo | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Women | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Women Bathing and Washing | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Women Bathing | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Scaled Study of Women Bathing in the River | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Pre-Spanish Tutoring | Sketch | Charcoal Pencil Sketch | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Two Women with Salakot and Bilao | Sketch | 3 6/8 x 5 3/8 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of Women Vendors and a Man Training a Game Cock | Sketch | 8x5 1/4 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Study of a Young Woman Eating a Mango | Sketch | 5 x 7 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Wedding Portrait of Elpidio Quirino and Alicia Syquia | Painting | Oil on Canvas | 28" x 34" | 1952 | Fernando C. Amorsolo | Filipinas Heritage Library | Syquia Mansion, Vigan, Ilocos Sur | |||
Maria Amorsolo and Daughter Cristy | Painting | Oil | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | |||||
Pearl Traders | Painting | Fernando C. Amorsolo | Filipinas Heritage Library | Amorsolo Collection | ||||||
Landscape | Painting | Oil on Cardboard | 15.25 cm x 24.15 cm | 1958 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
The First Baptism in the Philippines | Painting | Oil | 34 1/2 cm x 51 1/2 inches | 1949 | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | |||
Portrait of Carmen Zaragoza Araneta | Painting | 1933 | Fernando C. Amorsolo | Filipinas Heritage Library | Collection of Antonio Araneta Jr. | |||||
Portrait of Gregorio Soriano Araneta | Painting | Oil | 1933 | Fernando C. Amorsolo | Filipinas Heritage Library | Collection of Antonio Araneta Jr. | ||||
Un Rincon de Pasig | Sketch | Pen and Ink Sketch | 1911 | Fernando C. Amorsolo | Filipinas Heritage Library | Filipinas Heritage Library | ||||
The Barter of Panay for a Golden Salakot | Painting | Oil on Canvas | 34 x 52" | 1956 | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | |||
Confeccion de la Standarte Nacional | Painting | Oil on Canvas | 36" x 52" | 1955 | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | |||
Early Gold Mining | Painting | Oil on Canvas | 24" x 32" | 1950 | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | |||
Ogorrrota de Benguet | Sketch | Pen And Ink Sketch | 1910 | Fernando C. Amorsolo | Filipinas Heritage Library | Filipinas Heritage Library | ||||
Open Market Scene | Painting | Oil | 42 x 46 inches | 1958 | Fernando C. Amorsolo | Filipinas Heritage Library | Ayala Foundation | |||
Princess Urduja | Painting | Oil on Canvas | 52 x 36 inches | 1956 | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | |||
The Barter of Panay for a Golden Salakot | Painting | 1956 | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | |||||
Traders | Painting | Fernando C. Amorsolo | Filipinas Heritage Library | Ayala Corporation | ||||||
Peral Fisher | Painting | Fernando C. Amorsolo | Filipinas Heritage Library | |||||||
Abaca Stripping | Painting | Oil | 29 1/4 x 23 inches | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | ||||
Afternoon Meal of Rice Workers | Painting | Fernando C. Amorsolo | Filipinas Heritage Library | International Business Machines Corporation (Owner) | ||||||
Marikina | Painting | Oil on Panel | 22.75 x 32 cm | 1929 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Model at Rest | Sketch | Colored Pencil on Paper | 17.5cm x 25.2cm | 1919 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
La Modelo | Painting | Oil | 13 1/2 x 16 1/2" | Fernando C. Amorsolo | Filipinas Heritage Library | Lopez Museum | ||||
Montalban | Painting | Oil on Panel | 9 1/4 x 13 inches | 1928 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Montalba Cave | Painting | Oil on Panel | 9 1/4" x 13" | 1926 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Montalban Dam | Painting | Oil on Panel | 9 1/4" x 13" | 1926 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Morning Dip | Painting | Oil | 24 1/4" x 17 1/2" | 1961 | Fernando C. Amorsolo | Filipinas Heritage Library | Alberto Cacnio Collection | |||
Bundok Marikina (Marikina Valley) | Painting | Oil on Panel | 22.75 x 32 cm | 1925 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Naguilian Road | Painting | Oil on Canvas | 13" x 16" | 1925 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Nude | Painting | Oil on Canvas | 49 x 68 cm | 1947 | Fernando C. Amorsolo | Filipinas Heritage Library | Ayala Museum Collection | |||
Nude | Painting | 11 1/2'' x 15 3/4'' | 1960 | Fernando C. Amorsolo | Filipinas Heritage Library | Lopez Museum | ||||
Nude on Grass | Painting | Watercolor | 14 1/2" x 9 3/4" | 1919 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Afternoon Meal of Rice Workers | Painting | 15 1/2" x 11 1/2" | 1948 | Fernando C. Amorsolo | Filipinas Heritage Library | Anselmo Trinidad Collection | ||||
Antipolo Pilgrimage | Painting | Oil | 11 1/2" x 16" | 1959 | Fernando C. Amorsolo | Filipinas Heritage Library | Fermin Caram Jr. Collection | |||
Atimonan | Painting | Oil on Panel | 22.75 cm 32 cm | 1922 | Fernando C. Amorsolo | Filipinas Heritage Library | Pagrel Collection | |||
Baguio Market | Painting | Oil on Canvas | 13'' x 16'' | 1927 | Fernando C. Amorsolo | Filipinas Heritage Library | Araneta Collection | |||
Bataan | Painting | Oil | 26'' x 21'' | 1964 | Fernando C. Amorsolo | Filipinas Heritage Library | ||||
Bath in the River | Painting | Oil | 17 3/4'' x 21 1/2'' | 1951 | Fernando C. Amorsolo | Filipinas Heritage Library | Mutuc Collection | |||
Batis | Painting | Oil | 20'' 25 1/2' | 1941 | Fernando C. Amorsolo | Filipinas Heritage Library | Del Rosario Collection | |||
Before the Wedding | Painting | Oil | 19 1/2'' x 15 1/2'' | 1938 | Fernando C. Amorsolo | Filipinas Heritage Library | Celso Carunungan Collection | |||
Betrothal | Painting | Oil | 33 1/2'' x 50 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Original Painting from Insular Life - FGU Collection but was destroyed during July 11, 1971 fire | ||||
Binyag ng Panganay | Painting | Oil on Canvas | 60 x 85.75cm | 1961 | Fernando C. Amorsolo | Filipinas Heritage Library | Elsie Roa Cacnio Collection | |||
The Building of the Walls of Intramuros | Painting | Oil | 34 1/2'' x 51 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | ||||
The Carabao Sled | Painting | Oil | 23'' x 29'' | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | ||||
Chorus Girls | Painting | Oil on Wood | 24 1/2'' x 17'' | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | ||||
Church in Baguio | Painting | Oil on Panel | 22.75 x 32 cm | 1923 | Fernando C. Amorsolo | Filipinas Heritage Library | Pagrel Collection | |||
The Convert | Painting | Oil | 16'' x 11 1/2'' | 1967 | Fernando C. Amorsolo | Filipinas Heritage Library | Yu Mun Collection | |||
Cubao Landscape | Painting | Oil on Panel | 22.75 x 32 cm | 1924 | Fernando C. Amorsolo | Filipinas Heritage Library | Pagrel Collection | |||
Dawn | Painting | Oil on Canvas | 8'' x 10 3/4'' | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Aranet Collection | ||||
The Death of a Katipunero | Painting | Oil on Canvas | 37 1/2'' x 27 3/8'' | 1962 | Fernando C. Amorsolo | Filipinas Heritage Library | Anselmo Trinidad Collection | |||
Composition (Evacuation) December 1941 | Painting | Oil on Canvas | 110 x 150 cm | 1944 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Aranet Collection | |||
Drying Tobacco Leaves (Study) | Painting | Oil on Panel | 7'' x 9'' | Fernando C. Amorsolo | Filipinas Heritage Library | Lui Ma. Araneta Collection | ||||
The Explosion, Manila, 8pm, 21 September 1944 | Painting | Oil on Canvas | 24.75 x 33cm | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | ||||
Evacuation | Painting | Oil | 46'' x 36'' | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | ||||
Nude in a Flower Garden | Painting | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | ||||||
Fishing At Night | Painting | Oil on Panel | 33 x 41.9 cm | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Fishing Boat | Painting | Oil | 23 1/2'' x 33 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | ||||
Fishing Scene | Painting | Oil on Panel | 91.45 x 182 cm | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Good Morning | Painting | Oil | 12'' x 15 1/2'' | 1951 | Fernando C. Amorsolo | Filipinas Heritage Library | Alberto Cacnio Collection | |||
Harvest Time | Painting | Oil on Panel | 12 3/4'' x 11'' | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | ||||
The House in the Forest | Painting | Oil on Panel | 9 1/4'' x 13'' | 1921 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Kabyawan | Painting | Oil | 23'' x 29 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | ||||
Laundry Women | Painting | Oil on Panel | 30 x 36.3cm | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Lavanderas | Painting | 16'' x 19 1/2'' | 1931 | Fernando C. Amorsolo | Filipinas Heritage Library | Rody Herrera Collection | ||||
Woman Reading | Painting | Oil | 22 1/4'' x 29 1/4'' | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Central Bank of The Philippines | |||
Leyte Landing | Painting | Oil | 23 1/2'' x 33 1/4'' | Fernando C. Amorsolo | Filipinas Heritage Library | Carlos P. Romulo Collection | ||||
Luksong Tinik | Painting | Oil | 23'' x 33 1/2'' | 1961 | Fernando C. Amorsolo | Filipinas Heritage Library | Fermin Caram Jr. Collection | |||
Maiden in the Streams | Painting | Oil on Panel | 30.5 x 20.5 cm | 1943 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Portrait of President Elpidio Quirino | Painting | 1949 (?) | Fernando C. Amorsolo | Filipinas Heritage Library | Syquia Mansion, Vigan, Ilocos Sur | |||||
Portrait of Alicia Syquia-Quirino | Painting | Oil on Canvas | 28'' x 34'' | 1949 | Fernando C. Amorsolo | Filipinas Heritage Library | Syquia Mansion, Vigan, Ilocos Sur | |||
Portrait of President Manuel L. Quezon | Painting | Oil | 40 1/2 x 36 1/2'' | 1941 | Fernando C. Amorsolo | Filipinas Heritage Library | Zenaida Quezon-Avacena Collection | |||
Portrait of Aurora Aragon-Quezon | Painting | Oil | 54'' x 39'' | Fernando C. Amorsolo | Filipinas Heritage Library | Philippine Women's University Collection | ||||
Portrait of Leona Pasion Garcia | Painting | Oil on Canvas | 21 1/2'' x 28'' | Fernando C. Amorsolo | Filipinas Heritage Library | Juan Garcia, Sr. Collection | ||||
Portrait of Francisco Ortigas | Painting | Oil on Canvas | 29 1/2'' x 21 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | ||||
Portrait of Antonio Melian Y Pavia | Painting | Oil on Canvas | 29 1/2'' x 21 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | ||||
Portrait of Luz Banzon-Magsaysay | Painting | Oil on Canvas | 49.5 x 39.3cm | 1954 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Portrait of Presentacion Hofilena-Lopez. | Painting | Oil on Wood | 15 1/4'' x 19 1/4'' | 1949 | Fernando C. Amorsolo | Filipinas Heritage Library | Eugenio Lopez Memorial Museum | |||
Portrait of Pacita Moreno-Lopez | Painting | Oil on Wood | 27'' x 35'' | 1937 | Fernando C. Amorsolo | Filipinas Heritage Library | Eugenio Lopez Memorial Museum | |||
Portrait of Eugenio Lopez, Sr. | Painting | 34'' x 49'' | 1957 | Fernando C. Amorsolo | Filipinas Heritage Library | Eugenio Lopez Memorial Museum | ||||
Portrait of Nena Varela-Gabaldon | Painting | Oil on Canvas | 41.9 cm x 29.2 cm | 1955 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Portrait of Luis Ma. Araneta. | Painting | 16'' x 12 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||||
Portrait of Luis Ma. Araneta | Painting | Oil on Masonite | 22 1/2'' x 17'' | 1944 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Portrait of Gregorio Araneta | Painting | Oil on Canvas | 33'' x 27'' | 1942 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Portrait of Francisco Z. Araneta | Painting | Oil on Canvas | 16'' x 12 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | ||||
Portrait of Conchita Araneta | Painting | Oil on Canvas | 16'' x 12 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | ||||
Woman with Bilao | Painting | Oil | 23'' x 29'' | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | ||||
Woman Cooking in the Kitchen | Painting | Oil on Canvas | 55.85 cm x 40.65 cm | 1959 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Malacañan by the River | Painting | Oil on Canvas | 33 cm 45.7 cm | 1948 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Man Bathing with a Tabo | Painting | Oil on Panel | 12'' x 8 1/2'' | 1943 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Man and Woman in a Sailboat | Painting | Oil | 24'' x 29 1/2'' | Fernando C. Amorsolo | Filipinas Heritage Library | Insular Life - FGU Collection | ||||
Mandaluyong | Painting | Oil on Panel | 9 1/4'' x 13'' | 1920 | Fernando C. Amorsolo | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Mango Harvesters | Painting | Oil on Panel | 19'' x 12 1/2'' | 1936 | Fernando C. Amorsolo | Filipinas Heritage Library | Hofileña Collection, Silay City | |||
Cocinera | Painting | Oil | 24'' x 18'' | 1967 | Fernando C. Amorsolo | Filipinas Heritage Library | ||||
Kawilihan | Painting | Oil on Masonite | 50.2 cm x 88.9 cm | 1944 | Fernando C. Amorsolo | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Burning of Manila During Liberation | Painting | Oil on Canvas | 44 1/2'' x 28 1/2'' | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | Mr. Antonio Delgado | |||
Burning of Manila | Painting | Oil on Canvas | 41-3/8'' x 31 1/4'' | 1945 | Fernando C. Amorsolo | Filipinas Heritage Library | Filipinas Heritage Library | |||
Early Sulu Wedding | Painting | Oil on Canvas | 88 x 130 cm | ca. 1955-1960 | Fernando C. Amorsolo | Filipinas Heritage Library | Ayala Museum Collection | |||
Burning of the Idols | Painting | Oil on Canvas | 88 x 131 cm | ca. 1955-1960 | Fernando C. Amorsolo | Filipinas Heritage Library | Ayala Museum Collection | |||
Harana | Painting | Oil on Canvas. | 21" x 49" | 1957 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Roberto Ma. Guerrero Collection | |||
Moriones Festival. | Painting | Oil on Canvas. | 34 " x 47 " | 1966 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Alejandro Roces Collection | |||
Beheading of Longinus. | Painting | Watercolor. | 20" x 34" | 1966 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Alejandro Roces Collection | |||
Magpupukot | Painting | Oil on Canvas | 34'' x 48'' | 1957 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Roberto Ma. Guerrero Collection | |||
Harvest Festival | Painting | Oil on Canvas | 180 cm x 119 cm | 1962 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Collection of Mrs. Jose Guevarra | |||
Our Lady of Perpetual Help | Painting | Oil | 64'' x 96'' | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Angono Catholic Church | ||||
Introduction of the First Christian Image | Painting | Oil on Canvas | 304cm x 150 cm | 1965 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | National Museum | |||
Filipino Struggles Through History | Painting | Oil on Canvas | 271 cm x 2.000 cm | 1964 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | A National Cultural Treasure owned by the City of Manila, Bulwagang Villegas, Manila City Hall | |||
Penitencia | Sketch | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Rosalina V. Francisco Collection | ||||||
Penitencia | Sketch | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Rosalina V. Francisco Collection | ||||||
Moriones | Sketch | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Rosalina V. Francisco Collection | ||||||
Cenaculo | Sketch | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Rosalina V. Francisco Collection | ||||||
Moriones | Sketch | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Rosalina V. Francisco Collection | ||||||
Via Crucis | Sketch | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Rosalina V. Francisco Collection | ||||||
San Clemente | Sketch | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Rosalina V. Francisco Collection | ||||||
Teodora Alonso | Sketch | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Rosalina V. Francisco Collection | ||||||
Genghis Khan | Sketch | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Rosalina V. Francisco Collection | ||||||
Pista Sa Nayon | Painting | Oil on Canvas | 670 cm x 213 cm | 1947 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Malacanan Museum | |||
Introduction of the First Christian Image | Painting | Oil on Canvas | 304 cm x 150 cm | 1965 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | National Museum of The Philippines | |||
Rice Harvesters in Angono | Painting | Oil on Canvas | 45 1/2'' x 32 1/2'' | 1960 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Carlos Quirino Collection | |||
First Mass in the Philippines | Painting | Oil on Canvas | 340 x 150 cm | 1965 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | National Museum of The Philippines | |||
Annual Moriones Festival in Marinduque | Painting | Oil on Canvas | 34'' x 47'' | 1966 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | Alejandro Roces Collection | |||
Via Crucis | Painting | Carlos "Botong" V. Francisco | Filipinas Heritage Library | |||||||
Jesus Falls the First Time | Painting | Oil on Canvas | Carlos "Botong" V. Francisco | Filipinas Heritage Library | GSIS | |||||
Simon of Cyrene Carries the Cross | Painting | Oil on Canvas | Carlos "Botong" V. Francisco | Filipinas Heritage Library | ||||||
Basic Services of the City of Manila | Painting | 1964 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | City of Manila | |||||
Pageant of Commerce | Painting | 1957 | Carlos "Botong" V. Francisco | Filipinas Heritage Library | ||||||
Brown Brother's Burden | Painting | Acrylic on Canvas | 75 x 55 cm | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Private Collection | |||
A Cigarette-Factory Worker | Painting | Acrylic on Canvas | 17 1/4 x 22 1/4 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | ||||
Drape Study | Painting | Acrylic on Canvas | 1973 | Benedicto Cabrera | Filipinas Heritage Library | |||||
A Family of Servants | Painting | Acrylic on Paper | 74 x 57 cm | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Jaime And Bea Zobel De Ayala Collection | |||
Filipina Dress Without the Tapis | Painting | Acrylic on Canvas | 21 1/2 x 2 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | ||||
Filipino Prisoners of War | Painting | Acrylic on Canvas | 29 1/4 x 21 1/2 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||
Filipino Revolutionary Officers | Painting | Acrylic on Canvas | 39 x 29 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||
Portrait of a Servant Girl | Painting | Acrylic on Paper | 75 x 56 cm | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Manolo And Maritess Lopez Collection | |||
Flight | Painting | Acrylic on Paper | 1974 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Flower Girl At the Opera | Painting | Acrylic | 22 1/4 x 29 1/2 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||
Girl with a Salakot | Painting | Acrylic | 14 1/4 x 13 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||
Interior of a Negros Hacienda | Painting | Acrylic on Paper | 48 x 36 cm | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||
Kimona | Painting | 1974 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||||
Long-Haired Girl | Painting | Acrylic | 14 1/2 x 13 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||
Pit-A-Pit's Metamorphosis | Painting | Acrylic | 30 1/4 x 22 1/4 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||
Saya | Painting | Acrylic | 1974 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Siesta Hour | Painting | Acrylic | 1974 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | ||||
A Society-Concious Filipina | Painting | Acrylic | 21 1/2 x 29 1/2 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||
Soldier Boy | Painting | Acrylic on Canvas | 1974 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Soldier '96 | Painting | Acrylic on Canvas | 1974 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Summer '96 | Painting | Acrylic on Canvas | 1974 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Types of True Filipinos Waiting To Be Called Americans | Painting | Acrylic on Canvas | 22 1/2 x 29 1/4 inches | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | |||
A Typical Gobernadorcillo and His Wife | Painting | Acrylic on Canvas | 76 x 56 cm | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Cultural Center of the Philippines Collection | |||
A Typical Mestiza | Painting | Acrylic on Paper | 75 x 55 cm | 1972 | Benedicto Cabrera | Filipinas Heritage Library | Paulino and Hetty Que Collection | |||
Women Waiting | Painting | Acrylic | 1974 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Mother and Daughter | Painting | Acrylic | 1974 | Benedicto Cabrera | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Playing the Guitar | Sketch | Crayola on Drawing Paper | 15.25 cm x 10.8 cm | 1952 | Cesar T. Legaspi | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Chinese Trader (Detail) | Sketch | Cesar T. Legaspi | Filipinas Heritage Library | Alfredo And Irene Roces Collection | ||||||
Profile | Sketch | Charcoal Pencil | 15 1/6 x 11 1/16 | 1920 | Guillermo E. Tolentino | Filipinas Heritage Library | ||||
American Negro | Sketch | Charcoal Pencil | Circa 1920 | Guillermo E. Tolentino | Filipinas Heritage Library | |||||
The Oblation | Sculpture | Guillermo E. Tolentino | Filipinas Heritage Library | Filipinas Heritage Library | ||||||
Bonifacio Monument | Sculpture | Guillermo E. Tolentino | Filipinas Heritage Library | Filipinas Heritage Library | ||||||
Rizal Monument | Sculpture | Guillermo E. Tolentino | Filipinas Heritage Library | Filipinas Heritage Library | ||||||
Alumina I | Sculpture | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||||
Diagonal Gray | Painting | Acrylic on Wood | 48' x 48' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Double Reclining Figures | Sculpture | Tindalo Wood | 1970 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Ferro I | Sculpture | Iron | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Ferro II | Sculpture | Iron | 1971 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Figura II | Sculpture | Iron | Height 67' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Grid II | Sculpture | Laminated Wood | 24' x 12 3/4' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Incision III | Sculpture | Incised Wood | H-48' W-39' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Koshu | Painting | Sprayed Paint on Wood | 72' x 72' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Lamination XIX | Sculpture | Laminated Plywood | 39 3/4' x 19' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Lamination XXXIX | Sculpture | Laminated Plywood | 40' x 40' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Modula I | Sculpture | Stainless Steel | 3.3/4 x 3.3/4 | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Relief X | Painting | Painted Plywood | H-36' W-18' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Relief XVI | Painting | Painted Plywood | 24' x 1' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
Signal III; Signal I | Painting | Acrylic on Wood | 36' x 36' | 1972 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | |||
SYO | Sculpture | Tindalo Wood | 1970 | Arturo Luz | Filipinas Heritage Library | Luz Gallery, Makati | ||||
Nude | Painting | Watercolor | Vicente S. Manansala | Filipinas Heritage Library | Jose Guevarra Collection | |||||
Nipa Huts | Painting | Oil on Canvasboard | 36.2cm x 49.5cm | 1943 | Vicente S. Manansala | Filipinas Heritage Library | Jorge B. Vargas Filipiniana Foundation | |||
Waiting for the Fishermen | Painting | Oil on Canvas | 14 1/2 x 17 3/4'' | 1940 | Vicente S. Manansala | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Sta. Mesa | Painting | Oil on Canvas | 13'' x 16 1/2'' | 1946 | Vicente S. Manansala | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Banff, Canada | Painting | Oil on Cardboard | 14" x 16 1/2" | 1949 | Vicente S. Manansala | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Guadalupe, Makati | Painting | Oil on Canvas | 13' x 16 1/2' | 1945 | Vicente S. Manansala | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
Harvest | Painting | Oil on Canvas | 16'' x 20'' | 1956 | Vicente S. Manansala | Filipinas Heritage Library | Luis Ma. Araneta Collection | |||
House on Stilts | Painting | Oil on Cardboard | 10 1/2'' x 13 1/2'' | Vicente S. Manansala | Filipinas Heritage Library | Luis Ma. Araneta Collection | ||||
Diwata ng Dagat | Sculpture | 16 feet | 2001 | Napoleon V. Abueva | U.P. Visayas – College of Fisheries and Ocean Sciences: National Center of Excellence in Fisheries and Aquatic Sciences Wordpress | The Diwata ng Dagat was created by Napoleon V. Abueva, father of modern Philippine sculpture and national artist for sculpture (1976). The Diwata ng Dagat was 16-foot masterpiece of the National Artist Professor Napoleon V. Abueva – a landmark of the University of the Philippines Visayas in the seaside town of Miagao in the province of Iloilo in Panay Island. It is a strong and determined woman standing on fish and pulling a fishnet which symbolizes the philosophy and aspirations of the University though its College of Fisheries and Ocean Sciences (CFOS) as it continues to fulfill its mandate as the national center of excellence for fisheries and aquatic sciences. The Diwata symbolizes the indomitable spirit of the faculty, researchers and students of CFOS and reflects consciousness for sustainable stewardship of God-given resources, creativity, innovativeness, and cultural relevance in the planning and implementation of programs in the fields of aquaculture, capture and post harvest fisheries, fisheries policy formulation and allied disciplines. The Diwata ng Dagat was formally unveiled on July 25, 2001, during UPV’s 55th Foundation Day. | https://upvcfos.wordpress.com/36-2/ | University of the Philippines Visayas-Miagao | ||
Introibo | Painting | Oil on Masonite Board | 71.12 x 55.88 cm | 1951 | Hernando R. Ocampo | Ayala Museum | ||||
Untitled (Abstract) | Lithograph 8/51 | 14.5 x 13.5 cm (5 1/2 x 5 in) | undated | Arturo Luz | Salcedo Auctions | Lot 241: gavel&block art+design: from regency to contemporary | ||||
Untitled (Abstract) | Lithograph AP 51/51 | 14 x 15 cm (5 1/2 x 6 in) | undated | Arturo Luz | Salcedo Auctions | Lot 242: gavel&block art+design: from regency to contemporary | ||||
Untitled (Abstract) | Lithograph 142/150 | 13 x 13 cm (5 x 5 in) | undated | Arturo Luz | Salcedo Auctions | Lot 243: gavel&block art+design: from regency to contemporary | ||||
Untitled | Painting | Offset lithographic reproduction A/P, unframed | 25.5 x 18 cm (10 x 7 in) | 2016 | Benedicto R. Cabrera | Salcedo Auctions | Lot 245: gavel&block art+design: from regency to contemporary | |||
Untitled (Samurai) | Painting | Offset lithographic reproduction | 26.5 x 26.5 cm (10 1/2 x 10 1/2 in) | 2007 | Benedicto R. Cabrera | Salcedo Auctions | Provenance: Acquired by the uncle of the current owner from the late art dealer Ramon Villegas | Lot 244: gavel&block art+design: from regency to contemporary | ||
Untitled (Harana) | Painting | Offset lithographic reproduction | 25.5 x 29 cm (11 1/2 x 8 1/2 in) | undated | Carlos "Botong" V. Francisco | Salcedo Auctions | Provenance: Acquired by the uncle of the current owner from the late art dealer Ramon Villegas | Lot 247 (A lot of 2 works): gavel&block art+design: from regency to contemporary | ||
Untitled (Fisherman) | Painting | Offset lithographic reproduction | 23 x 24.5 cm (9 x 9 1/2 in) | undated | Carlos "Botong" V. Francisco | Salcedo Auctions | Provenance: Acquired by the uncle of the current owner from the late art dealer Ramon Villegas | Lot 247 (A lot of 2 works): gavel&block art+design: from regency to contemporary | ||
Untitled | Painting | Offset lithographic reproduction | 23.5 x 23.5 cm (9 x 9 in) | undated | Carlos "Botong" V. Francisco | Salcedo Auctions | Lot 248: gavel&block art+design: from regency to contemporary | |||
Untitled (Filipiniana) | Painting | Offset lithographic reproduction | 23.5 x 19 cm (9 x 7 1/2 in) | 1974 | Benedicto R. Cabrera | Salcedo Auctions | Lot 249: gavel&block art+design: from regency to contemporary | |||
Untitled | Sketch | Ink on paper | 35 x 24 cm (14 x 9 1/2 in) | 1969 | J. Elizalde Navarro | Salcedo Auctions | Lot 256: gavel&block art+design: from regency to contemporary | |||
Children Playing | Lithograph 10/30 | 28 x 20.5 cm (11 x 8 in) | 1977 | Hernando R. Ocampo | Salcedo Auctions | Lot 258: gavel&block art+design: from regency to contemporary | ||||
Collage 14 (Set F) | Painting | Collage | 26.5 x 21 cm (10 1/2 x 8 in) | 2013 | Arturo Luz | Salcedo Auctions | Lot 265: gavel&block art+design: from regency to contemporary | |||
Untitled | Sketch | Ink on paper | 34.5 x 26.5 cm (13 1/2 x 10 1/2 in) | 1969 | J. Elizalde Navarro | Salcedo Auctions | Lot 266: gavel&block art+design: from regency to contemporary | |||
Untitled (Composition) | Painting | Oil on canvas | 24 x 28 cm (9 1/2 x 11 in) | 1978 | Federico Aguilar Alcuaz | Salcedo Auctions | Lot 271: gavel&block art+design: from regency to contemporary | Accompanied by a Certificate of Authenticity issued and signed by Christian M. Aguilar | ||
Milk Carrier, 2008, HR Chromojet on acrylic | Painting | HR Chromojet on acrylic | 219 x 168 cm (86 x 66 in) | 2019 | Benedicto R. Cabrera | Salcedo Auctions | Limited edition series of 7 | Lot 274: gavel&block art+design: from regency to contemporary | ||
Untitled | Sculpture | Resin | 36 x 19 x 12 cm (14 1/4 x 7 1/2 x 5 in) | Undated | Napoleon V. Abueva | Salcedo Auctions | Lot 276: gavel&block art+design: from regency to contemporary | |||
Untitled | Painting | Offset lithographic reproduction 10/10, unframed | 25.5 x 18 cm (10 x 7 in) | 2014 | Benedicto R. Cabrera | Salcedo Auctions | Lot 293: gavel&block art+design: from regency to contemporary | |||
Untitled | Painting | Offset lithographic reproduction A/P, unframed | 30.5 x 23 cm (12 x 9 in) | 2014 | Benedicto R. Cabrera | Salcedo Auctions | Lot 294: gavel&block art+design: from regency to contemporary | |||
Untitled | Sketch | Ink on paper | 23.5 x 18 cm (9 x 7 in) | 1972 | Benedicto R. Cabrera | Salcedo Auctions | Lot 338: gavel&block art+design: from regency to contemporary | |||
Australian Couple | Sketch | Pen and watercolor on paper | 35 x 24 cm (14 x 9 1/2 in) | Undated | J. Elizalde Navarro | Salcedo Auctions | Lot 355: gavel&block art+design: from regency to contemporary | |||
Untitled (Portrait) | Sketch | Ink and pastel on paper | 28 x 17.5 cm (11 x 7 in) | 1966 | Benedicto R. Cabrera | Salcedo Auctions | Lot 357: gavel&block art+design: from regency to contemporary | |||
Igorots In Baguio | Painting | Oil on Canvas on Board | 50.00 x 65.00 cm. / 19.70 x 25.61 in. | 1935 | Fernando C. Amorsolo | Galleria Duemila | Ref. Number GDP-7300 (https://galleriaduemila.com/web2003/collection/fam/fam07300.html) | |||
Girl (unfinished) | Painting | Oil on Masonite | 25.50 x 20.00 cm. / 10.05 x 7.88 in. | 1936 | Fernando C. Amorsolo | Galleria Duemila | Ref. Number GDP-14901 (https://galleriaduemila.com/web2003/collection/fam/Fam14901.html) | |||
Block Cock 47/170 | Serigraph on Paper | 54.50 x 40.50 cm / 21.47 x 15.96 in. | 1971 | Ang Kiukok | Galleria Duemila | SASPR-15751 (https://galleriaduemila.com/web2003/collection/akk/akk15751.html) | ||||
Rooster 84/226 | Serigraph on Paper | 53.50 x 33.00 cm / 21.08 x 13.00 in. | 1971 | Benedicto R. Cabrera | Galleria Duemila | SASPR-15750 (https://galleriaduemila.com/web2003/collection/akk/akk15750.html) | ||||
Nude Studies 6 5/12 | A-1 Colour Etching & Aquatint on STPI Handmade Off-white Abaca Paper, Printed from 1 Copper Plate | 81.30 x 106.70 cm. / 32.03 x 42.04 in. | 2005 | Benedicto R. Cabrera | Galleria Duemila | Ref. Number COR-10693 (https://galleriaduemila.com/web2003/collection/ben/ben10693.html) | ||||
Nude Studies 6 2/12 | A-1 Colour Etching & Aquatint on STPI Handmade Off-white Abaca Paper, Printed from 1 Copper Plate | 81.30 x 106.70 cm. / 32.03 x 42.04 in. | 2005 | Benedicto R. Cabrera | Galleria Duemila | Ref. Number COR-10692 (https://galleriaduemila.com/web2003/collection/ben/ben10692.html) | ||||
Nude XII | Sketch | Charcoal on Paper | 40.00 x 27.90 cm. / 15.76 x 10.99 in. | 1978 | Benedicto R. Cabrera | Galleria Duemila | Ref. Number COP-196 (https://galleriaduemila.com/web2003/collection/ben/ben00196.html) | |||
Nude VI | Sketch | Charcoal on Paper | 44.40 x 29.20 cm. / 17.49 x 11.50 in. | 1981 | Benedicto R. Cabrera | Galleria Duemila | Ref. Number COP-197 (https://galleriaduemila.com/web2003/collection/ben/ben00197.html) | |||
Marikina | Painting | Acrylic on Board | 55.50 x 71.50 cm. / 21.87 x 28.17 in. | 1981 | Jose T. Joya | Galleria Duemila | Ref. Number GDP-9058 (https://galleriaduemila.com/web2003/collection/jjo/jjo09058.html) | |||
Four Seasons (4 panels) | Painting | Oil on Paper | 37.50 x 62.50 cm. / 14.77 x 24.63 in. | 1960 | Jose T. Joya | Galleria Duemila | Ref. Number GDP-9167 (https://galleriaduemila.com/web2003/collection/jjo/jjo09167.html) | |||
Nude Woman | Sketch | Pastel on Paper | 44.00 x 30.00 cm. / 17.34 x 11.82 in. | 1974 | Jose T. Joya | Galleria Duemila | Ref. Number COP-540 (https://galleriaduemila.com/web2003/collection/jjo/jjo00540.html) | |||
Nude Woman | Sketch | Pastel on Paper | 43 x 29 cm. / 16.94 x 11.43 in. | 1973 | Jose T. Joya | Galleria Duemila | Ref. Number COP-535 (https://galleriaduemila.com/web2003/collection/jjo/jjo00535.html) | |||
Ang Paslit (male) | Sketch | Pastel on Paper | 45 x 30 cm. / 17.73 x 11.82 in. | 1974 | Jose T. Joya | Galleria Duemila | Ref. Number COP-538 (https://galleriaduemila.com/web2003/collection/jjo/jjo00538.html) | |||
Male Nude (1) | Sketch | Pastel on Paper | 43.00 x 29.00 cm. / 16.94 x 11.43 in. | 1974 | Jose T. Joya | Galleria Duemila | Ref. Number COP-532 (https://galleriaduemila.com/web2003/collection/jjo/jjo00532.html) | |||
Male Nude (2) | Sketch | Pastel on Paper | 43.00 x 29.00 cm. / 16.94 x 11.43 in. | 1974 | Jose T. Joya | Galleria Duemila | Ref. Number COP-534 (https://galleriaduemila.com/web2003/collection/jjo/jjo00534.html) | |||
May 15, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
After the 9:00 AM Exercise, Muntinglupa, July 5, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Alternative | Painting | Oil on masonite board | 50.8 x 40.64 cm | 1952 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Alvero Lecturing, May 9, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Angelus | Painting | Oil on Canvas | 77.47 x 69.85 cm | 1946 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Blooming | Painting | Oil on Canvas board | 55.25 x 43.18 cm | 1939 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Brigade #4, Bilibid Prison, Manila, May 13, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Brigade #4, Sunday Morning, April 29, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Cell Fossil | Painting | Enamel on masonite board | 50.8 x 40.64 cm | 1954 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Conquerors | Painting | Oil on Canvas | 86.36 x 127 cm | 1965 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Cotillion | Painting | Oil on Canvas | 86.36 x 127 cm | 1967 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Counting Cigarette Winnings from Blackjack, April 24, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Dalawang Isda | Painting | Oil on masonite board | 40.64 x 50.8 cm | 1951 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Decorative Motif | Painting | Oil on Canvas | 86.36 x 127 cm | 1957 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Evening Prayer, Muntinglupa, September 1, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Father and Son (part 1 of 2) | Painting | Oil on Board | 31.75 x 50.8 cm | 1950 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Flora | Painting | Oil on masonite board | 60.96 x 50.8 cm | 1949 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Graphite sketch of a female nude | Painting / sketch | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | ||||||
In the Beginning | Painting | Oil on Canvas board | 70.49 x 55.88 cm | 1961 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Ina at Anak | Painting | Oil on masonite board | 50.8 x 40.64 cm | 1951 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Introibo | Painting | Oil on masonite board | 71.12 x 55.88 cm | 1951 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Life After Death | Painting | Oil on Canvas board | 25.4 x 20.32 cm | 1949 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Lunar Ritual | Painting | Oil on masonite board | 44.45 x 34.29 | 1955 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Mangga | Painting | Oil on masonite board | 54.61 x 74.93 cm | 1956 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Mangga at Isda | Painting | Oil on Canvas board | 55.88 x 20.32 cm | 1958 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Mother and Child (part 2 of 2) | Painting | Oil on Board | 31.75 x 50.8 cm | 1950 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
MP, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Mr. Correa at Suppertime, Muntinglupa, July 2, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Muntinglupa Studio, June 29, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Muntinglupa, June 29, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Officers' club, Muntinglupa, August 1, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Oracle | Painting | Oil on Canvas | 121.92 x 91.44 cm | 1974 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Parable in the Sun | Painting | Oil on Canvas | 152.4 x 91.44 cm | 1956 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Plantsadora | Painting | Oil on Canvas board | 48.77 x 45.72 cm | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Playing Dama, April 24, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Raul Villacorta, Lapuz, Alzate, April 23, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Reaching for the Moon | Painting | Oil on masonite board | 60.96 x 50.8 cm | 1948 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Reading a letter, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Sacramental | Painting | Oil on Canvas | 111.76 x 96.52 cm | 1956 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Sea Anemones | Painting | Oil on Canvas board | 55.88 x 20.32 cm | 1949 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Sunset | Painting | Oil on Canvas board | 45.72 x 35.56 cm | 1951 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Tatlong Larawan (Triptych) | Painting | Oil on shaped masonite board | 66.04 x 132.08 cm | 1952 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
The Return, May 23, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Totem Forms | Painting | Oil on Canvas | 101.6 x 76.2 cm | 1963 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Two Men, April 29, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Untitled (Illustration of CPR), April 24, 1941 | Painting | Pen and Ink on cardboard | 25.4 x 17.78 cm | 1941 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Untitled (Illustration of Franz), April 23, 1941 | Painting | Pen and Ink on cardboard | 25.4 x 17.78 cm | 1941 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Untitled (Illustration of S.P. Lopez) April 24, 1941 | Painting | Pen and Ink on cardboard | 25.4 x 17.78 cm | 1941 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Untitled #1 | Painting | Watercolor | 25.4 x 19.05 cm | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Untitled #2 | Painting | Watercolor | 25.4 x 19.05 cm | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Visiting Day, Muntinglupa, July 1, 1945 | Painting / sketch | 1945 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||||
Warm Sky, Cool Sky | Painting | Oil on Canvas | 71.12 x 55.88 cm | 1949 | Hernando R. Ocampo | Ayala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30. | Paulino and Hetty Que Collection | |||
Metro Manila Traffic | Illustration | 1992? | Lauro Z. Alcala | The Peninsula Manila | One of the covers commissioned for the hotel's newsletter | |||||
Slice of Life - At a Kapihan | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - At a Drugstore | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Christmas Reunion in LA | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Dumaguete Public Market | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Guitar Market in Cebu | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Kinder Grads | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Leap Year | Illustration | 1988 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | |||||
Slice of Life - Mactan Cebu | Illustration | 1993 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | |||||
Slice of Life - Market Day in Legaspi | Illustration | 1993 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | |||||
Slice of Life - Monsoon Floods | Illustration | 1990 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | |||||
Slice of Life - Office Blessing | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Palm Sunday in Sto. Domingo | Illustration | 1988 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | |||||
Slice of Life - Food Home Delivery | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - In a Banana Plantation | Illustration | 1992 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | |||||
Slice of Life - Pineapple Plantation | Illustration | 1986 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | |||||
Slice of Life - Seaside Fastfood | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Sidewalk Bistros | Illustration | 1987 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | |||||
Slice of Life - South Harbor | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Sunday in Tanay | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Sunday Morning | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - Wednesday in Baclaran | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | Larry Alcala Jr. personal collection | ||||||
Slice of Life - A Day in Seoul | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - A Day in Vigan | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - After the Holidays | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Along the Valley Fault Line | Illustration | 1991 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - At a Negros Beach Resort | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Anti-Polio Campaign | Illustration | 1993 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - At a Bus Station | Illustration | 1987 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - At a Local Airport | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - At a Rural Bank | Illustration | 1984 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - At a Supermarket | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Bakya | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Bank Robbery | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Behind a Fashion Show | Illustration | 1990 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Bowling | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Christmas Sale | Illustration | 1992 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Christmas Toys and Games | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Coping with the Brownouts 1 | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Coping with the Brownouts 2 | Illustration | 1993 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Coronation Night in Agno | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Davao City Durian | Illustration | 1992 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Dog Veterinarian | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Engelberg Switzerland | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Fashion Show | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Filipino Games | Illustration | 1988 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Food Court | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Fruit Market | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Golf Tournament | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Habitat | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Resort | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Handy Crafts | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Highway Enterprises | Illustration | 1991 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Honolulu Stopover | Illustration | 1989 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - In Fukuoka Japan | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Intramuros | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Lahar | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Manila Marathon | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Masskara Festival | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Monday Shutdown | Illustration | 1990 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Brown Outs | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Anti-Smoking Campaign | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - New Years Resolution 1 | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - New Years Resolution 2 | Illustration | 1990 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Night Club | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Noise of the New Year | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Onomatopoeia | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Parish Fiesta | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Pook Batayan | Illustration | 1989 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Post Earthquake | Illustration | 1990 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Quiapo in the 60s | Illustration | 2002 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Radio in the 40s | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Silay City Negros Occidental | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Summer Resort | Illustration | 2002 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Sunday Painters | Illustration | 2002 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Sydney Australia | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - The Cellular Phone fad | Illustration | 1992 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Tiangge in San Francisco | Illustration | 1989 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Treck to Antipolo | Illustration | 2001 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Turumba in Pakil | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Women's Lib | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Zapote Las Pinas | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Cartoonist Meeting in Malaysia | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Chinese Restaurant | Illustration | Lauro Z. Alcala | Larry Alcala Official Facebook Page | |||||||
Slice of Life - Christmas Concert at Rizal Park | Illustration | 2001 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Slice of Life - Valentines Day | Illustration | 1988 | Lauro Z. Alcala | Larry Alcala Official Facebook Page | ||||||
Cigarette | Illustration | Pen and Ink | 9.5 x 29 cm | 1954 | Lauro Z. Alcala | Salcedo Auctions https://salcedoauctions.com/item/988 | Connoisseur Collection: Fine and Decorative Arts, Jewels, and Collectibles | |||
Slice of Life - Pilipino Games | Illustration | Ink and gouache on board | 38 x 30 cm | 1980 | Lauro Z. Alcala | Salcedo Auctions https://salcedoauctions.com/item/15421 | Under the Tree: The Holiday Sale | |||
Two caricatures of costumed dancers (part 1 of 2) | Illustration | Watercolor on Paper | 25 x 13 cm | Lauro Z. Alcala | Salcedo Auctions https://salcedoauctions.com/item/15733 | Under the Tree: The Holiday Sale | ||||
Two caricatures of costumed dancers (part 2 of 2) | Illustration | Watercolor on Paper | 25 x 13 cm | Lauro Z. Alcala | Salcedo Auctions https://salcedoauctions.com/item/15733 | Under the Tree: The Holiday Sale | ||||
Cartoonist View of Prague | Illustration | Ink and Watercolor on Paper | 40 x 31 cm | 1985 | Lauro Z. Alcala | Salcedo Auctions https://salcedoauctions.com/item/13106 | Larry Alcala shares his experience in Old Town, Prague. Featuring the numerous people in Old Town, Alcala’s humor is evident in how he portrays the people around. Although the viewers may not have been to Prague, the familiarity of his work makes it relatable to its audience. | Important Philippine Art | ||
Francisco V. Coching (Self-Portrait) | Illustration | Ink on Paper | 26.5 x 19.8 cm | 1952 | Francisco V. Coching | Ayala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition | ||||
Bing Bigotilyo | Comic Series | c. 1934 | Francisco V. Coching | Sumayao, Marco. (2019). How the King of Komiks Reflected the Dreams of a Generation. Esquire. Jan. 19. https://www.esquiremag.ph/culture/lifestyle/francisco-coching-king-of-komiks-a2239-20190125-lfrm | ||||||
Mara-Bini | Comic Series | c. 1935 | Francisco V. Coching | Sumayao, Marco. (2019). How the King of Komiks Reflected the Dreams of a Generation. Esquire. Jan. 19. https://www.esquiremag.ph/culture/lifestyle/francisco-coching-king-of-komiks-a2239-20190125-lfrm | ||||||
Pedro Penduko (1954 Movie) | Film | 1954 | Francisco V. Coching | IMDb. (n.d.). Pedro Penduko (1954). https://www.imdb.com/title/tt0359820/ | ||||||
Duwag ang Sumuko | Illustration | 1963 | Francisco V. Coching | Ayala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol) | ||||||
Movie Idol | Illustration | 1941 | Francisco V. Coching | Ayala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol) | Liwayway magazine cover | |||||
Barbaro | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Dumagit | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Talipandas | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Waldas | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Taga sa Bato | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
El Vibora | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Haring Ulupong | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Bertong Balutan | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Bulalakaw | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Maldita | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Pistolero | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Satur | Comic Series | Francisco V. Coching | Dolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist | |||||||
Salinggawi Dance Troupe Poster | Illustration | 1971 | Francisco V. Coching | https://www.comicartfans.com/GalleryPiece.asp?Piece=471823 | ||||||
Waldas (Cover of Pilipino Komiks, Blg. 216, Setyembre 10, 1955) | Illustration | 1955 | Francisco V. Coching | https://web.archive.org/web/20110623044242/http://alanguilan.com/museum/coching07.html | ||||||
Movie Fan (Cover of Espesyal Komiks, Blg. 82, Nobyembre 28, 1955) | Illustration | 1955 | Francisco V. Coching | https://web.archive.org/web/20110623044224/http://alanguilan.com/museum/coching06.html | ||||||
Lapu-Lapu (Cover of Pilipino Komiks, Blg. 180, Abril 24, 1954) | Illustration | 1954 | Francisco V. Coching | https://web.archive.org/web/20111118124803/http://www.alanguilan.com/museum/coching03.html | ||||||
Dumagit (Cover of Pilipino Komiks, Blg. 177, Marso 13, 1954) | Illustration | 1954 | Francisco V. Coching | https://web.archive.org/web/20111118130255/http://www.alanguilan.com/museum/coching02.html | ||||||
Hara-Siri (Cover of Tagalog Klasiks, Blg. 30, Agosto 26, 1950) | Illustration | 1950 | Francisco V. Coching | https://web.archive.org/web/20110623044233/http://alanguilan.com/museum/coching01.html | ||||||
Double-Cross (Cover of Espesyal Komiks, Blg. 186, Nobyembre 23, 1959) | Illustration | 1959 | Francisco V. Coching | https://www.facebook.com/FranciscoVCochingNationalArtist/photos/a.293360127491890/952647138229849/ | ||||||
Bertong Balutan (Cover of Pilipino Komiks, Blg. 47, Marso 19, 1949) | Illustration | 1949 | Francisco V. Coching | Ayala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol) | ||||||
Ang Barbaro (Cover of Pilipino Komiks, Blg. 90, Nobyembre 11, 1950) | Illustration | 1950 | Francisco V. Coching | Ayala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol) | ||||||
Pulot-Gata (Cover of Pilipino Komiks, Blg. 257, Abril 6, 1957) | Illustration | 1957 | Francisco V. Coching | https://web.archive.org/web/20110623044233/http://alanguilan.com/museum/coching01.html | ||||||
Lapu-Lapu (Cover of Pilipino Komiks, Blg. 187, Hulyo 31, 1954) | Illustration | 1954 | Francisco V. Coching | https://web.archive.org/web/20111118130728/http://www.alanguilan.com/museum/coching13.html | ||||||
Dumagit (Cover of Pilipino Komiks, Blg. 181, Mayo 8, 1954) | Illustration | 1954 | Francisco V. Coching | https://web.archive.org/web/20111118125122/http://www.alanguilan.com/museum/coching12.html | ||||||
Satur (Cover of Pilipino Komiks, Blg. 82, Hulyo 22, 1951) | Illustration | 1951 | Francisco V. Coching | https://web.archive.org/web/20110623042440/http://alanguilan.com/museum/coching09.html | ||||||
Gabriela Silang | Illustration | 1986 | Francisco V. Coching | Ayala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol) | ||||||
Central Bank of the Philippines Logo | Illustration | 1949 | Francisco V. Coching | Ayala Museum | ||||||
5 Bottles | Painting | Acrylic on Canvas | 76 cm x 61 cm | 1994 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Abandoned Palace Rajasthan | Sketch | Ink on Paper | 32 cm x 61 cm | 2013 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Abstract | Sculpture | Granite | 91 cm x 25 cm x 26 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Abstract 1 | Painting | Acrylic on Paper | 39 cm x 28 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Abstract 1 (n.d.) | Painting | Acrylic on Canvas | 32 cm x 22 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Abstract 1 Sculpture | Sculpture | Philippine Hardwood | 46 cm x 55 cm x 46 cm | Arturo R. Luz | Leon Gallery | |||||
Abstract 2 | Painting | Acrylic on Paper | 39 cm x 28 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Abstract 2 (n.d.) | Painting | Acrylic on Canvas | 32 cm x 22 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Abstract 2 Sculpture | Sculpture | Philippine Hardwood | 46 cm x 55 cm x 46 cm | Arturo R. Luz | Leon Gallery | |||||
Abstract I | Painting | Ink and collage | 44 cm x 29 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Abstract II | Painting | Ink and collage | 44 cm x 29 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Abstract Improvisation IV | Painting | Mixed Media | 107 cm x 91 cm | 1986 | Arturo R. Luz | Leon Gallery | Private collection | |||
Abstraction (N.Y., N.Y. 1001) 145th copy of 150 (n.d.) | Lithograph | 13 cm x 13 cm | Arturo R. Luz | Leon Gallery | Private Collection | |||||
Acrobats | Sketch | Pencil on Paper | 32 cm x 22 cm | 1962 | Arturo R. Luz | Leon Gallery | An inclination towards geometry – lines and shapes that are virtually architectural, understated elegance, always subdued, but almost always possessing kinteticism. These are the qualities that have made the art of Arturo Luz distinct and which are very much present in this series from 1962. | Private Collection | ||
Anito (Batasang Pambansa Complex) | Sculpture | Arturo R. Luz | Olivares, John Paul. (2018). Works of National Artists in public spaces. CNN Philippines. January 30. (https://cnnphilippines.com/life/culture/arts/2018/01/30/National-Artists-Philippines-public-art.html | |||||||
Anito (ca. 2015) | Sculpture | Ipil and yakal | 91 cm x 30 cm x 30 cm | ca. 2015 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Anito (PICC) | Sculpture | Arturo R. Luz | ANCx. (2021). MORE NEW PHOTOS: Leandro Locsin's PICC like you’ve never seen it before. February 19. https://news.abs-cbn.com/ancx/culture/spotlight/02/19/21/inside-picc-new-photos-show-the-iconic-building-like-youve-never-seen-it-before | |||||||
Anito 1 | Sculpture | Ipil | 54 x 18 x 18 in | 2013 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Anito 2 | Sculpture | Ipil | 36 x 12 x 12 in | 2013 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Bicycle | Painting | 52 cm x 36 cm | 1970 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Black Collage (2000) | Painting | Collage and Acrylic on Canvas | 76 cm x 61 cm | 2000 | Arturo R. Luz | Leon Gallery | ||||
Black Collage (2014) 1 | Painting | Acrylic on Paper | 16 x 11 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Black Collage (2014) 2 | Painting | Acrylic on Paper | 16 x 11 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Black Collage (2014) 3 | Painting | Acrylic on Paper | 16 x 11 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Black Collage 1 (2000) | Painting | Acrylic / collage | 76 cm x 61 cm | 2000 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Black Collage I (1988) | Painting | Acrylic on Paper | 107 cm x 91 cm | 1988 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Black Forms on White Space | Sculpture | Aluminum | 48 x 96 x 3 1/2 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Black Forms on White Space (quadriptych) | Sculpture | Aluminum | 96 x 192 x 4 1/2 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Black Forms on White Space (triptych) | Sculpture | Aluminum | 36 x 108 x 3 1/2 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Borobodur | Painting | Acrylic and Mixed Media on canvas | 122 cm x 152 cm | 1992 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Bottle No. 2 | Painting | Acrylic on Canvas | 61 cm x 91 cm | 2000 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Boxes & Shells No. 3 | Photo | Photograph | 41 cm x 50 cm | 1999 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Boxes & Shells No. 4 | Photo | Photograph | 41 cm x 50 cm | 1999 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Brown Man | Painting | Watercolor on Chipboard | ca. 1950s | Arturo R. Luz | Kalaw-Ledesma Foundation Inc. Facebook | Luz's semi-abstract work in the KLFI Collection shows the influence of ink brush painting. A closer and longer look will help you recognize the figure of the Brown Man (1950s), his posture encumbered by the weight of another person in his arms, as suggested by the toes seen at the left-hand side of the art work. | Kalaw-Ledesma Foundation Inc | |||
Carnival Forms (1993) | Painting | Acrylic on handmade paper | 91 cm x 122 cm | 1993 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Carnival Forms (1999) | Painting | Acrylic on Canvas | 61 cm x 122 cm | 1999 | Arturo R. Luz | Leon Gallery | Private collection | |||
Celebration: Variation on the Juggler Theme | Painting | Acrylic on Canvas | 153 cm x 122 cm | 1991 | Arturo R. Luz | Leon Gallery | Private collection | |||
Chroma (2014) 1 | Painting | Colored paper | 27.5 x 19.5 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Chroma (2014) 2 | Painting | Colored paper | 27.5 x 19.5 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Chroma (2014) 3 | Painting | Colored paper | 27.5 x 19.5 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Chroma 2 | Mixed Media | 69 x 49 cm | 2014 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Cities of the Past (1997) | Painting | Acrylic on Canvas | 76 cm x 122 cm | 1997 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Cities of the Past (n.d.) | Painting | Acrylic on Canvas | 56 cm x 66 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Cities of the Past Series | Painting | Acrylic on Canvas | 61 cm x 91 cm | 1997 | Arturo R. Luz | Leon Gallery | Private collection | |||
Cityscape | Painting | Acrylic on Canvas | 61 cm x 89 cm | Arturo R. Luz | Leon Gallery | Private collection | ||||
Collage 5 (Set B) | L-print, collage | 23 cm x 15 cm | 2013 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Croma II | Collage on handmade paper | 70 cm x 24 cm | 1999 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Cycling Trio | Painting | Acrylic on Canvas | 91 cm x 61 cm | 2015 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Cyclist (1962) | Painting | Mixed Media | 84 cm x 53 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Cyclist (97th copy of 180) | 53 cm x 36 cm | 1970 | Arturo R. Luz | Leon Gallery | Private Collection | |||||
Cyclist (ca. 1990) | Sculpture | Silver | 24 cm x 18 cm | ca. 1990 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Cyclist (n.d.) | Painting | Acrylic | 152 cm x 107 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Cyclist 1 (1962) 19th copy of 20 | Etching | 25 cm x 19 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Cyclist 1 (n.d.) | Sculpture | Metal | 27 cm x 24 cm x 13 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Cyclist 2 (1962) | Sketch | Pencil on Paper | 32 cm x 21 cm | 1962 | Arturo R. Luz | Leon Gallery | An inclination towards geometry – lines and shapes that are virtually architectural, understated elegance, always subdued, but almost always possessing kinteticism. These are the qualities that have made the art of Arturo Luz distinct and which are very much present in this series from 1962. | Private Collection | ||
Cyclist 3 (1962) | Sketch | Graphite on Paper | 22 cm x 33 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Cyclist 4 (1962) | Sketch | Graphite on Paper | 22 cm x 33 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Cyclists | Painting | Oil on Canvas | 71 cm x 71 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Desert Architecture | Painting | Acrylic on Paper | 61 cm x 122 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Desert Architecture | Painting | Acryclic on Canvas | 36 x 62 inches | 2008 | Arturo R. Luz | Canete, Reuben Ramas. (2020). Arturo Luz and the language of Philippine Modernism. Blueprint. November 11. https://bluprint.onemega.com/arturo-luz-philippine-modernism/ | ||||
Desert City | Painting | Ink and Acrylic on Paper | 30 cm x 76 cm | 2014 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Desert Forms, Rajasthan | Painting | Acryclic on Canvas | 36 x 66 inches | 2008 | Arturo R. Luz | Canete, Reuben Ramas. (2020). Arturo Luz and the language of Philippine Modernism. Blueprint. November 11. https://bluprint.onemega.com/arturo-luz-philippine-modernism/ | ||||
Desert, Landscape | Painting | Acrylic on wood | 61 cm x 122 cm | 2007 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Dessert Moon, Rajastan | Painting | Acrylic on Canvas | 91 cm x 152 cm | 2000 | Arturo R. Luz | Leon Gallery | Private collection | |||
Double Reclining Form (Greenbelt 1) | Sculpture | Arturo R. Luz | San Jose, Christian. (2021). National Artist Arturo Luz’s sculptures live on in public spaces. May 21. https://nolisoli.ph/97369/arturo-luz-sculpture-public-spaces-20210527/ | |||||||
Figura (2010) | Sculpture | 1/2 inch thick mild steel plate in white finish | 49 x 30 x 30 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Figura (2015) | Sculpture | Mild steel plate in yellow finish | 30 x 27 x 49 inches | 2015 | Arturo R. Luz | Crucible Gallery | ||||
Graffiti 2 | Painting | Mixed Media | 41 x 33 cm | 2014 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Grafitti (2014) 1 | Painting | Acrylic on Paper | 16.75 x 12.5 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Grafitti (2014) 2 | Painting | Acrylic on Paper | 15.5 x 25 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Grafitti (2014) 3 | Painting | Acrylic on Paper | 16.75 x 12.5 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Grafitti (2014) 4 | Painting | Acrylic on Paper | 16.75 x 12.5 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Grafitti (2014) 5 | Painting | Acrylic on Paper | 16.75 x 12.5 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Grafitti (2014) 6 | Painting | Acrylic on Paper | 16.75 x 12.5 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Grid | Sculpture | Ipil | 19 1/2 x 34 1/2 x 19 1/2 in | 2013 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Hanoi Series no. 9 | Mixed Media | 16 cm x 20 cm | Arturo R. Luz | Leon Gallery | Private Collection | |||||
Homage to Aalto | Sculpture | Ipil | 21 x 21 x 21 in | 2013 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Calder | Sculpture | Ipil | 28 x 28 x 28 in | 2013 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Eduardo Chillida (black) | Sculpture | Black Iron | 48 1/2 x 24 x 24 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Eduardo Chillida (in white finish) | Sculpture | 1/2 inch thick mild steel plate | 154.5 x 76 x 76 cm | Arturo R. Luz | Museo Orlina | |||||
Homage to Eduardo Chillida (red) | Sculpture | Black Iron | 50 1/2 x 20 x 20 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Eusebio Sempere (black) | Sculpture | Painted Steel | 36 x 36 1/2 x 48 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Eusebio Sempere (white) | Sculpture | Painted Steel | 36 x 25 x 48 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Fernando Zobel | Sculpture | Mild steel plate in red finish | 26 x 16.5 x 11.5 inches | 2015 | Arturo R. Luz | Crucible Gallery | ||||
Homage to Fernando Zobel (black) | Sculpture | Painted Steel | 31 x 54 x 34 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Fernando Zobel (white) | Sculpture | Painted Steel | 32 x 39 x 36 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Gerardo Rueda (black) | Sculpture | Painted Steel | 25 x 36 x 24 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Gerardo Rueda (white) | Sculpture | Painted Steel | 15 x 33 x 24 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Isamu Noguchi (2015, black finish) | Sculpture | Metal tube in black finish | 24 cm x 20 cm x 18 cm | 2015 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Homage to Isamu Noguchi 50th of 100 (2015, black finish) | Sculpture | Metal tube in black finish | 24 cm x 20 cm x 18 cm | 2015 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Homage to Isamu Noguchi 50th of 100 (2017, rose gold finish) | Sculpture | Metal rose gold finish | 17 cm x 22 cm x 23 cm | 2017 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Homage to Isamu Noguchi 81st of 100 (2017, rose gold finish) | Sculpture | Metal tube in rose gold finish | 16 cm x 22 cm x 23 cm | 2017 | Arturo R. Luz | Leon Gallery | ||||
Homage to Sesshu Toyo (black) | Sculpture | Diameter blackiron | 34 x 55 x 53 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Homage to Sesshu Toyo (white) | Sculpture | Diameter blackiron | 40 x 37 x 54 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Imaginary Landscape (2014) | Pen and Ink on Paper | 23 cm x 41 cm | 2014 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Imaginary Landscape I | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape II | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape III | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape IV | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape Series | Painting | Acrylic on Canvas | 41 cm x 51 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Imaginary Landscape Series - Monoprint | A photograph of a drawing by Arturo Luz, C-Print on Ilford Smooth Cotton Rag archival paper | 40 x 60 inches | 2016 | Arturo R. Luz | Crucible Gallery | |||||
Imaginary Landscape V | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape V-2 | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape VI | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape VII | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape VIII | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape X | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Imaginary Landscape XI | Drawing | Pencil on Paper | 12 x 16.5 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Juggler | Painting | Acrylic collage | 229 cm x 95 cm | 1991 | Arturo R. Luz | Leon Gallery | Private collection | |||
Juggler (1962) | Sketch | Graphite on Paper | 22 cm x 33 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Juggler (2005) | Painting | Acrylic on Canvas | 91 cm x 61 cm | 2005 | Arturo R. Luz | Leon Gallery | Private collection | |||
Juggler and Artist | Painting | Acrylic on Canvas | 91 cm x 91 cm | 2002 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Kyoto (2014) 1 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2014) 10 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2014) 2 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2014) 3 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2014) 4 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2014) 5 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2014) 6 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2014) 7 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2014) 8 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2014) 9 | Painting | Acrylic on Paper | 8.5 x 12 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Kyoto (2018) | Handtufted wool | 72 x 48 inches | 2018 | Arturo R. Luz | Crucible Gallery | |||||
Kyoto 1 | Print and collage | 44 cm x 29 cm | Arturo R. Luz | Leon Gallery | Private collection | |||||
Kyoto 1 (2011) | Painting | Acrylic on Paper | 41 cm x 25 cm | 2011 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Kyoto 2 | Print and collage | 44 cm x 29 cm | Arturo R. Luz | Leon Gallery | Private collection | |||||
Kyoto 2 (2011) | Painting | Acrylic on Paper | 41 cm x 25 cm | 2011 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Kyoto Series 1 (n.d.) | Painting | Acrylic on Canvas | 51 cm x 41 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Kyoto Series 2 (n.d.) | Painting | Acrylic on Canvas | 51 cm x 41 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Madjapahit Pot | Photo collage | 20 cm x 36 cm | 2013 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Magbabanig | Painting | Oil on Wood | 70 cm x 39 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Man on a Wheel | Painting | Acrylic on Canvas | 91 cm x 61 cm | 2015 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Manrique (Red Finish) | Sculpture | Arturo R. Luz | Crucible Gallery | |||||||
Manrique (White Finish) | Sculpture | Arturo R. Luz | Crucible Gallery | |||||||
Mirage | Painting | Acrylic on Canvas | 76 cm x 152 cm | 2008 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Modern Figure of a Woman | Painting | Gouache on paper | 42 cm x 28 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Modula (ochre) | Sculpture | Welded Steel | 96 x 24 x 24 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Modula (white) | Sculpture | Welded Steel | 72 x 24 x 24 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Modula 1 | Sculpture | Ipil | 35 x 12 x 12 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Modula 2 | Sculpture | Ipil | 36 x 12 x 12 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Modula 3 | Sculpture | Ipil | 24 x 12 x 12 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Modula 4 | Sculpture | Ipil | 36 x 12 x 12 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Multiple Metal Sculpture (Homage to Gustavo Torner) | Sculpture | Black iron in thermoplast powder coating | 17 cm x 22 cm x 24 cm | Arturo R. Luz | Leon Gallery | |||||
Musician | Painting | Acrylic on Canvas | 41 cm x 51 cm | 2013 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Musician and Cyclists | Painting | Acrylic on Canvas laid on panel | 91 cm x 122 cm | 2003 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Musician and Juggler | Painting | Acrylic on Canvas | 107 cm x 107 cm | 2000 | Arturo R. Luz | Leon Gallery | Private collection | |||
Musicians (1962) | Painting | Mixed Media on paper | 109 cm x 84 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Musicians (n.d.) | Painting | Enamel on Panel | 41 cm x 51 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Musicians 1 (1962) | Sketch | Pencil on Paper | 12 1/2” x 8 1/4” | 1962 | Arturo R. Luz | Leon Gallery | An inclination towards geometry – lines and shapes that are virtually architectural, understated elegance, always subdued, but almost always possessing kinteticism. These are the qualities that have made the art of Arturo Luz distinct and which are very much present in this series from 1962. | Private Collection | ||
Musicians 1 (n.d.) | Painting | Enamel on panel | 71 cm x 127 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Necklace by Hans Brumman (designed by Arturo Luz) | Jewelry | 18k gold | 82g | 2014 | Arturo R. Luz | Leon Gallery | This necklace was part of the Elegance and Grace Collection last 2014. All items were designed by Arturo Luz and manufactured by Hans Brumann. Each piece has the engraved signature of Mr. Arturo Luz. | Elegance and Grace Collection (Jewelry) | Private Collection | |
Night Poem (1st copy of of 12) | 53 cm x 46 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||||
Night Poem 6 (3rd copy of 12) | 53 cm x 46 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||||
Nightsong (13th copy of 20) | Etching | 25 x 28 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Nightsong (19th copy of 20) | Etching | 25 cm x 28 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Nikko (2014) 1 | Painting | Acrylic on Paper | 15.5 x 11.25 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Nikko (2014) 2 | Painting | Acrylic on Paper | 15.5 x 11.25 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Nikko (2014) 3 | Painting | Acrylic on Paper | 15.5 x 11.25 inches | 2014 | Arturo R. Luz | Crucible Gallery | ||||
Objects from the Past | Painting | Acryclic on Canvas | 24 x 36 inches | 2011 | Arturo R. Luz | Crucible Gallery | ||||
Obu | Sculpture | Wood | 86 cm x 109 cm x 84 cm | 1971 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Palitana-White Temples (2002) | Painting | Acrylic on Canvas | 91 cm x 61 cm | 2002 | Arturo R. Luz | Leon Gallery | ||||
Palitana-White Temples (2006) | Painting | Acrylic on Canvas | 61 cm x 61 cm | 2006 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Performance (1962) 11th copy of 15 | Etching | 28 cm x 33 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Performance (1990-1991) | Sculpture | Silver (847 g) | 39 cm x 28 cm x 18 cm | 1990-1991 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Performers (1990) | Sculpture | Silver | 34 cm x 22 cm x 28 cm | 1990 | Arturo R. Luz | Leon Gallery | Private collection | |||
Performers (black) | Sculpture | Black Iron | 90 x 41 x 38 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Performers (n.d.) | Sculpture | Metal | 175 cm x 97 cm x 91 cm | Undated | Arturo R. Luz | Leon Gallery | Private collection | |||
Performers (white) | Sculpture | Black Iron | 74 x 46 x 38 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Pounding Rice | Sketch | Graphite on Paper | 24 cm x 13 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Rajasthan | Painting | Acrylic on Canvas | 51 cm x 51 cm | 2010 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Red Performance | Painting | Acrylic on Canvas | 97 cm x 163 cm | 2007 | Arturo R. Luz | Leon Gallery | ||||
Red Sky | Painting | Acrylic on Canvas | 73 cm x 44 cm | 2007 | Arturo R. Luz | Leon Gallery | Private collection | |||
Red Trio Performing | Painting | Acrylic on Canvas | 91 cm x 137 cm | 2009 | Arturo R. Luz | Leon Gallery | ||||
Rojo No. 6 | Painting | Acrylic on Canvas | 91 cm x 61 cm | 1999 | Arturo R. Luz | Leon Gallery | Private Collection | |||
RYU | Painting | Automotive Lacquer (DUCO) | 157 cm x 122 cm | 1971 | Arturo R. Luz | Leon Gallery | Private collection | |||
Salute to Frankenthaler 3 | Painting | Dye and Acrylic on Paper | 43 cm x 30 cm | 1978 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Seashells | Giclee photo print | 41 cm x 47 cm | Arturo R. Luz | Leon Gallery | Private collection | |||||
Serenata (1st copy of 20) | Woodcut | 43 cm x 51 cm | 1965 | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Serenata 2nd edition (8th copy of 20) | 43 cm x 50 cm | ca. 1960 | Arturo R. Luz | Leon Gallery | Private Collection | |||||
Shokei | Painting | Acrylic on Canvas | 46 x 46 cm | 2000 | Arturo R. Luz | Leon Gallery | ||||
Solo Performer 17th of 100 | Sculpture | Stainless steel | 24 cm x 9 cm x 28 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Solo Performer 33rd of 100 | Sculpture | Silver finished metal tube | 29 cm x 25 cm x 9 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Still Life (Boxes and Shells) | Photo | Photograph | 20 cm x 28 cm | 2007 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Study for "The Procession" | Painting | Oil on Wood | 13 cm x 62 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Study in Yellow and Black 1 | Paint | Watercolor on Paper | 51 cm x 51 cm | 1978 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Tange 1 | Sculpture | Ipil | 34 1/2 x 21 x 24 in | 2013 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Tange 2 | Sculpture | Ipil | 33 x 12 x 18 3/4 in | 2013 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Tange 3 | Sculpture | Ipil | 31 x 20 x 17 in | 2013 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Tange 4 | Sculpture | Ipil | 34 x 31 x 19 1/2 in | 2013 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Tangge | Sculpture | Ipil | 19 x 23 x 18 inches | 2019 | Arturo R. Luz | Crucible Gallery | ||||
Temple Complex I | Painting | Acrylic on Canvas | 30 x 48 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Temple Complex II | Painting | 32 x 48 inches | 2010 | Arturo R. Luz | Crucible Gallery | |||||
Temple Complex III | Painting | Acrylic on Canvas | 32 x 48 inches | 2010 | Arturo R. Luz | Crucible Gallery | ||||
Temple Complex IV | Painting | 30 x 48 inches | 2010 | Arturo R. Luz | Crucible Gallery | |||||
Temples of Worship | Painting | Acrylic on Canvas | 76 cm x 153 cm | 1995 | Arturo R. Luz | Leon Gallery | Private collection | |||
Temples, Rajastan | Painting | Acrylic on Canvas | 61 cm x 86 cm | 2006 | Arturo R. Luz | Leon Gallery | Private Collection | |||
The Great Stupas | Painting | Acrylic on Canvas | 74 cm x 121 cm | 2001 | Arturo R. Luz | Leon Gallery | Private Collection | |||
The Performers | Painting | Acrylic on Canvas | 127 x 81 cm | 2013 | Arturo R. Luz | Salcedo Auctions | Hints of his usual reds are overpowered by the unique use of green in this enigmatic work by National Artist Arturo Luz. Exploring the boundaries of minimalism, elements of the work are made with architectural precision, each with their own role in keeping the structure whole. | Exhibition: Reflections Gallery, Museo Orlina, Tagaytay City, 9 April - 5 May 2014 | The Well-Appointed Life: Important Philippine Art | |
Three Jars | Painting | Acrylic on Canvas | 61 cm x 122 cm | ca. 1990 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Tribal Figure 1 | Sculpture | Ipil | 63 x 17 1/2 x 17 1/2 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Tribal Figure 3 | Sculpture | Ipil | 31 1/2 x 9 x 9 in | 2012 | Arturo R. Luz | Finale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/) | ||||
Tribal Figure sculpture edition | Sculpture | Ipil | 81 cm x 30 cm x 30 cm | 2013 | Arturo R. Luz | Leon Gallery | Private collection | |||
32 Variations of Sabel | Glaze on mariwasa tiles | 61 x 30 cm each | Benedicto R. Cabrera | Leon Gallery | ||||||
A Beautiful Woman | Painting | Acrylic on Paper | 74 x 52 cm | 1972 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
A Younger Poet in Exile | Painting | Acrylic on Paper | 66 x 50 cm | 1978 | Benedicto R. Cabrera | Leon Gallery | ||||
Afternoon Break | Painting | Acrylic on handmade paper | 112 x 71 cm | 1992 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
America is in the heart, AP V | Print on arches paper | 38 x 28 cm | 2013 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Ang Pamilya - 16th copy of 100 | Etching | 28 x 22 cm | 2001 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Ang Pamilya - 19th copy of 100 | Etching | 28 x 22 cm | 2001 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Anxiety (Family) AP 6 | Archival Print on Arches paper | 38 x 28 cm | 2011 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Banana Vendor - 6th copy of 20 | Digital print | 38 x 28 cm | 2010 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Ben Cabrera #110 | Painting | Mixed Media | 24 x 24 cm | 1970 | Benedicto R. Cabrera | Leon Gallery | This gaunt figure, executed in pastel on paper, shows Bencab’s Scavenger at her most haunting countenance. Reduced to a highly simplified form, Bencab also reduces the agonized figure to a garbed skull in the throes of an emotional crisis. In 1970, Bencab started his scavenger Series of etchings, whose imagery of city destitutes originated during the late sixties when he worked as an illustrator for the Manila Times. The archetypal scavenger figure was a real life madwoman roaming the streets of Manila, whom he christened Sabel. As can be seen in this scavenger, Bencab’s inclination to “abstract” comes to the fore with only the barest suggestion of human forms. Bencab has always been sensitive about injustices inflicted on the weak and helpless, giving poignant life to what would be merely skillfully executed pictures. A fine early representative work in his long career, “Ben Cabrera #110” hints at the simplified forms, heavy outlines, sharp contrasts, and emotional content of Ben Cabrera’s mature style to come. | Private Collection | ||
BenCab Beetle Art Car | Painting | 1974 Volkswagen Beetle 1303 "Super Beetle" | 2013 | Benedicto R. Cabrera | Museo Orlina | |||||
Birds of Tubbataha - A Blue-footed Booby, AP 1 | Archival Print on Arches paper | 28 x 19 cm | 2012 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Birds of Tubbataha - A Pair of Black Noodies, AP 1 | Archival Print on Arches paper | 28 x 19 cm | 2012 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Birds of Tubbataha - Green-footed Booby with Juvenile, AP 1 | Archival Print on Arches paper | 19 x 28 cm | 2012 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Birds of Tubbataha - Red-footed Boobies, AP 1 | Archival Print on Arches paper | 28 x 19 cm | 2012 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Birds of Tubbataha - Red-footed Booby , AP 1 | Archival Print on Arches paper | 28 x 19 cm | 2012 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Birds of Tubbataha - Red-footed Booby Nesting, AP 1 | Archival Print on Arches paper | 19 x 28 cm | 2012 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Birds of Tubbataha - Sunset at Tubbataha Isle, AP 1 | Archival Print on Arches paper | 28 x 19 cm | 2012 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Birds of Tubbataha - Tern Nesting, AP 1 | Archival Print on Arches paper | 19 x 28 cm | 2012 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Blue Kerchief | Painting | Acrylic and Charcoal on Paper | 56 x 37 cm | 2011 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Boxed Objects | Etching | 41 x 30 cm | 1979 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Boy Afraid of Tremors | Painting | Acrylic on Canvas | 122 x 102 cm | 1992 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Brown Brothers - 16th copy of 20 | Etching | 30,5 x 27 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Brown Women (Macau Series) | Painting | Acrylic on Paper | 56 x 38 cm | 2006 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Cabrera Quarter #55 | Painting | Mixed Media | 25 x 23 cm | 1970 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Conversation | Sculpture | 1/2 inch thick mild steel plate in red and grey finish | 30 x 29 x 10 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Couple | Painting | Acrylic on Paper | 76 x 52 cm | 2006 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Crucifix | Sculpture | Spray painted 0.5 inch aluminum plate | 82 x 22 x 18 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Crucifixion | Painting | Watercolor on handmade paper | 80 x 52 cm | 1987 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Dance Form, 7th copy of 25 | Etching | 72 cm x 41 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Dance Movement | Sculpture | Spray painted 0.5 inch aluminum plate | 70.25 x 49 x 16 inches | 2014 | Benedicto R. Cabrera | Crucible Gallery | ||||
Dance of Isadora | Painting | Acrylic on Canvas | 122 x 272 cm | 2003 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Dance Sabel, AP 2 | Archival Print on Arches paper | 38 x 28 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Dancer | Drawing | Charcoal on Paper | 55 x 37 cm | 1994 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Deck Chair - 4th copy of 20 | 51 x 38 cm | 2006 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Draped Figure III | Painting | Acrylic and Ink on Paper | 76 x 56 cm | 2010 | Benedicto R. Cabrera | Leon Gallery | ||||
Drapes | Painting | Pen and Acrylic on Paper | 27 x 36 cm | 1971 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Drapes 2 | Drawing | Pencil on Paper | 28 x 36 cm | 1971 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Drapes on Table | Painting | Mixed Media on paper | 39 x 34 cm | 1971 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Edge of Life and Death | Painting | Ink & acrylic on handmade paper | 2012 | Benedicto R. Cabrera | BenCab Museum | |||||
Espeleta | Painting | Acrylic or Oil on Wood | 51 x 37 cm | 1967 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Female Torso 1 | Drawing | Mixed Media | 36 x 29 cm | 1976 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Female Torso 2 | Sketch | Pencil on Paper | 29 x28 cm | 1976 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Fermina | Digital print | 107 x 79 cm | 2009 | Benedicto R. Cabrera | Leon Gallery | |||||
Filipina Domestic Help - 7th copy of 25 | Etching aquatint | 46 x 56 cm | 1978 | Benedicto R. Cabrera | Leon Gallery | Angel de Jesus wrote about “Domestic Help” in 1978 in an article entitled “Bencab: Art for Bruising the Conscience:” “Distant as he is from his country, the “revolutionary” in him cannot forget his roots. His “Larawan II” exhibit recorded the observation on the lives of Filipinos who have sought to improve their lot in other countries. Its theme is suggested by the twin portrait facing front and profile, of a Filipina employed as a maid abroad. Its title is a symbol of the Filipina girl in all her timorousness sacrificing herself for the welfare of her family in a rural province back home. He also showed portraits of Filipinas whom he painted while they were abroad. He has been trying to introduce a new concept locally of having portraits considered as paintings per se. | Private Collection | |||
Filipino Dress Study 1 | Drawing | Pen and Ink on Paper | 20 x 15 cm | 1974 | Benedicto R. Cabrera | Leon Gallery | These two pen and ink sketches from 1974, were done at a time when Bencab relocated back to London after a two year stay in the Philippines. Featuring studies of a man (in suit and tie) and a woman (in a baro’t saya), we can surmise perhaps that the artist was leisurely honing and practicing his sketching skills in a place far away from the tumult of the Martial Law regime while pining for home. | Private Collection | ||
Filipino Dress Study 2 | Drawing | Pen and Ink on Paper | 20 x 15 cm | 1974 | Benedicto R. Cabrera | Leon Gallery | These two pen and ink sketches from 1974, were done at a time when Bencab relocated back to London after a two year stay in the Philippines. Featuring studies of a man (in suit and tie) and a woman (in a baro’t saya), we can surmise perhaps that the artist was leisurely honing and practicing his sketching skills in a place far away from the tumult of the Martial Law regime while pining for home. | Private Collection | ||
Filipino Scholar Abroad (Larawan II) | Painting | Watercolor on Paper | 66 x 51 cm | 1978 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Fishing Village in Batang Island | Painting | Oil on Wood | 58 x 41 cm | 1963 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Flight Ca. 2000 Mono VI (monoprint) | Etching on handmade paper | 132 x 168 cm | 2005 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Gaze (2012) | Sculpture | 1/2 inch thick mild steel plate in red finish | 72 x 40 x 24 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Gaze (3 items) | Resin | 69 cm x 43 cm x 25 cm | 2017 | Benedicto R. Cabrera | Leon Gallery | |||||
Gaze II (Larawan Series I) | Painting | Acrylic, Pen and Ink on canvas | 51 x 41 cm | 1972 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Geisha II, AP | Archival Print on acid-free paper | 71 x 28 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Gesture 1 | Sculpture | Brass | 29 cm x 18 cm x 14 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Girl Sitting | Painting | Acrylic on Canvas | 76 x 61 cm | 1994 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Girl with Chrysanthemum | Painting | Acrylic on handmade paper | 33 x 25 cm | 1983 | Benedicto R. Cabrera | Leon Gallery | ||||
Homage to Matisse | Sculpture | 1/2 inch thick mild steel plate in rust finish | 26 x 26 x 8 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Homage to Sabel | Painting | Acrylic on Canvas | 36 x 28 cm | 2002 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Home to Turing | Painting | Acrylic on Canvas | 114 cm x 213 cm | 2006 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Iboloi Mother and Child, AP 4 | 36 x 26 cm | 2010 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Ifugao Man, AP VI | Archival Print on Arches paper | 38 x 28 cm | 2013 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Imaginary Portrait of Sabel | Painting | Ink and Acrylic on Paper | 57 x 53 cm | 1970 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Imaginary Portrait of Sabel - 10th copy of 20 | Etching | 14 x 14 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Imaginary Portrait of Sabel 1 - 10th copy of 20 | Etching | 14 x 14 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Isadora 1 | Sculpture | 1/2 inch thick mild steel plate in nickel finish | 28 x 15 x 7 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Isadora in Motion | Painting | Acryclic on canvas | 244 x 198 cm | 1998 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Iza as Sabel | Drawing | Pastel on Paper | 75 x 55 cm | 2015 | Benedicto R. Cabrera | Leon Gallery | The portrait is that of the beautiful actress Iza Calzado, as it is also of Sabel. The portrait was to become the poster image of “SABEL- LOVE AND PASSION”, presented in part by the Bencab Art Foundation, which had its world premiere gala in April 2015. “Iza as Sabel” also resumes Bencab’s ever recurring theme of women in draperies. The subject, with her slim proportions, pretty face, and windswept hair, is set against neutral background and swathed in an outfit whose manifold convolutions somehow achieve their own language | Private Collection | ||
Jet Pangan (Rock Series) | Drawing | Charcoal and Pastel on Paper | 83 x 57 cm | 1995 | Benedicto R. Cabrera | Leon Gallery | Aside from his re-explorations of the Philippines’ colonial past via old photographs, or his social commentaries via the famed madwoman, Ben Cabrera has done a number of portraits on occasion. For this portrait, Bencab uses a few colors rather than many, and his works assert that fewer colors in a painting give the art greater force and meaning. And ‘force’ is an apt description given that the subject, Jett Pangan, an icon of 1990s pop culture, has that forceful persona onstage when he sings. To quote the book “BENCAB” by Krip Yuson and Cid Reyes: “There is no more convincing proof of Bencab’s… abstracting eye” which is apparent in how the artist distills the image of the rock star into his sartorial essence. Ben Cabrera, like most if not all contemporary artists, works on the portrait outside of reality. Portraits are, after all, a peculiar amalgam of art and reality, and it presents a person, most often famous, in a way not visually experienced before. Like any craftsman, the “interaction” between the painter’s brush and the personality of the subject is made permanent in the final outcome of the portrait. Bencab uses boldness of lines amid the severe neutrality of the background to create an image of the popular rock singer with a young, yet straightforward candor divested of unnecessary details. The flash of vermilion orange provides the requisite 1990s visual angst in a portrait that otherwise captures laid back restraint. | Private Collection | ||
Jose Rizal | Painting | Acrylic on Canvas | 152 x 61 cm | 2011 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Larawan Series (2000) | Painting | Acrylic on Canvas | 91 x 91 cm | 2000 | Benedicto R. Cabrera | Leon Gallery | ||||
Looking Back - 14th copy of 25 | Digital print | 84 x 53 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Lovers (1992) | Painting | Acrylic on Canvas | 122 x 102 cm | 1992 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Lovers (1993) | Sketch | Pastel on Paper | 18 x 14 cm | 1993 | Benedicto R. Cabrera | Leon Gallery | ||||
Lovers (2014) | Sculpture | 10 mm thick aluminum plate | 34 x 48 x 18 inches | 2014 | Benedicto R. Cabrera | Crucible Gallery | ||||
Mag-Ina | Plate | Ceramic | 22 cm | Benedicto R. Cabrera | Leon Gallery | 1500 copies | Private Collection | |||
Mag-Ina Plate | Plate | 30 x 30 | 2001 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Malboro Country - 12th copy of 25 | Etching | 29 x 25 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Male Nude | Sketch | Charcoal and Ink on Paper | 41 x 30 cm | 1971 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Male Torso - 16th copy of 35 | Etching | 15 x 13 cm | 1989 | Benedicto R. Cabrera | Leon Gallery | |||||
Man - 2nd copy of 25 | 32 x 23 cm | 1988 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Man - Mono III | Collagraph and etching on STPI handmade shaped paper, printed from 4 woodblocks | 165 x 127 cm | 2005 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Merienda | Painting | Acrylic on handmade paper | 61 x 46 cm | 1989 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Mestiza Ca 1990, AP | 32 x 24 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Mi Ultimo Adios | Painting | Mixed Media | 76 x 58 cm | 1996 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Monumental Figure | Painting | Acrylic on Canvas | 152.5 x 91 cm | 2010 | Benedicto R. Cabrera | Sothebys | ||||
Mood | Sketch | Pen and Ink on Paper | 27 x 18 cm | Benedicto R. Cabrera | Leon Gallery | |||||
Mother and child - 25th copy of 80 | Digital print | 28 x 21 cm | 2006 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Mother and Child - 29th copy of 40 | Etching | 27 x 18 cm | 1998 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Mother and Child - Ceramic Circle Plate | Plate | Ceramic | 30 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Mother and Child - Ceramic Plate - 130 out of 500 | Plate | Ceramic | 28 x 30 cm | 2007 | Benedicto R. Cabrera | Leon Gallery | 500 copies | Private Collection | ||
Mother and child (1973) | Painting | Ink and Acrylic on Paper | 22 x 17 cm | 1973 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Mother and Child (1990) | 19 x 14 cm | 1990 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Mother and Child (1996) | Painting | Oil on Canvas | 76 x 61 cm | 1996 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Mother and Child (1999) | Painting | Acrylic on Paper | 41 x 28 cm | 1999 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Mother and Child (2007) - 6th copy of 20 | Digital print | 38 x 29 cm | 2010 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Mother and Child (2013) 1 | Sculpture | Cast bronze | 14.5 x 6 x 9 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
Mother and Child (2013) 2 | Sculpture | Cast bronze | 17 x 8 x 9 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
Mother and Child (2014) | Sculpture | 10 mm thick aluminum plate | 48 x 39.75 x 18 inches | 2014 | Benedicto R. Cabrera | Crucible Gallery | ||||
Mother and Child 1 | Fiberglass reinforced resin, oil and acrylic | 2015 | Benedicto R. Cabrera | Leon Gallery | ||||||
Mother and Child 19th copy of 20 | Sculpture | Bronze | 22 cm x 34 cm x 17 cm | Benedicto R. Cabrera | Leon Gallery | |||||
Mother and Child 2 | Fiberglass reinforced resin, oil and acrylic | 2015 | Benedicto R. Cabrera | Leon Gallery | ||||||
Mother and Child 3 | Fiberglass reinforced resin, oil and acrylic | 2015 | Benedicto R. Cabrera | Leon Gallery | ||||||
Mother and Child 4 | Fiberglass reinforced resin, oil and acrylic | 2015 | Benedicto R. Cabrera | Leon Gallery | ||||||
Mother and son | Plate | Ceramic | 22 cm | Benedicto R. Cabrera | Leon Gallery | 2000 copies | Private Collection | |||
Naneth (monoprint) | 109 x 81 cm | 2009 | Benedicto R. Cabrera | Leon Gallery | ||||||
Night Ride | Painting | Acrylic and Charcoal on Paper | 34 x 37 cm | 1968 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Night Shift II | Painting | Acrylic on Canvas | 59 x 51 cm | 1997 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nine figure studies (Sabel) | Painting | Mixed Media | 61 x 61 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Nude - 9th copy of 12 (1977) | Litograph | 18 x 15 cm | 1977 | Benedicto R. Cabrera | Leon Gallery | |||||
Nude (1975) | Sketch | Graphite on Paper | 34 x 28 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (1975), AP | Etching | 19 x 27 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Nude (1976) | Drawing | Pastel on Paper | 44 x 29 cm | 1976 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (1984) | Painting | Watercolor on Paper | 36 x 25 cm | 1984 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (1993) | Drawing | Pastel on Paper | 53 x 36 cm | 1977 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (1995) | Sketch | Charcoal and Pastel on Paper | 61 x 46 cm | 1995 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (1999) | Drawing | Pastel on Paper | 57 x 39 cm | 1999 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (2000) | Drawing | Pastel on Paper | 56 x 74 cm | 2000 | Benedicto R. Cabrera | Leon Gallery | MODERN INTERPRETATIONS OF THE FEMALE FORM The two figures are visually unified together in a tender, intimate, sense of equivalence in their reciprocity. Erotically detailed, Bencab’s nude women exhibit a formal grace referencing nude figures of the Italian renaissance, while at the same time objectifying their subjects sexuality; they “exemplify his aesthetic position between tradition and modernism”. The nudes of this period are displayed boldly, with only the faintest suggestion of setting. Neither demure nor provocative, they are depicted with a degree of objectivity. His nudes manifest a full, sensual beauty that is not weighed down by the detailing of the surroundings. The well proportioned figures are drawn with clear, passionate lines giving them a sensuous feeling. | Private Collection | ||
Nude (2000) 1 | Drawing | Pastel on Paper | 38 x 54 cm | 2000 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (2000) 2 | Drawing | Pastel on Paper | 59 x 36 cm | 2000 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (2000) 3 | Drawing | Pastel on Paper | 41 x 83 cm | 2000 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (2007) | Drawing | Pastel on Paper | 33 x 24 cm | 2007 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (2009) | Drawing | Charcoal on Paper | 48 cm x 64 cm | 2009 | Benedicto R. Cabrera | Leon Gallery | ||||
Nude (2011) | Drawing | Pastel on Paper | 50 x 65 cm | 2011 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude (2013) 1 | Sculpture | Cast bronze | 7 x 9 x 15 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
Nude (2013) 2 | Sculpture | Cast bronze | 8.5 x 6.25 x 8.5 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
Nude (n.d.) | Sketch | Pen and Ink on Paper | 23 x 20 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Nude 1 | Sketch | Charcoal on Paper | 61 x 76 cm | 2005 | Benedicto R. Cabrera | Leon Gallery | This pair of nudes are some of BenCab’s later works — but nonetheless, they possess the same coarse elegance and refined grace as that of his earlier drawings. Strong, robust delineations, empowering the beauty of the female form. | Private Collection | ||
Nude 1 (1975) - 4th copy of 10 | Etching | 17 x 13 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Nude 1 (1988), AP | Etching | 10 x 9 cm | 1988 | Benedicto R. Cabrera | Leon Gallery | |||||
Nude 2 (1976) | Sketch | Pen and Ink on Paper | 36 x 29 cm | 1976 | Benedicto R. Cabrera | Leon Gallery | ||||
Nude 3 (1975) | Sketch | Pencil on Paper | 28 x 36 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | ||||
Nude 4 (1976) | Sketch | 26 x 27 cm | 1976 | Benedicto R. Cabrera | Leon Gallery | |||||
Nude 5 (1975) | Sketch | 29 x 25 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | |||||
Nude and Screen | Painting | Watercolor on japanese paper | 46 x 62 cm | 1979 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Nude II | Sketch | Pencil on Paper | 29 x 25 cm | 1976 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Ode to the Flag | Painting | 2013 | Benedicto R. Cabrera | BenCab Museum | "After more than a century since the revolution against colonial powers, ODE TO THE FLAG reminds us that the fight is not yet over, and suggests that our flag, as yet, does not fly in skies that are truly free." - Exhibition Notes, BenCab Museum 2015. | |||||
Peasant Man | Painting | Oil stick on handmade paper | 33 x 30 cm | 1989 | Benedicto R. Cabrera | Leon Gallery | ||||
Peasant Woman | Painting | Oil stick on handmade paper | 33 x 30 cm | 1989 | Benedicto R. Cabrera | Leon Gallery | ||||
Portrait of a Man | Drawing | Charcoal on Paper | 36 x 25 cm | 2011 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Portrait of Sabel | Litograph | 32 x 24 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Portrait: Flor Contemplacion | Painting | Acrylic on Canvas | 1995 | Benedicto R. Cabrera | Metropolitan Museum Manila | National Artist for Visual Arts Benedicto "BenCab" Cabrera has ably expressed various social and political issues surrounding Philippine society through his works. 'Flor Contemplacion's is a somber portrait of a Filipina migrant worker in Singapore who was hanged in 1995 for allegedly murdering fellow Filipina worker Delia Maga and her young ward. The story of Flor Contemplacion warranted countless protests from activists nationwide, bringing to light the abuses domestic helpers face abroad and the apathy of the Philippine and Singaporean government to their struggles | ||||
Public Execution | Painting | Acrylic on Paper | 62 x 57 cm | 1972 | Benedicto R. Cabrera | Leon Gallery | “Filipino Prisoners of War: A Public Execution,” is an excellent representative of a distinct period in Bencab’s evolution as an artist wherein he visually interpreted the thematics of the different people’s struggles: the anti-imperialist and anti-fascist struggle; the struggle of the workers and peasants; the struggle of indigenous peoples, and other related themes. In the book “Protest/Revolutionary Art in the Philippines: 1970-1990,” under the chapter “Nationalism and the Anticolonial/Anti Imperial Struggle,” author Alice Guillermo writes: “One of the first artists to explore the national identity through historical images was Ben Cabrera. This was seen in his Larawan 1 exhibit in 1971, which included “Filipino Prisoners of War: A Public Execution,” “The Last March,” and “Brown man’s Burden.” This last work is a striking metaphor of the colonial situation: two tribal Filipinos in G-strings carry a stout faceless white man in a litter.” Guillermo continues: “His (Bencab’s) ‘Bandit and Gentleman Series ‘ (1973) also pursues the same concern.” As to charges that he was trafficking in questionable social realism and in propagandistic messages, Bencab can offer as defense the diction of another printmaker Leonard Baskin: “All art is tendentious. The communication of an artistic idea is also an act of propaganda.” Bencab’s commitment to his themes is absolute. It dispels any notion that he is only after images that can be considered picturesque, quaint and engaging. | Private Collection | ||
Punk | Drawing | Pastel on Paper | 47 x 34 cm | 1981 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Punk Series | Drawing | Pastel on Paper | 39 x 29 cm | 1989 | Benedicto R. Cabrera | Leon Gallery | One of Bencab’s most iconic works from the 80’s is his punk series that were his interpretations of characters from the local punk scene. Here, he ventures into the pop art realm and is able to capture, playfully, the look, feel and mood of this counter culture movement. 102 | Private Collection | ||
Reclining Nude | Sketch | Pastel on Paper | 38 x 56 cm | 2005 | Benedicto R. Cabrera | Leon Gallery | This pair of nudes are some of BenCab’s later works — but nonetheless, they possess the same coarse elegance and refined grace as that of his earlier drawings. Strong, robust delineations, empowering the beauty of the female form. | Private Collection | ||
Recuerdos (Portraits of the Past Series), AP | Archival Print on Arches paper | 36 x 28 cm | 2010 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Remembering and Forgetting | Painting | Acrylic on Canvas | 72 x 44 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Reminiscence 17th copy of 20 | Etching aquatint | 50 x 33 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Sabel (1991) | Painting | Oil on Wood | 237 1/2 x 145 cm | 1991 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel (1993) | Painting | Acrylic on Paper | 30 x 23 cm | 1993 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel (1996) | Painting | Acrylic on Canvas | 18 x 13 cm | 1996 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel (1997) | Painting | Acrylic on Canvas | 76 x 61 cm | 1997 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel (2000) | Painting | Oil on Canvas | 152 x 102 cm | 2000 | Benedicto R. Cabrera | Leon Gallery | Drawing on his iconic Sabel series, this work from 2000 is evocative of that recurring subject that first appeared in 1965. “Sabel,” in fact, was a scavenger and homeless lady from Bencab’s neighborhood that he took a fascination to, leading him to photograph and sketch her. Therefore, apart from serving as splendid explorations into structure and shape (brushstrokes severe and and lines bold), his Sabel series also delves into human existence in relation to society, particularly inequity, human dignity, and the challenges life presents. | Private Collection | ||
Sabel (2002) | Painting | Acrylic on Canvas | 104 x 51 cm | 2002 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel (2003) | Painting | Acrylic on Canvas | 102 x 76 cm | 2003 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel (2004) | Painting | Acryclic on canvas | 61 x 46 cm | 2004 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel (2005) | Painting | Acrylic on Canvas | 61 x 61 cm | 2005 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel (2006) 17th copy of 18 | 56 x 76 cm | 2006 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Sabel (2008) | Painting | Acrylic on Canvas | 152 x 91 cm | 2008 | Benedicto R. Cabrera | Leon Gallery | ||||
Sabel (2010) | 71 x 53 cm | 2010 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Sabel (2013) 1 | Sculpture | 1/2 inch thick mild steel plate in red finish | 39 x 24 x 5 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
Sabel (2013) 2 | Sculpture | Cast bronze in gold finish | 2.25 x 2.25 x 5 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
Sabel (2014) AP 3 | Archival Print on Acid-free paper | 77 x 55 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Sabel (Brown Angel), AP | Archival Print on Arches paper | 84 x 51 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Sabel (Monumental Figure) AP 3 | Archival print | 80 x 55 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Sabel (sculpture) | Sculpture | Metal sculpture with Virina | 27 x 8 x 8 cm | Benedicto R. Cabrera | Leon Gallery | Limited edition from swatch | Private Collection | |||
Sabel (undated) | Painting | Mixed Media | 12 x 9 in | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Sabel 1 (2002) | Painting | Acrylic on Canvas | 91 x 76 cm | 2002 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel 1 (2003) | Painting | Oil on Canvas | 244 x 183 cm | 2003 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabel Diptych | Sculpture | 1/4 inch thick mild steel plate in red and black finish | 16 x 10 x 5.5 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Sabel in Flight | Etching | 36 x 30 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Sabel in Motion, AP 6 | 38 x 28 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Sabel in San Andres Bukid | Painting | Oil on Canvas | 43 x 58 cm | 1966 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sabungero | Painting | Watercolor on Paper | 32 x 24 cm | 1986 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Sayaw Sabel, Dance Form V, AP 3 | Print on kozo paper | 79 x 53 cm | 2014 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Scavenger | Painting | Oil on Wood | 46 x 46 cm | 1966 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Scavenger Series I | Etching | 14 x 13 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Scavenger Series II | Etching | 14 x 13 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Servant with Chopsticks (Larawan Series), AP 6 | Archival Print on Arches paper | 38 x 28 cm | 2010 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Siesta Hour - 19th copy of 20 | Etching | 20 x 25 cm | 1974 | Benedicto R. Cabrera | Leon Gallery | In Siesta hour, Bencab playfully portrays the native Filipina Mestizas in an afternoon idle aura. | Private Collection | |||
Soldier with Shades | Painting | Charcoal and Acrylic on Paper | 51 x 38 cm | 2005 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Son | Rubbercut Print | 14 x 11 cm | 1992 | Benedicto R. Cabrera | Leon Gallery | |||||
Studies of Colombian Indian II | Painting | Mixed Media | 36 x 28 cm | 1977 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Studies of Sabel (2nd copy of 20) | Etching | 46 x 30 cm | 1980 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Studies on Rizal | Painting | Acrylic on Canvas | 2011 | Benedicto R. Cabrera | BenCab Museum | |||||
Study #4 | Painting | Acrylic on Paper | 30 x 23 cm | 1966 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Surveying the New Territory | Painting | Acrylic on Paper | 56 x 75 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Sweepstakes Vendor | Painting | Pastel on Paper | 74 x 53 cm | 1988 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Taichi (2013) 1 | Sculpture | Cast bronze | 10 x 6 x 12 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
Taichi (2013) 2 | Sculpture | Cast bronze | 15 x 11 x 18 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
The Color of Ideology | Painting | Acrylic on handmade paper | 79 cm x 56 cm | 1987 | Benedicto R. Cabrera | Leon Gallery | ||||
The Huntress - 5th copy of 20 | 36 x 28 cm | 2009 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
The Igorot Experience, AP | Etching | 30 x 25 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
The Kiss | Painting | Acryclic and Charcoal on handmade paper | 28 x 23 cm | 1994 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
The Letter | Painting | Acrylic on Paper | 66 x 50 cm | 1984 | Benedicto R. Cabrera | Leon Gallery | ||||
Thinking | Sculpture | Cast bronze | 9 x 11 x 19.5 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
Tres Marias | Painting | Acrylic on Canvas | 123 x 175 cm | 2003 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Tribal Form (series of 3) | Sculpture | 1/2 inch thick mild steel plate in rust finish | 72 x 28 x 24 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Triptych on love - 15th copy of 20 | Etching | 33 x 28cm | 1988 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Triptych on love - 15th copy of 20 1 | 33 x 27 cm | 1988 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Tropical Rain | Painting | Watercolor on Paper | 39 x 31 cm | 1986 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Tropical Rain (Sculpture) | Sculpture | Cast bronze | 10 x 10 x 18 inches | 2013 | Benedicto R. Cabrera | The Crucible Gallery | Limited edition of 20 | |||
Tuba Vendor | Painting | Acrylic on Paper | 56 x 36 cm | 1973 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Twins | Painting | Acryclic on canvas | 122 x 122 cm | 2001 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Twins (monoprint) | Collograph on Arches paper | 66 x 46 cm | 1998 | Benedicto R. Cabrera | Leon Gallery | |||||
Twins 1 (series of 12) | Sculpture | 1/4 inch thick mild steel plate in black finish with brush strockes | 16 x 11 x 5 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Twins 2 | Sculpture | 1/2 inch thick mild steel plate in yellow finish | 74 x 59 x 22 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Two Ladies - 13th copy of 45 | 19 x 14 cm | 1992 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Two Women - Ceramic Plate | Plate | Ceramic | 30 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Undressing | Sculpture | 1/4 inch thick mild steel plate in gold leaf finish | 16 x 8 x 5.5 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Untitled | Drawing | Charcoal on Paper | 19 x 19 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled (1965) | Painting | Oil on Canvas | 46 x 91 cm | 1965 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (1967) | Drawing | Pen and Ink on Paper | 28 x 43 cm | 1967 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (1968) | Sketch | Pen and Ink on Paper | 23 x 30 cm | 1968 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (1970) | Painting | Mixed Media on paper | 67.5 x 35 cm | 1970 | Benedicto R. Cabrera | Sothebys | ||||
Untitled (1972) | Painting | Acrylic and Ink on Paper | 42 x 34 cm | 1972 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (1974), AP | 23 x 18 cm | 1974 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Untitled (1975) | Etching | 32 x 28 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled (1977) 1 - 6th copy of 25 | Etching | 23 x 15 cm | 1977 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled (1977) 2 - 6th copy of 25 | Etching | 23 x 15 cm | 1977 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled (1980) | Etching | 27 x 30 cm | 1980 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled (1984) | Painting | Acrylic on Paper | 38 x 29 cm | 1984 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (1993) | Drawing | Pen and Ink on Paper | 39 x 30 cm | 1993 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (1993) 1 | Drawing | Pen and Ink on Paper | 41 x 30 cm | 1993 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (1994) | Painting | Acrylic on Paper | 37 x 26 cm | 1994 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (1997) | 14 x 10 cm | 1997 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Untitled (1999) | Painting | Acrylic on Canvas | 175 x 240 cm | 1999 | Benedicto R. Cabrera | Leon Gallery | The subtle dynamics going on between this oriental couple - they may be dancing or engaged in some martial art discipline- also reflects Ben Cab’s fascination with movement. Is the man on the left engaged in some form of martial art? In 1983, BenCab was strolling along a London park when he spotted a man gliding through martial arts movements in a graceful and serene manner. The man, who came from Guyana, was practicing tai chi, which was unlike the most popular form, the Yang style of 108 forms, executed in smooth dance-like, expansive and soft movements. BenCab learned the short form, an abbreviated version of the traditional martial art. For two years, he regularly attended two-hour classes teaching exercises for energy, self-defense and physical conditioning, infused with philosophical discourses. This martial art has influenced his outlook in life. “You learn not to contest the opponent. If the opponent is strong, you go with his strength by using it against him. The teachings are also full of paradoxes. The slower you are, the faster you become”, says BenCab. Ever since BenCab took up tai chi, his style evolved into gestural painting, infused with vigorous rhythmic brush strokes, flowing lines and spirited body movements. BenCab partly attributes the rapturous yet controlled brushwork to his daily morning ritual of 40 minutes of tai chi. In painting, tai chi works up BenCab’s endorphins to put him in a good mood to facilitate the smooth flow of creativity. Thirty years after Sabel first appeared on canvas as a mysterious figure swathed in rags, she is portrayed in full form whirling on canvas, in broad, sweeping brush. | Private Collection | ||
Untitled (2003) | Drawing | Pastel on Paper | 41 x 28 cm | 2003 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (2005) 1 of 1 | STPI | 168 x 132 cm | 2005 | Benedicto R. Cabrera | Leon Gallery | |||||
Untitled (2012) | Sculpture | 1/2 inch thick mild steel plate in yellow finish | 30 x 15 x 8 inches | 2012 | Benedicto R. Cabrera | Crucible Gallery | ||||
Untitled (5 Apr 2003) | Sketch | Pastel on Paper | 41 x 28 cm | 2003 | Benedicto R. Cabrera | Leon Gallery | For this portrait, Bencab uses a few colors rather than many, and his works assert that fewer colors in an artwork give the art greater force and meaning. | |||
Untitled (Hands) | Painting | Watercolor on Paper | 36 x 25 cm | 1984 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (Larawan Series) | Painting | Acrylic on Paper | 74 x 56 cm | 1984 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled (n.d.) | Sculpture | Brass | 44 cm x 42 cm x 16 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled (n.d.) 1 | Litograph | 27 x 39 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Untitled (n.d.) 2 | 46 x 36 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||||
Untitled (Sabel 1) | Painting | Mixed Media | 20 x 16 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled (Sabel 2) | Painting | Mixed Media | 20 x 16 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled (Woman) - 108th copy of 200 | Etching | 26 x 18 cm | 1988 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled (Woman) - 191st copy of 200 | Etching | 21 x 12 cm | 1988 | Benedicto R. Cabrera | Leon Gallery | |||||
Untitled 1 (1965) | Painting | Acryclic on board | 14 x 15 cm | 1965 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Untitled Lot A | Painting | Mixed Media | 25 x 17 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled Lot B | Painting | Mixed Media | 25 x 17 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled Lot C | Painting | Mixed Media | 25 x 17 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled Lot D | Painting | Mixed Media | 25 x 17 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Untitled Lot E | Painting | Mixed Media | 25 x 17 cm | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Variations on Sabel - 12th copy of 20 (1975) | Etching | 26 cm x 26 cm | 1975 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Water Carrier - 10th copy of 20 | Digital print | 38 x 28 cm | 2010 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Woman Sitting | Painting | Oil on Canvas | 66 x 46 cm | 1989 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Woman with black cat, AP 2 | 38 x 28 cm | 2012 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Woman With Fan, AP | 33 x 25 cm | 2013 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||||
Woman with Winnowing Basket | Painting | Acrylic on Canvas | 104 x 56 cm | 2002 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Women and Children II, Larawan Series, AP | Print on Arches paper | 38 x 28 cm | 2011 | Benedicto R. Cabrera | Leon Gallery | |||||
Women Waiting | Drawing | Pencil and Ink on Paper | 67 x 55 cm | 1974 | Benedicto R. Cabrera | Leon Gallery | Private Collection | |||
Women Waiting 5th copy of 20 | Etching and aquatint | 25 x 19 cm | 1974 | Benedicto R. Cabrera | Leon Gallery | Private Collection | ||||
Worker | Sculpture | Cast bronze | 16 x 14 x 17 inches | 2013 | Benedicto R. Cabrera | Crucible Gallery | ||||
Young Lovers | Drawing | Conte Pencil on Paper | 48 x 33 cm | 1993 | Benedicto R. Cabrera | Leon Gallery | ||||
Creative Fishes | Painting | Acrylic on Canvas | 66 x 80 cm | 2003 | Abdulmari Asia Imao | Museo Orlina | ||||
Sarimanok (1967) | Sculpture | Bronze | 33 x 31 x 10 cm | 1967 | Abdulmari Asia Imao | Metropolitan Museum of Manila | This bronze sculpture “Sarimanok'' by National Artist and Filipino Muslim, Abdulmari Imao, is one of the artist’s renditions of this mythical creature—an important symbol in Maranao culture. Imao’s methodical research and intense study of Maranao and Tausug aesthetics coupled with his modernist sensibility, made the once obscure sarimanok reach national cultural consciousness. | Private Collection | ||
Abstract painting in residence of actor Coco Martin | Painting | Arturo R. Luz | Calzado, Cielo Anne.(2018). Coco Martin's 2000sqm Tropical-inspired dream home. April 2. https://www.realliving.com.ph/home-tours/celebrity-homes/coco-martin-s-2000sqm-dream-home-a00010-20180402 | Private Collection | ||||||
Elpidio Quirino Monument, Roxas Blvd., Manila | Sculpture | Abdulmari Asia Imao | Olivares, John Paul. (2018). Works of National Artists in public spaces. CNN Philippines. January 30. (https://cnnphilippines.com/life/culture/arts/2018/01/30/National-Artists-Philippines-public-art.html | |||||||
Sultan Kudarat Relief (PICC) | Sculpture | Abdulmari Asia Imao | Olivares, John Paul. (2018). Works of National Artists in public spaces. CNN Philippines. January 30. (https://cnnphilippines.com/life/culture/arts/2018/01/30/National-Artists-Philippines-public-art.html | |||||||
Stained Glass Window design in Sulu Capitol | Stained glass | 1969 | Abdulmari Asia Imao | Office of the Governor of Sulu https://www.facebook.com/opgsulu/posts/321464462530737 | ||||||
Paciano Dizon y Santos Monument | Sculpture | Brass | 1982 | Abdulmari Asia Imao | Porac Tourism Facebook https://www.facebook.com/100349674702237/photos/a.137359757667895/586703302733536/ | Located at the municipal hall of Porac | ||||
AAP Logo | Sculpture | Bronze - cire perdue | Abdulmari Asia Imao | Kalaw-Ledesma Foundation Inc. Facebook | Kalaw-Ledesma Foundation Inc | |||||
Door (Residence of Actor Coco Martin) | Furniture | Abdulmari Asia Imao | Calzado, Cielo Anne.(2018). Coco Martin's 2000sqm Tropical-inspired dream home. April 2. https://www.realliving.com.ph/home-tours/celebrity-homes/coco-martin-s-2000sqm-dream-home-a00010-20180402 | First door made by Abdulmari Imao | ||||||
Ani ng Dangal Trophy (Design) | Sculpture | Abdulmari Asia Imao | NCCA. Ani ng Dangal: The Trophy. https://aningdangal.weebly.com/the-trophy.html | The Ani ng Dangal Trophy is a stylized sarimanok sculpted by National Artist for Visual Arts, Abdulmari Asia Imao. In Imao’s hands the Maranao mythical bird is masterfully transformed into a mono-winged creature with the PAF rice stalk logo incorporated in the rampant wing’s feathers. The creature soars above a globe symbolizing the height of artistic achievement in the global stage. | ||||||
Sarimanok (n.d.) | Sculpture | Brass | Abdulmari Asia Imao | Kalaw-Ledesma Foundation Inc. Facebook | Kalaw-Ledesma Foundation Inc | |||||
Untitled (1981) | Sculpture | Brass | Abdulmari Asia Imao | Kalaw-Ledesma Foundation Inc. Facebook | Kalaw-Ledesma Foundation Inc | |||||
Fishes (n.d.) | Sculpture | Wood | Abdulmari Asia Imao | Kalaw-Ledesma Foundation Inc. Facebook | Kalaw-Ledesma Foundation Inc | |||||
The Incomplete Man | Sculpture | Hardwood, plywood, mirror | J. Elizalde Navarro | MET Museum https://my.matterport.com/show/?m=BteRuDWeAvg | ||||||
I Sing of Ubud My Bali | Painting | Oil on Canvas | 1989 | J. Elizalde Navarro | MET Museum https://my.matterport.com/show/?m=BteRuDWeAvg | J. Elizalde Navarro's works are adept in crossing from one art form to another, with inspirational shifts ranging from Japanese, Australian, and Balinese influences. His abstract paintings in particular illustrate his grasp and knowledge of the importance of line, color, and composition in creating dynamic and stirring imagery. | ||||
Visions of Winter | Painting | Aluminum foil, oil on plywood | 1953 | J. Elizalde Navarro | MET Museum https://my.matterport.com/show/?m=BteRuDWeAvg | |||||
The Barong-Randa Encounter | Painting | Oil on Canvas | 1991 | J. Elizalde Navarro | MET Museum https://my.matterport.com/show/?m=BteRuDWeAvg | |||||
My Mother's Mirror | Painting | Oil on Canvas | 46 cm x 41 cm | 1993 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
The Kimono from Ubud Bali | Painting | Oil on Canvas | 121 x 80 cm | 1995 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Yellow Nude | Painting | Oil on Canvas | 97 x 97 cm | J. Elizalde Navarro | Leon Gallery | Private collection | ||||
Keeping Abreast with the Joneses | Painting | Collage on canvas, Mixed Media | 21 x 30 inches | 1970 | J. Elizalde Navarro | Leon Gallery | ||||
Made Dancing the Legong | Painting | Watercolor on Paper | 16 x 12 inches | 1989 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Untitled (Bali Series) | Painting | Charcoal on Paper | 16 x 12 inches | 1989 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
The Music Makers | Painting | Oil on Canvas | 83 x 104 cm | ca. 1950 | J. Elizalde Navarro | Leon Gallery | This piece, The Music Makers, exhibits figures rendered in an engaging fragmentary cubist style, made charged by rich color combinations. In the depiction of a familiar folk image of subjects, his mastery in rendering human figures through his style of choice—as versatile and prolific as he was—is showcased. His spontaneous geometric elements noted in his early works during the fifties are also apparent, denoting a vision of composition, mood, and feeling. | Private collection | ||
Untitled (ca. 1960) | Sculpture | Wood | 56 x 48 x 33 cm | ca. 1960 | J. Elizalde Navarro | Leon Gallery | ||||
Sun's Presence | Painting | Acrylic on Canvas | 91 x 91 cm | 1974 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
The Victim | Painting | Oil on Paper | 55 x 39 cm | 1992 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
The Machines Take Over | Painting | Mixed Media | 51 x 51 cm | 1984 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Chondong The Story Teller | Painting | Oil on Canvas | 86 x 79 cm | 1990 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
White Ruins | Painting | Oil on Canvas | 53 x 69 cm | ca. 1970 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Obon Dancer at Rest | Painting | Tempera | 48 x 47 cm | 1958 | J. Elizalde Navarro | Leon Gallery | Navarro relives a beautiful memory, as he created a colorful rendition of his original drawing Obon Dancer at Rest, Kyoto that was inspired by his sojourn to Japan in the late 1950s, where he held a one-man exhibition at the Mitsukoshi Art Gallery in Tokyo. In congruence to the Japanese aesthetic, this tempera captures the calm spiritual rhythm of the dancer. | Private collection | ||
Untitled (1960) | Sculpture | Wood | 37 x 17 x 15 cm | 1960 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Mt. Bator, on the Road to Kintamani, Bali | Painting | Oil on Canvas | 91 x 86 cm | 1991 | J. Elizalde Navarro | Leon Gallery | A true citizen of the world, Navarro’s Mt. Bator, On the Road to Kintamani, Bali was inspired by his peaceful sojourn to the Kintamani, Bali, to witness the beauty of the stunning Mount Bator that rises prominently above a vivid landscape of greenery. It is notable that the crystalline Lake Bator rests inside the active caldera, and interesting villages and a temple cling to the rim of the active volcano. | Private collection | ||
The Rush of Birdsong Breaking the Bali Dawn | Painting | Oil on Canvas | 133 x 89 cm | 1992 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Various Voices, Various Rooms | Painting | Mixed Media | 152 x 122 cm | ca. 1955 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Mai-Mai Reading the Newspaper | Painting | Oil on Canvas | 64 x 79 cm | 1994 | J. Elizalde Navarro | Leon Gallery | This work done in the style of French Post-Impressionist painter Paul Gauguin (1843-1903), depicts one of his models only known as “Mai-Mai”; Navarro paints this portrait of a sultry model, probably of a Balinese descent delicately relaxing while reading the daily newspaper. The theme of the “reclining nude” that was reflected upon by Gauguin (ninety-eight years before Navarro’s own Balinese nude), is drawn from his personal collection of prints and photographs of classical paintings of the Greek goddess depicted by Titian and Giorgione as seen with Te Arii Vahine (The King’s Wife) done in 1896 portraying his model and mistress, Pau’ura reclining and seducing the viewer as she is covering her privates with her mere leafy fans, with her gazing and asking us to peek inside through. Navarro sought a continuation of Gauguin’s style by shifting the approach that is drawn from reality. “Mai-Mai” is depicted with her maroon skirt peeking out at the viewer, with her pupils dilating as she entering into a silent slumber from the boredom of the articles on the broadsheet or from the sheer humid environment. Here, Navarro has partially disrobed the model with her luminous olive-toned breasts shown, with her garments trampled on the side of chair inferring the aftermath of a post-coital union with her unseen partner. | Private collection | ||
The Inscrutable East | Painting | Oil on Canvas | 94 x 46 cm | 1991 | J. Elizalde Navarro | Leon Gallery | Clearly contoured shapes generally follow a left-right diagonal ascent, take a pictorial and visual respite to buoy up an ironically deflated but solid black spherical shape against a golden yellow background. The dark blue, light gray, and black shapes are abstracted human forms, and connect the three background panels. The blue shape near the left the bottom corner is a solid statement on peace; conversely, the dull tangerine on the left top, whose lower edge is in the process of dissolution, is a symbolic of an ideology with a cracking impact. Semiotically, this is a statement of a mysterious world unified by a transcedent humanity. — Paul Blanco Zafaralla | Private collection | ||
The Yellow Studio | Painting | Oil on Canvas | 76 x 61 cm | 1998 | J. Elizalde Navarro | Leon Gallery | ‘The Yellow Studio’ combines all of National Artist Jerry Navarro’s most beloved elements — the happy gold tones of his atelier, the works he made in them, his famous ease (symbolized in the butaca covered casually with a scarlet floral throw) and his favorite model. The woman appears to be totally oblivious to her nudity and seems to have a humorous, almost surprised, expression on her face. A smile seems to play in her eyes. The work is remarkable in a number of ways, the first being that it is a rare figurative work situated in the Philippines. Navarro painted a series of Balinese dancers but this had no Filipino equivalent. Second, a preliminary study in almost one fluid stroke is on the reverse of the canvas. Finally, Navarro (as always playful) has created a painting within a painting — in this case, an abstract work within a representational one. Painted half a year before Navarro would meet his Maker, it shows that none of his vigor and high spirits had abated. Navarro has been described as “an artist’s artist”, having mastered both painting and sculpture. As famous in Indonesia as in the Philippines, he is one of the certified regional stars. | |||
Untitled (n.d.) | Painting | Oil on Wood | 38 x 30 cm | J. Elizalde Navarro | Leon Gallery | National Artist Jerry Elizalde Navarro has come to be known for his powerful use of color, and intelligible figurative approach. The renowned modernist puts on display his technical proficiency, elegantly rendering his subjects with a graceful and potent vigor — be they figurative or abstract. This very work by Navarro is a bit of an oddity. Very rarely does one come across works by the iconic modernist, more so one of such distinct subject matter. In the piece, Navarro makes use of strong, definitive, impasto strokes — adding to the grit of the composition. The stylized abstract landscape features Navarro’s palette, but in a very different light. With brilliant color and refined restrain, Navarro captures the abstracted scenery in very masterful fashion — his keen eye for detail and penchant for color put forth. | Private collection | |||
Horseman of the Apocalypse | Painting | Acrylic on Paper | 51 x 66 cm | 1972 | J. Elizalde Navarro | Leon Gallery | The apocalyptic horsemen such as the famous woodcut by Albrecht Durer is an interpretation where all four horsemen represent different aspects of the Biblical tribulation. The Philippines’ own Jerry Elizalde Navarro takes on the battle between good and evil, the grand metaphors of the Horsemen of the Apocalypse. The chivalric figure rides the formidable battle-horse clad in prism-like multifaceted colors, a war machine. All in all the entire composite figure is a symbol of war and its supplementary production of more technologically advanced weapons of destruction by warmongers of the world that will not stop on the verge of the apocalypse. Like the malevolent horse, the black backdrop wreaks havoc with its overwhelming presence. In Navarro’s painting, the jewel-like colors of this theater of war, the blazing hues and the whirling of spots of color as he prepares for combat in the sky, land, and sea awakens the viewer to wonder and alarm at the visions that are also enigmatic images of the events in our time. But on the earth below is the daily war of attrition between sharply contending earthbound forces: the big and small, the powerful and the weak, and the disinherited. Overall, beauty hovers amid visual tension, given a subject which in the mind’s eye will swoop down to strike with full power. Versatility of style and a wide range of subject matter have both helped Jerry Elizalde Navarro to gain significant recognition, even before he became a National Artist. | Private collection | ||
Ratih's Offering, Ubud Bali | Painting | Acrylic on Canvas | 89 x 80 cm | 1989 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
High, OVer Nagano | Painting | Oil on Canvas | 114 x 71 cm | 1959 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
The Dance of the Mists and Birdsongs | Painting | Oil on Canvas | 89 x 135 cm | 1992 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
The Blue Silver Machine | Painting | Mixed Media | 79 x 61 cm | 1953 | J. Elizalde Navarro | Leon Gallery | In the book “J. ELIZALDE NAVARRO” author Cid Reyes writes: “Without question, where Navarro contributed greatest to Philippine modern art is in the genre of nude painting… it was Navarro who introduced a differentiating element absent in the works of others: a fresh and outright eroticism.” Navarro also explored the nude in the area of sculpture, and Navarro’s recognition of the sculpted form of female pulchritude is exceptional. “The earliest extant works on the nude date from the late sixties, about the time that Navarro and Emma started to live together. But the nascent stage manifested itself from the machine aesthetics of the late fifties. These were aluminium reliefs where the convex sheets swelled into breast like mounds, like Metallic Forms (1954), the “Blue and Silver Machine,” and “It’s About Time.” Studded with rivets that keep them attached to the background woodboard, the pieces summoned a sensuality not readily associated with cold impersonal aluminium sheets. These works continued to evolve into more overt breast configurations dotted with nipples, some by wire strings. Navarro called the series “Love Instrument for E.” Navarro’s sculptural works reflect his protean talents, virtuosic panache and sardonic wit. Navarro’s sculpted aluminium breasts were in step with the ferment of the 1960s Fluxus movement and in Pop Art, deriving their identity as art from the designation placed upon them by the artist and from the social history that comes with the object. | Private collection | ||
My Heart Sings Ubud | Painting | Oil on Canvas | 133 x 149 cm | 1991 | J. Elizalde Navarro | Leon Gallery | My Heart Sings Ubud is pure movement, pure performance, dazzling the eye — and the heart — with its manifold intensities, its blurs and bleeds, its temperamental forms. It features an abstraction that is at once orchestrated and spontaneous, a combination of earthbound solidity and soaring flight of fancy: a definite marker in the opus of the National Artist. Navarro, in having created this work, offers us a visual annotation of a joyous expedition in the kaleidoscopic tropics of his imagination. | Private collection | ||
Dark Days in Tripoli | Painting | Oil on Board | 102 x 76 cm | 1979 | J. Elizalde Navarro | Leon Gallery | Color dots impastoed against a three-stripped background produce a stirring dichotomy of dynamic but controlled virtual explosion against a visually static background. The textured dots in a diagonal formation become part of the sharp-edged dark strip below, the “fiery” middle strip, and the foreboding perspective, a psychological impact of dread by reason of the colors and texture at the onset. The title foretells this emotive response from what is visible. | Private collection | ||
The Kecak Dancer, Bali | Painting | Oil on Canvas | 152 x 122 cm | 1997 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Morning Mist Over Ubud, Bali | Painting | Watercolor on Paper | 53 x 66 cm | 1992 | J. Elizalde Navarro | Leon Gallery | A few international galleries have stated that Navarro’s works on paper have been largely “overlooked” despite the fact that they contain the same fiery exuberance found in his landmark works. In truth, he was a master of all media, moving seamlessly from oil, watercolor, and sculpture with ease and versatility. His paintbrush (and chisel) created symphonies of movement and color as if he was conducting a mighty orchestra. “Morning Mist Over Ubud, Bali” is just one such example, containing Navarro’s signature strokes and intense colors that, in a way, summed up the playfulness and jovial character that made him a favorite friend among his artistic contemporaries –- in a career that spanned half a century. Navarro was, in fact, one of two Filipino artists to successfully carve out a career not only in Manila but also in art-hungry Indonesia, where his particular style struck a chord with international collectors who would travel to the venerable Bamboo Gallery in Bali. (The Bamboo, then as now, has the reputation of representing not only Indonesian artists but established painters throughout the region.) J. E. Navarro was named Philippine National Artist for the Visual Arts in 1999. | Private collection | ||
The Red Cross I | Painting | Oil on Board | 76 x 56 cm | J. Elizalde Navarro | Leon Gallery | The Red Cross 1 is a prime example of Jerry Elizalde Navarro's works that combine strong colors with geometric elements in strong vivid hues. Navarro believes that part of a painter's discipline is to go back to the basic structure of his art. ‘The Red Cross 1’ almost looks like the subject for the painting is a found object. In fact it resembles a typically powerful detail in many of Elizalde Navarro's assemblages of found objects and metal parts in a variety of freestanding forms. Navarro’s sculptural works reflect his protean talents, virtuosic panache and sardonic wit. In various modes, even on oil on board, Navarro’s recognition of the sculpted form is exceptional. Elizalde Navarro’s early career was in step with the ferment of the 1960s, and in that decade, found objects were present in both the Fluxus movement and in Pop Art, deriving their identity as art from the designation placed upon them by the artist and from the social history that comes with the object. As an art form, found objects tend to include the artist's output — at the very least an idea about it, i.e. the artist's designation of the object as art — which is nearly always reinforced with a title. In The Red Cross 1, Elizalde Navarro makes a powerful oil on board representation of an arbitrary looking object which he designates as a cross. In real life, J. Elizalde Navarro seemed almost too affable for a person whose powerful art has, in its own way, torn through the traditional fabric of Filipino painting and even through the hard surface of sculpture. His canvases have managed to imprint their unique force on the local art scene. Powerful as they are, his works have a life evoking chromatic quality. Elizalde Navarro's color instincts are always on the warm side reflecting his temperament. | Private collection | |||
A Maguindanao Folk Dance | Painting | Oil on Canvas | 119 x 91 cm | 1994 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Baris Dancer | Painting | Oil on Canvas | 94 x 89 cm | 1989 | J. Elizalde Navarro | Leon Gallery | Baris — which means warrior formation, and of which this artwork is named after — refers to a traditional Balinese warrior dance that is usually danced by men — dramatic and evocative of the feelings of a young warrior set for battle. It is, too, a celebration of manhood. In 1989, upon the invitation of art dealer Cornelius “Cornie” Choy, Jerry Elizalde Navarro made his way to Bali, Indonesia, where he discovered a newfound inspiration — thanks to the sights and sounds and the culture of the area — that brought him — through the body of work that resulted — renewed acclaim and acceptance as an artist. | Private collection | ||
The Incoherencies of Language | Painting | Oil on Canvas | 110 x 138 cm | 1993 | J. Elizalde Navarro | Leon Gallery | Jerry Elizalde Navarro’s non-representational persona has gone through pendulum swings with his own versions of Cubism, Constructivism, and Abstract Expressionism. And the title “The Incoherencies of Language” seems to perfectly go along these pendulum swings. As a rule, at no point in time does he totally abandon one pictorial idiom in favour of another. His admirers have long accepted those style changes as proof of a protean versatility. This work is from 1993. Since 1989, Navarro’s output has been largely in abstract such as this one. After his sojourn to the island of Bali, he and his mentor, the late Carlos “Botong” Francisco, considered it close to paradise on earth. While it does not give any hint of anything Balinese, it reflects what he discovered in the island: a flamboyant sense of color and a strong rhythmic pulse. | Private collection | ||
The Third Eye Seeth | Painting | Oil/Acrylic on Canvas | 55 x 53 cm | 1996 | J. Elizalde Navarro | Leon Gallery | The sensual grasp of his images reaches far into the soul, drawing the viewer into the very recesses of his own reasoning. His subjects were the anchor for the dazzling splay of colours that make his canvasses come to life. Free flowing, bold strokes, swift and short dabs and swirls, he forged them into a prism of images. A master in his chosen genre, his work evokes power and deep thought. The intricacy of detailing in this work somehow reflects Jerry Elizalde Navarro’s multifaceted background as an artist. Navarro has always been passionate about finding new ways to create art. He experimented with oils, acrylics, and watercolors. With an open mind, he absorbed new ideas, techniques, and various influences which he observed in his travels and stints overseas. “Third Eye Seeth” can be Japanese, New Yorker, even Ancient. Jerry Elizalde Navarro was named National Artist for Visual Arts in 1999. He was also the first Filipino artist to be inducted into the Neka Art Museum in Bali, Indonesia. | Private collection | ||
Minotaur | Painting | Craypas on felt paper | 55 x 70 cm | 1995 | J. Elizalde Navarro | Leon Gallery | Revolting is the story, not the depiction of the ancient Greek mythology where “the son of Minos and Pasiphae (was) killed at Athens; to avenge him, Minos forced the Athenians to send a tribute of seven boys and seven girls every year ... to be thrown to the Minotaur ... half man and half bull ... until killed by Theseus.” With this foreground mythology, J. Elizalde Navarro depicted rapacity committed by creatures beyond the limits of the human mind. The raging reds (including the background), sharp-edged and pointed shapes, and pictorial clash of geometric shapes, plus the frontal depiction of the object of femininity, create emotive responses that are, by and large, heuristic. | Private collection | ||
The Invasion of My City | Painting | Oil on Canvas | 57 x 100 cm | ca. 1970 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Cubed Landscape | Painting | Acrylic on plywood | 61 x 61 cm | 1979 | J. Elizalde Navarro | Leon Gallery | As a painter, Jerry Elizalde Navarro’s abstracts combine the spontaneous with geometric elements in strong, vivid hues. “Cubed Landscape” shows the American influences in his evolution as an artist of abstraction. Navarro even had a distinct New York accent whenever he said the word “Abstraction”. | Private collection | ||
The Lady Juggles | Collage | 50 x 37 cm | 1969 | J. Elizalde Navarro | Leon Gallery | The year that was 1969 can be noted as the period where a significant shift, a major cusp, in the personal and artistic life of Jerry Elizalde Navarro took place. While busy in the world of advertising, the works that came out of this period – “The Lady Juggles” is a pertinent example —were his playful, imaginative, and quirky collages that are highly evocative of the pop art genre. | Private collection | |||
Untitled (1998) | Painting | Oil pastel and Watercolor on Paper | 176 x 56 cm | 1998 | J. Elizalde Navarro | Leon Gallery | Seeing artists go back to basics, the roots of their art, is always a fascinating endeavor most especially for those whose works cover an eclectic array of themes and styles. This piece by Elizalde Navarro, National Artist, is no different as it shows us how he executes a leisurely, but nonetheless inspired sketch of a nude lady. | Private collection | ||
Silver Clouds France | Painting | Oil on Canvas | 19 x 15 cm | 1977 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
On My Way to Lyons | Painting | Oil on Canvas | 39 x 32 cm | 1977 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
My Kind of Cross | Painting | Oil on Canvas | 80 x 119 cm | 1982 | J. Elizalde Navarro | Leon Gallery | “My Kind of Cross” (1982) embodies Jerry Navarro’s intense colorations and bold strokes, made more vivid by his signature impasto technique. He was as playfully expert as well in sculpture and mixed-media, giving an evocative structure as well as tri-dimensional quality to his paintings. Navarro was a shooting star that illuminated the Manila artscape from the time of his first solo exhibit at the Philippine Art Gallery in 1957 to his ascension as Philippine National Artist for the Visual Arts in 1999. | Private collection | ||
The Barrier Now Cleaven | Painting | Acrylic on Canvas | 152 x 122 cm | 1996 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Outerspace Flora | Painting | Oil on Wood | 36 x 29 cm | 1993 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
The Man Who Loved Birds | Painting | Oil on Canvas | 57 x 85 cm | 1994 | J. Elizalde Navarro | Leon Gallery | A return to form. A resurgence. These succinctly elucidate the artistic period of Elizalde Navarro in 1994, after mounting a series of exhibitions that caught the local visual art scene by storm – and kept art crtics and collectors raving. One of the works that graced those momentous exhibits is this very piece – “The Man Who Loved Birds.” As the title suggests, this work – as well as the others that were on view—were the artists explorations into nature—its creatures and inhabitants—and the universe that surrounds it. | Private collection | ||
Islands of the Gods | Painting | Oil on Canvas | 83 x 105 cm | 1994 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
The Minute of the Mist and the Bird Songs | Painting | Oil on Canvas | 107 x 138 cm | 1993 | J. Elizalde Navarro | Leon Gallery | In 1993, Elizalde Navarro, National Artist, mounted a succession of three exhibits that signaled his glorious return to abstracts as if enjoying a second wind. Entitled “A Return to Abstraction,” this series of breakthrough shows left audiences in awe, where his canvases exploded with colors, his brushstrokes abounding with strong emotions achieved through spontaneous bursts of energy. Much like this work entitled “The Minuet of the Mist and the Bird Songs,” the paintings from this year are examinations into nature and the world beyond. | Private collection | ||
The Ilongot War Dance | Painting | Oil on Canvas | 136 x 98 cm | 1994 | J. Elizalde Navarro | Leon Gallery | In his sojourn in the island of Bali, which he and his mentor, the late Carlos Botong Francisco, considered close to paradise on earth, Jerry Elizalde Navarro discovered a new vision; a flamboyant sense of color and rhythmic pulse. His paintings in the early to mid 1990s have been increasingly poetic in evoking atmospheres, memories of sense impressions, and states of feeling. Deriving from this experience (albeit transplanted to the Philippine setting) is this imposing piece entitled “The Ilongot War Dance.” The Ilongot communities are scattered about in the Sierra Madre and Caraballo mountains in Nueva Vizcaya, where their dances are said to be devoid of foreign influences. Their headtaking (war) dances specifically are emotionally powerful and, as depicted here, mimic combat through smooth, agile movements and the use of sticks and shields. 39 | Private collection | ||
The Japanese Moon | Painting | Casein | 74 x 41 cm | 1950 | J. Elizalde Navarro | Leon Gallery | Navarro, National Artist, was much-admired for his versatility as an artist, having straddled both painting and sculpture, as well as varying styles and genres. This piece a true rare, early work as it was executed just some two years after his first solo show at the Philippine Art Gallery. | Private collection | ||
Christ has Risen, Sydney, Australia | Monoprint | 34 x 47 cm | J. Elizalde Navarro | Leon Gallery | Private collection | |||||
Homage to Carlos V. Francisco | Painting | Oil on Canvas | 133 x 90 cm | 1992 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Untitled (1969) 1 | Monoprint | 33 x 46 cm | 1969 | J. Elizalde Navarro | Leon Gallery | Private collection | ||||
Ned Kelly, Sydney, Australia | Monoprint | 36 x 46 cm | 1969 | J. Elizalde Navarro | Leon Gallery | Private collection | ||||
Untitled (1969) 2 | Monoprint | 33 x 46 cm | 1969 | J. Elizalde Navarro | Leon Gallery | Private collection | ||||
Warning, Sydney | Monoprint | 30 x 46 cm | 1969 | J. Elizalde Navarro | Leon Gallery | Private collection | ||||
Untitled (1969) 3 | Monoprint | 33 x 46 cm | 1969 | J. Elizalde Navarro | Leon Gallery | Private collection | ||||
The Woman Who Loves Masks, AP | 58 x 38 cm | 1997 | J. Elizalde Navarro | Leon Gallery | Private collection | |||||
Musicians (7th copy of 188) | 26 x 29 cm | J. Elizalde Navarro | Leon Gallery | Private collection | ||||||
The Minotaur's Woman | Lithography in color pencils on paper | 48 x 64 cm | 1997 | J. Elizalde Navarro | Leon Gallery | Private collection | ||||
Untitled (1984) | Painting | Oil on Wood | 46 x51 cm | 1984 | J. Elizalde Navarro | Leon Gallery | Private collection | |||
Thoughts Eddying in Motubusho | Drawing | Pen and Ink on Paper | 31 x 36 cm | J. Elizalde Navarro | Leon Gallery | Private collection | ||||
Bruto Mundo Rosso | Painting | Mixed Media | ca. 1960 | J. Elizalde Navarro | Cultural Center of the Philippines | |||||
Labyrinth | Painting | Oil on Canvas | 86 cm x 117 cm | 1960 | Jose T. Joya | Leon Gallery | Private collection | |||
Suso | Sculpture | Jose T. Joya | Philippine International Convention Center | “Suso”, the first and only sculpture by renowned National Artist, Jose Joya, was an inconspicuous masterpiece of PICC. https://www.facebook.com/watch/?v=412906519233772 | PICC Collection | |||||
Abstract (Manila) | Painting | Oil and metallic paint on wood | Undated | Jose T. Joya | Kalaw-Ledesma Foundation Inc. Facebook | Joya's art depicts a world beyond physical reality. Abstract (Manila) is made up of streaks of black, white, pink, grey, and beige paint on wood board. There are parts where colors are spread in a controlled manner, as though one puts butter on bread, while there are portions of the composition where paint is smeared in varying degrees of spontaneity and force. | Kalaw-Ledesma Foundation Inc | |||
Hala Bira | Painting | Acrylic collage | 1992 | Jose T. Joya | Kalaw-Ledesma Foundation Inc. Facebook | Today's featured work is Hala Bira, an Aklanon phrase which means to "dispense of all things." It is chanted in religious festivals such as the Ati-Atihan and Dinagyang in the Visayas. Joya's work combines diaphanous and textured shapes and layers of festive colors. What can you imagine from the work's dense composition? | Kalaw-Ledesma Foundation Inc | |||
Two Faces of Villa Fernandina | Painting | Oil on Canvas | 161.5 x 120.5 cm | 1970 | Jose T. Joya | Salcedo Auctions | This work is best seen as a bird’s eye view of a large tract of land, its rich primary color blocks straddling the energetic force of abstract expressionism and the detached stillness and cerebral quality of geometric abstraction. This is the largest work by the artist to come to the auction market in recent time. | |||
Trio Performers | Painting | Acrylic on Canvas | 95 cm x 156 cm | Arturo R. Luz | Leon Gallery | |||||
Trio Performers (2019) | Sculpture | Metal rod in black finish | 17 x 10 x 28 inches | 2019 | Arturo R. Luz | Crucible Gallery | ||||
Trio Performing (1991) | Painting | Acrylic on handmade paper | 142 cm x 102 cm | 1991 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Trio Performing (2007) | Painting | Acrylic on Canvas | 97 cm x 152 cm | 2007 | Arturo R. Luz | Leon Gallery | Private collection | |||
Troubadour Red No. 1 | Painting | Acrylic on Canvas | 122 cm x 91 cm | 2004 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Trumpet Player | Sketch | Graphite on Paper | 22 cm x 33 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Two Madjapahit Pots | Painting | Acrylic on Canvas | 61 cm x 122 cm | 2003 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Two Men on Wheels (1991) | Painting | Acrylic collage on handmade paper | 152 cm x 122 cm | 1991 | Arturo R. Luz | Leon Gallery | Private collection | |||
Two Men on Wheels (n.d.) | Painting | Enamel on canvas | 69 cm x 94 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Two Nudes (part 1 of 2) | Painting | Acrylic on Canvas | 61 cm x 61 cm | 2010 | Arturo R. Luz | Leon Gallery | ||||
Two Women (part 2 of 2) | Painting | Acrylic on Canvas | 61 cm x 61 cm | 2010 | Arturo R. Luz | Leon Gallery | ||||
Two Women Conversing | Painting | Acrylic on Canvas | 61 cm x 61 cm | Arturo R. Luz | Leon Gallery | Private collection | ||||
Untitled | Jewelry | Sung dynasty gold, antique southeast asian beads necklace | 72 cm | ca. 1990 | Arturo R. Luz | Leon Gallery | Objects wrought in gold were an impression of rank and status, taking on innumerable forms. Objects of gold were used to render homage to divinity, tribute to princes and honor to beauty. Gold jewelry was, of course, most important for its decorative value, Ornaments are designed to render the wearer more regal –or more seductive–and were often created in forms taken from the natural world. This necklace ensemble was designed by Arturo Luz. | Private Collection | Private Collection | |
Untitled (1957) | Painting | Oil on Canvas | 152 cm x 61 cm | 1957 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled (1958) | Painting | Enamel on canvas | 56 cm x 61 cm | 1958 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled (1962) | Painting | Pen and Ink on Paper | 52 cm x 79 cm | 1962 | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled (1970) | Sculpture | Philippine hardwood (iron wood) | 48 cm x 116 cm x 48 cm | 1970 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled (1972) | Sculpture | Enamel on Wood | 91 cm x 130 cm | 1972 | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled (1980) | Painting | Mixed Media | 25 cm x 33 cm | 1980 | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled (1991) | Painting | Mixed Media | 122 cm x 193 cm | 1991 | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled (2010) | Sculpture | Metal | 91 cm x 122 cm x 61 cm | 2010 | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled (ca. 1955-1958) | Painting | Enamel on canvas | 86 cm x 66.5 cm | ca. 1955-1958 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled (ca. 1972) | Sculpture | Balayong | 91 cm x 30 cm | ca. 1972 | Arturo R. Luz | Leon Gallery | ||||
Untitled (n.d.) | Painting | Mixed Media | 91 cm x 122 cm | Undated | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled (octothorpe-shaped metal sculpture) | Sculpture | Metal | Arturo R. Luz | Philippine International Convention Center | ||||||
Untitled (Table) | Furniture | Mosaic tiles on low table | 36 cm x 157 cm x 80 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Untitled 1 (1962) | Painting | Mixed Media on paper | 86 cm x 112 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled 1 (1970) | 53 cm x 36 cm | 1970 | Arturo R. Luz | Leon Gallery | ||||||
Untitled 1 (1972) | Sculpture | Narra | 91 cm x 30 cm | 1972 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled 1 (1978) | Painting | Oil on burlap, collage | 117 x 274 cm | 1978 | Arturo R. Luz | Leon Gallery | ||||
Untitled 1 (2010) | Sculpture | Steel | 43 cm x 71 cm x 56 cm | 2010 | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled 1 (n.d.) | Painting | Acrylic collage | 91 cm x 61 cm | Undated | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled 2 (1962) | Sketch | Pencil on Paper | 43 cm x 28 cm | 1962 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled 2 (1970) 169th copy of 180 | 48 x 33 cm | 1970 | Arturo R. Luz | Leon Gallery | Private Collection | |||||
Untitled 2 (1978) | Painting | Painted Burlap | 254 cm x 104 cm | 1978 | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled 2 (n.d.) | Painting | Acrylic collage | 91 cm x 61 cm | Undated | Arturo R. Luz | Leon Gallery | Private collection | |||
Untitled 3 (1978) | Painting | Painted Burlap | 103 cm x 257 cm | 1978 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled 3 (n.d.) | Painting | Acrylic on Canvas | 46 cm x 76 cm | Undated | Arturo R. Luz | Leon Gallery | ||||
Untitled 4 (n.d.) | Sculpture | Wood | 122 cm x 30 cm x 29 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled 5 (n.d.) | Painting | Acrylic on Canvas | 61 cm x 76 cm | Undated | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled 6 (n.d.) | 18 cm x 15 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||||
Untitled 7 (n.d.) | Sculpture | 18 cm x 29 cm x 20 cm | Arturo R. Luz | Leon Gallery | Private Collection | |||||
Untitled 8 (n.d.) | 20 cm x 13 cm | Arturo R. Luz | Leon Gallery | |||||||
Untitled 9 (n.d.) | Sculpture | Metal | 20 cm x 26 cm x 15 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Untitled Collage 4 | Painting | Acrylic collage | 89 cm x 61 cm | 1988 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled Collage No. 10 | Painting | Acrylic collage | 89 cm x 61 cm | 1988 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Untitled I-III | Painting | Mixed Media | 41 cm x 29 cm | Arturo R. Luz | Leon Gallery | Private Collection | ||||
Variations on a Golden Scroll 2 | Painting | Collage | 24 cm x 16 cm | 1978 | Arturo R. Luz | Leon Gallery | Private Collection | |||
Venezia | Painting | Oil on masonite board | 58 cm x 65 cm | 1957 | Arturo R. Luz | Leon Gallery | Private collection | |||
White Figura | Sculpture | Signed steel | 65 cm x 43 cm x 36 cm | Arturo R. Luz | Leon Gallery | |||||
White Shells (part 1 of 2) | Painting | Acrylic on Paper | 46 cm x 152 cm | 2000 | Arturo R. Luz | Leon Gallery | Private Collection | |||
White Shells (part 2 of 2) | Painting | Acrylic on Paper | 46 cm x 152 cm | 1999 | Arturo R. Luz | Leon Gallery | Private Collection | |||
White Temples | Painting | Acrylic on Canvas | 91 cm x 91 cm | 2003 | Arturo R. Luz | Leon Gallery | Private Collection | |||
10 Temple with Moon | Painting | Oil on Paper | 53 x 79 cm | 1966 | Ang Kiukok | Leon Gallery | Private collection | |||
Android (1966) | Painting | Watercolor on Paper | 90 x 43 cm | 1966 | Ang Kiukok | Leon Gallery | In 1965, Ang was presented with the opportunity to travel to the States with the intent and hope of widening his world view, by immersing himself in the works of the masters. But what was meant to be the trip of a lifetime had also produced a scarring effect: the culture of America that was so alien to him proved to be too jolting to his provincial sensitivities. In the book Kiukok Deconstructing Despair, his stay there was narrated as follows: “America was a disappointment...he accused Americans of being like machines. Everything was mechanical, no human emotions. After his trip abroad, he could not paint; when the painting came out, it was of machines.” Thus this work from 1966 (incidentally the same year of Ang’s celebrated show at Luz Gallery) entitled “Android”, which was his interpretation of man turned cold, heartless, and practically robotic. | Private collection | ||
Android (1969) | Painting | Mixed Media | 33 x 23 cm | 1969 | Ang Kiukok | Leon Gallery | Ang Kiukok, he of Chinese heritage, secured his place in Philippine art culminating in his being awarded National Artist, through Expressionist works rendered via geometric forms. With Vicente Manansala serving as mentor, Ang used his art as a means to express his commentary on the current affairs of the state, thus the force and intensity that his works project. “Android,” from 1969, was executed at a time when geometric shapes began to populate his artworks. | Private collection | ||
Apples | Painting | Oil on Canvas | 22 x 30 cm | 1993 | Ang Kiukok | Leon Gallery | While Ang Kiukok is best remembered for his screaming figures, trapped within claustrophobic spaces, he also produced a variety of still lifes during his lifetime, whether it may be the ragged bones of a fish or a slice of watermelon. In this particular work, we see four apples viewed from the top, the three red succulent ones thronging together, while the green one, which is smaller than the rest, provides a visual counterpoint to the rest. In his characteristic abstraction, Ang Kiukok, delivers a powerful meditation on objects — earthy and ethereal at once. | Private collection | ||
Bananas (1960) | Painting | Acrylic on Paper | 1960 | Ang Kiukok | Kalaw-Ledesma Foundation Inc. Facebook | The semi-abstract work Bananas by Ang Kiukok (1931-2005) consists of saturated primary colors red, yellow, and blue. It would require us to look a little longer to find the set of bananas on the left side of the picture. What else do you see? | Kalaw-Ledesma Foundation Inc | |||
Bananas (1974) | Painting | Oil on Canvas | 61 x 30 cm | 1974 | Ang Kiukok | Leon Gallery | This piece is accompanied by a certificate issued by Finale Art File confirming the authenticity of this lot The Filipino Chinese artist Ang Kiukok explores the evanescence of the fragile beauty of nature’s bounty amid the startling power of violence that usually surrounds his visual universe. Ang Kiukok simplifies shapes and reduces them to flat textural surfaces. Concerned with composition, his colors are intense, dramatic, and more evocative. His lines have developed a spontaneity, a bravura. Line and color interplay without prejudice to each other. Despite the usual visual violence that pervades his works, Ang’s works are often infused with a fragile, fleeting beauty. Ang Kiukok’s early skills as an illustrator can be gleaned in this abstracted composition. Ang Kiukok has always had a fondness for drawing, and while back at the Davao, Chinese Highschool, he caught the eye of a known Chinese painter Tan Kok King. His passions being fueled by this, he continued drawing and was later then known at school for his art. In 1947, he found a job that allowed him to practice his talent. Ang Kiukok went to Cotabato to work as an apprentice for 2 weeks making billboards for movies in theaters. | Private collection | ||
Bananas I (1961) | Painting | Enamel on wood | 51 x 23 cm | 1961 | Ang Kiukok | Leon Gallery | Private collection | |||
Barong-barong (1956) | Drawing | Pen and Ink on Paper | 27 x 33 cm | 1956 | Ang Kiukok | Leon Gallery | Award-winning National Artist Ang Kiukok has been known to create pieces expressive of sorrow, agony, and even madness. This greatly acclaimed style of his, however, was preceded by one more serene in nature. In these early works, we see Kiukok’s rendition of Barong-Barong scenes. He displays his skillfulness in composition as he so ruggedly, yet intricately, spawns these disheveled abodes. The quiet, uneventful scenes are very tranquil — nothing at all like his later works. | Private collection | ||
Barong-barong (1962) | Drawing | Pen and Ink on Paper | 27 x 38 cm | 1962 | Ang Kiukok | Leon Gallery | Award-winning National Artist Ang Kiukok has been known to create pieces expressive of sorrow, agony, and even madness. This greatly acclaimed style of his, however, was preceded by one more serene in nature. In these early works, we see Kiukok’s rendition of Barong-Barong scenes. He displays his skillfulness in composition as he so ruggedly, yet intricately, spawns these disheveled abodes. The quiet, uneventful scenes are very tranquil — nothing at all like his later works. | Private collection | ||
Barong-barong (1965) | Painting | Watercolor on Paper | 25 x 36 cm | 1965 | Ang Kiukok | Leon Gallery | Most of the visual artists who pioneered fresh, startling takes on representation started as strict figurative artists, and Ang Kiukok was no exception. In this rendition of the barong-barong (Filipino shanty), the National Artist proved that he was also fluent in the medium of watercolor, executing a variety of tonalities and shades to exhibit the volume of the houses. On the right, a shanty features a much paler wash, which signifies that it is much further recessed in space. In the foreground, a tree flourishes through quick, almost abstract strokes. An engaging piece, this work contains traces of germination of Ang Kiukok’s more angular figuration. | Private collection | ||
Blue Fish | Painting | Oil on Canvas | 22 x 22 cm | 1986 | Ang Kiukok | Leon Gallery | National Artist Ang Kiukok typically paints fishes with exposed bones, reminiscent to X-ray art. His early works featuring the catfish also present his circle motif which is added to create tension in his compositions. Some of his fishes appear as fossil fish or dried fish split open. Alfredo Roces wrote that Ang would also avoid depicting the external scale and skin of the fish to avoid the realistic, conservative way of painting the subject. He also noted that Ang’s daughter, who favored his father’s fish paintings best, recalled fondly how Ang would take the fish bones to their backyard to dry in the sun before painting. The fish in this 1986 painting has bloodshot eyes and ready to swallow their prey. | Private collection | ||
Blue Landscape | Painting | Watercolor and collage | 42 x 93 cm | 1971 | Ang Kiukok | Leon Gallery | Private collection | |||
Cactus on Table | Painting | 1975 | Ang Kiukok | Galeria Lienzo | Private collection | |||||
Christ | Painting | Oil on Canvas | 71 x 46 cm | 2000 | Ang Kiukok | Leon Gallery | Private collection | |||
Christ (1993) | Painting | Oil on Canvas | 39 x 13 cm | 1993 | Ang Kiukok | Leon Gallery | Arguably one of the most sought after artists of today, Ang Kiukok’s angst-ridden cubist expressionism has become a thing of marvel. Concocting such powerful imagery after a career-changing sojourn abroad, Kiukok’s stylized depictions of anguish and pain have garnered great acclaim and reception despite their borderline-grotesque aesthetic. Ang Kiukok’s religious background has visibly influenced his oeuvre — such, evidenced by his numerous depictions of Christ. The stylized renditions of Christ in Kiukok’s creations, among other religious icons, would lead the audience to question the artist’s intent. The powerful imagery in play brings to fore question — asking whether such compositions venerate or merely narrate the travails and passion of Christ. | Private collection | ||
Christ (2000) | Painting | Oil on Canvas | 76 x 19 cm | 2000 | Ang Kiukok | Leon Gallery | Ang Kiukok’s faith and that of his strong Catholic background has made quite an impression in his body of work that takes its cues from cubism and surrealism. While by and large his pieces were depictions of pain, anguish and suffering — which the artist said was but a reflection of the volatile world around him — he also rendered the image of Jesus Christ in similar situations: on the cross, crowned with thorns, or as the Pieta. Although, some works feature less distraught than others. This very work, atypical of Kiukok’s grotesque brand of figurative expressionism, features a similar angular rendition of Christ — more figurative than expressive, moreso with his attention to detail. This powerful work is pervaded by a serenity in the subject, from the palette of the subject to the expression exhibited by which. The subdued red set as the backdrop makes for a striking emotional display, injecting a painful, piercing subtlety into the composition. | Private collection | ||
Church | Painting | Oil on Panel | 37 x 23 cm | 1967 | Ang Kiukok | Leon Gallery | Philippine art has long reflected religion, specifically Catholic secular aesthetic traditions, churches, and motifs. The prevalence of religious imagery is only expected in a country strongly influenced by the Catholic Church. National Artist Ang Kiukok, one of the vanguards of Modern Philippine art who is mostly known for his angst-and-agony-ridden depictions of figures and Cubist works, has produced paintings of the Passion of Christ, among other works with religious themes. This is a significant part of his creative development as a master Filipino modern artist with a distinct personal aesthetic—a combination of Cubist, Surrealist, and Expressionist sensibilities. This painting is one of his chronicles of faith through the depiction of a religious image. Expressive in Ang’s signature geometric shapes and color palette, the church’s visual features are synthesized into a unified interpretation. The bare details bring out the most elemental, and his Cubist techniques applied in this work break away from the traditional representations of the church. It is a refreshing rendition of a subject matter taken upon by various notable Filipino artists who utilized both traditional and modern approaches through the years. Here, one also sees the influence of the Philippine Art Gallery Neo-Realists and National Artist Vicente Manansala, his mentor, on Ang. When it comes to Ang Kiukok’s works, even the most familiar themes become unique to the eye. Chosen colors and rendered shapes complement each other and compositions are charming and intriguing. This is one of his works that shows how Ang masterfully gave life to geometric forms and expressed emotion through his palette. | Private collection | ||
Church (1971) 93rd copy of 223 | Serigraph | 56 x 33 cm | 1971 | Ang Kiukok | Leon Gallery | |||||
Clown | Painting | Oil on Canvas | 102 x 23 cm | 1999 | Ang Kiukok | Leon Gallery | In the later works of Ang Kiukok, such as this clown, one becomes aware of the artist’s greater emphasis on design, with a corresponding reduction in effect, and of the body’s inexhaustible potential as symmetrical form moving around an axis. This is in sharp contrast with how the artist delineated the human figure in the earlier decades of his career. In the 1970s and 1980s period of Ang’s art, the brush became a scalpel with a sharp cutting edge that dissects quivering muscle and tender tissue. In his art, Ang wants to convey what is to be a suffering human being. In them, the artist denies the viewer easy comfort. In the 1990s, Ang’s male figures have become more ‘fleshly’ in the artist’s new concern for muscular structure. | Private collection | ||
Cockfight (1966) | Painting | Tempera | 74 x 56 cm | 1966 | Ang Kiukok | Leon Gallery | The cubist fragmentation of the two chickens initiates a sense of sharp, shifting movements, like a flurry of bladelike planes flung outwards in centrifugal motion against a background of primary blue and red. The technical virtuosity growing out of the speed of execution delights the eye. Throughout the years, the artist has mastered how to wield a powerful brush. While the intense red maintains the high emotional temper, the blue tones, modulating from dark to light, have the quality of the metallic, inorganic, inhuman and alienated. The angular jagged forms are balanced by the strongly defined black and red backdrops. In 1983, Cid Reyes asked the artist: “Are you conscious of doing a Filipino painting?” Ang Kiukok answered:”No. We are all Orientals. What is more important is to show Oriental feeling.” The Oriental/Chinese side in Ang Kiukok plays on the stark contrast of bright and dark, or pits red against black amid intense streaked hues of blue in an antagonistic yin yang relationship. The reds magnify the fact that the scene is a blood sport due to the physical trauma the cocks inflict on each other. In Chinese philosophy, yin and yang describe how seemingly opposite or contrary forces may be complementary, interconnected, and interdependent in the natural world, and how they may give rise to each other as they interrelate to one another. Many tangible dualities (such as light and dark, fire and water, expanding and contracting) are thought of as physical manifestations of the duality symbolized by yin and yang. | Private collection | ||
Cockfight (1997) | Painting | Oil on Canvas | 122 x 91 cm | 1997 | Ang Kiukok | Leon Gallery | The fauna featured in the numerous works of the iconic Ang Kiukok bear a ferocity all their own. Savage and menacing, the vicious dogs, agitated cats, odd horses, and fierce roosters make their appearances in the stark outskirts of Kiukok’s world. There is no determinant to where the scene is set other than the Red, sometimes Black, moon that illuminates the angst-filled realm in all its desolate expanse. In this work by the modern master, we are treated to a graceful, yet violent composition — an aggressive display of aerial combat between two fighting-cocks engaged in battle. Kiukok’s gladiatorial roosters have had quite the evolution. In his transition from his Machine Period to his Expressionist Period, it was his fighting-cocks that led such direction. It was shortly after his return from the US that such fauna had emerged in his works, as opposed to that of his machine landscapes. The warring roosters, from initially depicting such smash-mouth barbarity, have had their share of stylistic development over the years. Numerous variations of the motif have come about, but the robust elegance and channeled rage have nonetheless been retained in their very nature — be they fighting, crowing, or even in the arms of a handler. Kiukok’s powerful renditions of these wild beasts, austere in their grandeur and character, have given them a destitute identity. However, in the dog-eat-dog world of the renowned modern, it is the meek who become victim, and contrary to that of the human characters in this world who succumb to their grim realities, the razed environment has turned these beasts into brutal predators. This very piece is from 1997, some four years before Kiukok was bestowed the honor of National Artist. | Private collection | ||
Corn on Table | Painting | Oil on Wood | 41 x 48 cm | 1973 | Ang Kiukok | Leon Gallery | Emmanuel Eric Torres wrote in June 1974 about Ang Kiukok’s art that “Whenever the color design begins to turn ingratiatingly harmonious, or conventionally sweet, he deliberately throws in an unpredictable hue to create a dissonant, piquant effect.” But in “Corn on Table”, he makes use of sharp contrasts of forms in the composition to achieve that sharp dissonance. The liveliness of the shapes of the corn pointing in different directions give them a baroque exuberance which provides a total contrast to the sharp geometric angles of the surfaces. The spontaneity of this work, its freshness of execution, is of note. The sprouting, flame-like effects of the corn are appreciated with the artist’s aim to create or invent his own kind of literal cubism. Ang Kiukok pushed his interest in challenges on visual abstraction to the limit. What makes his images distinctive is not simply that the sequences from which he chooses them are brief and violent, but that these qualities of brevity and violence are conveyed in the images through imaginative decoupage and modernist stylistic features. Even in depicting the fruits of harvest, angst is visually useful and is both an inspiration for his art and a source of strength. | Private collection | ||
Crucifixion (1961) | Drawing | Pencil on Paper | 18 x 14 cm | 1961 | Ang Kiukok | Leon Gallery | Private collection | |||
Crucifixion (1967) | Painting | Oil on Wood | 51 x 20 cm | 1967 | Ang Kiukok | Leon Gallery | Private collection | |||
Crucifixion (1969) | Painting | Oil on Wood | 36 x 33 cm | 1969 | Ang Kiukok | Leon Gallery | Private collection | |||
Crucifixion (1979) 1 | Painting | Watercolor on Paper | 91 x 46 cm | 1979 | Ang Kiukok | Leon Gallery | Private collection | |||
Crucifixion (1979) 2 | Painting | Watercolor on Paper | 79 x 51 cm | 1979 | Ang Kiukok | Leon Gallery | Ang Kiukok’s stylistic leanings have often (if not always) featured a cubistic quality. There is a uniqueness in his approach to his aesthetic — where the once rigid, and later on more expressive take on forms have given viewers a very evocative brand of art. A potent character in his creations — bordering on grotesque and acerbic. It is in Kiukok’s ability to visually embody angst, anguish, and pain with his subjects that makes for his creations’ inimitable emotional quality. Even in his more abstracted tablescapes and the like, the piercing emotional undertone of Kiukok’s works truly make their power felt. As in this cubistic depiction of the crucified Christ, Kiukok approaches the composition less violently — in contrast to his more gruesome depictions of Christ and the passion. Despite this, the very sullen emotional undertone pervades the work, giving us the boisterous, yet glum rendition of the crucifixion in all its pensive sorrow. | Private collection | ||
Crucifixion (1981) | Painting | Watercolor on Paper | 51 x 38 cm | 1981 | Ang Kiukok | Leon Gallery | One facet of Ang Kiukok’s mechanical skill stems from his mastery of the Chinese brush. His entire output has been a visual metaphor for the human condition that includes the religious dimension. If there is anything therapeutic about his brutal depiction of Christ on the Cross, it lies in his attitude of looking straight and hard at the evil at hand rather than pretending it does not exist, or is not fit for art. The brutality of the depiction shows Ang putting aside lyrical decorations present in everyday altar crucifixes in favor an expressively dramatic visual statement. | Private collection | ||
Crucifixion (1983) | Painting | Tempera | 76 x 51 cm | 1983 | Ang Kiukok | Leon Gallery | Private collection | |||
Crucifixion (1991) | Painting | Oil on Canvas | 36 x 12 inches | 1991 | Ang Kiukok | Leon Gallery | Private collection | |||
Crucifixion (1993) 1 | Painting | Oil on Canvas | 122 x 30 cm | 1993 | Ang Kiukok | Leon Gallery | This unique and powerful work immediately stuns the viewer with a totally-stripped Christ with his shoulder blades nailed to the cross, hanging like a slab of meat for sale. The distinctive Ang Kiukok trademarks are here — the sharp as barbed-wire crown of thorns, the broken, bloodied body slumped in anguished suffering. Today, this atrocious view immediately brings to mind the abandoned bodies of suspected drug addicts and drug pushers gunned down for “resisting arrest” by law enforcers and vigilantes. Truly, the art of Kiukok, who intensely immersed himself in the frustrations, pains, and trials of our “kababayan sa mga laylayan” remains alive as an urgent wake-up call for us to respond to their plight. 85 | Private collection | ||
Crucifixion (1993) 2 | Drawing | Pen and Ink on Paper | 32 x 23 cm | 1993 | Ang Kiukok | Leon Gallery | Private collection | |||
Crucifixion (1998) | Painting | Oil on Canvas | 99 x 13 cm | 1998 | Ang Kiukok | Leon Gallery | In this painting of Ang Kiukok done in oil on canvas, he depicts Christ whose tortured body is narrowed down by the gravity of sorrow. The body of Jesus is reduced into a slender, abused, throbbing mass. It is an uncompromising rendition of the mortal body as a metaphor for the human condition. Ang Kiukok has painted multiple depictions of the crucified Christ that did not shirk from portraying the agonies normally associated with the crucifixion. When asked why he was so angry, he replied, “Why not? Open your eyes. Look around you. So much anger, sorrow, ugliness. And also madness.” Emmanuel Torres wrote in 1974: “A...notable transmutation occurs in the...Crucifixions. No longer the serene, static, crucified Christs of the fifties and sixties, these later ones writhe with Grunewaldian anguish. What comes dramatically across is a vision of mangled humanity...” | Private collection | ||
Crucifixion (n.d.) 132nd copy of 190 | 63 x 39 cm | Ang Kiukok | Leon Gallery | Private collection | ||||||
Crucifixion (n.d.) 44th copy of 190 | Serigraph | 61 x 38 cm | Ang Kiukok | Leon Gallery | Private collection | |||||
Crucifixion (n.d.) 4th copy of 190 | 61 x 38 cm | Ang Kiukok | Leon Gallery | Private collection | ||||||
Dog (1988) 1 | Drawing | Pen and Ink on Paper | 22 x 29 cm | 1988 | Ang Kiukok | Leon Gallery | Kiukok’s perception and understanding of form has allowed him to expressively capture his subjects as uniquely as he did. Ever bearing of raw emotion and grit, the figures that reside in the artist’s sheets and canvasses exude a peculiar angst that is particularly ‘Ang Kiukok.’ This rendition of a canine from 1988 carries a dark air, resonant of pain and misery — which goes to show the transcendence of Kiukok’s figurative style. | Private collection | ||
Dog (1988) 2 | Drawing | Pen and Ink on Paper | 22 x 29 cm | 1988 | Ang Kiukok | Leon Gallery | Private collection | |||
Eighth Station: Jesus Consoles the Women of Jerusalem | Painting | Oil on Canvas | 102 x 102 cm | 1996 | Ang Kiukok | Leon Gallery | Private collection | |||
Father and Son | Painting | Oil on Canvas | 91 x 18 cm | 1958 | Ang Kiukok | Leon Gallery | Private collection | |||
Fifth Station: Simon Helps Jesus Carry His Cross | Painting | Oil on Canvas | 91 x 114 cm | 1996 | Ang Kiukok | Leon Gallery | Private collection | |||
Fighting Figures (1984) | Painting | Oil on Canvas | 122 x 66 cm | 1984 | Ang Kiukok | Leon Gallery | Private collection | |||
Figure 1 (5th copy of 20) | Etching | 30 x 28 cm | 1979 | Ang Kiukok | Leon Gallery | Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle. | Private collection | |||
Figure 2 (5th copy of 20) | Etching | 30 x 28 cm | 1979 | Ang Kiukok | Leon Gallery | Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle. | Private collection | |||
Figure 3 (5th copy of 20) | Etching | 30 x 28 cm | 1979 | Ang Kiukok | Leon Gallery | Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle. | Private collection | |||
Figure 4 (5th copy of 20) | Etching | 30 x 28 cm | 1979 | Ang Kiukok | Leon Gallery | Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle. | Private collection | |||
Figure 5 (5th copy of 20) | Etching | 30 x 28 cm | 1979 | Ang Kiukok | Leon Gallery | Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle. | Private collection | |||
Figure 6 (5th copy of 20) | Etching | 30 x 28 cm | 1979 | Ang Kiukok | Leon Gallery | Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle. | Private collection | |||
Fish (1968) | Painting | Watercolor on Paper | 69 x 69 cm | 1968 | Ang Kiukok | Leon Gallery | Private collection | |||
Fish (1972) | Painting | Oil on Canvas | 91 x 91 cm | 1972 | Ang Kiukok | Leon Gallery | Private collection | |||
Fish (1979) | Painting | Tempera | 46 x 30 cm | 1979 | Ang Kiukok | Leon Gallery | Private collection | |||
Fish (1988) | Painting | Oil on Canvas | 61 x 61 cm | 1988 | Ang Kiukok | Leon Gallery | Ang Kiukok’s fish are singled out on the plate. The artist draws out their spiky aspect, their bony frames, predatory teeth, sharp fins and tails. They do not offer a visually edible meal but have the satisfaction of glaring out at the diner before being torn to pieces with a knife and fork. Amid the near symmetry of the composition, Ang combines the expressionist aspect with the formalist aspect of his art. Thus, Ang Kiukok’s characteristic agitated angularities are visibly absent. Save for the sheet of fabric, paper or foil underneath the fish, there are no other objects on the perceived table. Perhaps the artist wanted to focus on the subject as the lone leitmotif, given the intentional geometric mannerisms injected in the composition, such as the perfect circle at the center. | Private collection | ||
Fish (2003) | Painting | Oil on Canvas | 30 x 30 cm | 2003 | Ang Kiukok | Leon Gallery | Private collection | |||
Fish 2 (1997) | Drawing | Pen and Ink on Paper | 23 x 30 cm | 1997 | Ang Kiukok | Leon Gallery | Private collection | |||
Fish Abstract (75th copy of 174) | Litograph | 28 x 30 cm | Ang Kiukok | Leon Gallery | Private collection | |||||
Fishermen (1981) | Painting | Oil on Canvas | 102 x 202 cm | 1981 | Ang Kiukok | Leon Gallery | The painting in this exhibition is the largest painting by Ang Kiukok to be available for acquisition over the last several years. There may be a subliminal cipher perceptible as “ANG” in the composition The work depicts three men straining to pull in a net laden with fish. Their muscles struggle against the opposing forces of the weighted net. The sun is high in the sky, a red-copper orb against a sky browner than their skin made pale by the cold water. Sweat pours from their lean bodies, in their thoughts are thanks for the bounty that makes a living possible. -Ramon N. Villegas | Private collection | ||
Fishermen (1993) | Painting | Oil on Canvas | 91 x 102 cm | 1993 | Ang Kiukok | Leon Gallery | The rural subjects of Ang Kiukok, such as fishermen and farmers cannot be designated to any particular period in the chronology of his career. Ang himself stresses that they recur throughout the years since they are always a part of his life — images harking back to his childhood in Davao where fishermen casting their nets in the sea and carrying the prize back on their shoulders even universal life, and each time they come up, there is a new insight in their interpretation. These images that are supposedly more tranquil, restoring the world of familiar occupations and habits, nonetheless have a palpable and simmering power, as expressed by the taut, heavily built arms trying to haul the catch. Collectively, the arms altogether suggest the direction of powerful movement. | Private collection | ||
Fishermen (2002) | Painting | Oil on Canvas | 61 x 122 cm | 2002 | Ang Kiukok | Leon Gallery | Private collection | |||
Fishes | Painting | Watercolor on Paper | 83 x 41 cm | 1964 | Ang Kiukok | Leon Gallery | In some of his homebound themes, Ang Kiukok followed a method exactly the same as that which had made Manansala, his former mentor, famous: treating familiar subjects in an appealing abstract style, neither with far-out distortion nor extreme expressionism. What Gertrude Stein wrote about the Twentieth Century in the eyes of Picasso may also apply to Ang Kiukok: “So, the twentieth century is that, it is a time where everything is destroyed; it is a more splendid thing than a period when everything follows itself.” | Private collection | ||
Gabi Leaves | Painting | 43 x 81 cm | 1964 | Ang Kiukok | Leon Gallery | Private collection | ||||
Harvest | Painting | Oil on Canvas | 91 x 122 cm | 2004 | Ang Kiukok | Leon Gallery | Safe, soothingly-pretty subjects are not Ang Kiukok’s cup of tea. He knows life isn't a bed of roses...at least, not roses without thorns. His works are intense: Ang Kiukok uses distortion for strong impact. With Kiukok, the penchant to idealize and beautify has become a thing of the past. There are, however, images that are more tranquil, restoring the world of familiar occupations and habits, but nonetheless always with a strange and simmering temper. Among these are the fishermen casting their nets in the sea and carrying their prize catch on their shoulders — imagery that harks back to his childhood in Davao by the sea. Ang Kiukok also created taut compositions of familiar rural occupations such as the farmers in “Harvest” (2004). He first attained prominence in the Philippine arts scene in the 1960s with a distinct style that fused influences from cubism, surrealism and expressionism, others merely called it scary. What could not be doubted was the violence in his imagery, a factor that slighted the commercial viability of his works until the 1980s. Sharply dissonant colors mark “Harvest”, which was done just a year before the artist’s death. | Private collection | ||
Head of Christ (79th copy of 154) | Serigraph | 39 x 34 cm | Ang Kiukok | Leon Gallery | Private collection | |||||
Jesus Falls Down the Third Time | Painting | Oil on Canvas | 91 x 91 cm | 1997 | Ang Kiukok | Leon Gallery | Part of National Artist Ang Kiukok’s Stations of the Cross presenting the scenes of the Crucifixion, this piece is a modern depiction of Simon of Cyrene helping Jesus carry the cross, compelled upon seeing him being taken to his crucifixion, as recorded in Matthew 27:32. Though no facial expressions are rendered, this work is expressive in color scheme and figurative features of both Simon and the suffering Christ, showing Ang’s technical focus to detail. The viewer can also feel the weight of the cross, symbolizing humankind’s sins and the soul’s need for deliverance from it, not just because of the visually implied fall of Jesus, but simply in the way it is presented and carried. Brilliant color use and precision of geometric elements are at work here, qualities that many critics have noted upon studying Ang’s striking cubist works. Clearly, this is a fine example of the master artist’s distinct modernist style that achieves genius spaces of color and form and well-executed compositions. | Private collection | ||
Jesus Falls for the Second Time | Painting | Oil on Canvas | 91 x 122 cm | 1996 | Ang Kiukok | Leon Gallery | Private collection | |||
Junkscape (1975) | Painting | Ink and Watercolor on Paper | 22 x 30 cm | 1975 | Ang Kiukok | Leon Gallery | The rural subjects of Ang Kiukok, such as junkscapes, cannot be designated to any particular period in the chronology of his career. His scarred land of junkscapes include piles of technological and mechanical debris. Ang Kiukok’s junkscapes are thematically related to his dogfights that bristle with a bellicose energy, so much so that poetry has even been written about those visual eyesores of technological junk. | Private collection | ||
Junkscape (1977) | Painting | Oil on Canvas | 89 x 89 cm | 1977 | Ang Kiukok | Leon Gallery | Private collection | |||
Junkscape (1990) | Painting | Oil on Canvas | 61 x 45.7 cm | 1990 | Ang Kiukok | Leon Gallery | ||||
Landscape (1964) | Painting | Watercolor on Paper | 25 x 34 cm | 1964 | Ang Kiukok | Leon Gallery | The landscapes that first seeped into Ang Kiukok’s consciousness were areas in and around the University of Santo Tomas -- the City of Manila -- when he was still a Fine Arts student. From there, when he was afforded the chance to travel to other parts of the country, land and seascapes now also filled his canvas. Occasionally, he would dip his brush into traditional Chinese painting, using watercolor, and created pieces such as this work from 1964. In so doing, he made known to the world his Chinese heritage. It has also been written that for five years early in his career he taught art in a school for children of overseas Chinese. In 1961, he was recognized as Outstanding Overseas Chinese in Art. This idyllic, almost oriental landscape is from 1964, yet in the 1960s, Ang Kiukok’s growing body of works was to gradually break from the rural idylls of the prewar era dominated by Fernando Amorsolo. | Private collection | ||
Landscape (1975) | Painting | Oil on Canvas | 102 x 178 cm | 1975 | Ang Kiukok | Leon Gallery | Ang Kiukok, at times, would venture so far from the visual appearance of actual objects that his paintings seemed thoroughly abstract, and yet in other works he would produce an image which was almost representationally literal: emaciated people, howling dogs, junkscapes. Whether in abstraction or figuration, Ang Kiukok produced works that were so powerful in feeling and so imaginative in design that they evoke not just visual suggestions, but meticulously structured details. In this particular work, the highly charged colors generate an immediate emotional response. Painted in vibrant colors, the agitated shapes zigzag in all directions, making complex, usually cubistic, shapes. Patterns start becoming more apparent, suggesting structures similar to the walls within buildings. The painting is, in a way, disorienting with its all-over design and the absence of perspective, testing the imagination with its intersecting planes and forms that seem to jut out of the picture plane. The painting makes the viewer ask how the details actually are in relation to one another. Is that a moon in the upper left? Are those the roofs of houses at right? The understanding of the forms is dynamic as certain aspects of the work could seem large and distant, or small and near. While the work may have architectural qualities, the planes of color remain true to the ethos of abstraction, fashioning its own complex reality. | Private collection | ||
Lovers (1985) | Painting | Oil on Canvas | 91 x 91 cm | 1985 | Ang Kiukok | Leon Gallery | Private collection | |||
Man | Painting | Oil on Canvas | 107 x 86 cm | 1968 | Ang Kiukok | Leon Gallery | Private collection | |||
Man in Motion | Painting | Oil on Canvas | 86 x 86 cm | 1969 | Ang Kiukok | Leon Gallery | Images like this work, not merely evoke the anomie of a hyper-mechanical civilization, but also hint at boredom behind the chrome and glitter. Dehumanized figures — robots — fill up other canvases, their anatomical features replaced by slick mechanical articulations, cylinders, pistons, valves, wrenches, bolts, etc. Alienation, the brutalization of man by greed, and the self-centeredness of the ‘me Generation’ aggravated his discomfort. Cid Reyes asked him in 1983:“Who are the western painters whose works you admire?” Ang Kiukok: “Picasso, Francis Bacon, Sutherland.” Cid Reyes: “Among Filipino painters, whom do you admire?” Ang Kiukok: “None.” He found in Ricio Lebrun’s tormented men and brutes eloquent correlatives of this brutalization of man‘s spirit by a hyper industrial culture. The somber mood surpassed only by a prismatic richness and brilliance. Yet, in spite of the color splurge, these abstractions hardly give off a rainbow happy feeling; richness of color merely accentuates a desperate kind of cheer, a plastic madness. The side view is chosen to produce a most convincing image of man’s saturnine states of mind and other psychological conditions, the figure imparts a dynamic quality, representing the universal angst of man, and painted with broad bands of swirling color and dynamic forms, it reduces the agonized figure to a cyborg like skull in the throes of inner turmoil. His travel to Europe in 1965 with fellow artist and mentor Vicente Manansala was, for him, the best learning experience that he ever had. In his exposure to modern art, Picasso’s works proved to be a revelation form him; through which, he discovered what painting was supposed to be and what he really wanted to achieve as an artist. | Private collection | ||
Man with Fish (1987) | Drawing | Pen and Ink on Paper | 30 x 23 cm | 1987 | Ang Kiukok | Leon Gallery | Among the most sought after artists of today is Ang Kiukok. Having created a strong, and emotionally striking aesthetic, there is so much to be taken from Kiukok’s malaise-filled works. Be it an allegorical or anecdotal piece, the emotional quality of Kiukok’s creations shines through. This very work by the iconic modern, of a fisherman with his prize catch done in pen and ink, harks back to the artist’s childhood in Davao. The evocative use of lines to define and delineate his figure in all its stately angst is remarkable — a powerful combination of unease and elegance. | Private collection | ||
Mother and Child (1984) 1 | Painting | Oil on Canvas | 60.9 x 60.9 cm | 1984 | Ang Kiukok | Leon Gallery | Art critics point out that only in recent years did Filipino painters take up the theme of mother and child with definition and vigor. But it was the humantheme and not the Christian mystery of the incarnation of the Son of God who had a human mother. In effect, it is as if the Filipino painter never did take up the classic theme of Christendom but jumped in to humanize it into a depiction of the dominance of the mother in Filipino society. There were two sides to Ang Kiukok as far as his depictions of the mother and child theme are concerned: the religious side, as when Kiukok depicted the pieta, the anguished Mother and the Crucified; then there is the homelier depiction of the mother and child, with the oversimplified image of the mother cuddling the child in full embrace. | Private collection | ||
Mother and Child (1984) 2 | Painting | Oil on Canvas | 61 x 61 cm | 1984 | Ang Kiukok | Leon Gallery | Private collection | |||
Mother and Child (1986) 1 | Painting | Oil on Canvas | 61 x 61 cm | 1986 | Ang Kiukok | Leon Gallery | Private collection | |||
Mother and Child (1986) 2 | Painting | Tempera on paper | 46 x 30 cm | 1986 | Ang Kiukok | Leon Gallery | Ang Kiukok combined the elements of provincial folk culture with expressionist cubism, which he developed into his own visual vocabulary. The cubist geometricizing style lends itself successfully to the universal subject. Structured into planes and facets, the mother-and-child figures acquire an essential simplicity and austere purity with its dignity and solidity in the broadly structured facets and lack of embellishments. He willfully exaggerates the mother’s arms to emphasize the bond between the two subjects, a protective gesture against the unpredictable elements of the world, bringing about the humanism of the subject. The baby seems to emerge from a cocoon which is actually a piece of fabric wrapped around it. | Private collection | ||
Mother and Child (1986) 3 | Painting | Oil on Paper | 46 x 30 cm | 1986 | Ang Kiukok | Leon Gallery | Clearly, the subjects cum unnamed personalities in the paintings of Mark Justiniani are not so much portraits of individuals, but of character types. The man is covering his lips but the access to his thoughts is a keyhole (on the forehead) away. While Justiniani introduces a comic note, he is more complex than a mere cartoon figure, for he also symbolizes the ludicrous and the absurd, as well as of the opposite grotesque as he leapfrogs over lesser creatures, or plays the power game with other equally hefty colleagues. Mark Justiniani, once identified with Social Realism through the 80’s and 90’s in the Philippines through artist-activist initiatives like Salingpusa (1984) and Sanggawa (1994), has always been working with notions of how we perceive reality. | Private collection | ||
Mother and Child (1988) | Painting | Oil on Canvas | 60.9 x 60.9 cm | 1988 | Ang Kiukok | Leon Gallery | A seated, cross-legged, woman in a baro’t saya envelops the body of a child. Ang Kiukok explores the links between the fragile beauty of motherhood and the startling power of violence. The limp child, head tipped far back, is clutched to the mother. Her features are mostly hidden by the child's arm—her stooped head silently communicates her explosive feelings. With her loving arms--especially a strong, thick hand--she draws the child toward her. Her embrace is allconsuming. The mother's muscular leg forms the base of the monolithic shape that confronts the viewer. Most of the lines the artist uses to shape and shade the forms are aggressive, taut, and meaningful, contributing energy to the surface. As a bit of relief from the overall grief, Ang Kiukok drew the lines of the woman's hair into an elegant bun and delicately rendered the boy's features. The mother, with the pale-colored body of her weak child between her thigh bones and arms, seeks with her face hidden by sorrow, to swallow back into herself the disappearing life that once belonged to her womb. | Private collection | ||
Mother and Child (1989) | Painting | Watercolor on Paper | 22 x 29 cm | 1989 | Ang Kiukok | Leon Gallery | ||||
Mother and Child (1990) | Painting | Tempera | 23 x 30 cm | 1990 | Ang Kiukok | Leon Gallery | Private collection | |||
Mother and Child (1991) | Painting | Oil on Canvas | 61 x 61 cm | 1991 | Ang Kiukok | Leon Gallery | Private collection | |||
Mother and Child (1993) 1 | Painting | Oil on Canvas | 91 x 61 cm | 1993 | Ang Kiukok | Leon Gallery | At a time when modern art was pursuing one formal absolute after another, Expressionists from all over were concerned with embracing the uninhabited natural world. It was their intention to promote a new society for man as much as a new style. With fierce compassion, they depicted a world of primal, even primitive emotions, and strident color. For the Philippines own Ang Kiukok, the most primal emotions are depicted in the mother and child image, framed in strident, even dissonant fields of color — deep red and green. In Western art, Cezanne, Monet and Renoir achieved their successes by choosing subjects carefully to suit their abilities. In the same way, Ang Kiukok, outside of his angst ridden themes, restricted himself to subjects in which he could recognize his own ideals of quiet, iconic beauty. Unlike in the style of cubism, Ang Kiukok does not fragment and dissect the human figures, leaving hints of their identity. For Ang Kiukok, cubism was not a fragmenting or dehumanizing principle but a structuring one. The exaggerated geometrical style lends itself successfully to the subject. Structured into planes and facets, the Mother and child figure acquires an essential simplicity and austere purity. | Private collection | ||
Mother and Child (1993) 2 | Painting | Oil on Canvas | 46 x 15 cm | 1993 | Ang Kiukok | Leon Gallery | In his body of work spanning decades, Ang Kiukok worked with a devoted focus on recurrent themes (the seated figure, the harlequin, the abstracted landscape are just three examples), evolving his distinct style and elevating his brand of cubism to great heights. His achievement in representation extends to genre themes, such as the mother and child. In this particular work, the National Artist depicts a mother who comforts the child. The arm of the child beseeches for comfort, indicating that inextricable bond between a mother and her offspring. In return, the mother cradles the child in a protective embrace — evoked by angular lines and solidity of for. | Private collection | ||
Mother and Child (ceramic plate) | Ceramic | 22 cm | Ang Kiukok | Leon Gallery | Private collection | |||||
Mother and Child (plate) 689th copy of 1500 | 22 cm | Ang Kiukok | Leon Gallery | Private collection | ||||||
Mother and Child (square plate) 1906th copy of 2000 | Ceramic | 50 x 50 cm | Ang Kiukok | Leon Gallery | Private collection | |||||
Nude (1979) | Drawing | Patel on paper | 64 x 46 cm | 1979 | Ang Kiukok | Leon Gallery | Private collection | |||
Nude (1st copy of 30) | 53 x 36 cm | Ang Kiukok | Leon Gallery | Private collection | ||||||
Owl | Drawing | Pen and Ink on Paper | 29 x 48 cm | 1976 | Ang Kiukok | Leon Gallery | ||||
Parks and Wildlife | Painting | Oil on Canvas | 61 x 30 cm | 1992 | Ang Kiukok | Leon Gallery | Some 20th century Filipino artists demonstrated a precise understanding of Cubism’s tenets and implications, and they would parse its substructures with aplomb. Other painters were more gingerly in their approach, borrowing the surface aspects of cubism yet never leaving the naturalistic basis of their art. This work by Ang Kiukok is an example of both instances. The verdant scene seems to take on the tree of life motif, connecting all forms of creation, even in the context of a park like setting. Ang displays delicacy of technique, an angularity of drawing, and pleasantly sharply contrasting colours, but sans the violence that usually pervades his works. Various trees of life are recounted in folklore, culture and fiction, often relating to abundance in life. The sky around the tree reflects the peaceful nature of the countryside and the verdant growth of the tree that holds everything together alludes to rebirth and growth. This greeting-card pretty work by Ang Kiukok shows a step in his development from an expressionist painter into a master of formal abstracted composition. In his explorations of geometric simplification, Ang Kiukok was interested in the simplification of naturally occurring forms to their essentials and eventually to the fracturing of form. Objects are shown as a series of flat, angular planes. | Private collection | ||
Pieta (1981) 1 | Painting | Oil on Paper | 23 x 28 cm | 1981 | Ang Kiukok | Leon Gallery | Ang Kiukok’s stylistic leanings have often, if not always, featured a cubistic quality. There is a uniqueness in his approach to his aesthetic — where the once rigid, and later on more expressive take on forms have given viewers a very evocative brand of art. It is in Kiukok’s ability to visually embody angst, anguish, and pain with his subjects that makes for his creations’ inimitable emotional quality. Just as in this oil on paper work, the pained Christ exemplifies the very torment that is ever present — even Mary, the dark shroud clutching the beaten Christ, is depicted very subtly yet powerfully. | Private collection | ||
Pieta (1981) 2 | Painting | Oil on Canvas | 61 x 61 cm | 1981 | Ang Kiukok | Leon Gallery | Private collection | |||
Pieta (1981) 3 | Painting | Oil on Canvas | 61 x 61 cm | 1981 | Ang Kiukok | Leon Gallery | This work by Ang Kiukok, suggests the Pieta, though it is more of a precursor of his Deposition series which he did in the 1990s. The Pieta is strictly a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ. The Pietà is a subject in Christian art depicting the dead body of Jesus being cradled by the Virgin Mary, although she is depicted, or suggested here as a dark, severely geometric shrouded figure, thus assuming a hinted presence. The Deposition of Christ, or, Descent from the Cross, is the scene, as depicted in art, from the Gospels’ accounts of Christ being taken down from the cross after his (John 19:38-42). Even in early depictions in art, the details and posing of the composition, and especially the position of Christ’s body, are varied. Ang renders the dead Christ with a powerful figurative style–Christ’s head is consumed by the crown of thorns, and his body is in a prostrate state. It is an uncompromising rendition of the mortal body as a metaphor for the human condition. Some classified Ang Kiukok’s style as “figurative expressionism,” but what could not be doubted was the pathos in his imagery, with a distinct style that fused influences from cubism, surrealism and expressionism. The intensity of his works stood in contrast to his own personality, described as “placid and affable”. Ang Kiukok’s bleak imagery of Christ can be related to a comment of his saying that Christ died for nothing because the world has not changed. | Private collection | ||
Red Fish | Painting | Oil on Canvas | 22 x 24 cm | 1986 | Ang Kiukok | Leon Gallery | Private collection | |||
Rooster (164th copy of 226) | Litograph | 56 x 36 cm | Ang Kiukok | Leon Gallery | Private collection | |||||
Rooster (1984) | Painting | Acrylic on Paper | 46 x 30 cm | 1984 | Ang Kiukok | Leon Gallery | Clenched are the rooster’s toes, the spurs unnaturally pointed to each other, and the shanks are in upright verticals. The sharp-edged and pointed wing feathers close in between the shanks. The right eye stares blankly upward, and the beak is agape as the cock crows in anger, pain and readiness to fight an unseen adversary to the finish. The rooster grips any sensate viewer for it is frankly brutal and brutally frank as a metaphor of man in whose being anger, brutality, criminality, demonic forces, ad nauseum, reside. | Private collection | ||
Rooster (1985) | Painting | Oil on Canvas | 61 x 61 cm | 1985 | Ang Kiukok | Leon Gallery | Like his mentor, National Artist Vicente Manansala, Ang Kiukok’s subjects of interest include fighting cocks, the typical feathered pet of the Filipino sabungero. Also a National Artist, the latter’s distorted roosters are rendered in strong strokes, lines, and forms, with features far from the usual pampered ones. Colors are vibrant and contrasting in his rooster paintings in which the animal is depicted through a multi-dimensional perspective. Art critic Alfredo Roces notes in Kiukok: Deconstructing Despair that Ang’s fighting cocks made their appearance in his works not long after his return from the United States, where he painted machine landscapes and robot faces. May it be roosters in aerial combat or one fighting cock with a commanding presence, Ang showcased his stylistic developments through this animal that caught his interest. In this 1985 Rooster piece, the fierce animal stands firm with its expressive eyes, appearing as a survivor in a harsh environment, set against a background of intense red-orange hues. The beast-like features are pronounced, from its towering wings to enlarged feet. This work is a display of his masterful fusion of Cubist, Surrealist, and Expressionist techniques that resulted in a painterly style influenced by Mexican modernist Rufino Tamayo, Pablo Picasso, and Cuban artist Wilfredo Lam but still distinctly his. | Private collection | ||
Rooster (90th copy of 226) | Serigraph | 56 x 35 cm | Ang Kiukok | Leon Gallery | ||||||
Rosary Queen (1975) | Painting | Tempera on paper | 46 x 30 cm | 1975 | Ang Kiukok | Leon Gallery | Many times, Ang Kiukok has depicted the Virgin Mary from a completely frontal perspective. Its composition is flat. A painted frame within the composition makes for a visual extension of the actual frame, suggesting depth. Here, she is a straightforward figure with colored dots evoking her facial features. What prevents the painting from appearing too stiff is the profusion of details such as the wavy, paisley-like curlicues on her dress, the playfully dotted halo, the geometric orange patterns, and the profusion of wavy patterns on the globelike support where the imagined feet of the Virgin are supposed to rest. Random geometric forms of differentiated greens and blues below the figure break the symmetry. While not playing down the religious aspect of the Virgin, Ang Kiukok brings into focus its decorative qualities of shape, color, and form. | Private collection | ||
Rosary Queen (1979) | Painting | Tempera | 1979 | Ang Kiukok | Leon Gallery | Despite being baptized a Catholic, Ang Kiukok is not exactly your typical churchgoing-Christian. With respect to his pessimistic view of humanity — what with our sinful, unchristian conduct — the very ‘Christian’ rituals and practices Kiukok depicts become more of instruments for hypocrisy rather than absolution. This use of religious themes puts the artist’s ire and angst at the forefront, bringing to life the visual splendor of his indignant temperament. In Kiukok’s renditions of the Virgin Mary as a venerated figure, he lay focus on the composition and the cohesiveness of its color and form motifs — this allows for the artist to play around with the theme, transforming the Mother of Christ into a mere ornate icon venerated through processions, and her humanity into nothing more than a faceless symbolism. | Private collection | |||
Rosary Queen (1989) | Painting | Oil on Canvas | 61 x 61 cm | 1989 | Ang Kiukok | Leon Gallery | Ang Kiukok depicts the Virgin Mary from a completely frontal perspective. Its composition is flat. A painted frame within the composition makes for a visual extension of the actual frame, suggesting depth. Ang Kiukok presented the Virgin as a decorative, straightforward image without facial features. What prevents the painting from appearing too stiff is the profusion of details like the wavy curlicues of the frame which seem to recall okirs in Mindanao art, the elaborate monstrance-like halo, the geometric orange patterns on the stiff dress and the profusion of wavy succulent leaves of a lush green plant where the Virgin stands. A moon of differentiated blue breaks the symmetry. By playing down the religious aspect of the Virgin, Ang Kiukok brings into focus its decorative qualities of shape, color and form. Composition wise, Ang Kiukok’s painting of the Virgin is akin to being a companion piece of Fernando Zobel’s “Carroza.” | Private collection | ||
Scream (1969) | Painting | Watercolor on Paper | 94 x 46 cm | 1969 | Ang Kiukok | Leon Gallery | The subject itself is a human representation of panic. Like most forms of panic, it emanates from a vague and uneasy source. The tragic characters of Ang Kiukok, forming and disintegrating before our eyes, symbolize the precariousness of human life, the fate of his enterprises always threatened, destroyed, and recommenced. How Ang kept his guard against the pretty had been reinforced by a gift from a friend: a book on Francis Bacon which featured color plates of his hallucinatory landscapes and lonely people disintegrating and contorting in ghoulish torment. In his figure scenes, the English artist always continued to investigate the irrational aspects of man’s encounter with nature, although with more explicit concern for the monstrous and horrible experiences. Consequently, the subjects of Ang’s easel metamorphosed into a variety of odd ways. | Private collection | ||
Scream (1970) | Painting | Ink on Paper | 94 x 46 cm | 1970 | Ang Kiukok | Leon Gallery | Private collection | |||
Screaming Figure (1969) | Painting | Watercolor on Paper | 94 x 43 cm | 1969 | Ang Kiukok | Leon Gallery | This work by Ang Kiukok deconstructs the human figure screaming into the abyss as if he were disintegrating, with his flesh peeling from the bone and the blood clotting heavily turning into black soot. Considered as the earliest in this series, Kiukok contemplates the plight of a human struggling from a depraved environment as the body decays to just its skin and bones. The despair found in the works of Kiukok makes us yearn for a glimmer of hope outside, for which there is none. The man is trapped in a dark solitary space, where starvation and torture causes for a never ending scream into the wilderness, that society looks and turns away. For Kiukok, the people in his art as shown here, are victims of a condescending society that being exploited and tormented at every turn. Art critic Alfredo Roces commented in his book Kiukok: Deconstructing Despair (Finale Art File, 2000) on how Kiukok portrayed pain and suffering unto his oeuvre: “Does Kiukok extract some measure of catharsis by releasing such torments onto his canvas and into our complacent world? Do the viewers, especially those who own and hang Kiukok’s personification of pain, get relief from their own injury by identifying with the suffering…before them? You do have to put in something in what is before you. Art is, after all, the recreation of an experience.” | Private collection | ||
Screaming Figure (2001) | Painting | Oil on Canvas | 91 x 15 cm | 2001 | Ang Kiukok | Leon Gallery | Private collection | |||
Screaming Figures (1985) | Painting | Oil on Canvas | 102 x 91 cm | 1985 | Ang Kiukok | Leon Gallery | As one of the enduring themes of the National Artist Ang Kiukok, Screaming Figures represents an existential cry, an assertion of defiance, a release from suffering. The violence he has witnessed and experienced in life has been a profound motivation in his work. Ang Kiukok’s violence is not something gratuitous, but it is both an inspiration for his art and a source of strength. It is, to quote the exhibit note on his homecoming exhibition in Davao City in 1981, “a visual allegory for the age—or of any age for that matter—as long as abuse of power, disequilibrium, and injustice continue to exist in the world Ang Kiukok’s works are enduring records of suffering and resistance, of despair and hope.” What is essentially unique about this particular work is the presence of a lead figure set against six other screaming figures in an unbroken red background—all of them constricted and struggling for freedom, with one rebellious leader having successfully freed himself from a pair of handcuffs. Works such as this are some of the most collected of the artist, a deeply existential man who saw that the role of humanity was to achieve absolute freedom. In the same year, Kiukok represented the Philippines in consecutive exhibitions in Asiaworld Art Gallery, Taipei. | Private collection | ||
Seated Figure (1980) 1 | Drawing | Pen and Ink on Paper | 29 x 22 cm | 1980 | Ang Kiukok | Leon Gallery | Private collection | |||
Seated Figure (1980) 2 | Drawing | Pen and Ink on Paper | 29 x 22 cm | 1980 | Ang Kiukok | Leon Gallery | Private collection | |||
Seated Figure (1981) | Painting | Oil on Canvas | 81 x 61 cm | 1981 | Ang Kiukok | Leon Gallery | Private collection | |||
Seated Figure (1985) | Painting | Tempera | 46 x 30 cm | 1985 | Ang Kiukok | Leon Gallery | Private collection | |||
Seated Figure (1997) 1 | Drawing | Pen and Ink on Paper | 29 x 22 cm | 1997 | Ang Kiukok | Leon Gallery | Private collection | |||
Seated Figure (1997) 2 | Drawing | Pen and Ink on Paper | 29 x 22 cm | 1997 | Ang Kiukok | Leon Gallery | Private collection | |||
Seated Figure (1997) 3 | Drawing | Pen and Ink on Paper | 29 x 22 cm | 1997 | Ang Kiukok | Leon Gallery | Private collection | |||
Seated Figure (2001) | Painting | Oil on Canvas | 92 x 61 cm | 2001 | Ang Kiukok | Leon Gallery | Private collection | |||
Seated Figures (1972) | Drawing | Pen and Ink on bristol board | 36 x 27 cm | 1972 | Ang Kiukok | Leon Gallery | Private collection | |||
Seated Man (AP) | Etching | 34 x 25 cm | 1978 | Ang Kiukok | Leon Gallery | Private collection | ||||
Still Life - Table | Painting | Oil on Canvas | 76 x 102 cm | 1970 | Ang Kiukok | Leon Gallery | Private collection | |||
Still Life (1971) | Painting | Watercolor on Paper | 46 x 91 cm | 1971 | Ang Kiukok | Leon Gallery | Ang Kiukok’s stylistic leanings have often (if not always) featured a cubistic quality. There is a uniqueness in his approach to his aesthetic — where the once rigid, and later on more expressive take on forms have given viewers a very evocative brand of art. It is in Kiukok’s ability to visually embody angst, anguish, and pain with his subjects that makes for his creations’ inimitable emotional quality. Even in his more abstracted tablescapes and the like, the piercing emotional undertone of Kiukok’s works truly make their power felt. This very work from 1971 is among the artist’s earlier creations. Done in watercolor, Kiukok puts forth his technical prowess in this abstracted tablescape. Masterful is his rendition, capturing the setting in all its detail while still alluding to the dark undercurrent he intends. An excellent example of the artist’s restrain and genius. | Private collection | ||
Still Life (1974) 1 | Painting | Oil on Wood | 30 x 25 cm | 1974 | Ang Kiukok | Leon Gallery | Private collection | |||
Still Life (1974) 2 | Drawing | Pen and Ink on bristol board | 36 x 27 cm | 1974 | Ang Kiukok | Leon Gallery | Private collection | |||
Still Life (1975) | Painting | Oil on Canvas | 91 x 91 cm | 1975 | Ang Kiukok | Leon Gallery | Strewn across an upturned tabletop, Ang Kiukok’s watermelon slices and other pictorial elements seem at once to rest on a solid, wooden plank and yet float across the surface of the canvas like a new kind of calligraphy. As if to press home that point, Ang typically includes small, barely identifiable elements to suggest that the gaze of the viewer rise vertically up the canvas, rather than plunge deep within any implied corner of a real kitchen. Tables zigzag with square boxes within boxes, shifting in shape and color, more complicated than any kaleidoscope. Tables riddled with geometric shapes may be interpreted as doors or windows. No matter how many familiar objects pile up on the table — a restive configuration of linear and chromatic rhythms — Ang imposes an authoritative decorum over every busy detail. There is none of the extravagant overspill; the clutter is “contained” within a rigid system of “frames” and propped by uptight table legs, which in most cases number more than four and which, in turn, lead one to think that Ang is painting not just one but several tables to conjure a multiple exposure effect | Private collection | ||
Still Life (2001) | Painting | Oil on Canvas | 61 x 91 cm | 2001 | Ang Kiukok | Leon Gallery | Private collection | |||
Still Life (Coconut) | Painting | Oil on Canvas | 46 x 61 cm | 1955 | Ang Kiukok | Leon Gallery | “When asked why his works are so angry, Ang Kiukok once replied, ”Why not? Open your eyes. Look around you. So much anger, sorrow, ugliness. And also madness.” Yet, in the mid-1950s, a decade before his distinct style which fused influences from cubism, surrealism, and expressionism attained prominence in the 60s Philippine art scene, long before he favored such subjects as fighting cocks, rabid dogs, and people enraptured by rage or bound in chains and other agitated agonies, Ang Kiukok painted this placid and serene still life. Yet what could not be missed is the subtle presence of the sharp bolo, somewhat hinting of the angry sensibilities that are to come in his later ‘figurative expressionist’ works. | Private collection | ||
Still Life (n.d.) 3rd copy of 180 | 38 x 24 cm | Ang Kiukok | Leon Gallery | Private collection | ||||||
Still Life (Window Series, 1999) | Painting | Oil on Canvas | 92 x 92 cm | 1999 | Ang Kiukok | Leon Gallery | Private collection | |||
Still Life (Window Series, 2001) | Painting | Oil on Canvas | 92 x 92 cm | 2001 | Ang Kiukok | Leon Gallery | Private collection | |||
Still Life Fruits | Painting | Oil on Canvas | 61 x 91 cm | 1999 | Ang Kiukok | Leon Gallery | Private collection | |||
Still Life Table with Fruits | Painting | Oil on Canvas | 61 x 61 cm | 1980 | Ang Kiukok | Leon Gallery | Private collection | |||
Sunday Morning | Painting | Oil on Wood | 44 x 75 cm | 1957 | Ang Kiukok | Leon Gallery | In 1956, Ang Kiukok’s first one-man exhibit was not at the Philippine Art Gallery, but in Manuel Rodriguez’ newly-established “Contemporary Art Gallery” on Mabini Street. He showed 31 works, in both watercolor (said to be his forte at the time) and oil, under the aegis of Vicente Manansala. At the time, the newspapers reported, he was a 3rd year student at the University of Santo Tomas and Manansala was both teacher and mentor. Interestingly, a work called “Sunday Morning” on oil and wood, and far more representational than this piece at hand, was also featured. His first recognition at the Art Association of the Philippines competition would be in 1961, after which he would receive prizes for a watercolor entitled “Fish” in 1963; followed by another one, this time for oil, for a work called “Geometric Still Life Fish”, for the competition later in the year of 1963, and for a work eerily the same title as Manansala’s oil in this exhibition, “Still Life in Red.” By 1957, however, he would be in the fold of Philippine Art Gallery and would be exhibiting in its vaunted rooms regularly. He would also illustrate Lyd Arguilla’s poetry that would appear in the press. His work in this period continued to resonate with Manansala’s themes, colors, and cubistic fragmentations. “Sunday Morning” is a chalk-white basilica surrounded by crowds of the faithful, reduced to triangular forms — reminiscent of Luz’s prize-winning “Procession” in 1955. A bright sun shines above, the same color as the holy light that colors the church windows. Blue, the color of celestial truth and love, fills the sky and the plaza around the church. -Lisa Guerrero Nakpil | Private collection | ||
Table with Fruits (1974) 1 | Painting | Oil on Canvas | 60 x 40 cm | 1974 | Ang Kiukok | Leon Gallery | Over the decades of his career, Ang incorporated into his painting a repertory of themes that are unmistakably domestic in character. The simplicity of the arrangement, the enjoyment of the appearance of food, and the homeliness of the setting suggest a side of his which is opposite the angry angst-filled image his name usually conjures. Still life was a staple of Ang’s work. His catalogue raisonne lists scores of canvases attending to arrangements of fruit, objects, and the like on the table, large or compact. Characteristically, the table-top on which they are laid is stretched downward, flattened out in an overview, with the contents presented upright in their most familiar aspects. But this work is more of a close-up view of the objects cum food served on the table. The otherwise commonplace subject has been reduced to an almost abstract arrangement of tone and line. The artist emphasizes the cubistic visual tricks here: the illusionism of the fruit is undermined by overlapping the cut-out sections, somewhat obscuring the boundaries of the images. Throughout his career Ang Kiukok was to remain faithful to the cubist base of his aesthetic; his work developed from simplified, precise forms based on the world of objects, to monumental, emotional compositions. | Private collection | ||
Table with Fruits (1974) 2 | Painting | Oil on Canvas | 61 x 61 cm | 1974 | Ang Kiukok | Leon Gallery | Tables zigzagging with square boxes within boxes, shifting in shape and color, more citing than any kaleidoscope. Tables riddled with geometric shapes that can be interpreted as doors or windows like uncanny invitations to magic mystery tours for the jaded eye. Less typically, a table which vaguely suggest surreal deserts a la Giorgio de Chirico, with fruits bursting out of dishes. No matter how many objects pile up on each table, a restive configuration of linear and chromatic rhythms, Ang imposes an authoritative decorum over every busy detail. The jaunty clockwise or counter clockwise movements are “contained” within a rigid system of “frames” and propped by uptight table legs, which in most cases number more than four, and which in turn lead me to think that Ang is not painting just one but several tables to conjure a multiple exposure effect. Eminent art critic Cid Reyes asked Ang Kiukok: “You’re very fond of doing still lifes. Do you copy them from actual objects?” Ang Kiukok answered: “No, I just use my imagination. I don’t want them to be realistic.” Cid Reyes: “Do you constantly change styles?” Ang Kiukok: “No, I don’t know. I don’t think my style changes. It changed only when I came back from the United States.” Here is a still life from early on in Ang Kiukok’s career, and the influence of his teacher Vicente Manansala is very apparent. Kiukok's first formal recognition came in the form of a third prize award in the Shell National Students Art Competition for Calesa in 1953. Then, at the urging of Vicente Manansala, Kiukok launched his first one-man show at the Contemporary Arts Gallery in 1954. After that he earned numerous awards from the Art Association of the Philippines for his works: Honorable Mention, "Still Life" (1951), First Prize, "The Bird" (1959), Third Prize, "Still Life in Red" (1963), Second Prize, "Fish" (1963), and Second Prize on "Geometric Still-Life Fish" (1963). | Private collection | ||
Tablescape (1966) | Painting | Mixed Media | 66 x 48 cm | 1966 | Ang Kiukok | Leon Gallery | Private collection | |||
Tablescape (1970) | Painting | Oil on Wood | 15 x 54 cm | 1970 | Ang Kiukok | Leon Gallery | Private collection | |||
Tablescape (1971) | Drawing | Pen and Ink on Paper | 22 x 25 cm | 1971 | Ang Kiukok | Leon Gallery | Private collection | |||
Tenth Station - Jesus Stripped Off His Undergarments | Painting | Oil on Canvas | 152 x 61 cm | 1997 | Ang Kiukok | Leon Gallery | Jesus’ downward gaze does not directly engage the eye of the spectator. With all profundity and mystery it is one of the more poetical and sublime pictures of Christ as depicted by Ang Kiukok. One of the most purely poetical pictures of divine suffering he produced. “In the earliest crosses, the figure of Christ is straight and erect, placed symmetrically along the center line of the cross, with the eyes wide open and neither face nor body giving any indication of pain. Writing on the subject Henry Clifford has said, “As time goes on, the head gradually droops, and the body starts to bend slightly to the left, under the weight of suffering. The next development is to show the figure of Christ dead on the cross and the body curved out more and more. While it is not an infallible rule, roughly speaking, these painted crosses can be dated almost by the degree of curvature up until the time of Giotto.” Ang Kiukok borrows its approach and techniques to pursue the opposite i.e., to synthesize what has been broken down into a unified interpretation of human agony. In his maturity, Ang Kiukok’s essential subject became even more the violence of the elements, above all of the forces that both create and destroy. It is no wonder that cave paintings are still invested with so powerful an emotional reality. This emotional reality, sometimes departing far from visual reality, is the preoccupation of the expressionistic artist today. Although Ang Kiukok reduces his images into basic planes and shapes to bring out only the most elemental forms, his works nevertheless ably achieves emotional power within the context of a contemporary art idiom. The cross is in no landscape or other spatial setting. Its Spartan design and intense, but quietly expressed feeling make this a powerful image reminiscent of some of Medieval frescoes in the convents of Europe. The formal balance as brought by the centrality of the cross imbues a spiritual restraint to an otherwise raging theme. This image has a more self contained, meditative feel about it. This depiction of Christ with the Cross behind him is an outraged cry of protest on one hand and a quiet plea on the other, against man’s inhumanity to man, against corruption, meanness and human degradation. | Private collection | ||
The Harvest (plate) 1460th copy of 2000 | 22 cm | 2002 | Ang Kiukok | Leon Gallery | Davao Central High School Alumni Association limited edition plate | Private collection | ||||
The Harvest (plate) 1543rd copy of 2000 | 22 cm | 2002 | Ang Kiukok | Leon Gallery | ||||||
Third Station: Jesus Falls The First Time | Painting | Oil on Canvas | 61 x 122 cm | 1996 | Ang Kiukok | Leon Gallery | Private collection | |||
Thirteenth Station: Jesus is Laid on the Lap of His Mother | Painting | Oil on Canvas | 91 x 91 cm | 1997 | Ang Kiukok | Leon Gallery | Private collection | |||
Twelfth Station: Jesus died on the Cross | Painting | Oil on Canvas | 122 x 91 cm | 1997 | Ang Kiukok | Leon Gallery | Private collection | |||
Two Figures (1980) 1 | Etching | 24 x 22 cm | 1980 | Ang Kiukok | Leon Gallery | Private collection | ||||
Two Figures (1980) 2 | Etching | 24 x 22 cm | 1980 | Ang Kiukok | Leon Gallery | Private collection | ||||
Two Figures (1980) 3 | Etching | 24 x 22 cm | 1980 | Ang Kiukok | Leon Gallery | Private collection | ||||
Two Figures (1980) 4 | Etching | 24 x 22 cm | 1980 | Ang Kiukok | Leon Gallery | Private collection | ||||
Two Figures (1980) 5 | Etching | 24 x 22 cm | 1980 | Ang Kiukok | Leon Gallery | Private collection | ||||
Two Figures (1980) 6 | Etching | 24 x 22 cm | 1980 | Ang Kiukok | Leon Gallery | Private collection | ||||
Untitled (1955) | Painting | Watercolor on Paper | 30 x 46 cm | 1955 | Ang Kiukok | Leon Gallery | These dramatic formations echo and augment the imposing castle structure. The painting is horizontally broken into strong contrasting areas of color and light charged with an irregular, craggy expressionism. And, coupled with the cloudy shapes... they imbue the canvas with a sense of movement and rapidly changing atmosphere. The brushstrokes, though too broad to be strictly speaking descriptive, provide visual equivalents of natural massive yet distant objects and the feel of weather effects which make an impact on the spectator just as they had been executed with immediacy. Everywhere there is nervous energy coming from above which breaks the calm below. | |||
Untitled (1968) | Drawing | Pen and Ink on Paper | 36 x 25 cm | 1968 | Ang Kiukok | Leon Gallery | Perhaps no Filipino artist has drawn the human figure more memorably than Ang Kiukok. In his countless works, the body, while appearing as a concatenation of geometric shapes, is endowed with tension and strength in its every sinew and bone, shown to be resisting from an internal or an external force. In these two drawings, the National Artist portrays the body both at relative rest and in strife. The trio of figures, while standing erect, evinces a tensive verticality, as though they are being stretched out physically to their limits. The other work features a lone body which would becoming iconic to the Ang Kiukok canon: the screaming figure. Wound tightly with barbed wire, the figure reveals a struggle of heroic proportions as the wire sends shooting pain as he attempts to break free from it. These two drawings constitute part of the National Artsit’s visual thinking as he grappled with rendering corporeality on a flat surface. | Private collection | ||
Untitled (1969) | Painting | Watercolor on Paper | 46 x 116 cm | 1969 | Ang Kiukok | Leon Gallery | When Picasso and Braque smashed through painting’s centuries-old reliance on one-point perspective and a static apprehension of the object, they ushered in the visual equivalent for the ambiguities, contradictions, and shifting viewpoints of the early 20th century. Representative of an Asian engagement with Cubism, Vincente Manansala, who had famously studied under Fernand Leger, bore a strong initial influence on Ang Kiukok. The student, who would also eventually become a National Artist, would come into his own inimitable style by the mid-1970s with works characterized by tight pictorial organization, strident colors and fragmented, severely angular forms, which evoke the torments of a world of constant struggle and uncertainty. | Private collection | ||
Untitled (1970) 1 | Drawing | Pen and Ink on Paper | 36 x 25 cm | 1970 | Ang Kiukok | Leon Gallery | Perhaps no Filipino artist has drawn the human figure more memorably than Ang Kiukok. In his countless works, the body, while appearing as a concatenation of geometric shapes, is endowed with tension and strength in its every sinew and bone, shown to be resisting from an internal or an external force. In these two drawings, the National Artist portrays the body both at relative rest and in strife. The trio of figures, while standing erect, evinces a tensive verticality, as though they are being stretched out physically to their limits. The other work features a lone body which would becoming iconic to the Ang Kiukok canon: the screaming figure. Wound tightly with barbed wire, the figure reveals a struggle of heroic proportions as the wire sends shooting pain as he attempts to break free from it. These two drawings constitute part of the National Artsit’s visual thinking as he grappled with rendering corporeality on a flat surface. | Private collection | ||
Untitled (1970) 2 | Drawing | Pen and Ink on Paper | 33 x 25 cm | 1970 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (1970) 3 | Drawing | Pen and Ink on Paper | 33 x 25 cm | 1970 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (1970) 4 | Drawing | Pen and Ink on Paper | 33 x 25 cm | 1970 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (1970) 5 | Drawing | Pen and Ink on Paper | 33 x 25 cm | 1970 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (1971) | Painting | Watercolor on Paper | 46 x 93 cm | 1971 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (1974) 1 | Drawing | Pen and Ink on Paper | 34 x 27 cm | 1974 | Ang Kiukok | Leon Gallery | For Ang Kiukok, the landscape is not merely a neutral ground in which something happens but in itself a dynamic locale of terrific action and shifting planes. Such quality is exemplified in these two works of pen-and-ink-on-paper, which the National Artist accomplished in 1974. In these drawings, Ang Kiukok evokes a kind of post-apocalyptic scenery in which the landscape is a jumble of detritus and a tree is reduced to its skeletal framework. The Cubist idiom, which the master transformed into his own coruscating style, is very much present in the works, offering multiple vantage points to destruction as well as a sense of irrevocable doom. In a way, Ang Kiukok was the Filipino artist who worked in the pessimist vein not to deny the presence of hope but to hold a mirror to humanity that is capable of great harm to the planet. | Private collection | ||
Untitled (1974) 2 | Drawing | Pen and Ink on Paper | 34 x 27 cm | 1974 | Ang Kiukok | Leon Gallery | For Ang Kiukok, the landscape is not merely a neutral ground in which something happens but in itself a dynamic locale of terrific action and shifting planes. Such quality is exemplified in these two works of pen-and-ink-on-paper, which the National Artist accomplished in 1974. In these drawings, Ang Kiukok evokes a kind of post-apocalyptic scenery in which the landscape is a jumble of detritus and a tree is reduced to its skeletal framework. The Cubist idiom, which the master transformed into his own coruscating style, is very much present in the works, offering multiple vantage points to destruction as well as a sense of irrevocable doom. In a way, Ang Kiukok was the Filipino artist who worked in the pessimist vein not to deny the presence of hope but to hold a mirror to humanity that is capable of great harm to the planet. | Private collection | ||
Untitled (1974) 3 | Drawing | Pen and Ink on bristol board | 36 x 27 cm | 1974 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (1981) | Drawing | Pen and Ink on Paper | 30 x 23 cm | 1981 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (ca. 1960s) 96th copy of 130 | 39 x 29 cm | ca. 1960s | Ang Kiukok | Leon Gallery | Private collection | |||||
Untitled (Cat) | Drawing | Pen and Ink on Paper | 33 x 25 cm | 1974 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (Dog) 1 | Drawing | Pen and Ink on Paper | 30 x 23 cm | 1997 | Ang Kiukok | Leon Gallery | When not painting, Ang Kiukok would create ink-on-paper works, which bear some of his most iconic figures. These two images (that of a seated figure and of a dog) are already well-established in the National Artist’s canon and have direct connection to some of his notable works. While the paintings prove Ang Kiukok’s fluency with color, pictorial distortion, and a sense of scale, the drawings establish his mastery of draftsmanship — a prerequisite, if one thinks about it, for credible figuration. | Private collection | ||
Untitled (Dog) 2 | Drawing | Pen and Ink on Paper | 30 x 24 cm | 1974 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (Dog) 3 | Drawing | Pen and Ink on Paper | 33 x 25 cm | 1973 | Ang Kiukok | Leon Gallery | Private collection | |||
Untitled (Man) | Drawing | Pen and Ink on Paper | 30 x 23 cm | 1987 | Ang Kiukok | Leon Gallery | When not painting, Ang Kiukok would create ink-on-paper works, which bear some of his most iconic figures. These two images (that of a seated figure and of a dog) are already well-established in the National Artist’s canon and have direct connection to some of his notable works. While the paintings prove Ang Kiukok’s fluency with color, pictorial distortion, and a sense of scale, the drawings establish his mastery of draftsmanship — a prerequisite, if one thinks about it, for credible figuration. | Private collection | ||
Untitled Wings | Painting | Oil on Canvas | 89 x 99 cm | 1978 | Ang Kiukok | Leon Gallery | Private collection | |||
Window Study | Painting | Watercolor on Paper | 22 x 29 cm | 1975 | Ang Kiukok | Leon Gallery | “Pittura Metafisica” is how Alice Guillermo elegantly describes in Italian how “the sections of neutral grays, whites and blacks that form acute angles of shadow have a heightened surreal quality...” in Ang Kiukok’s series of Windows, which includes “geometric and quasi abstract framework of paneled doors opening into rooms that provide a glimpse of even more doors and more rooms receding to infinity.” Alfredo Roces writes: “Windows and doorways are not, strictly speaking, landscapes; though Kiukok’s windows offer us a bit of a view. Here, Kiukok plays still life vocabulary against his landscape motifs. There is a counterpoint of deep spaces and flat color planes. Cubism’s ploy of utilizing multiple vanishing points serve to play a game of space with parts of painting moving forward, as several focal points take our eyes deep into a nearly infinite horizon.” Ang Kiukok’s use of black and white reinforces what he said to Cid Reyes in 1983: “I’m not a colorist. I’m more interested in form.” Alfredo Roces writes: “In some windows there is an actual still life in the foreground as well as that ubiquitous Kiukok sun or moon in the background. An unseen breeze wafts an air of mystery. Doors that lead to nowhere are almost a denial of landscape, and perhaps, defy a category.” | Private collection | ||
Abstract in Red | Painting | Oil on Canvas | 41 x 56 cm | 1983 | Federico Aguilar-Alcuaz | Leon Gallery | Throughout his career Alcuaz continually alternated between abstraction and figuration, wherein his figurative works contained nuances of abstractions, and his abstract works often featured figurative elements.His works are marred with abstract colored strokes. More so than in his other figurative works, Alcuaz here succeeded in unifying the pictorial elements so that they could be perceived simultaneously. The structural rhythm of the picture surface prevents the fragmentation of elements, while the color contrasts—the brighter colors and the darker tones—aid this harmony by their interaction. As this work shows, Alcuaz had moved beyond orthodox Cubism and Abstraction, though it had been invaluable to his development. For him, his sojourn to Spain constituted but one step on the road towards a more personal art form entirely detached from the visible world. Alcuaz was conferred the title of National Artist for Visual Arts, Painting, Sculpture, and Mixed Media in 2009. | Private collection | ||
Untitled (Madrid) | Painting | Watercolor on Paper | 30 x 46 cm | 1973 | Federico Aguilar-Alcuaz | Leon Gallery | There is a profound European quality to Federico Aguilar-Alcuaz’ heavy abstraction. Cleverly conceived, Alcuaz depicts more than just the figurative qualities of his subjects — capturing their essence rather than their form. This very brilliant approach to his abstraction boasts of Alcuaz’ European influence and inimitable genius. As in this watercolor work, we are treated to one of the National Artist’s abstracted landscapes. Ever brilliant in his approach, we are left to decipher the scenery — an intellectual and potent rendition of what appears to be a lovely view of Madrid. This piece was done in 1973, the same year as Alcuaz’ solo exhibitions in the Museo de Bellas Artes de Bilbao and Eindhoven. | Private collection | ||
Still Life (1958) | Painting | Oil on Canvas | 66 x 81 cm | 1958 | Federico Aguilar-Alcuaz | Leon Gallery | An artist who has, for innumerable times fastened his observant eye on women as subjects sitting for portraits, Alcuaz is no less accustomed to setting his eyes on the more banal objects in life. The still life composition is very precise yet subtle in its effects. The statement about subtlety is significant because as a colorist, Alcuaz has one of the brightest palettes known. This still life was executed three years after Alcuaz’ arrival in Spain. By this time, the Iberian spirit of place began to overshadow his art. For those who have accepted Alcuaz as an abstractionist, it is the figurative themes such as this early work which show how he returns to review techniques of light and shadow, of color and form. Unlike the dried fish, the other object, probably a chicken, appears as an almost indistinct shape presented in perspective. There are no other objects on the table. Perhaps the artist wanted to take the tray as mere abstract shapes so that the main object, or leitmotif, which is the fish and what looks like chicken set off against a gray blue background, will remain the focus of attention. | Private collection | ||
Cinco Marias | Painting | Oil on Canvas | 64 x 79 cm | 1985 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Alcuaz | Painting | Watercolor on Paper | 46 x 30 cm | 1973 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Night Scene | Painting | Oil on Canvas | 33 x 46 cm | 1977 | Federico Aguilar-Alcuaz | Leon Gallery | Iconic modernist Federico Aguilar-Alcuaz is among the most recognized artists of today. Concocting a distinct blend of Filipino sensibilities and European stylistics, Alcuaz has captivated audiences on an international scale with his creative genius. As in this oil work from 1977, we are treated to an exquisite display of Alcuaz’ unique aesthetic. His stylization of forms, redolent to that of plein air impressionism, hint of his well-travelled character. The National Artist’s maturity, masterfully exhibited. | Private collection | ||
Interior | Painting | Oil on Canvas | 91 x 71 cm | 1975 | Federico Aguilar-Alcuaz | Leon Gallery | The genius that is the well-renowned Federico Aguilar-Alcuaz has made a name for himself internationally, garnering numerous awards and accolades both locally and abroad. A strong European quality exists in Alcuaz’ work — such meld with his Filipino perspective, has allowed him to concoct his own powerful brand of art. This work from 1975 could very well be of the Alcuaz’ studio in Europe at the time. | Private collection | ||
Abstract (1970) | Painting | Watercolor on Paper | 61 x 41 cm | 1970 | Federico Aguilar-Alcuaz | Leon Gallery | The creative genius that is Federico Aguilar-Alcuaz has garnered recognition for his brilliant approach to his art. The very European means of abstraction in Alcuaz’ creations flaunt his well-travelled character — but even so, a very strong Filipino quality remains in his works. As in this abstraction by the National Artist from 1970, a very powerful yet alluring choice of palette and form is put on display — the earthy, abstracted figure roaring with emotion, set against the deep, calming blue. | Private collection | ||
Untitled (1971) | Painting | Watercolor on Paper | 23 x 31 cm | 1971 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Abstract (1978) | Painting | Mixed Media | 46 x 33 cm | 1978 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
City View | Painting | Mixed Media | 48 x 69 cm | 1957 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Untitled (1975) | Painting | Watercolor on Paper | 30 x 46 cm | 1975 | Federico Aguilar-Alcuaz | Leon Gallery | In the abstract works of Federico Aguilar-Alcuaz, we are more often than not treated to a whole new perspective. In the capturing and re-envisioning of the essences of his subjects, Alcuaz goes so deep into the idea behind his imagery that we are left to surmise the scene in all its complexity. This watercolor work is from 1975. Presumably of a train, where passengers across the aisle exchange glances as the train zips into the distance, or a group of individuals gathered round a table about to dine, or even something else — the complexity in the abstraction of Alcuaz captures a certain essence that leaves the work to the audiences for interpretation, laying his creative genius for his viewers to scrutinize. | Private collection | ||
Bacolod (Nude 1) | Ceramic plate | 29 cm | 1976 | Federico Aguilar-Alcuaz | Leon Gallery | There is a unique, and powerful quality to the abstraction featured in the art of Federico Aguilar-Alcuaz. He delineates his figures with coarse poise, and gives life to his subjects with his playful use of color — be they still-lifes, nudes, or heavy abstractions.Alcuaz’nudes bear with them a sense of equanimity, and it is his thorough understanding of the female form that has allowed him to evoke the figure with such grace and elegance through various media. In this pair of ceramic works by the National Artist, we see how attentive he is to detail, as he incorporates fabric as an integral element in the nude composition, just as he would in an oil painting. | Private collection | |||
Bacolod (Nude 2) | Ceramic plate | 29 cm | 1976 | Federico Aguilar-Alcuaz | Leon Gallery | There is a unique, and powerful quality to the abstraction featured in the art of Federico Aguilar-Alcuaz. He delineates his figures with coarse poise, and gives life to his subjects with his playful use of color — be they still-lifes, nudes, or heavy abstractions.Alcuaz’nudes bear with them a sense of equanimity, and it is his thorough understanding of the female form that has allowed him to evoke the figure with such grace and elegance through various media. In this pair of ceramic works by the National Artist, we see how attentive he is to detail, as he incorporates fabric as an integral element in the nude composition, just as he would in an oil painting. | Private collection | |||
Untitled (1978) | Painting | Oil on Canvas | 51 x 69 cm | 1978 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Barcelona (1965) | Painting | Watercolor and Ink on Paper | 84 x 46 cm | 1965 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Of Mossant Flowers | Painting | Oil on Canvas | 130 x 89 cm | ca. 1960 | Federico Aguilar-Alcuaz | Leon Gallery | Penetrating and sophisticated, the abstracts of Alcuaz are very much a reflection of his love for life and his love for art, where he was able to bring out the best qualities of his chosen medium, as well in the colors, hues, and shades that he methodically selected. The way he lived his life –with passion—was how he also worked on his paintings, as this piece (“of Mossant Flowers”) attests to. | Private collection | ||
Untitled (1979) 1 | Painting | Oil on Canvas | 32 x 46 cm | 1979 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Madrid 1 | Painting | Mixed Media | 23 x 33 cm | 1975 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Madrid 2 | Painting | Mixed Media | 23 x 33 cm | 1975 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Abstract Composition | Painting | Oil on Canvas | 44 x 58 cm | 1983 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Manila Bay | Painting | Oil on Canvas | 22 x 24 cm | 1976 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Wesbaden | Painting | Oil on Board | 46 x 61 cm | 1972 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Still Life (ca. 1967) | Painting | Oil on Canvas | 99 x 126 cm | ca. 1967 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Japanese Woman | Painting | Oil on Canvas | 44 x 58 cm | 1982 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Still Life (1975) | Painting | Oil on Canvas | 46 x 56 cm | 1975 | Federico Aguilar-Alcuaz | Leon Gallery | Renaissance man, Bon Vivant, and peripatetic artist of the highest order – these are but some of the accolades bestowed upon Alcuaz who, as a visual artist, has travelled the world extensively, garnering numerous awards here and abroad. It is said that his abstract works drew inspiration from Picasso and Matisse; Still, he managed to inject his own world-view, as well his own personality, in his works – mischievous, revolutionary, and brimming with life. This still work from 1975 mirrors the artist as a music lover, foodie, and epicurean. | Private collection | ||
Untitled (1979) 2 | Painting | Tapestry | 118 x 137 cm | 1979 | Federico Aguilar-Alcuaz | Leon Gallery | Federico Aguilar Alcuaz’ long stay in various cities in Europe - Barcelona where he stayed for part of the year, in Germany, where his wife and sons resided, and Brno in the former Czechoslovakia, gave him access to cultures so different from his Filipino heritage. Yet, as his art shows, not one of these other cultures was favored exclusively. This is among the several tapestries which he did in Brno, for fifteen years, well into the 1980s. | Private collection | ||
Manila Bay Sunset | Painting | Oil on Canvas | 76 x 91 cm | 1977 | Federico Aguilar-Alcuaz | Leon Gallery | It was the Romantic movement in Europe that established the skyscape as a worthy, spiritually-elevating subject for creative minds. Federico Aguilar Alcuaz may have just captured the spirit of that movement, given his lengthy stay in various cities of the continent, what with this most dramatic blazing sunset, with its sumptuous yellows and oranges breaking against the contrasting blue clouds, emphasizing the spectacular, theatrical aspects of nature. Manila Bay Sunset evokes a warm, yet soothing mood of the calmness of the canopy above. | Private collection | ||
Dos Marias (Tres Marias Series) | Painting | Oil on Canvas | 76 x 91 cm | 1982 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Barcelona (ca. 1959) | Painting | Oil on Wood panel | 89 x 112 cm | ca. 1959 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Nude (1974) | Painting | Oil on Canvas | 62 x 80 cm | 1974 | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | |||
Untitled (n.d.) | Drawing | Pen and Ink on Paper | 30 x 46 cm | Federico Aguilar-Alcuaz | Leon Gallery | Private collection | ||||
Landscape in Baguio | Painting | Oil on Canvas | 77 x 97.5 cm | 1987 | Federico Aguilar-Alcuaz | Christie's | In a departure from his acclaimed Tres Marias series, the work presented here from Federico Aguilar Alcuaz is of a pastoral nature, superbly depicting the natural beauty of a Baguio landscape, seen from below the veranda of a traditionally built house. Landscape in Baguio (Lot 208) displays Alcuaz's swift yet confident brushwork, as he depicts a semi-modernist rendition of this mountainous vista. The perspective painted from below is unusual in a traditional landscape work, causing the viewer's gaze to sweep from the base of the artwork up into verdant clusters of leaves overhead, and finally soar into the sunshine-dappled blue sky to great effect. | Private collection | ||
Self Portrait of the Artist Painting with Four Women | Painting | Oil on Canvas | 63 x 82 cm | 1985 | Federico Aguilar-Alcuaz | Christie's | Federico Aguilar Alcuaz is highly recognized for his deft, gestural brushwork and visually captivating compositions that range from abstracts to landscapes, to most notably his acclaimed Tres Marias salon scenes depicting beautiful women in Spanish-influenced gowns amidst elegant, languorous settings. Inspired by the time he spent residing at the Manila Hotel, where high society women and their daughters would come to model for him, Alcuaz's lush Tres Marias works evoke an almost Parisian sense of the demi-monde. Self Portrait of the Artist Painting, with Four Women is exceptionally rare as Alcuaz has incorporated himself, the artist, into the frame. As he portrays one of the sitters on his easel, other Alcuaz nudes and portraits can be seen in the background, creating an interesting 'paintings within a painting' effect. As much as portrait of himself and his work, as of the sitters, Alcuaz offers an intimate glimpse into an artist's life and his creative process. | Private collection | ||
Afternoon Gathering | Painting | Oil on Canvas | 93 x 108 cm | 1985 | Federico Aguilar-Alcuaz | Christie's | ||||
Abstract (1967) | Painting | Oil on Canvas | 102 x 122 cm | 1967 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
A view from the balcony | Painting | Oil on Canvas | 66 x 80 cm | 1988 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Reveries of Love | Painting | Oil on Canvas | 58 x 74 cm | 1985 | Federico Aguilar-Alcuaz | Christie's (https://www.christies.com/lot/lot-5273204) | Reveries of Love is the elemental Federico Aguilar Alcuaz. In this painting, he ties together his fascination for the feminine form, a predilection for the romance of turn-of-the-century costume, and the bold strokes that define his style. It is both powerfully modern yet other-worldly. Ironies abound in this privately commissioned work, including a subtle nod to the Filipino old master Juan Luna's famous work with the same title, "Ensuenos de Amor", ("Reveries of Love"): a sleeping beauty captured in a daydream, the nuances of her ballgown lit, not by candlelight, but by the soft sunlit glare of the city skyline. Aguilar Alcuaz employs an unusual color palette in this work, mutating from midnight black, frost grey to stark white, references to early daguerrotypes, snapshots of a forgotten time and place. | Private collection | ||
Seated Nude | Painting | Oil on Canvas | 97 x 61 cm | 1976 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
New York (1974) | Painting | Oil on Canvas | 70 x 42 cm | 1974 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Woman with a cat | Painting | Oil on Canvas | 83 x 83 cm | 1974 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Tres Marias (Three Sisters) | Painting | Oil on Canvas | 71 x 86 cm | 1982 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Serie Tres Marias | Painting | Oil on Canvas | 66 x 81 cm | 1982 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Untitled (1981) 1 | Painting | Oil on Board | 34.5 x 27 cm | 1981 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Untitled (1981) 2 | Painting | Oil on Board | 34.5 x 30 cm | 1981 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Festive motif | Painting | Oil on Canvas laid down on board | 90 x 133 cm | 1966 | Federico Aguilar-Alcuaz | Christie's (https://www.christies.com/lot/lot-1667843) | Private collection | |||
Untitled (1964) | Painting | Oil on Canvas | 94 x 106 cm | 1964 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Cockfight | Painting | Oil on Canvas | 98 x 130 cm | 1968 | Federico Aguilar-Alcuaz | Christie's | Alcuaz' eldest son Christian dates this present lot, Cockfight, to the artist's Barcelona period, prior to 1964, although it is retroactively signed 1968. By size and importance it could very well have been included in Alcuaz's 1964 Retrospective. Often, especially if Alcuaz intended to keep the work, he left it unsigned and undated, doing so only when he parted with it - in this case, in 1968. Alcuaz' Barcelona period was influenced by medieval Catalan frescoes: they utilized primary colours, all heavily outlined in black, with a darkly shaded surrounding field, and the modern treatment of space as a flat surface rather than the creation of an illusion of depth within an image, which was then accepted technique of perspective within European art. They also did not strictly follow the idea of proportional scale. One form would be disproportionately larger than others, a method often used by children when they make the objects most important to them the biggest objects in the image. This technique of juxtaposing an overly large central image against the secondary motifs can be clearly observed within Cockfight. | Private collection | ||
Still life with landscape | Painting | Oil on Canvas | 100 x 82 cm | 1979 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Panoramic View of Manila | Painting | Oil on Canvas | 100 x 300 cm | 1977 | Federico Aguilar-Alcuaz | Christie's | The present lot is part of a landscape series which Alcuaz did from the 1970s throughout the 80s. In 1977, there was an exhibition of the artist inaugurating the Museum of Philippines Art (MOPA) and the present lot is most likely exhibited in the show. Like his other panoramic views of Manila, Alcuaz has prepared his compositions by going from the different top-floor rooms of the Holiday Inn where he was residing during the time when he painted the work. | Private collection | ||
New York (1967) | Painting | Oil on Canvas | 48.5 x 76 cm | 1967 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Abstract (1966) | Painting | Acrylic and collage on paper | 54 x 68.5 cm | 1966 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Two young girls in an interior | Painting | Oil on Canvas | 78 x 63 cm | 1982 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Tap room | Painting | Oil on Canvas | 54 x 71 cm | 1981 | Federico Aguilar-Alcuaz | Christie's | The artist is seen here standing at the entrance, looking inside the room. | Private collection | ||
Sampaloc | Painting | Oil on Canvas board | 29 x 39.5 cm | 1981 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
Sleeping girl | Painting | Oil on Canvas | 50 x 60 cm | 1980 | Federico Aguilar-Alcuaz | Christie's | Private collection | |||
In the Drawing Room (Tres Marias) | Painting | Oil on Canvas | 71 x 86.5 cm | 1982 | Federico Aguilar-Alcuaz | Christie's | In the Drawing Room (Tres Marias) (Lot 213) is part of Federico Aguilar Alcuaz's acclaimed Tres Marias (Three Maidens) series. Depicting an idealized triumvirate of young girls, often clad in elaborate Spanish-style gowns, the Tres Marias paintings represent a romantic, softer side to Alcuaz's oeuvre, in comparison to his other strictly modernist still lifes and landscapes. Often taking place in drawing rooms or boudoirs, the world of the Tres Marias generally tends to be a feminine domain. However in In the Drawing Room, a male figure is unusually present, lending a touch of relaxed, urban masculinity to the scene, while one of the girls is only visible from her reflection in the mirror. The entire scene is charmingly and intimately presented, supposedly in a drawing room of the Manila Hotel, a Spanish colonial hotel and celebrated spot for social figures, politicians, artists and entertainers to gather. | Private collection | ||
Portrait (Boy) | Painting | Oil on Canvas | 34 cm x 23 cm | 1941 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Flame Tree | Painting | Oil on Canvas | 41 cm x 52 cm | 1959 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Girl | Painting | Oil on Canvas | 61 cm x 46 cm | 1963 | Fernando Amorsolo | Leon Gallery | ||||
Seascape (a) | Painting | Oil on Canvas | 56 cm x 76 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Vinta | Painting | Oil on Canvas | 45 cm x 63 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Burning of Manila | Painting | Oil on Canvas | 1944 | Fernando Amorsolo | Leon Gallery | |||||
Landscape | Painting | Oil on Panel | 33 cm x 23 cm | 1930 | Fernando Amorsolo | Leon Gallery | ||||
Market Scene | Painting | Oil on Canvas | 41 cm x 51 cm | 1947 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Portrait of a Woman (a) | Painting | Oil on Canvas | 64 cm x 51 cm | 1925 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Man (a) | Painting | Oil on Canvas | 64 cm x 51 cm | 1925 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Fishermen | Painting | Oil on Canvas | 76 cm x 99 cm | 1959 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Mayon Scene | Painting | Oil on Canvas | 36 cm x 46 cm | 1952 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Malate Church | Painting | Oil on Canvas | 71 cm x 99 cm | 1963 | Fernando Amorsolo | Leon Gallery | "Commissioned from the artist by Don Jose M. Ossorio, son of sugar baron Miguel J. Ossorio and brother of renowned Filipino-American abstract expressionist Alfonso Ossorio, and from thence, a gift to his daughter, Claire Marie Ossorio." | |||
Lady in Green | Painting | Oil on Canvas | 76 cm x 51 cm | 1959 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Rice Pounding | Painting | Oil on Canvas | 43 cm x 58 cm | 1958 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Portrait of a Dowager | Painting | Oil on Wood | 46 cm x 36 cm | 1944 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Seascape (b) | Painting | Oil on Wood | 36 cm x 30 cm | 1950 | Fernando Amorsolo | Leon Gallery | ||||
Mt. Arayat | Painting | Oil on Canvas | 76 cm x 99 cm | 1959 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Planting Rice (a) | Painting | Oil on Canvas | 36 cm x 46 cm | 1952 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Portrait of Dr. Reyes as a Young Graduate | Painting | Oil on Canvas | 86 cm x 64 cm | 1944 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of Dr. Reyes as a Distinguished Professional | Painting | Oil on Canvas | 71 cm x 56 cm | 1951 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of Sra. Doña Marcela Meer Millar | Painting | Oil on Canvas | 61 cm x 56 cm | 1956 | Fernando Amorsolo | Leon Gallery | ||||
Lavanderas (a) | Painting | Oil on Panel | 61 cm x 86 cm | 1953 | Fernando Amorsolo | Leon Gallery | ||||
Bather | Painting | Oil on Canvas | 71 cm x 58 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Dampilan (Country Scene) | Painting | Oil on Canvas | 25 cm x 34 cm | 1924 | Fernando Amorsolo | Leon Gallery | ||||
The Offering | Painting | Oil on Canvas | 91 cm x 76 cm | 1945 | Fernando Amorsolo | Leon Gallery | Private collection | |||
Flame Tree in Blossom | Painting | Oil on Canvas | 30 cm x 41 cm | 1951 | Fernando Amorsolo | Leon Gallery | "Acquired directly from the artist by Mrs. Ethel Thomas Herold in 1951, thence by descent." | |||
Anihan | Painting | Oil on Canvas | 76 cm x 114 cm | 1965 | Fernando Amorsolo | Leon Gallery | ||||
Lavanderas (b) | Painting | Oil on Canvas | 71 cm x 102 cm | 1949 | Fernando Amorsolo | Leon Gallery | ||||
Untitled (Cattleya Orchid) | Painting | Oil on Canvas | 51 cm x 41 cm | 1959 | Fernando Amorsolo | Leon Gallery | ||||
Nude | Painting | Oil on Canvas | 41 cm x 30 cm | 1962 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of Captain Teofilo A. Benitez | Painting | Oil on Canvas | 86 cm x 61 cm | 1954 | Fernando Amorsolo | Leon Gallery | "Commissioned from the artist by Doña Rosenda lavadia Benitez, the mother of Captain Jose Teofilo Benitez in his memory. Capt. Benitez died in a fiery airplane crash in 1949." | |||
Noonday Meal | Painting | Oil on Canvas | 51 cm x 71 cm | 1938 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Boy | Painting | Watercolor on Paper | 34 cm x 27 cm | 1918 | Fernando Amorsolo | Leon Gallery | ||||
Under the Mango Tree (a) | Painting | Oil on Canvas | 76 cm x 102 cm | 1947 | Fernando Amorsolo | Leon Gallery | ||||
Lady with Banga | Painting | Oil on Canvas | 50 cm x 39 cm | 1933 | Fernando Amorsolo | Leon Gallery | ||||
Lavanderas (c) | Painting | Oil on Canvas | 23 cm x 30 cm | 1950 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Porta Vaga, Cavite | Painting | Oil on Canvas | 30 cm x 40 cm | 1927 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
The Filipino Family | Painting | Oil on Canvas | 56 cm x 71 cm | 1961 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Princess Urduja | Painting | Oil on Canvas | 56 cm x 43 cm | 1948 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Crossing The River | Painting | Oil on Canvas | 32 cm x 41 cm | 1924 | Fernando Amorsolo | Leon Gallery | "Acquired and commissioned by La Compania General de Tabacos de Filipinas / CdF (La Tabacalera) in 1924 from Barcelona, Spain. Purchased in 2006 from Tabacalera under a private collector. This painting has been on loan to the Ayala Museum since 2006." | |||
Tobacco Maiden | Painting | Oil on Canvas | 61 cm x 81 cm | 1938 | Fernando Amorsolo | Leon Gallery | "Acquired and commissioned by La Compania General de Tabacos de Filipinas / CdF (La Tabacalera) from Barcelona, Spain. Purchased in 2006 from Tabacalera under a private collector. This painting has been on loan to the Ayala Museum since 2006." | |||
The Bathers | Painting | Oil on Canvas | 95 cm x 75 cm | 1953 | Fernando Amorsolo | Leon Gallery | "Acquired and commissioned by La Compania General de Tabacos de Filipinas / CdF (La Tabacalera) in 1953 from Barcelona, Spain. Purchased in 2006 from Tabacalera under a private collector. This painting has been on loan to the Ayala Museum since 2006." | |||
Portrait of a Gentleman | Painting | Oil on Canvas | 76 cm x 61 cm | 1954 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Untitled (The Filipino Family) | Painting | Oil on Canvas | 71 cm x 102 cm | 1952 | Fernando Amorsolo | Leon Gallery | ||||
Pasay | Painting | Oil on Canvas | 28 cm x 46 cm | 1932 | Fernando Amorsolo | Leon Gallery | ||||
Water Carrier | Painting | Oil on Canvas | 48 cm x 33 cm | 1935 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Cooking Under the Mango Tree | Painting | Oil on Canvas | 86 cm x 127 cm | 1946 | Fernando Amorsolo | Leon Gallery | ||||
Head Study of an Old Man | Sketch | Oil on Canvas | 21 cm x 14 cm | 1919 | Fernando Amorsolo | Leon Gallery | ||||
Lavandera | Painting | Oil on Canvas | 34 cm x 44 cm | 1964 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Barrio Fiesta | Painting | Oil on Canvas | 76 cm x 102 cm | 1960 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Portrait of A Lady | Painting | Oil on Canvas | 44 cm x 36 cm | 1930 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Sabungero | Painting | Oil on Wood | 61 cm x 76 cm | 1929 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Barrio Scene | Painting | Oil on Canvas | 19 cm x 30 cm | 1950 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
River | Painting | Oil on Canvas | 46 cm x 30.5 cm | 1927 | Fernando Amorsolo | Leon Gallery | ||||
Still Life (Orchids) | Painting | Oil on Canvas | 51 cm x 41 cm | 1950 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Retrato de Un Viejo Violinista | Painting | Oil on Canvas | 49.5 cm x 34 cm | 1918 | Fernando Amorsolo | Leon Gallery | ||||
Under the Mango Tree (b) | Painting | Oil on Canvas | 61 cm x 86 cm | 1962 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Tinikling | Painting | Oil on Canvas | 61 cm x 86 cm | 1960 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Church and Flame Tree | Painting | Oil on Canvas | 64 cm x 89 cm | 1950 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Cooking Lady | Painting | Oil on Canvas | 33 cm x 45 cm | 1938 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Lavanderas (d) | Painting | Oil on Canvas | 22.5 cm x 32 cm | 1940 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
River Washers | Painting | Oil on Canvas | 30 cm x 41 cm | 1950 | Fernando Amorsolo | Leon Gallery | ||||
La Mestiza | Painting | Oil on Canvas | 76 cm x 61 cm | 1947 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Portrait of a Woman (b) | Painting | Oil on Canvas | 14 cm x 8 cm | 1914 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Man (b) | Painting | Oil on Canvas | 14 cm x 8 cm | 1914 | Fernando Amorsolo | Leon Gallery | ||||
Planting Rice (b) | Painting | Oil on Canvas | 71 cm x 102 cm | 1949 | Fernando Amorsolo | Leon Gallery | ||||
Resting And Cooking Under The Tree | Painting | Oil on Canvas | 51 cm x 66 cm | 1951 | Fernando Amorsolo | Leon Gallery | ||||
Noonday Meal | Painting | Oil on Canvas | 76 cm x 107 cm | 1959 | Fernando Amorsolo | Leon Gallery | ||||
Susan Magalona | Painting | Oil on Canvas | 85 cm x 61 cm | 1961 | Fernando Amorsolo | Leon Gallery | ||||
Fishpond in Malabon | Painting | Oil on Wood | 33 cm x 41 cm | 1927 | Fernando Amorsolo | Leon Gallery | ||||
Baguio Scene | Painting | Oil on Canvas | 33 cm x 46 cm | 1935 | Fernando Amorsolo | Leon Gallery | ||||
Lavanderas (e) | Painting | Oil on Canvas | 61 cm x 86 cm | 1954 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Mango Gatherers | Painting | Oil on Canvas | 78 cm x 84 cm | 1931 | Fernando Amorsolo | Leon Gallery | ||||
Fishermen (b) | Painting | Oil on Canvas | 46 cm x 61 cm | 1957 | Fernando Amorsolo | Leon Gallery | ||||
Lavandera | Painting | Oil on Wood | 24 cm x 32 cm | 1936 | Fernando Amorsolo | Leon Gallery | ||||
Pagsanjan Falls | Painting | Oil on Canvas | 61 cm x 76 cm | 1949 | Fernando Amorsolo | Leon Gallery | ||||
Procession | Painting | Oil on Canvas | 28 cm x 36 cm | 1949 | Fernando Amorsolo | Leon Gallery | ||||
Under the Mango Tree (c) | Painting | Oil on Canvas | 61 cm x 84 cm | 1955 | Fernando Amorsolo | Leon Gallery | Private Collection | |||
Harvest | Painting | Oil on Canvas | 27 cm x 37 cm | 1940 | Fernando Amorsolo | Leon Gallery | ||||
Ynchausti Rope Factory (Later the Old Elizalde Building) | Painting | Oil on Canvas | 71 cm x 107 cm | 1926 | Fernando Amorsolo | Leon Gallery | ||||
Dalagang Bukid (Woman with Banga) | Painting | Oil on Wood | 41 cm x 34 cm | 1927 | Fernando Amorsolo | Leon Gallery | Fernando Zobel de Ayala y Montojo Private Collection, Madrid | |||
Noon Day Meal | Painting | Oil on Canvas | 34 cm x 44 cm | 1955 | Fernando Amorsolo | Leon Gallery | ||||
Lavandera (b) | Painting | Oil on Canvas | 51 cm x 41 cm | 1956 | Fernando Amorsolo | Leon Gallery | Private Collection, USA | |||
Portrait of a Lady | Painting | Oil on Canvas | 33 cm x 27 cm | 1918 | Fernando Amorsolo | Leon Gallery | Private Collection, USA | |||
Portrait of a Gentleman | Painting | Watercolor on Paper | 33 cm x 27 cm | 1918 | Fernando Amorsolo | Leon Gallery | Private Collection, USA | |||
Under the Mango Tree (d) | Painting | Oil on Canvas | 51 cm x 76 cm | 1936 | Fernando Amorsolo | Leon Gallery | ||||
Untitled (War Scene) | Painting | Oil on Canvas | 36 cm x 46 cm | 1942 | Fernando Amorsolo | Leon Gallery | Dr. and Mrs. Romeo Gustilo Collection | |||
Baguio Scene (b) | Painting | Oil on Canvas | 51 cm x 71 cm | 1937 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Lady (b) | Painting | Oil on Canvas | 107 cm x 79 cm | 1958 | Fernando Amorsolo | Leon Gallery | Private Collection, USA | |||
Winnowing Rice | Painting | Oil on masonite board | 33 cm x 41 cm | 1946 | Fernando Amorsolo | Leon Gallery | ||||
Lavandera (c) | Painting | Oil on Canvas | 33 cm x 43 cm | 1938 | Fernando Amorsolo | Leon Gallery | ||||
Elias and Ibarra on Pasig River | Painting | Oil on Canvas | 61 cm x 81 cm | 1961 | Fernando Amorsolo | Leon Gallery | Christies, Asian 20th Century Art, Hong Kong, 27 May 2012, Lot No. 2192 | |||
Boy and Carabao | Painting | Oil on Canvas | 61 cm x 86 cm | 1951 | Fernando Amorsolo | Leon Gallery | ||||
Noonday Meal | Painting | Oil on Canvas | 46 cm x 61 cm | 1931 | Fernando Amorsolo | Leon Gallery | Private Collection, Makati City | |||
Princess Urduja (The Daughter of the Rajah) | Painting | Oil on Canvas | 81 cm x 66 cm | 1934 | Fernando Amorsolo | Leon Gallery | ||||
Salambao | Painting | Oil on Canvas | 26 cm x 36 cm | 1938 | Fernando Amorsolo | Leon Gallery | ||||
Igorot | Painting | Oil on Canvas | 51 cm x 38 cm | 1917 | Fernando Amorsolo | Leon Gallery | Private Collection, Manila | |||
Nude Lavandera | Painting | Oil on Canvas | 46 cm x 32 cm | 1937 | Fernando Amorsolo | Leon Gallery | Private Collection, USA | |||
Nude 1 | Lithograph | 28 cm x 36 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude 2 | Lithograph | 28 cm x 36 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude 3 | Lithograph | 28 cm x 36 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude 4 | Lithograph | 28 cm x 36 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude 5 | Lithograph | 36 cm x 28 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude 6 | Lithograph | 36 cm x 28 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude 7 | Lithograph | 36 cm x 28 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude 8 | Lithograph | 36 cm x 28 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude 9 | Lithograph | 36 cm x 28 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude 10 | Lithograph | 36 cm x 28 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Picnic | Painting | Watercolor on Paper | 14 cm x 9 cm | 1915 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Lady (c) | Painting | Oil on Canvas | 33 cm x 25 cm | 1955 | Fernando Amorsolo | Leon Gallery | Private Collection, Manila | |||
By the River | Painting | Oil on Board 13 | 33 cm x 23 cm | 1916 | Fernando Amorsolo | Leon Gallery | ||||
19th Century | Painting | Oil on Wood | 24 cm x 33 cm | 1927 | Fernando Amorsolo | Leon Gallery | ||||
Burning of the Idols | Painting | Oil on Canvas | 61 cm x 86 cm | 1952 | Fernando Amorsolo | Leon Gallery | ||||
View of San Sebastian | Painting | Oil on Wood | 25 cm x 35 cm | 1927 | Fernando Amorsolo | Leon Gallery | Private Collection, Makati City | |||
Flame Tree at Sunset on Manila Bay | Painting | Oil on Canvas | 30 cm x 41 cm | 1953 | Fernando Amorsolo | Leon Gallery | ||||
La Siega | Painting | Oil on Canvas | 61 cm x 81 cm | 1961 | Fernando Amorsolo | Leon Gallery | ||||
Ruins on Rizal Avenue | Painting | Oil on masonite board | 43 cm x 64 cm | 1945 | Fernando Amorsolo | Leon Gallery | ||||
Mangingisda | Painting | Oil on Canvas | 56 cm x 76 cm | 1955 | Fernando Amorsolo | Leon Gallery | ||||
Untitled | Painting | Oil on Wood | 33 cm x 56 cm | 1932 | Fernando Amorsolo | Leon Gallery | "With billowing flame-like colors, Amorsolo’s 1932 painting powerfully exhibits a facility for portraying the fleeting nuances of sundown." | |||
Set of drawings (a) | Sketch | Pencil on Paper | 30 cm x 23 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Set of drawings (b) | Sketch | Pencil on Paper | 30 cm x 23 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Set of drawings (c) | Sketch | Pencil on Paper | 28 cm x 22 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Set of drawings (d) | Sketch | Pencil on Paper | 28 cm x 22 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of Chona Kasten | Painting | Oil on Canvas | 64 cm x 50 cm | 1953 | Fernando Amorsolo | Leon Gallery | ||||
Ligawan | Painting | Oil on Canvas | 61 cm x 86 cm | 1963 | Fernando Amorsolo | Leon Gallery | ||||
Lavanderas (f) | Painting | Oil on Canvas | 71 cm x 102 cm | 1951 | Fernando Amorsolo | Leon Gallery | ||||
El Encuentro de Oro Por Salcedo | Painting | Oil on Canvas | 21 cm x 31 cm | 1952 | Fernando Amorsolo | Leon Gallery | ||||
Novaliches / Landscape | Painting | Oil on Canvas | 23 cm x 30 cm | 1925 | Fernando Amorsolo | Leon Gallery | ||||
Rio Agno | Painting | Oil on Wood | 30 cm x 41 cm | 1967 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Wealthy Lady from Marinduque | Painting | Oil on Canvas | 122 cm x 81 cm | 1964 | Fernando Amorsolo | Leon Gallery | ||||
Plowing in a Field | Sketch | Pen and Ink on Paper | 14 cm x 20 cm | 1930 | Fernando Amorsolo | Leon Gallery | ||||
Manalastas Luchando Contra Extranjeros | Painting | Oil on Canvas | 23 cm x 36 cm | 1952 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of Chona at 21 | Painting | Oil on Canvas | 121 cm x 85 cm | 1943 | Fernando Amorsolo | Leon Gallery | ||||
La Construccion de Intramuros | Painting | Oil on Canvas | 25 cm x 33 cm | 1955 | Fernando Amorsolo | Leon Gallery | ||||
Musicos Nativos | Painting | Oil on Canvas | 23 cm x 30 cm | 1956 | Fernando Amorsolo | Leon Gallery | ||||
Winnowing Rice (b) | Painting | Oil on Canvas | 69 cm x 94 cm | 1956 | Fernando Amorsolo | Leon Gallery | ||||
Clave de Calantiao | Painting | Oil on Canvas | 30 cm x 41 cm | 1962 | Fernando Amorsolo | Leon Gallery | ||||
Under the Mango Tree (e) | Painting | Oil on Canvas | 30 cm x 41 cm | 1963 | Fernando Amorsolo | Leon Gallery | ||||
Landscape (b) | Sketch | Pencil on Paper | 21 cm x 27 cm | 1926 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Girl (b) | Painting | Oil on Canvas | 33 cm x 25 cm | 1926 | Fernando Amorsolo | Leon Gallery | Inscribed "Innocencia Feliciano" | |||
Portrait of J. Antonio Araneta | Painting | Oil on Canvas | 97 cm x 71 cm | 1952 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of Doña Pacita Araneta y Zaragoza | Painting | Oil on Canvas | 41 cm x 30 cm | 1943 | Fernando Amorsolo | Leon Gallery | ||||
Under the Mango Tree (f) | Painting | Oil on Canvas | 46 cm x 66 cm | 1941 | Fernando Amorsolo | Leon Gallery | Private Collection, Makati City | |||
Portrait of a Girl (c) | Painting | Oil on Canvas | 41 cm x 33 cm | 1932 | Fernando Amorsolo | Leon Gallery | ||||
Bullock Cart | Painting | Oil on masonite board | 25 cm x 36 cm | 1967 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Lady in Terno | Painting | Oil on Canvas | 30 cm x 23 cm | 1955 | Fernando Amorsolo | Leon Gallery | Private Collection, Manila | |||
Igorot from the Hills, Baguio | Painting | Oil on Wood | 34 cm x 41 cm | 1928 | Fernando Amorsolo | Leon Gallery | ||||
Lavandera (d) | Painting | Oil on Canvas | 48 cm x 61 cm | 1915 | Fernando Amorsolo | Leon Gallery | ||||
Nude (a) | Painting | Oil on Canvas | 30 cm x 46 cm | 1960 | Fernando Amorsolo | Leon Gallery | ||||
Nude (b) | Painting | Oil on Canvas | 30 cm x 46 cm | 1960 | Fernando Amorsolo | Leon Gallery | ||||
Female Nude 1 | Sketch | Charcoal with Pastel on Paper | 33 cm x 23 cm | 1920 | Fernando Amorsolo | Leon Gallery | ||||
Female Nude 2 | Sketch | Charcoal with Pastel on Paper | 33 cm x 23 cm | 1920 | Fernando Amorsolo | Leon Gallery | ||||
Planting Rice (Mayon) | Painting | Oil on Canvas | 66 cm x 97 cm | 1949 | Fernando Amorsolo | Leon Gallery | ||||
Untitled (b) | Painting | Oil on Wood | 33 cm x 24 cm | Fernando Amorsolo | Leon Gallery | |||||
Lavandera (e) | Painting | Oil on Canvas | 66 cm x 49 cm | 1935 | Fernando Amorsolo | Leon Gallery | ||||
Seascape (c) | Painting | Oil on Canvas | 25 cm x 36 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Fernando Amorsolo (1892-1972) Portrait of Doña Leona Pasion de Garcia | Painting | Oil on Canvas | 71 cm x 57 cm | 1943 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of Don Juan Garcia | Painting | Oil on Canvas | 71 cm x 57 cm | 1943 | Fernando Amorsolo | Leon Gallery | ||||
Water Carrier | Painting | Oil on Canvas | 41 cm x 33 cm | 1928 | Fernando Amorsolo | Leon Gallery | ||||
The Church of San Francisco at Santa Potenciana Street in Intramuros | Sketch | Pencil on Paper | 21 cm x 27 cm | 1945 | Fernando Amorsolo | Leon Gallery | ||||
Untitled 1 | Sketch | Pencil on Paper | 22 cm x 28 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Untitled 2 | Sketch | Pencil on Paper | 13 cm x 20 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Untitled 3 | Sketch | Pencil on Paper | 20 cm x 28 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Untitled 4 | Sketch | Pencil on Paper | 18 cm x 24 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Untitled 5 | Sketch | Pencil on Paper | 27 cm x 20 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Untitled 6 | Sketch | Pencil on Paper | 20 cm x 15 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Under the Mango Tree (g) | Painting | Oil on Canvas | 51 cm x 71 cm | 1952 | Fernando Amorsolo | Leon Gallery | ||||
Bathers by the Stream | Painting | Oil on Canvas | 110 cm x 90 cm | 1949 | Fernando Amorsolo | Leon Gallery | Private Collection, USA | |||
Coming from the Field | Painting | Oil on Wood | 24 cm x 36 cm | 1939 | Fernando Amorsolo | Leon Gallery | ||||
Under the Mango Tree (h) | Painting | Oil on Canvas | 62 cm x 87 cm | 1958 | Fernando Amorsolo | Leon Gallery | Private Collection, USA | |||
Seated Nude | Painting | Oil on Canvas | 53 cm x 38 cm | 1947 | Fernando Amorsolo | Leon Gallery | ||||
Departure of the Fishermen | Painting | Oil on Canvas | 62 cm x 87 cm | 1958 | Fernando Amorsolo | Leon Gallery | Private Collection, USA | |||
Noon-Time Meal | Painting | Watercolor on Paper | 19 cm x 28 cm | 1953 | Fernando Amorsolo | Leon Gallery | ||||
Little Girl | Painting | 25 cm x 18 cm | 1920 | Fernando Amorsolo | Leon Gallery | |||||
Portrait of Sonia Riftkin | Painting | Oil on Canvas board | 25 cm x 20 cm | 1928 | Fernando Amorsolo | Leon Gallery | ||||
War-time Market Scene | Painting | Oil on Wood | 29 cm x 44 cm | 1952 | Fernando Amorsolo | Leon Gallery | ||||
Pintong Bato | Sketch | Pencil on Paper | 21 cm x 13 cm | 1916 | Fernando Amorsolo | Leon Gallery | ||||
Sta. Maria | Sketch | Pencil on Paper | 13 cm x 21 cm | 1916 | Fernando Amorsolo | Leon Gallery | ||||
Sabongero | Painting | Oil on Canvas | 49 cm x 66 cm | 1938 | Fernando Amorsolo | Leon Gallery | Private Collection, USA | |||
Vendedor de Frutas | Painting | Oil on Canvas | 61 cm x 76 cm | 1950 | Fernando Amorsolo | Leon Gallery | ||||
Lavanderas (g) | Painting | Oil on Board | 33 cm x 48 cm | 1933 | Fernando Amorsolo | Leon Gallery | ||||
Pilgrims on Sunset | Painting | Oil on Canvas | 57 cm x 281 cm | 1928 | Fernando Amorsolo | Leon Gallery | ||||
Female Nude 1 (a) | Lithograph | 27 cm x 19 cm | 1919 | Fernando Amorsolo | Leon Gallery | |||||
Female Nude 2 (b) | Lithograph | 27 cm x 19 cm | 1919 | Fernando Amorsolo | Leon Gallery | |||||
Manila Bay | Painting | Oil on Canvas | 50 cm x 66 cm | 1937 | Fernando Amorsolo | Leon Gallery | ||||
La Igorota | Painting | Watercolor on Paper | 20 cm x 13 cm | 1948 | Fernando Amorsolo | Leon Gallery | ||||
Sabungero (b) | Painting | Oil on Canvas | 52 cm x 41 cm | 1952 | Fernando Amorsolo | Leon Gallery | ||||
Afternoon Meal of the Rice Workers | Painting | Oil on Canvas | 56 cm x 76 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Boy on Carabao Crossing a Ford | Painting | Oil on Canvas | 18 cm x 27 cm | 1942 | Fernando Amorsolo | Leon Gallery | ||||
Manila Bay Sunset | Painting | Oil on Canvas | 82 cm x 121 cm | 1922 | Fernando Amorsolo | Leon Gallery | ||||
Untitled (c) | Sketch | Mimeograph | 20 cm x 17 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Nude Series (a) | Painting | 29 cm x 22 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude Series (b) | Painting | 29 cm x 22 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude Series (c) | Painting | 29 cm x 22 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Untitled (d) | Sketch | Ink on Paper | 36 cm x 27 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Unattentive Student in a Classroom | Sketch | Ink on Paper | 36 cm x 27 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Study of a Mother and Child | Painting | Oil on Canvas | 20 cm x 18 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Woman in a Terno | Painting | Oil on Canvas | 84 cm x 64 cm | 1958 | Fernando Amorsolo | Leon Gallery | ||||
Barrio Scene | Painting | Oil on Canvas | 30 cm x 41 cm | 1970 | Fernando Amorsolo | Leon Gallery | ||||
Lady | Painting | 19 cm x 25 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
A Portrait of Henry Schradieck (a) | Painting | Oil on Canvas | 36 cm x 28 cm | 1935 | Fernando Amorsolo | Leon Gallery | ||||
A Portrait of Henry Schradieck (b) | Painting | Oil on Canvas | 46 cm x 36 cm | 1937 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Man (c) | Painting | Oil on Canvas | 41 cm x 30 cm | 1960 | Fernando Amorsolo | Leon Gallery | ||||
Portrait of a Woman (c) | Painting | Oil on Canvas | 50 cm x 39 cm | 1951 | Fernando Amorsolo | Leon Gallery | ||||
A Portrait of Henry Schradieck’s Wife | Painting | Oil on Canvas | 36 cm x 28 cm | 1936 | Fernando Amorsolo | Leon Gallery | ||||
Nude I | Etching | 30 cm x 20 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude II | Etching | 30 cm x 20 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Nude III | Etching | 20 cm x 30 cm | undated | Fernando Amorsolo | Leon Gallery | |||||
Burning of the Idols (b) | Lithograph | 30 cm x 46 cm | 1958 | Fernando Amorsolo | Leon Gallery | |||||
Untitled 1 (b) | Sketch | Pencil on Paper | 25 cm x 18 cm | 1952 | Fernando Amorsolo | Leon Gallery | ||||
Untitled W | Painting | Pencil on Paper | 15 cm x 24 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Nude, Seated (a) | Painting | undated | Fernando Amorsolo | Leon Gallery | ||||||
Nude, Standing (b) | Painting | undated | Fernando Amorsolo | Leon Gallery | ||||||
Untitled (e) | Sketch | Pencil on Paper | 23 cm x 17 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Untitled (f) | Sketch | Pencil on Paper | 30 cm x 23 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Untitled (g) | Sketch | Pencil on Paper | 20 cm x 27 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Untitled (h) | Painting | Oil on Canvas | 23 cm x 25 cm | undated | Fernando Amorsolo | Leon Gallery | ||||
Nude (d) | Lithograph | 20 cm x 28 cm | 1919 | Fernando Amorsolo | Leon Gallery | |||||
Portrait of a Lady (d) | Painting | Watercolor on Paper | 30 x 24 cm | 1932 | Fernando Amorsolo | Leon Gallery | ||||
Untitled (Girl in White) | Painting | 1951 | Fernando Amorsolo | Salcedo Auctions | CONNOISSEUR COLLECTION: Fine and Decorative Arts, Wines, and Timepieces | |||||
Pair of female nudes | Lithographs | 25.5 x 20.5 cm | 1919 | Fernando Amorsolo | Salcedo Auctions | |||||
Sabungero (c) | Painting | Oil on Canvas | 37.5 x 47.6 cm | undated | Fernando Amorsolo | Salcedo Auctions | ||||
Women Bathing by the Stream | Painting | Oil on Canvas | 48.5 x 64.5 cm | 1947 | Fernando Amorsolo | Salcedo Auctions | ||||
Under the Mango Tree (i) | Painting | Oil on Board | 44 x 64.5 cm | 1941 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Female Nude) | Painting | Oil on Canvas | 49.8 x 39.8 cm | 1965 | Fernando Amorsolo | Salcedo Auctions | ||||
Nude (e) | Painting | Oil on Canvas | 40 x 30 cm | 1959 | Fernando Amorsolo | Salcedo Auctions | ||||
War Ruins | Painting | Oil on Board | 31.4 x 39 cm | 1945 | Fernando Amorsolo | Salcedo Auctions | ||||
The Stream | Painting | Oil on Canvas | 65.5. x 48 cm | 1928 | Fernando Amorsolo | Salcedo Auctions | ||||
Las Lavanderas | Painting | Oil on Canvas | 57 x 82.5 cm | 1956 | Fernando Amorsolo | Salcedo Auctions | ||||
Early Traders | Painting | Oil on Canvas | 52 x 73 cm | 1959 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Female Nude with Butterfly) | Lithograph | 33 x 40.6 cm | circa 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
Untitled (Female Seated Nude) | Lithograph | 33 x 40.6 cm | circa 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
Untitled (Woman in Terno) | Painting | Oil on Canvas | 80 x 64 cm | 1947 | Fernando Amorsolo | Salcedo Auctions | ||||
Dalagang Bukid | Painting | Oil on Canvas | 85 x 59.5 cm | 1958 | Fernando Amorsolo | Salcedo Auctions | ||||
Young Filipina on a Carabao | Painting | Oil on Canvas | 29.5 x 40 cm | 1938 | Fernando Amorsolo | Salcedo Auctions | ||||
Manila Bay (b) | Painting | Oil on Canvas | 50 x 65 cm | 1958 | Fernando Amorsolo | Salcedo Auctions | ||||
Sunday Morning Going to Town | Painting | Oil on Canvas | 40 x 54.7 cm | 1946 | Fernando Amorsolo | Salcedo Auctions | ||||
Churchyard in Summer | Painting | Oil on Canvas | 32 x 45 cm | 1964 | Fernando Amorsolo | Salcedo Auctions | ||||
Landscape with Igorots | Painting | Oil on Board | 25 x 36.3 cm | 1940 | Fernando Amorsolo | Salcedo Auctions | ||||
Planting Rice (c) | Painting | Oil on Canvas | 49 x 69.5 cm | 1961 | Fernando Amorsolo | Salcedo Auctions | ||||
Explosion | Painting | Oil on Canvas | 33 x 23.5 cm | 1944 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Woman in the Kitchen) | Painting | Oil on Canvas | 44 x 34 cm | 1940 | Fernando Amorsolo | Salcedo Auctions | ||||
A lot of two lithographs of female nudes (a) | Lithograph | 30.5 x 20 cm | undated | Fernando Amorsolo | Salcedo Auctions | |||||
A lot of two lithographs of female nudes (b) | Lithograph | 34 x 24 cm | undated | Fernando Amorsolo | Salcedo Auctions | |||||
Untitled (Nude) (a) | Lithograph | 23.5 x 31 cm | undated | Fernando Amorsolo | Salcedo Auctions | |||||
Untitled (Nude) (b) | Lithograph | 28 x 18 cm | undated | Fernando Amorsolo | Salcedo Auctions | |||||
Maria Makiling | Painting | Oil on masonite | 37 x 59.8 cm | 1947 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (i) | Etching | 4 1/3 x 5 1/2 in | undated | Fernando Amorsolo | Salcedo Auctions | |||||
Untitled (j) | Etching | 4 1/3 x 5 1/2 in | undated | Fernando Amorsolo | Salcedo Auctions | |||||
Departure of the Fishermen | Painting | Oil on Canvas | 61 x 76.2 cm | 1952 | Fernando Amorsolo | Salcedo Auctions | ||||
Cooking Lady | Painting | Oil on Canvas | 39.5 x 49.5 cm | 1959 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (k) | Painting | Watercolor on Paper | 16 x 22 cm | 1934 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Nude) (c) | Sketch | Etching | 19 x 25.4 cm | undated | Fernando Amorsolo | Salcedo Auctions | ||||
Boat on Water's Edge | Painting | Oil on Canvas | 43.5 x 60 cm | 1951 | Fernando Amorsolo | Salcedo Auctions | ||||
Ruins of a Squared Building | Sketch | Pencil on Paper | 17 x 24 cm | undated | Fernando Amorsolo | Salcedo Auctions | ||||
Marikina Valley | Painting | Oil on Canvas | 70 x 89 cm | 1946 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Lavandera) | Painting | Oil on Canvas | 45 x 35 cm | 1958 | Fernando Amorsolo | Salcedo Auctions | ||||
Nude (f) | Sketch | Monoprint | 25.4 x 20.3 cm | undated | Fernando Amorsolo | Salcedo Auctions | ||||
Sunrise | Painting | Oil on Canvas | 53.3 x 39.4 cm | 1958 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Women Cooking) | Painting | Oil on Canvas | 34.3 x 44.5 cm | 1955 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Farm House) | Painting | Oil on Canvas | 50.8 x 91.4 cm | 1935 | Fernando Amorsolo | Salcedo Auctions | ||||
A pair of nude etchings (a) | Etching | 27.9 x 35.5 cm | 1920 | Fernando Amorsolo | Salcedo Auctions | |||||
A pair of nude etchings (b) | Etching | 35.5 x 27.9 cm | 1920 | Fernando Amorsolo | Salcedo Auctions | |||||
Portrait of an Old Lady | Painting | Oil on Canvas | 33.2 x 23.5 cm | 1941 | Fernando Amorsolo | Salcedo Auctions | ||||
Man and Carabao Near Ruins at Sunset | Painting | Oil on Canvas | 31.4 x 47.7 cm | 1948 | Fernando Amorsolo | Salcedo Auctions | ||||
Carabao Cart in Arayat | Painting | Oil on Canvas | 40 x 50 cm | 1946 | Fernando Amorsolo | Salcedo Auctions | ||||
Fisherman at Sunset | Painting | Oil on Canvas | 86 x 55 cm | 1955 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (l) | Painting | Oil on Canvas | 85.5 x 60 cm | 1961 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Sunday Morning Going to Town) | Painting | Oil on Canvas | 50 x 66 cm | 1942 | Fernando Amorsolo | Salcedo Auctions | ||||
A set of 10 Nude Etchings (a) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
A set of 10 Nude Etchings (b) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
A set of 10 Nude Etchings (c) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
A set of 10 Nude Etchings (d) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
A set of 10 Nude Etchings (e) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
A set of 10 Nude Etchings (f) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
A set of 10 Nude Etchings (g) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
A set of 10 Nude Etchings (h) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
A set of 10 Nude Etchings (i) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
A set of 10 Nude Etchings (j) | Etching | 28 x 43.2 cm | 1920s | Fernando Amorsolo | Salcedo Auctions | |||||
Untitled (Nude Woman) | Painting | Lithograph | 29 x 21.5 cm | undated | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Filipino Woman in Mestiza Dress) | Painting | Oil on Canvas | 40 x 30 cm | 1954 | Fernando Amorsolo | Salcedo Auctions | ||||
Baguio | Painting | Oil on Canvas | 32 x 29 cm | 1932 | Fernando Amorsolo | Salcedo Auctions | ||||
A lot of 11 lithographic prints (a) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (b) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (c) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (d) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (e) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (f) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (g) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (h) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (i) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (j) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
A lot of 11 lithographic prints (k) | Lithograph | undated | Fernando Amorsolo | Salcedo Auctions | ||||||
Still Life of a Doll | Painting | 56 x 76 cm | 1965 | Fernando Amorsolo | Salcedo Auctions | |||||
Landscape with Building | Sketch | Pencil on Paper | 21 x 29.5 cm | undated | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (Coconut Farmers) | Painting | Watercolor on Paper | 17.5 x 25.5 cm | 1956 | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (m) | Painting | Watercolor on Paper | 17.5 x 26.5 cm | 1950 | Fernando Amorsolo | Salcedo Auctions | ||||
Portrait of a Woman (d) | Painting | Oil on Canvas | 36.5 x 46.5 cm | 1941 | Fernando Amorsolo | Salcedo Auctions | ||||
A lot of 2 lithographs (a) | Lithograph | 20.5 x 25.5 cm | undated | Fernando Amorsolo | Salcedo Auctions | |||||
A lot of 2 lithographs (b) | Lithograph | 20.5 x 25.5 cm | undated | Fernando Amorsolo | Salcedo Auctions | |||||
Lady in the Garden | Sketch | Graphite on Paper | 14.5 x 21.5 cm | undated | Fernando Amorsolo | Salcedo Auctions | ||||
Untitled (n) | Offset lithograph | 24 x 19 cm | undated | Fernando Amorsolo | Salcedo Auctions | |||||
Main Altar Baras Church | Painting | Watercolor on Paper | 38 cm x 28 cm | 1955 | Carlos V. Francisco | Leon Gallery | ||||
Philippine Saga | Painting | Watercolor on Paper | 38 cm x 102 cm | 1950s | Carlos V. Francisco | Leon Gallery | ||||
First Mass in Limasawa (Study) | Painting | Watercolor on Paper | 33 cm x 64 cm | 1965 | Carlos V. Francisco | Leon Gallery | ||||
Untitled (a) | Painting | Oil on Board | 43 cm x 56 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
The Nose Flute | Painting | oil on double canvas | 121 cm x 182 cm | 1955 | Carlos V. Francisco | Leon Gallery | ||||
Manuel Conde in Vende Cristo Movie Poster | Poster | Mixed Media | 26 cm x 22 cm | 1952 | Carlos V. Francisco | Leon Gallery | ||||
Study for Camote Diggers | Sketch | Pencil on Paper | 36 cm x 42 cm | 1966 | Carlos V. Francisco | Leon Gallery | ||||
Wawa, Angono Rizal | Painting | Oil on Canvas | 53 cm x 71 cm | 1963 | Carlos V. Francisco | Leon Gallery | ||||
Camote Diggers | Painting | Oil on Canvas | 27 cm x 38 cm | 1963 | Carlos V. Francisco | Leon Gallery | titled and dedicated "to my friend Tony Kayanan, in admiration, Botong Francisco" | |||
Kalantiao at Lubluban | Painting | Oil on Canvas | 107 cm x 70 cm | 1945 | Carlos V. Francisco | Leon Gallery | ||||
Lazaro | Painting | Watercolor on Paper | 30 cm x 23 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Landscape (a) | Painting | Oil on Board | 48 cm x 64 cm | 1944 | Carlos V. Francisco | Leon Gallery | ||||
Untitled (b) | Sculpture | molave | 85 cm x 47 cm x 58 cm | 1965 | Carlos V. Francisco | Leon Gallery | ||||
Untitled (c) | Painting | Watercolor on Paper | 34 cm x 28 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Harana (print) | Painting | 39 cm x 36 cm | undated | Carlos V. Francisco | Leon Gallery | |||||
Dreamer's Catch #2 | Painting | Acrylic on Canvas | 122 cm x 61 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Mango Pickers | Painting | Watercolor on Paper | 23.5 x 33.5 cm | 1950 | Carlos V. Francisco | Salcedo Auctions | ||||
A LOT OF 5 PHILIPPINE ART PRINTS (BOTONG FRANCISCO) | 217 x 96 x 4.5 cm | undated | Carlos V. Francisco | Salcedo Auctions | ||||||
Philippine Folk Dances | Sculpture | Narra | 217 x 96 x 4.5 cm | undated | Carlos V. Francisco | Salcedo Auctions | ||||
Untitled (Warrior) | Painting | Watercolor on bristol board | 43.2 x 30.5 cm | undated | Carlos V. Francisco | Salcedo Auctions | ||||
Bernardo Carpio (a) | Painting | Ink and Gouche on Bristol Board | 41 cm x 28 cm | undated | Carlos V. Francisco | Mutual Art | ||||
Harana | Painting | Oil on Canvas | 71 cm x 97 cm | undated | Carlos V. Francisco | Mutual Art | ||||
Lakeside Cook | Painting | undated | Carlos V. Francisco | Mutual Art | ||||||
Untitled (d) | Offset lithographic reproduction | 23.5 x 23.5 cm | undated | Carlos V. Francisco | Mutual Art | |||||
Mangkukulam | Painting | Watercolor | 30 cm x 41 cm | undated | Carlos V. Francisco | Mutual Art | ||||
Diwata (The Diwata giving fortune to the man, winning the lottery) | Painting | Watercolor on Paper | 17in x 10 1/2in | undated | Carlos V. Francisco | Mutual Art | ||||
Barrio Salu-salo | Lithograph | 28 x 27 cm | undated | Carlos V. Francisco | Mutual Art | |||||
Barrio Singers | Serigraph | 25 cm x 24 cm | undated | Carlos V. Francisco | Mutual Art | |||||
Last Supper | Painting | Oil on Canvas | 47 x 122 cm | undated | Carlos V. Francisco | Mutual Art | ||||
Mural Study | Painting | Watercolor on Paper | 28 cm x 46 cm | undated | Carlos V. Francisco | Mutual Art | ||||
Bernardo Carpio (b) | Painting | Watercolor on Paper | 14” x 9” | undated | Carlos V. Francisco | Mutual Art | ||||
Tikbalang (a) | Painting | Watercolor on Paper | 11” x 16” | 1950 | Carlos V. Francisco | Mutual Art | ||||
Untitled (e) | Serigraph | 9.75 x 11.25 in | undated | Carlos V. Francisco | Mutual Art | |||||
Tikbalang (b) | Painting | Watercolor on Paper | 16” x 10 1/2” | undated | Carlos V. Francisco | Mutual Art | ||||
Nuno sa punso | Painting | Watercolor on Paper | 16” x 10 1/2” | undated | Carlos V. Francisco | Mutual Art | ||||
Arnis de Mano | Serigraph | 25 x 25 cm | undated | Carlos V. Francisco | Mutual Art | |||||
Untitled (f) | Mixed Media on paper | 25 cm x 24 cm | undated | Carlos V. Francisco | Mutual Art | |||||
Untitled (g) | Carving | wood | 68 x 157 x 3 cm | undated | Carlos V. Francisco | Mutual Art | ||||
Untitled (h) | Painting | Watercolor on Paper | 43 cm x 36 cm | undated | Carlos V. Francisco | Mutual Art | ||||
Doors (2 panels) | Carving | wood | 208.3 x 180.3 x 5 cm | undated | Carlos V. Francisco | |||||
Romeo at Julieta | Painting | Oil on Canvas | 28 cm x 36 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Bugan and Aliguyon | Painting | Oil on Canvas | 64 cm x 48 cm | 1930s-1940s | Carlos V. Francisco | Leon Gallery | ||||
Untitled (i) | 25 cm x 25 cm | undated | Carlos V. Francisco | Leon Gallery | ||||||
Untitled (j) | undated | Carlos V. Francisco | Leon Gallery | |||||||
Untitled 1 | 25 cm x 30 cm | undated | Carlos V. Francisco | Leon Gallery | ||||||
Untitled 2 | 25 cm x 30 cm | undated | Carlos V. Francisco | Leon Gallery | ||||||
Madonna of the Bamboos | Carving | Wood | 214 cm x 81 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Lakeside Cooks (serigraph) | Serigraph | 26 cm x 26 cm | undated | Carlos V. Francisco | Leon Gallery | |||||
Harana (serigraph) | Serigraph | 29 cm x 27 cm | undated | Carlos V. Francisco | Leon Gallery | |||||
Fiesta (serigraph) | Serigraph | undated | Carlos V. Francisco | Leon Gallery | ||||||
Family (serigraph) | Serigraph | 33 cm x 28 cm | undated | Carlos V. Francisco | Leon Gallery | |||||
Indak-indak | Painting | Watercolor on Paper | 25 x 35.5 cm | 1948 | Carlos V. Francisco | Salcedo Auctions | ||||
Untitled (Band) | Serigraphs A/P with Watercolor | 23 x 26 cm | 1956 | Carlos V. Francisco | Salcedo Auctions | |||||
Untitled (Folk Dance) | Serigraphs A/P with Watercolor | 23 x 26 cm | 1956 | Carlos V. Francisco | Salcedo Auctions | |||||
The Lady in Maria Clara Playing the Harp | Painting | Watercolor on Paper | 23.5 x 20 cm | undated | Carlos V. Francisco | Salcedo Auctions | ||||
Untitled (k) | Sketch | Charcoal on Paper | 43 cm x 69 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Baras Church | Painting | Watercolor on Paper | 28 cm x 37 cm | 1955 | Carlos V. Francisco | Leon Gallery | ||||
The Virgin of Antipolo | Painting | Oil on Canvas | 183 cm x 122 cm | 1950 | Carlos V. Francisco | Leon Gallery | ||||
Dama | 28 x 28 cm | undated | Carlos V. Francisco | Leon Gallery | ||||||
Untitled (l) | Sketch | Charcoal on Paper | undated | Carlos V. Francisco | Leon Gallery | |||||
Fiestas and Myths | Carving | Narra | 48 cm x 57 cm | 1960 | Carlos V. Francisco | Leon Gallery | ||||
Study for a Mural | Sketch | Pencil on Paper | 23 cm x 67 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Untitled, (Pista ng Angono, The Fiesta of Angono) | Painting | Oil on Canvas | 51 cm x 76 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Gethsemane | Painting | Oil on Canvas | 82 cm x 71 cm | 1958 | Carlos V. Francisco | Salcedo Auctions | ||||
Detail No.1 | Painting | Watercolor on Paper | 45 cm x 31 cm | 1953 | Carlos V. Francisco | Leon Gallery | ||||
Tikbalang (c) | Painting | Watercolor on Paper | 31 cm x 31 cm | 1960 | Carlos V. Francisco | Leon Gallery | ||||
Courtesan | Painting | Watercolor on Paper | 42 cm x 24 cm | 1990 | Carlos V. Francisco | Leon Gallery | ||||
Landscape (b) | Painting | Oil on Canvas | 25 cm x 36 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Bahay Kubo | Sketch | Pencil on Paper | 34 cm x 55 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
Bayanihan | Sketch | Charcoal on Paper | 34 cm x 50 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
First Mass at Limasawa (study) | Painting | Watercolor | 33 cm x 63.5 cm | 1965 | Carlos V. Francisco | Leon Gallery | ||||
Village Scene | Painting | Oil on Canvas laid on board | 35.5 by 60.5 cm | 1968 | Carlos V. Francisco | Sotheby's, Singapore | ||||
Untitled (Fiesta with Higantes, Angono in Rizal Philippines) | Painting | Watercolor on Paper | 46 cm x 41 cm | 1958 | Carlos V. Francisco | Christie's, Hong Kong | Inscribed and dated 'To my dear friend BAg Ang, CARLOS, V. Inanigeos, June 58' | |||
24 Works: Male with Horse | Sketch | Pencil on Paper | 17 cm x 12 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Vendors | Sketch | Pencil on Paper | 17 cm x 12 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Female Vendors | Sketch | Pencil on Paper | 20 cm x 13 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Trees | Sketch | Pencil on Paper | 32 cm x 21 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Vendors | Sketch | Pencil on Paper | 23 cm x 32 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Houses | Sketch | Pencil on Paper | 22 cm x 27 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Study | Sketch | Pencil on Paper | 22 cm x 27 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Movie Poster | Poster | 22 cm x 29 cm | undated | Carlos V. Francisco | Leon Gallery | |||||
24 Works: Study | Sketch | Pencil on Paper | 27 cm x 21 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Sleeping Male | Sketch | Pencil on Paper | 11 cm x 18 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Study | Sketch | Pencil on Paper | 29 cm x 41 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Man and Carabao | Sketch | Pencil on Paper | 15 cm x 15 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Mandarin Production #3 | Sketch | Pencil on Paper | 30 cm x 18 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Musket 15 Century | Sketch | Pencil on Paper | 18 cm x 28 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Chinese Man | Sketch | Watercolor on Paper | 37 cm x 18 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Study | Sketch | Mixed Media | 27 cm x 21 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: History of the World | Sketch | Pencil on Paper | 27 cm x 21 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: 3 Men | Sketch | Pencil on Paper | 19 cm x 13 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Barrio Scene | Sketch | Pencil on Paper | 18 cm x 25 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Study | Sketch | Pencil on Paper | 23 cm x 32 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Ifugao | Sketch | Pencil on Paper | 27 cm x 21 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Two tribes | Sketch | Pencil on Paper | 27 cm x 21 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Study | Sketch | Pencil on Paper | 22 cm x 27 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
24 Works: Study | Sketch | Pencil on Paper | 23 cm x 29 cm | undated | Carlos V. Francisco | Leon Gallery | ||||
The Harvest Festival | Wood carving | Narra | 75.5 cm × 164.5 cm | 1965 | Carlos V. Francisco | Mutual Art | ||||
Magpupukot (Pulling in the net) | Painting | Oil on Canvas | 91.5 cm x 139.5 cm | undated | Carlos V. Francisco | Mutual Art | ||||
Philippine Folk Dances (Cañao) | Wood carving | Narra with stand | 98 1/2 in x 50 1/4 in x 42 1/4 in | 1968 | Carlos V. Francisco | Mutual Art | ||||
Philippine Folk Dances (Singkil) | Wood carving | Narra with stand | 98 1/2 in x 50 1/4 in x 42 1/4 in | 1968 | Carlos V. Francisco | Mutual Art | ||||
Untitled (a) | Sculpture | Wood | 40.2 cm x 31 cm x 14.3 cm | 1979 | Napoleon V. Abueva | Salcedo Auctions | ||||
Transfiguration | Sculpture | Cast metal 16/20 | 40.5 x 26 x 12 cm | 1992 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Sleeping Infant) | Sculpture | Bronze on Resin | 60 x 52 x 37.5 x 9.5 cm | 1997 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Mother and Child) | Sculpture | Volcanic Stone | 27 x 11 x 8 cm | 1971 | Napoleon V. Abueva | Salcedo Auctions | ||||
King Solomon's Chair | Furniture (Chair) | Narra and stainless steel | 98.43 x 109.86 x 74.30 cm | 2007 | Napoleon V. Abueva | Salcedo Auctions | ||||
Nude | Sketch | Pen on kraft paper | 19.2 x 29.6 cm | 1970 | Napoleon V. Abueva | Salcedo Auctions | ||||
A medallion with wood stand | undated | Napoleon V. Abueva | Salcedo Auctions | |||||||
Sanggol Series | Sculpture | Wood | 30.4 x 29.2 cm | 2007 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Study of Foot) | Sculpture | Wood | 13 x 6 3/4 x 3 1/2 in | 1965 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Man) | Sculpture | Wood | 30 x 25 cm | 1999 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Doves) | Sculpture | Marble | 16 x 36 x 24 cm | 1977 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (b) | Sculpture | Wood | 55 x 16.3 x 22.5 cm | 1975 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (c) | Sculpture | Wood | 42 x 14.7 x 15.3 cm | undated | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (d) | Sculpture | Resin | 36 x 19 x 14 cm | undated | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (e) | Sculpture | Wood | 48 x 16 x 18 cm | 2010 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (f) | Sculpture | Wood | 51 x 37.7 cm | 1991 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (g) | Sculpture | Steel mounted on wood | 67 x 17.3 x 17.3 cm | 1990 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (h) | Sculpture | Solid brass | 4.5 x 19.5 x 7 cm | 1962 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (i) | Sculpture | Ironwood | 30.5 x 100 cm | 1986 | Napoleon V. Abueva | Salcedo Auctions | ||||
Sanctuario Estudiar | Sculpture | Metal mounted on stone | 38.5 x 34 x 24 cm | 1954 | Napoleon V. Abueva | Salcedo Auctions | ||||
A lot of three 'Carabaos' (a) | Sculpture | Wood and casted marble | 6.5 x 42.5 x 28.5 cm | undated | Napoleon V. Abueva | Salcedo Auctions | ||||
A lot of three 'Carabaos' (b) | Sculpture | Wood and casted marble | 7.5 x 31.5 x 11 cm | undated | Napoleon V. Abueva | Salcedo Auctions | ||||
A lot of three 'Carabaos' (c) | Sculpture | Wood and casted marble | 6.5 x 30.5 x 11 cm | undated | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (j) | Sculpture | Marble | 43 x 45 x 42 cm | 1971 | Napoleon V. Abueva | Salcedo Auctions | ||||
Allegorical Abstract | Sculpture | Wood | 139.7 x 76.2 x 4 cm | 1997 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Carabaos) (a) | Sculpture | Wood | 19 x 58 x 21 cm | 1993 | Napoleon V. Abueva | Salcedo Auctions | ||||
Study of Sculpture Installed in Front of the Commission on Audit Building, Quezon City | Sculpture | Wood | 30.5 x 49 cm | 1984 | Napoleon V. Abueva | Salcedo Auctions | ||||
Crucifix | Sculpture | Bronze | 32 x 27 cm | 1967 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Totem) | Sculpture | Wood | 60 x 13 x 5 cm | 1989 | Napoleon V. Abueva | Salcedo Auctions | ||||
Kalabaw (a) | Sculpture | Marble | 13 x 30.5 x 7.5 cm | 1981 | Napoleon V. Abueva | Salcedo Auctions | ||||
Rice Planters (a) | Sculpture | Brass | 23 x 14 x 17 cm | 1993 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Carabao) | Sculpture | Resin mounted on wood | 19 x 14 x 8 cm | 2007 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Descent from the Cross) | Sculpture | Resin | 31 x 21 cm | 2005 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Bench) | Sculpture | Wood | 32 x 183 x 37 cm | 2005 | Napoleon V. Abueva | Salcedo Auctions | ||||
A three-seater bench with planter | Furniture (Chair) | Narra, veneer | 40 x 275 x 58 cm | undated | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (k) | Sculpture | Kamagong | 96.5 x 216 cm | 1986 | Napoleon V. Abueva | Salcedo Auctions | ||||
Carabao (a) | Sculpture | Ceramic | 7.5 x 34.5 x 23 cm | 1980 | Napoleon V. Abueva | Salcedo Auctions | ||||
Mausoleum | Sculpture | Marble | 20 x 25.5 x 18 cm | 1974 | Napoleon V. Abueva | Salcedo Auctions | ||||
Abstract | Sculpture | Wood | 30 x 99 cm | 1982 | Napoleon V. Abueva | Salcedo Auctions | ||||
Carabao (b) | Sculpture | Brass on wooden base | 25.5 x 11.5 x 5 cm | 1962 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Carabaos) (b) | Sculpture | Wood | 40 x 34 x 10 cm | 1981 | Napoleon V. Abueva | Salcedo Auctions | ||||
Study of a Mother | Sketch | Ink on Paper | 19.5 x 13.5 cm | undated | Napoleon V. Abueva | Salcedo Auctions | ||||
Rice Planters (b) | Sculpture | Bronze | 22 x 17 x 14 cm | 1993 | Napoleon V. Abueva | Salcedo Auctions | ||||
Prototype for Philippine Art Awards Trophy | Sculpture | Wood | 60 x 23.5 x 18 cm | 2010 | Napoleon V. Abueva | Salcedo Auctions | ||||
Sanggol Series | Sculpture | Bronze and wood | 51 x 60 x 13 cm | 1997 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (l) | Sculpture | Wood | 27 x 32 cm | 1971 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled Bench | Furniture (Chair) | Wood | 224.7 x 47 x 37 cm | 2005 | Napoleon V. Abueva | Salcedo Auctions | ||||
XIV Station of the Cross | Sculpture | Fiberglass | 100 x 100 cm | 1989 | Napoleon V. Abueva | Salcedo Auctions | ||||
A medallion signed 'Napoleon Abueva' | Brass | 10.5 x 10 cm | undated | Napoleon V. Abueva | Salcedo Auctions | |||||
Rice Planters (c) | Sculpture | Bronze | 25 x 17 x 16 cm | 1993 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (m) | Sculpture | Bronze | 39 x 27 x 11 cm | 1997 | Napoleon V. Abueva | Salcedo Auctions | ||||
Untitled (Carabao) (b) | Sculpture | Marble | 9 x 38 x 12 cm | 1970 | Napoleon V. Abueva | Salcedo Auctions | ||||
Abstract Forms | Sculpture | Steel | 88 cm x 30 cm x 33 cm | 1973 | Napoleon V. Abueva | Leon Gallery | ||||
Untitled (n) | Sculpture | Wood | 218 cm x 116 cm x 5 cm | 1967 | Napoleon V. Abueva | Leon Gallery | ||||
Mother and Child (a) | Sculpture | marble on wood | marble: 42 cm x 23 cm x 24 cm wood: 48 cm x 24 cm x 5 cm | 1974 | Napoleon V. Abueva | Leon Gallery | ||||
Untitled (o) | Sculpture | Wood | 104 cm x 46 cm x 6 cm | undated | Napoleon V. Abueva | Leon Gallery | ||||
Untitled (p) | Sculpture | Wood | 26 cm x 46 cm | 1986 | Napoleon V. Abueva | Leon Gallery | ||||
Untitled (q) | Sculpture | Marble | 43 cm x 13 cm x 9 cm | 1970 | Napoleon V. Abueva | Leon Gallery | ||||
Untitled (r) | Sculpture | Wood | 58 cm x 20 cm x 13 cm | 2003 | Napoleon V. Abueva | Leon Gallery | ||||
Playground | Sculpture | Solid wood | 1977 | Napoleon V. Abueva | Leon Gallery | |||||
Untitled (s) | Sculpture | Wood | 13 cm x 48 cm x 25 cm | 1977 | Napoleon V. Abueva | Leon Gallery | ||||
Untitled (t) | Sculpture | Marble | 28 cm x 18 cm 18 cm | 1974 | Napoleon V. Abueva | Leon Gallery | ||||
Kalabaw (b) | Sculpture | Marble | 13 cm x 38 cm x 15 cm | 1971 | Napoleon V. Abueva | Leon Gallery | ||||
Mother and Child (b) | Sculpture | Wood | 43 cm x 25 cm | undated | Napoleon V. Abueva | Leon Gallery | ||||
Untitled (u) | Sculpture | Wood | 44 cm x 65 cm | 1979 | Napoleon V. Abueva | Leon Gallery | ||||
Carabaos (a) | Sculpture | Marble | 8 cm x 33 cm x 28 cm | 1981 | Napoleon V. Abueva | Leon Gallery | ||||
Bench | Furniture (Chair) | Wood | 53 cm x 193 cm x 53 cm | 1978 | Napoleon V. Abueva | Leon Gallery | ||||
Untitled (v) | Sculpture | Wood | 39 cm x 71 cm | 1992 | Napoleon V. Abueva | Leon Gallery | ||||
Portrait of a Woman | Painting | Oil on Canvas | 1960 | Victorio C. Edades | Leon Gallery | |||||
Ikebana | Painting | oil on masonite board | 69 cm x 58 cm | 1971 | Victorio C. Edades | Leon Gallery | ||||
Sacadas | Painting | Oil on Canvas | 61 cm x 71 cm | 1971 | Victorio C. Edades | Leon Gallery | ||||
Untitled (a) | Painting | Oil on Canvas | 61 cm x 51 cm | 1930 | Victorio C. Edades | Leon Gallery | ||||
Landscape | Painting | Oil on Canvas | 61 cm x 46 cm | 1969 | Victorio C. Edades | Leon Gallery | ||||
Nude (a) | Sketch | Pastel on Paper | 29 cm x 43 cm | 1973 | Victorio C. Edades | Leon Gallery | ||||
Una Guapa | Painting | Oil on Canvas | 72 cm x 65 cm | undated | Victorio C. Edades | Leon Gallery | ||||
Untitled (b) | Painting | Oil on Canvas | 23 cm x 38 cm | 1980 | Victorio C. Edades | Leon Gallery | ||||
Untitled (c) | Painting | Oil on Canvas | 23 cm x 38 cm | 1980 | Victorio C. Edades | Leon Gallery | ||||
Untitled (d) | Painting | Oil on Canvas | 23 cm x 38 cm | 1980 | Victorio C. Edades | Leon Gallery | ||||
Untitled (e) | Painting | Oil on Canvas | 23 cm x 44 cm | 1979 | Victorio C. Edades | Leon Gallery | ||||
The Lady in Maria Clara | Painting | Oil on Canvas | 140 cm x 102 cm | 1971 | Victorio C. Edades | Leon Gallery | ||||
Esther's Two Profiles | Painting | oil on masonite board | 65 cm x 72 cm | 1965 | Victorio C. Edades | Leon Gallery | ||||
Camille | Painting | Oil on Canvas | 47 cm x 41 cm | 1983 | Victorio C. Edades | Leon Gallery | ||||
Untitled (f) | Painting | Watercolor on Paper | 30 cm x 30 cm | 1968 | Victorio C. Edades | Leon Gallery | ||||
The Happy Bride | Painting | Watercolor on Paper | 34 cm x 25 cm | 1976 | Victorio C. Edades | Leon Gallery | ||||
Untitled (By the Sea) | Painting | Oil on Canvas | 46 cm x 56 cm | 1981 | Victorio C. Edades | Leon Gallery | ||||
Portrait | Sketch | Charcoal on Paper | 64 cm x 47 cm | 1980 | Victorio C. Edades | Leon Gallery | ||||
Mending Nets | Painting | Watercolor on Paper | 28 cm x 37 cm | 1977 | Victorio C. Edades | Leon Gallery | ||||
Untitled (g) | Painting | Oil on Canvas | 46 cm x 56 cm | 1981 | Victorio C. Edades | Leon Gallery | ||||
Nude (b) | Painting | Oil on Canvas | 41 cm x 46 cm | 1980 | Victorio C. Edades | Leon Gallery | ||||
Nude (c) | Sketch | Charcoal on Paper | 69 cm x 46 cm | 1964 | Victorio C. Edades | Leon Gallery | ||||
Forest Path | Painting | Oil on Canvas | 49.5 x 35.5 cm | 1950s | Victorio C. Edades | Salcedo Auctions | Exhibition: "Edades: From Freedom to Fruition," Bulwagang Juan Luna, Cultural Center of the Philippines, 2 December 2011-07 January 2012 | |||
Woman | Painting | Watercolor | 33.5 x 25 cm | undated | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (Female Nude) (a) | Sketch | Charcoal on Paper | 44.5 x 59.5 cm | 1980 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (Seated Female) | Sketch | Charcoal on Paper | 35 x 28 cm | 1974 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (Female Nude) (b) | Sketch | Charcoal on Paper | 29 x 42.5cm | 1974 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (h) | Painting | Oil on Canvas | 69.8 x 58.4 cm | 1975 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (Woman with Garland) | Painting | Oil on Canvas | 59 x 49 cm | 1966 | Victorio C. Edades | Salcedo Auctions | ||||
Davao Landscape | Painting | Oil on masonite | 61.5 x 70.8 cm | 1967 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (i) | Sketch | Charcoal on Paper | 42.5 x 28.8 cm | 1974 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (Workers) | Mixed Media | 56 x 74.5 cm | 1979 | Victorio C. Edades | Salcedo Auctions | |||||
Davao Fruits | Painting | Oil on Canvas | 50 x 61 cm | 1980 | Victorio C. Edades | Salcedo Auctions | ||||
A pair of portraits of Vicente Manansala and his wife (a) | Sketch | Graphite on Paper | 23 x 30.5 cm | 1968 | Victorio C. Edades | Salcedo Auctions | ||||
A pair of portraits of Vicente Manansala and his wife (b) | Sketch | Graphite on Paper | 23 x 30.5 cm | 1968 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (A lady with clasped hands) | Sketch | Charcoal on Paper | 41.5 x 28 cm | 1974 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (Saranggola) | Painting | Oil on Canvas | 25 x 37 cm | 1980 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (Man with Dog) | Painting | Oil on Canvas | 24.5 x 37.5 cm | 1980 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (Boy on Carabao) | Painting | Watercolor on Paper | 33 x 25.5 cm | 1970s | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (Fisherman) | Painting | Oil on Canvas | 44.5 x 60 cm | 1973 | Victorio C. Edades | Salcedo Auctions | ||||
Untitled (a) | Painting | Watercolor | 49.5 x 72 cm | 1969 | Vicente S. Manansala | Salcedo Auctions | ||||
Still Life (a) | Woodcut A/P | 24 x 32 cm | 1957 | Vicente S. Manansala | Salcedo Auctions | |||||
Painting | Oil on Canvas | 53 x 72 cm | 1966 | Vicente S. Manansala | Salcedo Auctions | |||||
Still Life (b) | Woodcut A/P | 42 x 32.5 cm | 1957 | Vicente S. Manansala | Salcedo Auctions | |||||
Untitled (Bamboos) | Painting | India Ink on Paper | 32 x 37 cm | Undated | Vicente S. Manansala | Salcedo Auctions | ||||
Nude Woman (a) | Drawing | Charcoal on Paper | 94 x 63.5 cm | 1972 | Vicente S. Manansala | Salcedo Auctions | ||||
Market Scene (a) | Painting | Oil on Canvas | 91.4 x 91.4 cm | 1969 | Vicente S. Manansala | Salcedo Auctions | ||||
London | Drawing | Graphite on Paper | 58 x 77 cm | 1974 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Taytay) | Painting | Watercolor | 35.5 x 53.5 cm | 1971 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Guadalupe, Makati) | Painting | Oil on Canvas | 29.5 x 39.5 cm | 1946 | Vicente S. Manansala | Salcedo Auctions | ||||
Two Women | Painting | Oil Pastel on Paper | 42 x 30.5 cm | 1974 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Sabungero) | Painting | Gouache on paper | 89.5 x 60 cm | 1965 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Nude in Interior) | Drawing | Charcoal on Paper | 47.5 x 37 cm | 1950 | Vicente S. Manansala | Salcedo Auctions | ||||
Still Life With Fish | Painting | Enamel, oil, and tin strips on masonite | 41.2 x 74 cm | 1958 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Red Cityscape) | Painting | Gouache | 75 x 54.7 cm | 1966 | Vicente S. Manansala | Salcedo Auctions | ||||
Enlightenment | Painting | Oil on Canvas mounted on lawanit | 73.3 x 85 cm | 1966 | Vicente S. Manansala | Salcedo Auctions | ||||
Rooster | Painting | Gouache on paper | 68.6 x 66.1 cm | 1966 | Vicente S. Manansala | Salcedo Auctions | ||||
Nude (a) | Drawing | Pastel on Paper | 60 x 47 cm | 1975 | Vicente S. Manansala | Salcedo Auctions | ||||
Simbang Gabi | Painting | Watercolor | 55.9 x 76.2 cm | 1965 | Vicente S. Manansala | Salcedo Auctions | ||||
Female Nude (a) | Drawing | Charcoal on Paper | 73.5 x 54 cm | 1977 | Vicente S. Manansala | Salcedo Auctions | ||||
Mother & Child | Woodcut | 44.3 x 20.4 cm | Undated | Vicente S. Manansala | Salcedo Auctions | |||||
Female Nude (b) | Sketch | Charcoal on Paper | 75.5 x 51.5 cm | 1974 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Festival Masks) | Painting | Oil on Board | 29 x 21.5 cm | 1947 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Manila Street Scene) | Painting | Oil on Canvas | 50 x 70 cm | 1972 | Vicente S. Manansala | Salcedo Auctions | ||||
Still Life (Sinigang) | Painting | Oil on Canvas | 68 x 78 cm | 1966 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Female Nude) (a) | Sketch | Charcoal on Paper | 33.7 x 49.6 cm | 1976 | Vicente S. Manansala | Salcedo Auctions | ||||
Man with Rooster | Painting | Watercolor | 58.4 x 78.7 cm | 1963 | Vicente S. Manansala | Salcedo Auctions | ||||
A lot of two untitled landscape paintings (a) | Painting | Watercolor | 25.5 x 38 cm | 1957 | Vicente S. Manansala | Salcedo Auctions | ||||
A lot of two untitled landscape paintings (b) | Painting | Watercolor | 25.5 x 38 cm | 1957 | Vicente S. Manansala | Salcedo Auctions | ||||
Fish | Painting | Watercolor | 47 x 67.3 cm | 1960 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Trees) (a) | Painting | Watercolor | 29 x 44 cm | 1970 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Man with Rooster) | Painting | Watercolor | 68 x 54.5 cm | 1960 | Vicente S. Manansala | Salcedo Auctions | ||||
Virgin of Antipolo | Drawing | Oil pastel | 63 x 45 cm | 1975 | Vicente S. Manansala | Salcedo Auctions | ||||
Ecce Homo | Sculpture | Brass sheet metal | 54 x 13.5 x 13.5 cm | 1957 | Vicente S. Manansala | Salcedo Auctions | ||||
Candle Vendors | Painting | Watercolor | 55 x 75.5 cm | 1977 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Female Nude) (b) | Sketch | Charcoal on Paper | 56 x 44 cm | 1957 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Female Nude) (c) | Sketch | Charcoal on Paper | 49 x 31 cm | 1973 | Vicente S. Manansala | Salcedo Auctions | ||||
Mother and Child (a) | Painting | Watercolor | 52.5 x 74.5 cm | 1964 | Vicente S. Manansala | Salcedo Auctions | ||||
Mother and Child (b) | Painting | Watercolor | 40.6 x 55.9 cm | 1967 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Two Carabaos) | Woodcut 3/24 | 33 x 66 cm | Undated | Vicente S. Manansala | Salcedo Auctions | |||||
Houses (Mandaluyong) | Painting | Watercolor | 52.5 x 73.5 cm | 1971 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Trees) (b) | Painting | Watercolor on Paper | 50 x 71 cm | 1972 | Vicente S. Manansala | Salcedo Auctions | ||||
Trees | Painting | Watercolor | 29 x 44 cm | 1970 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Trees) (c) | Painting | Watercolor on Paper | 48.3 x 71.1 cm | 1970 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Paris) | Painting | Oil on Wood | 45 3/4 x 54 cm | 1950 | Vicente S. Manansala | Salcedo Auctions | ||||
Sabungero | Painting | Watercolor | 78.7 x 58.4 cm | 1959 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Vendors) | Serigraph 154/226 | 34.7 x 34.7 cm | Undated | Vicente S. Manansala | Salcedo Auctions | |||||
Untitled (Nude) (a) | Sketch | Charcoal on Paper | 40.6 cm x 27.9 | 1976 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Nude) (b) | Sketch | Charcoal on Paper | 40.6 cm x 27.9 | 1976 | Vicente S. Manansala | Salcedo Auctions | ||||
Mother and Child (c) | Painting | Oil on Canvas | 83.8 x 100.3 cm | 1980 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (b) | Painting | Watercolor on Paper | 24 x 30.4 cm | 1981 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Fish Vendors) (a) | Serigraph 7/346 | 28 x 23.5 cm | 1971 | Vicente S. Manansala | Salcedo Auctions | |||||
Untitled (Fish Vendors) (b) | Serigraph, Studio proof 5/14 | 33.25 x 33 cm | Undated | Vicente S. Manansala | Salcedo Auctions | |||||
Study of the Ten Foolish Virgins | Sketch | Crayon on paper | 43.2 x 27.9 cm | 1950 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Mother and Child) | Serigraph | 13.9 x 13.9 cm | 1970 | Vicente S. Manansala | Salcedo Auctions | |||||
Untitled (c) | Mixed media | 14 x 50 cm | 1951 | Vicente S. Manansala | Salcedo Auctions | |||||
Mother and Child (d) | Painting | Oil on Canvas | 75 x 56 cm | 1976 | Vicente S. Manansala | Salcedo Auctions | ||||
Maria Makiling | Painting | Watercolor | 33 x 53.3 cm | 1966 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (d) | Screen Print on capiz 473/500 | 13 x 30.5 cm | Undated | Vicente S. Manansala | Salcedo Auctions | |||||
Untitled (Farm House) | Painting | Watercolor | 37.5 x 45 cm | 1964 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Landscape) (b) | Painting | Watercolor | 29.2 x 39.4 cm | Undated | Vicente S. Manansala | Salcedo Auctions | ||||
A pair of folk genre scenes | Serigraph | 27 x 24 cm | Undated | Vicente S. Manansala | Salcedo Auctions | |||||
Untitled (e) | Serigraph A/P | 27 x 24 cm | Undated | Vicente S. Manansala | Salcedo Auctions | |||||
Masaganang Ani (From the IRRI mural series) | Giclee Print on canvas 9/25 | 46 x 151 cm | Undated | Vicente S. Manansala | Salcedo Auctions | |||||
Still Life with Fish and Watermelon | Painting | Watercolor | 36.2 x 26.7 cm | 1977 | Vicente S. Manansala | Salcedo Auctions | ||||
Still Life with Jar and Fish | Painting | Watercolor | 36.2 x 26.7 cm | 1977 | Vicente S. Manansala | Salcedo Auctions | ||||
Still Life with Watermelon and Mangoes | Painting | Watercolor | 36.2 x 26.7 cm | 1977 | Vicente S. Manansala | Salcedo Auctions | ||||
Still Life with Prawns and Tomatoes | Painting | Watercolor | 36.2 x 26.7 cm | 1977 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Landscape) (c) | Painting | Watercolor | 24.8 x 36.8 cm | 1977 | Vicente S. Manansala | Salcedo Auctions | ||||
Binangonan (a) | Painting | Watercolor | 53 x 74.5 cm | 1976 | Vicente S. Manansala | Salcedo Auctions | ||||
Nude (b) | Sketch | Charcoal on Paper | 41.5 x 33 cm | Undated | Vicente S. Manansala | Salcedo Auctions | ||||
Guadalupe | Painting | Oil on Canvas | 56 x 41 cm | 1955 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (f) | Serigraph 92/226 | 34.7 x 34.7 cm | Undated | Vicente S. Manansala | Salcedo Auctions | |||||
Untitled (Paris Metro) | Painting | Watercolor on Paper | 28.7 x 39 cm | 1950s | Vicente S. Manansala | Salcedo Auctions | ||||
My Princess | Sketch | Pencil and Pastel on Paper | 60 x 45 cm | 1948 | Vicente S. Manansala | Salcedo Auctions | ||||
Quiapo | Painting | Oil on Board | 50 x 61 cm | 1953 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Nude) (c) | Sketch | India Ink on Paper | 34 x 25 cm | 1967 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (g) | Painting | Watercolor and Ink on Paper | 60 x 99 cm | 1965 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (h) | Painting | Acrylic and poster paint on paper | 47 x 61 cm | Undated | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Detail of ‘Le Tour d’ Eiffel’) | Painting | Watercolor on Paper | 35.5 x 25 cm | 1953 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Nude) (d) | Sketch | Charcoal on Paper | 34 x 29 cm | 1974 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (i) | Sketch | Ink on Paper | 21 x 28 cm | 1965 | Vicente S. Manansala | Salcedo Auctions | ||||
Houses on a Cliff | Painting | Watercolor on Paper | 25.5 x 35 cm | 1951 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (j) | Painting | Watercolor | 30 x 40 cm | 1967 | Vicente S. Manansala | Salcedo Auctions | ||||
ESTATE OF VICENTE MANANSALA | Giclee Print on canvas 10/25 | 46 x 151 cm | 1962 | Vicente S. Manansala | Salcedo Auctions | |||||
Bahay Kubo (a) | Painting | Watercolor on Paper | 36 x 53 cm | 1975 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Nude) (e) | Sketch | Charcoal on Paper | 26.5 x 41.5 cm | 1974 | Vicente S. Manansala | Salcedo Auctions | ||||
Market Scene (b) | Painting | Pastel on Paper | 59 x 43 cm | 1974 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Portrait) | Drawing | Charcoal on Paper | 50 x 40 cm | 1946 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Gesture) | Painting | Pastel on Paper | 64 x 48 cm | 1963 | Vicente S. Manansala | Salcedo Auctions | ||||
Portrait of a Lady | Sketch | Pen and Ink on Paper | 32.5 x 24 cm | 1951 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (k) | Painting | Watercolor on Paper | 9 1/2 x 13 1/2 in | 1967 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (l) | Painting | Watercolor on Paper | 53 x 35.5 cm | 1971 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Still Life with Fruits) | Painting | Watercolor on Paper | 61 x 91 cm | 1965 | Vicente S. Manansala | Salcedo Auctions | ||||
Sabungero (a) | Woodblock 18/27 | 99 x 40.5 cm | 1981 | Vicente S. Manansala | Salcedo Auctions | |||||
Crucifixion (b) | Painting | Watercolor on Paper | 39 x 30 cm | 1981 | Vicente S. Manansala | Salcedo Auctions | ||||
Binangonan (b) | Painting | Watercolor on Paper | 29.5 x 34 cm | 1971 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Nude Lady) | Painting | Watercolor on Paper | 29 x 39.5 cm | 1952 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Roosters) | Painting | Oil on Board | 68.5 x 51 cm | 1955 | Vicente S. Manansala | Salcedo Auctions | ||||
Untitled (Nude) (f) | Sketch | Charcoal on Paper | 73.5 x 53 cm | 1978 | Vicente S. Manansala | Salcedo Auctions | ||||
Paris (1) | Painting | Watercolor | 38 cm x 30 cm | 1951 | Vicente S. Manansala | Leon Gallery | ||||
Trees (a) | Painting | Watercolor | 51 cm x 71 cm | 1970 | Vicente S. Manansala | Leon Gallery | ||||
Pila sa Bigas (a) | Painting | Oil on Canvas | 99 cm x 83 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Self-Portrait | Mixed Media | stained glass and light box | 64 cm x 74 cm x 28 cm | 1960 | Vicente S. Manansala | Leon Gallery | ||||
Carabao | Mixed Media | stained glass and light box | 46 cm x 32 cm x 29 cm | 1960 | Vicente S. Manansala | Leon Gallery | ||||
Sacred Heart of Jesus | Mixed Media | stained glass and light box | 61 cm x 86 cm x 15 cm | 1960 | Vicente S. Manansala | Leon Gallery | ||||
Still Life (c) | Painting | gouache and Watercolor on Paper | 69 cm x 132 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Baguio 1 | Painting | Watercolor on Paper | 71 cm x 53 cm | 1973 | Vicente S. Manansala | Leon Gallery | ||||
Baguio 2 | Painting | Watercolor on Paper | 71 cm x 53 cm | 1966 | Vicente S. Manansala | Leon Gallery | ||||
Fish Vendors (a) | Painting | Oil on Canvas | 69 cm x 78 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Landscape (a) | Painting | Watercolor | 47 cm x 71 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Mother and Child (e) | Mixed Media | stained glass and light box | 76 cm x 149 cm x 38 cm | 1960 | Vicente S. Manansala | Leon Gallery | ||||
Still Life (Sinigang Na Hipon) | Painting | Oil on Canvas | 63 cm x 86 cm | 1966 | Vicente S. Manansala | Leon Gallery | ||||
Nude (c) | Drawing | Pastel on Paper | 81 cm x 56 cm | 1979 | Vicente S. Manansala | Leon Gallery | ||||
Crucifixion (b) | Drawing | pastel on board | 37 cm x 32 cm | 1970 | Vicente S. Manansala | Leon Gallery | ||||
Nude (d) | Sketch | Charcoal | 27 cm x 22 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Still Life (Lobster) | Painting | Watercolor on Paper | 76 cm x 56 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Nude (e) | Drawing | Pastel on Paper | 61 cm x 46 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
West Berlin | Painting | Watercolor | 38 cm x 28 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Still Life (d) | Painting | Oil on Canvas | 36 cm x 46 cm | 1965 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (Still Life) | Painting | gouache on paper | 71 cm x 122 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Trees (b) | Painting | Watercolor | 53 cm x 36 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Landscape (b) | Painting | Watercolor on Paper | 33 cm x 43 cm | 1959 | Vicente S. Manansala | Leon Gallery | ||||
Trees (c) | Painting | Watercolor on Paper | 30 cm x 41 cm | 1979 | Vicente S. Manansala | Leon Gallery | ||||
Nude (f) | Sketch | Charcoal on Paper | 86 cm x 61 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Nude (g) | Sketch | Charcoal on Paper | 69 cm x 100 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Ang Pulubi | Painting | Oil on Canvas | 109 cm x 74 cm | 1979 | Vicente S. Manansala | Leon Gallery | ||||
Trees (d) | Painting | Watercolor on Paper | 74 cm x 53 cm | 1976 | Vicente S. Manansala | Leon Gallery | ||||
Nude (h) | Drawing | Pastel on Paper | 98 cm x 62 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Study for the Stained Glass Window in UP | Painting | Watercolor on Paper | 15 cm x 31 cm | 1965 | Vicente S. Manansala | Leon Gallery | ||||
Still-Life (b) | Painting | Watercolor on Paper | 24 cm x 34 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Abstract | Painting | Watercolor on Paper | 75 cm x 107 cm | 1966 | Vicente S. Manansala | Leon Gallery | ||||
Mother and Child (f) | Painting | Oil on Canvas | 94 cm x 64 cm | 1978 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (m) | Painting | Watercolor on Paper | 71 cm x 52 cm | 1976 | Vicente S. Manansala | Leon Gallery | ||||
Holland Park | Painting | Watercolor | 36 cm x 46 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Binangonan (c) | Painting | Watercolor on Paper | 53 cm x 74 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Nude (i) | Sketch | Charcoal on Paper | 66 cm x 97 cm | 1970 | Vicente S. Manansala | Leon Gallery | ||||
Mother and Child (g) | Painting | Oil on Canvas | 57 cm x 89 cm | 1973 | Vicente S. Manansala | Leon Gallery | ||||
Lovers | Sketch | Charcoal on Paper | 74 cm x 97 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Binangonan (d) | Painting | Watercolor on Paper | 51 cm x 71 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Binangonan (e) | Painting | Watercolor on Paper | 46 cm x 53 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Tres Marias | Painting | Oil on Canvas | 89 cm x 94 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Nude (j) | Drawing | Charcoal on Paper | 102 cm x 69 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Pounding Rice (a) | Painting | Oil on Canvas | 44 cm x 61 cm | 1944 | Vicente S. Manansala | Leon Gallery | ||||
Nude (k) | Sketch | Charcoal on Paper | 56 cm x 86 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (n) | Painting | Watercolor on Paper | 17 cm x 22 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Planting Rice | Painting | Oil on Canvas | 61 cm x 102 cm | 1977 | Vicente S. Manansala | Leon Gallery | ||||
Woman Sewing | Painting | Oil on Canvas | 86 cm x 69 cm | 1980 | Vicente S. Manansala | Leon Gallery | ||||
Port-Cros, France | Painting | Watercolor on Paper | 30 cm x 41 cm | 1951 | Vicente S. Manansala | Leon Gallery | ||||
Nude (l) | Sketch | Pastel on Paper | 33 cm x 58 cm | 1976 | Vicente S. Manansala | Leon Gallery | ||||
Barong-Barong (a) | Painting | Watercolor on Paper | 43 cm x 56 cm | 1965 | Vicente S. Manansala | Leon Gallery | ||||
Kahig | Painting | Oil on Canvas | 84 cm x 99 cm | 1973 | Vicente S. Manansala | Leon Gallery | ||||
Still-Life (b) | Painting | Oil on Canvas | 53 cm x 69 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Still-Life (c) | Painting | Oil on Canvas | 53 cm x 69 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Pila sa Bigas (Study) | Drawing | Mixed Media on Board | 91 cm x 175 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Beggars | Painting | Watercolor on Paper | 67 cm x 84 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
The Candle-Sellers | Painting | Oil on Canvas | 69 cm x 94 cm | 1962 | Vicente S. Manansala | Leon Gallery | ||||
Bahay Kubo (b) | Painting | Watercolor on Paper | 18 cm x 25 cm | 1942 | Vicente S. Manansala | Leon Gallery | ||||
Market Scene (c) | Painting | Oil on Canvas | 109 cm x 152 cm | 1980 | Vicente S. Manansala | Leon Gallery | ||||
Nude (m) | Sketch | Charcoal on Paper | 48 cm x 37 cm | 1950 | Vicente S. Manansala | Leon Gallery | ||||
Horse Race | Painting | Oil on Canvas | 53 cm x 79 cm | 1977 | Vicente S. Manansala | Leon Gallery | ||||
Nude (n) | Sketch | Charcoal on Paper | 76 cm x 93 cm | 1973 | Vicente S. Manansala | Leon Gallery | ||||
Pounding Rice (b) | Painting | Oil on Canvas | 84 cm x 98 cm | 1979 | Vicente S. Manansala | Leon Gallery | ||||
Nude (o) | Painting | Watercolor on Paper | 37 cm x 28 cm | 1979 | Vicente S. Manansala | Leon Gallery | ||||
Nude (p) | Sketch | Charcoal on Paper | 64 cm x 61 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Pila sa Bigas (b) | Painting | Oil on Canvas | 91 cm x 122 cm | 1979 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (o) | Painting | Watercolor on Paper | 37 cm x 28 cm | 1976 | Vicente S. Manansala | Leon Gallery | ||||
Cockfight | Painting | Ink Wash And Watercolor on Paper | 51 cm x 114 cm | 1965 | Vicente S. Manansala | Leon Gallery | ||||
Nude (q) | Sketch | Charcoal on Paper | 102 cm x 66 cm | 1979 | Vicente S. Manansala | Leon Gallery | ||||
Trees (e) | Painting | Watercolor on Paper | 46 cm x 61 cm | 1952 | Vicente S. Manansala | Leon Gallery | ||||
Bahay Kubo (c) | Painting | Watercolor on Paper | 41 cm x 51 cm | 1968 | Vicente S. Manansala | Leon Gallery | ||||
Nude (r) | Sketch | Charcoal on Paper | 91 cm x 80 cm | 1973 | Vicente S. Manansala | Leon Gallery | ||||
Nude (s) | Drawing | Pastel on Paper | 97 cm x 64 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Fish | Painting | Watercolor on Paper | 30 cm x 57 cm | 1965 | Vicente S. Manansala | Leon Gallery | ||||
Bamboo | Painting | Watercolor on Paper | 33 cm x 20 cm | 1955 | Vicente S. Manansala | Leon Gallery | ||||
Nasugbu | Painting | Watercolor on Paper | 51 cm x 76 cm | 1973 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (p) | Painting | Watercolor on Paper | 108 cm x 78 cm | 1967 | Vicente S. Manansala | Leon Gallery | ||||
Nude (t) | Sketch | Charcoal on Paper | 112 cm x 64 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Trees (f) | Painting | Watercolor on Paper | 56 cm x 74 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Landscape (c) | Painting | Watercolor on Paper | 37 cm x 56 cm | 1959 | Vicente S. Manansala | Leon Gallery | ||||
Landscape (d) | Painting | Watercolor on Paper | 37 cm x 56 cm | 1959 | Vicente S. Manansala | Leon Gallery | ||||
Mangangalakal | Painting | Oil on Canvas | 89 cm x 145 cm | 1980 | Vicente S. Manansala | Leon Gallery | ||||
Hibiscus | Painting | Watercolor on Paper | 36 cm x 28 cm | 1959 | Vicente S. Manansala | Leon Gallery | ||||
Nude (u) | Sketch | Charcoal on Paper | 103 cm x 69 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Cavite | Painting | Watercolor on Paper | 37 cm x 50 cm | 1959 | Vicente S. Manansala | Leon Gallery | ||||
Landscape (e) | Painting | Watercolor on Paper | 71 cm x 52 cm | 1966 | Vicente S. Manansala | Leon Gallery | ||||
Female Nude (c) | Painting | Watercolor on Paper | 62 cm x 51 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Portrait of Doña Pacita Carmen y Zaragoza y Roxas vda. De Araneta | Painting | Oil on Canvas | 111 cm x 86 cm | 1956 | Vicente S. Manansala | Leon Gallery | ||||
Baguio 1 (a) | Painting | Watercolor on Paper | 74 cm x 55 cm | 1973 | Vicente S. Manansala | Leon Gallery | ||||
Baguio 2 (a) | Painting | Watercolor on Paper | 74 cm x 55 cm | 1973 | Vicente S. Manansala | Leon Gallery | ||||
Mother and Child (h) | Painting | Unavailable | Unavailable | 1956 | Vicente S. Manansala | Leon Gallery | ||||
Trees (g) | Painting | Watercolor on Paper | 29 cm x 39 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Still Life (e) | Painting | Oil on Canvas | 51 cm x 86 cm | 1965-1966 | Vicente S. Manansala | Leon Gallery | ||||
Tablescape | Drawing | Pastel on Paper | 41 cm x 57 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Man, Girl and Cock | Painting | oil on masonite board | 61 cm x 46 cm | 1953 | Vicente S. Manansala | Leon Gallery | ||||
Mother and Child (i) | Painting | Oil on Canvas, board | 104 cm x 69 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Carabaos (a) | Painting | Watercolor on Paper | 34 cm x 80 cm | 1958 | Vicente S. Manansala | Leon Gallery | ||||
Nude (v) | Painting | Watercolor on Paper | 104 cm x 69 cm | 1970 | Vicente S. Manansala | Leon Gallery | ||||
Adam and Eve | Painting | Oil and Ink on Canvas | 156 cm x 86 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Barong-Barong (b) | Painting | Watercolor on Paper | 56 cm x 77 cm | 1970 | Vicente S. Manansala | Leon Gallery | ||||
Binangonan, Rizal | Painting | Oil on Wood | 30 cm x 24 cm | 1952 | Vicente S. Manansala | Leon Gallery | ||||
Nude (w) | Sketch | Charcoal | 58 cm x 44 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Golgotha | Painting | Oil on Canvas | 88 cm x 54 cm | 1963 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (q) | Drawing | Pastel on Paper | 57 cm x 42 cm | 1939 | Vicente S. Manansala | Leon Gallery | ||||
Birds (a) | Painting | Watercolor on rice paper | 128 cm x 88 cm | 1965 | Vicente S. Manansala | Leon Gallery | ||||
Vendors | Painting | Oil on Canvas | 100 cm x 105 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (r) | Painting | Watercolor on Paper | 38 cm x 58 cm | 1959 | Vicente S. Manansala | Leon Gallery | ||||
Flowers | Painting | Watercolor on Paper | 60 cm x 99 cm | 1963 | Vicente S. Manansala | Leon Gallery | ||||
Still life (f) | Painting | Watercolor on Paper | 69 cm x 47 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Praying Mantis and Mask | Painting | Oil on Board | 41 cm x 30 cm | 1955 | Vicente S. Manansala | Leon Gallery | ||||
Angono, Rizal | Painting | Watercolor on Paper | 51 cm x 66 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Female Nude (d) | Painting | Oil on Canvas | 46 cm x 37 cm | 1978 | Vicente S. Manansala | Leon Gallery | ||||
Carabaos (b) | Painting | Watercolor on Paper | 31 cm x 70 cm | 1958 | Vicente S. Manansala | Leon Gallery | ||||
Fish Vendors (b) | Silkscreen (162/226) | 34 cm x 35 cm | 1967 | Vicente S. Manansala | Leon Gallery | |||||
Atimonan | Painting | Watercolor on Paper | 28 cm x 36 cm | 1959 | Vicente S. Manansala | Leon Gallery | ||||
Men at Siesta | Painting | Watercolor on Paper | 36 cm x 49 cm | 1951 | Vicente S. Manansala | Leon Gallery | ||||
Candle Vendors (Study) | Drawing | Pen and Ink on Paper | 20 cm x 29 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (s) | Sculpture | molave | 22 cm x 66 cm x 58 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Nude (x) | Sketch | Pastel on Paper | 33 cm x 44 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Nude (y) | Sketch | Charcoal on Paper | 66 cm x 89 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Trees (front) and Crucifixion (back) | Painting | Watercolor on Paper | 23 cm x 30 cm | 1978 | Vicente S. Manansala | Leon Gallery | ||||
Trees (front) and Crucifixion (back) | Sketch | Pen and Ink | 23 cm x 30 cm | 1978 | Vicente S. Manansala | Leon Gallery | ||||
Still Life (g) | Painting | Watercolor on Paper | 51 cm x 72 cm | 1966 | Vicente S. Manansala | Leon Gallery | ||||
Landscape (f) | Painting | Watercolor on Paper | 24 cm x 33 cm | 1967 | Vicente S. Manansala | Leon Gallery | ||||
From the Arera Hotel Window | Painting | Watercolor | 34 cm x 20 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (Mural Study) | Painting | Watercolor on Paper | 13 cm x 122 cm | 1963 | Vicente S. Manansala | Leon Gallery | ||||
Nude (z) | Painting | Watercolor on Paper | 29 cm x 23 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Nude (a) (1) | Sketch | Charcoal on Paper | 42 cm x 25 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
New York Apartment | Sketch | ink and Watercolor on Paper | 25 cm x 17 cm | 1960 | Vicente S. Manansala | Leon Gallery | ||||
Trees I | Drawing | Pen and Ink on Paper | 43 cm x 28 cm | 1961 | Vicente S. Manansala | Leon Gallery | ||||
Trees II | Sketch | Pen and Ink on Paper | 43 cm x 28 cm | 1961 | Vicente S. Manansala | Leon Gallery | ||||
Still Life (h) | Painting | Watercolor on Paper | 25 cm x 20 cm | 1970 | Vicente S. Manansala | Leon Gallery | ||||
Study of Human Form | Sketch | Mixed Media on paper | 27 cm x 20 cm | 1967 | Vicente S. Manansala | Leon Gallery | ||||
Abstract Nude | Sketch | Watercolor | 10 cm x 15 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Still Life (Seafood) | Woodcut | 36 cm x 44 cm | 1955 | Vicente S. Manansala | Leon Gallery | |||||
Sabungero (b) | Sketch | Ink on Paper | 24 cm x 18 cm | 1969 | Vicente S. Manansala | Leon Gallery | ||||
Still Life (i) | Sketch | Pastel on Paper | 33 cm x 23 cm | 1953 | Vicente S. Manansala | Leon Gallery | ||||
front: Vendor back: Landscape | Sketch | Pen and Ink on Paper | 22 cm x 23 cm | 1960 | Vicente S. Manansala | Leon Gallery | ||||
front: Vendor back: Landscape | Painting | Watercolor | 22 cm x 23 cm | 1960 | Vicente S. Manansala | Leon Gallery | ||||
Still Life (j) | Drawing | Ink on Paper | 25 cm x 33 cm | 1967 | Vicente S. Manansala | Leon Gallery | ||||
Nude (b) (1) | Sketch | Charcoal on Paper | 28 cm x 41 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Nude (c) (1) | Sketch | Charcoal on Paper | 81 cm x 88 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Nude (d) (1) | Sketch | Charcoal | 74 cm x 97 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Nude (e) (1) | Sketch | Charcoal | 30 cm x 41 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Nude (f) (1) | Sketch | Charcoal on Paper | 99 cm x 65 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Nude (g) (1) | Sketch | Charcoal on Paper | 69 cm x 99 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Nude (h) (1) | Sketch | Charcoal on Paper | 76 cm x 89 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Nude (i) (1) | Sketch | Charcoal on Paper | 76 cm x 118 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Landscape (g) | Painting | Watercolor | 38 cm x 56 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Untitled (t) | Sketch | Pen and Ink on Paper | 28 cm x 20 cm | 1965 | Vicente S. Manansala | Leon Gallery | ||||
Nude (j) (1) | Illustration | Pastel on Paper | Unavailable | 1987 | Vicente S. Manansala | Leon Gallery | ||||
UP Campus (Sunken Garden) | Painting | Watercolor | 33 cm x 48 cm | 1970 | Vicente S. Manansala | Leon Gallery | ||||
Bahay Kubo (d) | Painting | Watercolor | 43 cm x 56 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Landscape (h) | Painting | Watercolor on Paper | 36 cm x 48 cm | 1945 | Vicente S. Manansala | Leon Gallery | ||||
Nude (k) (1) | Sketch | Charcoal | 63 cm x 47 cm | 1951 | Vicente S. Manansala | Leon Gallery | ||||
Still Life (k) | Painting | Watercolor | 25 cm x 23 cm | 1948 | Vicente S. Manansala | Leon Gallery | ||||
Nude (l) (1) | Sketch | Charcoal on Paper | 86 cm x 61 cm | 1975 | Vicente S. Manansala | Leon Gallery | ||||
Farm Scene | Serigraph 80/52 | 28 cm x 25 cm | 1971 | Vicente S. Manansala | Leon Gallery | |||||
Fish Vendors (c) | Serigraph, 162/226 | 34 cm x 36 cm | Undated | Vicente S. Manansala | Leon Gallery | |||||
Nude (m) (1) | Sketch | Pastel on Paper | 44 cm x 33 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Female Nude (e) | Sketch | Graphite on Paper | 39 cm x 27 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Still Life (l) | Painting | Watercolor on Paper | 19 cm x 24 cm | 1952 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (k) (1) | Painting | Watercolor on Paper | 25 cm x 36 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Nude (n) (1) | Sketch | Charcoal on Paper | 20 cm x 28 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Untitled (l) (1) | Painting | Watercolor on Paper | 24 cm x 20 cm | 1954 | Vicente S. Manansala | Leon Gallery | ||||
Sabungero 1982 | Print 18/27 | 99 cm x 42 cm | Undated | Vicente S. Manansala | Leon Gallery | |||||
Suwagan | Print 18/24 | 30 cm x 64 cm | Undated | Vicente S. Manansala | Leon Gallery | |||||
Untitled (m) (1) | Serigraph 197/250 | 44 cm x 21 cm | Undated | Vicente S. Manansala | Leon Gallery | |||||
Landscape (i) | Painting | Watercolor on Paper | 30 cm x 41 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Nude (o) (1) | Sketch | Charcoal on Paper | 70 cm x 50 cm | 1979 | Vicente S. Manansala | Leon Gallery | ||||
Untitled (n) (1) | Painting | Watercolor on Paper | 44 cm x 51 cm | 1971 | Vicente S. Manansala | Leon Gallery | ||||
Sketch 1 | Sketch | Charcoal on Paper | 30 cm x 20 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Sketch 2 | Sketch | Charcoal on Paper | 30 cm x 23 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Sketch 3 | Sketch | Charcoal on Paper | 24 cm x 30 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Nude (p) (1) | Sketch | Charcoal on Paper | 59 cm x 45 cm | 1948 | Vicente S. Manansala | Leon Gallery | ||||
Paris (2) | Sketch | Charcoal on Paper | 64 cm x 48 cm | 1951 | Vicente S. Manansala | Leon Gallery | ||||
Barong-Barong (c) | Painting | Watercolor on Paper | 36 cm x 53 cm | 1969 | Vicente S. Manansala | Leon Gallery | ||||
Nude (q) (1) | Sketch | Charcoal on Paper | 66 cm x 98 cm | 1972 | Vicente S. Manansala | Leon Gallery | ||||
Nude 1 (a) | Sketch | Pencil on Paper | 28 cm x 22 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Nude 2 (a) | Sketch | Pencil on Paper | 28 cm x 22 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Nude (r) (1) | Sketch | Pencil on Paper | 46 cm x 30 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Cat | Sketch | Pen and Ink on Paper | 33 cm x 51 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Nude 1 (b) | Sketch | Charcoal on Paper | 36 cm x 25 cm | 1967 | Vicente S. Manansala | Leon Gallery | ||||
Nude 2 (b) | Sketch | Charcoal on Paper | 36 cm x 25 cm | 1967 | Vicente S. Manansala | Leon Gallery | ||||
Trees (h) | Painting | Watercolor on Paper | 14 in x 21 in | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Water Carrier | Print 8/346 | 28 x 23 cm | 1971 | Vicente S. Manansala | Leon Gallery | |||||
Jesus Christ | Drawing | Pen and Ink on Paper | 28 x 20 cm | 1948 | Vicente S. Manansala | Leon Gallery | ||||
Mosaic | Mosaic | Mixed Media | 46 cm x 132 cm x 79 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Untitled (o) (1) | Painting | Watercolor on Paper | 38 cm x 29 cm | 1974 | Vicente S. Manansala | Leon Gallery | ||||
Birds (b) | Print 17/24 | 51 cm x 61 cm | Undated | Vicente S. Manansala | Leon Gallery | |||||
Still Life (Fruits) | Painting | Watercolor on Paper | 37 cm x 53 cm | Undated | Vicente S. Manansala | Leon Gallery | ||||
Village on Fire | Painting | Oil on Panel | 71 cm x 55 cm | 1948 | Cesar T. Legaspi | Leon Gallery | ||||
Mother and Child | Painting | Oil on Panel | 61 cm x 56 cm | 1978 | Cesar T. Legaspi | Leon Gallery | in collaboration with Rod Paras-Perez | |||
Habagat (The Southwest Wind) | Painting | Oil on Panel | 91 cm x 122 cm | 1978 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (a) | Painting | Oil on Canvas | 76 cm x 114 cm | 1980 | Cesar T. Legaspi | Leon Gallery | ||||
Sorbetero | Painting | Gouache on Paper | 32 cm x 25 cm | 1950 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (Nude) | Painting | Oil on Wood | 76 cm x 76 cm | 1978 | Cesar T. Legaspi | Leon Gallery | ||||
Mystic Seaport, Massachussetts, USA | Sketch | Unavailable | 30 cm x 30 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Toronto, Ontario, Canada (a) | Sketch | Unavailable | 30 cm x 30 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Louxembourg Gardens, Paris | Sketch | Unavailable | 30 cm x 30 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Solarmutation | Painting | Oil on Canvas | 98 cm x 65 cm | 1993 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (Couple) | Painting | Oil on Panel | 79 cm x 60 cm | 1980 | Cesar T. Legaspi | Leon Gallery | ||||
Miners | Painting | Oil on Wood | 161 cm x 157 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (b) | Painting | Oil on Wood | 71 cm x 97 cm | 1976 | Cesar T. Legaspi | Leon Gallery | ||||
Quarry Workers | Painting | Watercolor on Paper | 56 cm x 36 cm | 1976 | Cesar T. Legaspi | Leon Gallery | ||||
Jar | Pottery | Ceramic | 27 cm x 18 cm | 1976 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled signed and dated 1983 | Painting | Oil on Board | 71 cm x 64 cm | 1983 | Cesar T. Legaspi | Leon Gallery | ||||
Pink Nude | Painting | Oil on Board | 51 cm x 122 cm | 1970 | Cesar T. Legaspi | Leon Gallery | ||||
Mirror, Mirror | Painting | Oil on Canvas | 91 cm x 56 cm | 1987 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (a) | Sketch | Pastel on Paper | 34 cm x 27 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Plexus | Painting | Oil on Canvas | 74 cm x 91 cm | 1993 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (b) | Sketch | Charcoal on Paper | 46 cm x 30 cm | 1976 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (c) | Painting | Oil on Wood | 76 cm x 122 cm | 1978 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (d) | Painting | Oil on Canvas | 38 cm x 69 cm | 1981 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (c) | Painting | Oil on Canvas | 41 cm x 64 cm | 1992 | Cesar T. Legaspi | Leon Gallery | ||||
Vendor | Pottery | Ceramic | 25 cm | 1976 | Cesar T. Legaspi | Leon Gallery | ||||
Workers | Painting | Oil on Masonite Board | 64 cm x 90 cm | 1953 | Cesar T. Legaspi | Leon Gallery | ||||
Nude 2 | Sketch | Charcoal on Paper | 55 cm x 38 cm | 1978 | Cesar T. Legaspi | Leon Gallery | ||||
Abstract | Painting | Oil on Board | 61 cm x 97 cm | 1970 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (d) | Sketch | Charcoal on Paper | 38 cm x 53 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Lavanderas | Painting | Oil on Canvas | 55 cm x 39 cm | 1946 | Cesar T. Legaspi | Leon Gallery | ||||
Tres Marias | Painting | Oil on Wood | 61 cm x 79 cm | 1975 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (e) | Sketch | Charcoal on Paper | 56 cm x 38 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Still Life (a) | Painting | Oil on Canvas | 61 cm x 41 cm | 1987 | Cesar T. Legaspi | Leon Gallery | ||||
First Mass of Limasawa | Painting | Watercolor on Paper | 46 cm x 52 cm | 1967 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (f) | Illustration | Pastel on Paper | 56 cm x 41 cm | 1987 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (g) | Illustration | Pastel on Paper | 56 cm x 41 cm | 1987 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (e) | Painting | Oil on Canvas | 25 cm x 30 cm | 1992 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (f) | Painting | Oil on Board | 58 cm x 44 cm | 1975 | Cesar T. Legaspi | Leon Gallery | ||||
Magellan and Lapu-Lapu | Painting | Acrylic on Paper | 30 cm x 50 cm | 1962 | Cesar T. Legaspi | Leon Gallery | ||||
Searching | Painting | Oil on Canvas | 46 cm x 61 cm | 1983 | Cesar T. Legaspi | Leon Gallery | ||||
Three Nudes | Painting | Oil on Wood | 122 cm x 76 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Waterlilies | Painting | Oil on Canvas | 61 cm x 85 cm | 1983 | Cesar T. Legaspi | Leon Gallery | ||||
Still Life (b) | Painting | Oil on Canvas | 64 cm x 51 cm | 1984 | Cesar T. Legaspi | Leon Gallery | ||||
Female Nude 1 | Sketch | Pastel on Paper | 53 cm x 36 cm | 1993 | Cesar T. Legaspi | Leon Gallery | ||||
Female Nude 1 | Sketch | Pastel on Paper | 48 cm x 30 cm | 1993 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (h) | Sketch | Charcoal on Paper | 56 cm x 38 cm | 1977 | Cesar T. Legaspi | Leon Gallery | ||||
Ritual | Painting | Oil on Canvas | 82 cm x 60 cm | 1951 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (g) | Illustration | Pastel on Paper | 71 cm x 56 cm | 1977 | Cesar T. Legaspi | Leon Gallery | in collaboration with Jose Joya | |||
Sea of Gold | Painting | Oil on Canvas | 91 cm x 122 cm | 1990 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (h) | Painting | Watercolor on Paper | 47 cm x 55 cm | 1967 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (i) | Painting | Acrylic on Paper | 28 cm x 14 cm | 1973 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (j) | Painting | Oil on Wood | 36 cm x 61 cm | 1974 | Cesar T. Legaspi | Leon Gallery | ||||
Gladiola | Illustration | Pastel on Paper | 49 cm x 32 cm | 1990 | Cesar T. Legaspi | Leon Gallery | ||||
Soldiers | Painting | Watercolor | 44 cm x 30 cm | Undated | Cesar T. Legaspi | Leon Gallery | ||||
Nude (i) | Painting | Oil on Canvas | 61 cm x 81 cm | 1976 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (k) | Painting | Oil on Wood | 81 cm x 61 cm | 1974 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (l) | Painting | Oil on Board | 48 cm x 74 cm | 1965 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (j) | Painting | Watercolor on Paper | 107 cm x 56 cm | 1978 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (m) | Painting | Oil on Canvas | 76 cm x 61 cm | 1970 | Cesar T. Legaspi | Leon Gallery | ||||
Female Nude | Sketch | Charcoal on Paper | 37 cm x 30 cm | 1978 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (n) | Painting | Oil on Wood | 42 cm x 77 cm | 1982 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (o) | Illustration | Watercolor and Ink | 20 cm x 34 cm | 1956 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (k) | Sketch | Charcoal | 43 cm x 30 cm | 1976 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (l) | Sketch | Charcoal on Paper | 46 cm x 30 cm | 1973 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (m) | Sketch | Graphite on Paper | 46 cm x 29 cm | 1973 | Cesar T. Legaspi | Leon Gallery | ||||
Toronto, Ontario, Canada (b) | Print, A/P | 28 cm x 24 cm | 1979 | Cesar T. Legaspi | Leon Gallery | |||||
“Tucampo” Strikes Again! | Sketch | Pen and Ink on Paper | 28 cm x 23 cm | 1948 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (n) | Sketch | Pastel on Paper | 32 cm x 50 cm | 1976 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (o) | Sketch | Charcoal on Paper | 20 cm x 36 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Landscape | Painting | Watercolor on Paper | 56 cm x 37 cm | 1984 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (Abstract) (a) | Painting | Unavailable | 24 cm x 30 cm | 1978 | Cesar T. Legaspi | Leon Gallery | ||||
Bonsai | Illustration | Pastel on Paper | 36 cm x 27 cm | 1985 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (p) | Illustration | Pastel on Paper | 48 cm x 30 cm | Undated | Cesar T. Legaspi | Leon Gallery | ||||
Mystic Seaport, Conn., USA (a) | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Mystic Seaport, Conn., USA (b) | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Eglise Notre Dame de Bon Secour, | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Serena Gandy Park, Toronto, Canada | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Rue St. Sulpice, Montreal, Canada | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Luxembourg Gardens, Paris | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Hotel Nelson, Montreal, Canada | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Eglise, St. Sulpice, Paris | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Eglise, St. Sulpice, Paris | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Toronto, Ontario, Canada | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Vancouver, BC, Canada | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Niagara, Ontario, Canada | Litograph | 28 cm x 29 cm | 1979 | Cesar T. Legaspi | Leon Gallery | Set of Litographs (filename) | ||||
Ang lahat ng ito’y pasimula pa lamang ng mga paghihirap “Matthew 24:8” | Sketch | Graphite on Paper | 56 cm x 38 cm | 1990 | Cesar T. Legaspi | Leon Gallery | ||||
Still Life (Set of sketches) | Sketch | Pen and Ink on Paper | 10 cm x 14 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 8 cm x 10 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 8 cm x 10 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 5 cm x 10 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 10 cm x 17 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 14 cm x 18 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 8 cm x 10 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 9 cm x 10 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 8 cm x 10 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 8 cm x 10 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 8 cm x 9 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 6 cm x 9 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 9 cm x 10 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled I and II | Sketch | Pen and Ink on Paper | 14 cm x 8 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Untitled (Set of sketches) | Sketch | Pen and Ink on Paper | 13 cm x 9 cm | Undated | Cesar T. Legaspi | Leon Gallery | Set of sketches (filename) | |||
Triangle | Litograph | 32 cm x 22 cm | Undated | Cesar T. Legaspi | Leon Gallery | |||||
Nude (q) | Illustration | Pastel on Paper | 56 cm x 76 cm | Undated | Cesar T. Legaspi | Leon Gallery | ||||
Torso (a) | 48 cm x 32 cm | 1992 | Cesar T. Legaspi | Leon Gallery | ||||||
Sick Child (Set of prints) | 25 cm x 18 cm | Undated | Cesar T. Legaspi | Leon Gallery | Sick Child (Set of prints) (filename) | |||||
Sick Child (Set of prints) | 27 cm x 20 cm | Undated | Cesar T. Legaspi | Leon Gallery | Sick Child (Set of prints) (filename) | |||||
Sick Child (Set of prints) | 34 cm x 22 cm | Undated | Cesar T. Legaspi | Leon Gallery | Sick Child (Set of prints) (filename) | |||||
Sick Child (Set of prints) | 35 cm x 22 cm | Undated | Cesar T. Legaspi | Leon Gallery | Sick Child (Set of prints) (filename) | |||||
Sick Child (Set of prints) | 30 cm x 23 | Undated | Cesar T. Legaspi | Leon Gallery | Sick Child (Set of prints) (filename) | |||||
Sick Child (Set of prints) | 28 cm x 15 cm | Undated | Cesar T. Legaspi | Leon Gallery | Sick Child (Set of prints) (filename) | |||||
Sick Child (Set of prints) | 25 cm x 18 cm | Undated | Cesar T. Legaspi | Leon Gallery | Sick Child (Set of prints) (filename) | |||||
Sick Child (Set of prints) | 8 3/4 in x 9 1/4 in | Undated | Cesar T. Legaspi | Leon Gallery | Sick Child (Set of prints) (filename) | |||||
Torso (b) | Serigraph | 51 cm x 33 cm | 1992 | Cesar T. Legaspi | Leon Gallery | |||||
Still Life (c) | Illustration | Pastel on Paper | 53 cm x 36 cm | 1982 | Cesar T. Legaspi | Leon Gallery | ||||
Fruit Vendor | Painting | Watercolor on Paper | 39 cm x 32 cm | 1954 | Cesar T. Legaspi | Leon Gallery | ||||
Mag-Ina | Print 86/300 | 67 cm x 52 cm | 1992 | Cesar T. Legaspi | Leon Gallery | |||||
Nude (r) | Sketch | Charcoal on Paper | 75 cm x 55 cm | 1981 | Cesar T. Legaspi | Leon Gallery | ||||
Still Life (d) | Illustration | Pastel on Paper | 49 cm x 32 cm | 1993 | Cesar T. Legaspi | Leon Gallery | ||||
Nude (s) | Illustration | Pastel on Paper | 48 cm x 30 cm | 1982 | Cesar T. Legaspi | Leon Gallery | ||||
Mystic Seaport, Mass, USA | Painting | Watercolor on Paper | 24 cm x 32 cm | 1979 | Cesar T. Legaspi | Leon Gallery | ||||
Untitled (Interaction) | Illustration | Mixed Media | 29 cm x 44 cm | 1974 | Cesar T. Legaspi | Salcedo Auctions | In collaboration with Jose Joya, Solomon Saprid, HR Ocampo, et. al. | |||
Untitled (Abstract) (b) | Painting | Oil on Canvas | 80 cm x 59.5 cm | 1978 | Cesar T. Legaspi | Salcedo Auctions | In collaboration with HR Ocampo and Justin Nuyda | |||
Untitled (a) | 28 cm x 22 cm | 1977 | Hernando R. Ocampo | Salcedo Auctions | ||||||
Untitled (b) | Sketch | Pen and Ink | 29 x 21.5 cm | 1972 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (c) | Sketch | Pen and Ink on Paper | 32 x 19.5 cm | 1948 | Hernando R. Ocampo | Salcedo Auctions | ||||
Groin | Serigraph 22/100 | 35.5 x 38.1 cm | 1970 | Hernando R. Ocampo | Salcedo Auctions | |||||
Untitled (Abstract) (a) | Illustration | Colored pen on paper | 27 x 17 cm | 1954 | Hernando R. Ocampo | Salcedo Auctions | ||||
Rehearsal | Sketch | Pen and Ink | 53 x 35 cm | 1976 | Hernando R. Ocampo | Salcedo Auctions | ||||
Cantata | Painting | Oil on Canvas | 127 x 86.4 cm | 1971 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (d) | Sketch | Pen and Ink | 30 x 17.8 cm | 1974 | Hernando R. Ocampo | Salcedo Auctions | ||||
Abstraction 148 | Painting | Acrylic on pressed board | 53.5 x 74 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Reclining Nude | Painting | Oil on Canvas | 75 x 100 cm | 1971 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (e) | Painting | Oil on Canvas | 81.3 x 61 cm | 1970 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Abstract) (b) | Painting | Oil on Canvas | 80 x 59.5 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (f) | Painting | Watercolor and ink | 43 x 27.5 cm | 1973 | Hernando R. Ocampo | Salcedo Auctions | ||||
Pagoda | Painting | Oil on Canvas | 101.6 x 76.2 cm | 1973 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Abstract) (c) | Painting | Oil on Canvas | 29.5 x 22 cm | 1973 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (g) | Sketch | Pen on Paper | 27.5 x 21 cm | 1971 | Hernando R. Ocampo | Salcedo Auctions | ||||
Green Revolution | Painting | Acrylic on Paper Mounted on Board | 53.5 cm x 36.5 cm | 1976 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Collaboration) | Painting | Oil on Canvas | 200 x 120 cm | 1974 | Hernando R. Ocampo | Salcedo Auctions | In collaboration with CESAR LEGASPI, JUSTIN NUYDA, H.R. OCAMPO, JOSE JOYA, GALO OCAMPO AND SOLOMON SAPRID | |||
Untitled (h) | Sketch | Ink on Paper | 27 x 19.5 cm | 1973 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Plant) | Sketch | Ink on Paper | 27 x 19.5 cm | 1973 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Sketch) | Painting | Pencil on Paper | 19 x 25 cm | 1970 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (i) | Sketch | Ink on Paper | 27 x 20 cm | 1977 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (j) | Illustration | Acrylic on Paper | 30.5 x 22.9 cm | 1974 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (k) | Illustration | Acrylic on Paper | 30.5 x 22.9 cm | 1974 | Hernando R. Ocampo | Salcedo Auctions | ||||
Study | Sketch | Ink on Paper | 26.7 x 20.3 cm | 1958 | Hernando R. Ocampo | Salcedo Auctions | ||||
Study, Happy Birthday, Jayvee | Sketch | Pen and Ink | 26.7 x 20.3 cm | 1974 | Hernando R. Ocampo | Salcedo Auctions | ||||
Abstraction 138 | Painting | Acrylic on Pressed Board | 73.7 x 54.6 cm | 1977 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (l) | Painting | Oil on Paper | 26.7 x 21 cm | 1969 | Hernando R. Ocampo | Salcedo Auctions | ||||
Domingo de Ramos | Painting | Acrylic on Canvas | 101.6 x 76.2 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (m) | Painting | Oil on Paper | 26.7 x 21 cm | 1969 | Hernando R. Ocampo | Salcedo Auctions | ||||
53-D | Painting | Oil on Canvas | 54.6 x 69.8 cm | 1953 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled lot (a) | Sketch | Pen and Ink | 26.6 x 19 cm | 1972 | Hernando R. Ocampo | Salcedo Auctions | 2 Untitled Lots (filename) | |||
Untitled lot (b) | Sketch | Pen and Ink | 26.6 x 19 cm | 1972 | Hernando R. Ocampo | Salcedo Auctions | 2 Untitled Lots (filename) | |||
Untitled (Nude) (a) | Sketch | Pencil on Paper | 30.4 x 22.8 cm | 1970 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Nude) (b) | Sketch | Pen and Ink on Paper | 21.5 x 29.2 cm | 1972 | Hernando R. Ocampo | Salcedo Auctions | ||||
Homage to Emilio Jacinto | Painting | Oil on Canvas | 76.2 x 101.6 cm | 1977 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (n) | Illustration | Ink on Paper | 30 x 22 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Nude) (c) | Sketch | Pen and Ink | 28 x 21 cm | 1970 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Five Figures) | Sketch | Pen on Cotton | 50 x 121 cm | 1976 | Hernando R. Ocampo | Salcedo Auctions | ||||
Mga Kiti | Illustration | Acrylic on Tetoron | 90 x 900 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (o) | Sketch | Pen and Ink | 25 x 19 cm | 1973 | Hernando R. Ocampo | Salcedo Auctions | ||||
Mask (1) | Painting | Oil on Canvas | 70.5 x 54.6 cm | 1961 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (p) | Illustration | Pen and Ink | 53 x 36.8 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (q) | Sketch | Pen and Ink | Unavailable | 1972 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (r) | Sketch | Pen and Ink | Unavailable | 1972 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (s) | Illustration | Ink on Paper | 21.5 x 29.8 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
A lot of three drawings of 'kiti' | Sketch | Pen and Ink | 26.5 x 20 cm | 1952 | Hernando R. Ocampo | Salcedo Auctions | ||||
Polo Players | Painting | Oil on Canvas | 33 x 40.6 cm | 1939 | Hernando R. Ocampo | Salcedo Auctions | ||||
Semana Santa | Painting | Oil on Canvas | 75 x 100 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (t) | Painting | Oil on Canvas | 27.5 x 21 cm | 1970 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Dedicated to Celia) | Illustration | Ink on Paper | 30 x 22.5 cm | 1977 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (u) | Illustration | Ink on Paper | 29 x 21.5 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Dedicated to Candea) | Illustration | Ink on Paper | 27.5 x 21 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Abstraction 105 | Painting | Acrylic on Board | 52.5 x 35 cm | 1976 | Hernando R. Ocampo | Salcedo Auctions | ||||
Interaction '72 | Painting | Oil on Canvas | 75 x 60 cm | 1972 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Barong-Barong) | Illustration | Ink on Paper | 45 x 30 cm | 1974 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Mother and Child) | Painting | Acrylic on Paper | 44 x 30 cm | 1974 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (v) | Illustration | Ink on Paper | 9 x 13 cm | Undated | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (w) | Illustration | Pastel on Paper | 36.5 x 27 cm | 1952 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (x) | Illustration | Ink on Paper | 29 x 21 cm | 1973 | Hernando R. Ocampo | Salcedo Auctions | ||||
Cantata for Lourdes | Painting | Oil on Canvas | 101 x 75.5 cm | 1975 | Hernando R. Ocampo | Salcedo Auctions | ||||
Revelation - 7 | Painting | Oil on Canvas | 81.2 x 61 cm | 1978 | Hernando R. Ocampo | Salcedo Auctions | ||||
Children Playing | Litograph | 20.3 x 27.9 cm | 1977 | Hernando R. Ocampo | Salcedo Auctions | |||||
Untitled (y) | Painting | Oil on Canvas | 60 x 56 cm | 1961 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (z) | Illustration | Ink on Paper | 27 x 18 cm | 1972 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (a) (1) | Painting | Acrylic and Ink on Paper | 42 x 29 cm | 1976 | Hernando R. Ocampo | Salcedo Auctions | ||||
Questions | Painting | Watercolor on Paper | 22.5 x 15 cm | 1948 | Hernando R. Ocampo | Salcedo Auctions | ||||
Bosquejo II | Painting | Oil on Canvas | 46 x 35.5 cm | 1969 | Hernando R. Ocampo | Salcedo Auctions | ||||
Gemini | Painting | Oil on Canvas | 91.5 x 61 cm | 1967 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (very possibly 'Cells') | Painting | Oil on Canvas | 70.5 x 55.5 cm | 1961 | Hernando R. Ocampo | Salcedo Auctions | ||||
Untitled (Face) | Painting | Oil on Paper | 28 x 21.5 cm | 1966 | Hernando R. Ocampo | Salcedo Auctions | ||||
Abstraction 126 | Painting | Oil on Canvas | 72.5 x 54 cm | 1977 | Hernando R. Ocampo | Salcedo Auctions | ||||
Composition in Red and Black on White | Painting | Acrylic on Canvas | 101 cm x 76 cm | 1977 | Hernando R. Ocampo | Leon Gallery | ||||
Side Show | Painting | Oil on Canvas | 51 cm x 42 cm | 1946 | Hernando R. Ocampo | Leon Gallery | ||||
Putungan | Painting | Acrylic on Canvas | 112 cm x 76 cm | 1974 | Hernando R. Ocampo | Leon Gallery | ||||
Natures Ray of Hope | Painting | Acrylic on canvas | 82 x 92 cm | Abdulmari Asia Imao | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Signed and dated ‘97 | ||||
Sari-Bong | Sculpture | Bronze sculpture | 127 x 91 x 84 cm | Abdulmari Asia Imao | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | 1980 33rd AAP-PISO Annual; Painting, Sculpture and Print Competition and Exhibition; Philamlife; Gold Medal, Sculpture Category | Collection of the Artist | |||
Sarimanok | Painting | Acrylic on canvas | 122 x 143 cm | Abdulmari Asia Imao | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Signed and dated ‘97 | ||||
Sarimanok (2) | Sculpture | Cast Bronze | Abdulmari Asia Imao | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Sarimanok (3) | Sculpture | Bronze cast | 27.9 x 13.3 x 43.1 cm. | Abdulmari Asia Imao | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Department of Humanities, College of Arts and Sciences, UPLB | ||||
Untitled | Sketch | Pentel on paper | 30.4 x 45 cm. | Abdulmari Asia Imao | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | ||||
Untitled (2) | Sculpture | Brass | 406.4 x 353 x 121.9 cm. | Abdulmari Asia Imao | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | ||||
Untitled (3) | Painting | Oil on canvas | 60 x 60 cm. | Abdulmari Asia Imao | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | ||||
Anger | Painting | Tempera | 30 x 22.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Christ | Painting | Oil on canvas | 44.8 x 33 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Clown | Painting | Oil on canvas | 101.60 x 35.56 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Cockfight | Painting | Oil on canvas | 88 x 142 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Crucifixion | Painting | Tempera | 22.5 x 27 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Crucifixion (2) | Drawing | Pen and Ink | 30 x 22.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Crucifixion (3) | Painting | Oil on canvas | 173.5 x 71.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Defeat | Drawing | Pen and Ink | 23 x 26 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Despair | Sketch | Pen and Ink study | 21.5 x 28 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Despair (2) | Painting | Tempera | 30.5 x 22.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Dog | Painting | Oil on canvas | 91.5 x 91.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Dog Fight | Painting | Oil on canvas | 89 x 114.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Dogfight | Drawing | Pen and Ink | 22.5 x 30 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Fish with Net | Painting | Oil on canvas | 61 x 81 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Harvest | Painting | Oil on canvas | 81.5 x 61.3 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Holocaust | Drawing | Oil on canvas | 100.5 x 88 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Junkscape | Painting | Oil on canvas | 60.96 x 45.72 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Junkscape (2) | Painting | Oil on canvas | 63.7 x 122 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Madonna and Child | Painting | Acrylic | 76 x 56 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Man | Drawing | Pen and Ink | 28 x 21.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Man with Red Bird | Painting | Watercolor | 54.61 x 68.58 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | Bernice Legaspi | ||||
Mother and Child | Painting | Oil on canvas | 81.5 x 61 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Mother and Twins | Painting | Oil on canvas | 91.5 x 91.3 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Pieta | Painting | Oil on canvas | 106.7 x 80 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | Bernice Legaspi | ||||
Pieta (2) | Painting | Oil on canvas | 127 x 152.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Protest | Drawing | Pen and Ink | 14.5 x 10.2 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Protest (2) | Drawing | Pen and Ink | 22.5 x 30 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Seated Figure | Painting | Oil on canvas | 122 x 65.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Seated Man | Drawing | Pen and Ink | 28 x 21.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Seated Man (2) | Painting | Tempera | 30 x 22.5 cm. | Ang Kiukok | Limbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas. | |||||
Tablescape | Painting | Mixed Media on Paper | Ang Kiukok | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
The Blind Musician | Painting | Oil on Canvas | 62.5 x 90 cm | Ang Kiukok | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | 1959 12th Annual Art Exhibition; Honorable Mention, Oil Painting Category; Private Collection | ||||
Anito | Sculpture | Philippine Hardwood | Arturo R. Luz | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Carnival Walls 2 | Drawing | Brush and ink on Manila paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | The most recent, this is a composite of earlier paintings and prints of the same subject. The details, with variations, have appeared re peatedly in earlier compositions | Manila | ||||
Cathedral, Florence | Drawing | Pencil on onion skin | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Florence | |||||
Church [above] Rue Canebiere [below] | Drawing | Pen and ink on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Marseilles | |||||
City | Painting | Oil and pencil on canvas | 85 x 152 cm | Arturo R. Luz | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | 1959 AAP Semi-Annual Art Exhibition; 1st Prize, Painting Category | Collection of the Ateneo Art Gallery | |||
Detail, Quai des Orfevres | Drawing | Pen and ink on watercolor paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Paris | |||||
Drawing for woodcut - Cyclists | Drawing | Pencil on Manila paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Originally conceived in 1953-54 as a painting, this materialized into a woodcut in 1955. Preceded by about thirty thumbnail sketches, a painting was started, abandoned and destroyed. After a year and more drawings, this was made into a woodcut, from which seven im pressions were taken. The prints are in two shades of brown, printed on Manila paper. | Manila | ||||
Early studies for Musicians | Drawing | Pencil on Chinese paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | In Manila, musicians with neither talent nor jobs make a living by serenading from door to door. They go about in pairs, forming the most unlikely musical duos, such as clarinet and drum or cymbals and horn. The music is in rariably jazz and loud. Money is given, not as a sign of approval, but as a plea to stop. | Manila | ||||
Figure Studies | Drawing | Pencil on newsprint | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | These sketches are part of 300 to 400 done over a period of several months while attending the life classes at the Academie Grande Chaumiere in Paris. | Paris | ||||
Figure studies for Hopscotch | Drawing | Pen and ink on Chinese paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Figure studies for Serenata | Drawing | Ink on onion skin and bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | From a series of thirty to forty sketches. | Manila | ||||
Figure study for Flower Vendor | Drawing | Ink and pencil on Japanese paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | The flowers are artificial, with long wire stems and paper blossoms ut both ends. These are held in the middle and sold in the streets by ambulatory vendors. The geometric shape was emphasized to suggest the metallic artificiality of the flowers. | Manila | ||||
Guitarist | Drawing | Pen and ink on Chinese paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | The drawing was a study for a painting in tempera, completed about 1953 and shown in New York and Washington as part of the First Philippine Cultural Exhibition. The drawing belongs to a group of about fifteen, executed on large sheets of Chinese paper with dif ferent colored inks. | Manila | ||||
Homage to Fernando Zobel | Sculpture | Steel | Arturo R. Luz | Ateneo Art Gallery | Gift of the Artist | |||||
Intramuros | Drawing | Pen and ink | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | An old section of Manila patterned after Spain, Intramuros was almost totally destroyed during the last war, including its many fine churches. One or two have been reconstructed; little else remains. | Manila | ||||
June Hildebrand | Drawing | Pencil on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Herself an artist of exceptional promise, June was a former class mate, friend and patient model. | New York | ||||
Kristo | Sculpture | Adobe | Arturo R. Luz | Ateneo Art Gallery | Gift of the Artist | |||||
Line drawing for Carnival 4 | Drawing | Pen and ink on newsprint | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Line drawing for Marbles | Drawing | Pen and ink on Chinese paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Masked Portrait 1 | Painting | Acrylic on Canvas | Arturo R. Luz | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Masked Portrait 2 | Painting | Acrylic on Canvas | Arturo R. Luz | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Masked Portrait 3 | Painting | Acrylic on Canvas | Arturo R. Luz | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Metro, Madrid | Drawing | Pen and ink on bond | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Coll, Fogg Museum, Harvard | Madrid | ||||
Musee Des Troismailletz | Drawing | Pen and ink on watercolor paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Paris | |||||
Musicians & Acrobats | Drawing | Pen and ink on Manila paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Madrid | |||||
Myself | Drawing | Pencil on newsprint | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | The time was winter and my room was frigid; the muffler helped. | Paris | ||||
Notre Dame, Paris | Drawing | Pen and ink on newsprint | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Owned by Napoleon Jamir | Paris | ||||
Original study for Carnival Forms | Drawing | Pen and ink on onion skin | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Piazza San Marco, Venice | Drawing | Pencil on onion skin | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Venice | |||||
Portrait studies: Fernando Zobel | Drawing | Pencil on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Rue Frederic Sauton | Drawing | Pen and ink on watercolor paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Paris | |||||
Rue Pierre Nicole | Drawing | Pen and ink on watercolor paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Paris | |||||
Rue Saint Julien Le Pauvre | Drawing | Pen and ink on watercolor paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Paris | |||||
Sacred Mountain | Drawing | Pencil on paper | 29.5 x 42 cm | Arturo R. Luz | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Signed and undated | ||||
Sidewalk | Drawing | Pen and ink on Chinese paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Sidewalk Children | Drawing | Matchstick and ink | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | An aftermath of war, homeless and emaciated children, living and sleeping and begging on sidewalks, left a deep impression. These drawings are a record of that impression -- an attempt to transmit its ugly, intense and emotional quality. | Manila | ||||
Sketches of Roberta Cassell | Drawing | Pencil on newsprint | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | The sketches are part of a series of quick studies done of the ballet dancer while she went through the motions of the ballet - "Midsum mer Night's Dream". | Manila | ||||
Sketches of the Metro, Madrid | Drawing | Pen and ink on newsprint | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Metro is the European equivalent for subway. | Madrid | ||||
Studies - Notre Dame, Paris | Drawing | Pen and ink on watercolor paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Paris | |||||
Studies for Carnival 2 | Drawing | Pencil on newsprint | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Repeatedly unsuccessful as a paint ing, this became a woodent in 1955. | Madrid | ||||
Studies for Carnival Forms | Drawing | Brush and ink on Manila paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | These drawings attempt to trans late into linear patterns the geome try, motion, tensions, shapes and forms, twists and interlockings that make up a carnival, with all its planes and framework and skeleton. They attempt to com municate in graphic terms the color, sound and gaiety of celebration. | Manila | ||||
Studies for Carnival Forms (2) | Drawing | Pencil on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Studies for Carnival Walls | Drawing | Pen and ink on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | The head and the hand, symbols for palmistry and fortune telling, have always held a strong fascination. I have seen them here and every where, and always with the same feeling: inhuman and detached, but strangely compelling. Done by sign painters unpreoccupied by anatomy but possessed with a no tural flair for improvisation and design, they are charming exam ples of popular art. | Manila | ||||
Studies for Carnival Walls (2) | Drawing | Ink and tempera on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | This developed, with considerable modifications, into Carnival 1, a woodcut completed in 1955. | Madrid | ||||
Studies for City | Drawing | Pencil on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Studies for Ferris Wheels | Drawing | Pen and ink on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Studies for Jugglers | Drawing | Pen and ink on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | From a series of about fifty drawings. | Manila | ||||
Studies for Musicians | Drawing | Pen and ink on onion skin | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | First started about 1952, the musi cian series has undergone many changes, mainly towards simplification and, in the words of a critic musicality. The drawings, as well as the paintings and prints that followed, are simply attempts to capture the musical mood in terms of line and movement. Con sequently, the drawings have be come increasingly linear and ac tive. The studies number about sixty to eighty drawings and have resulted in three paintings and a woodcut. The first painting is in the collec tion of LYD ARGUILLA; the other two, completed in 1955, are owned by FREDERICK and ROBERT OSSORIO. | Manila | ||||
Studies for Roller Coaster | Drawing | Pen and ink on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Study for Carnival Forms 2 | Drawing | Pencil on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Manila | |||||
Study for Harana | Drawing | Pencil on Japanese paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Commissioned by Steuben Glass, this drawing was engraved in crys tal as part of a collection entitled "Asian Artists in Crystal". The original drawing is in the print collection of the NEW YORK PUBLIC LIBRARY; the crystal is owned by the STEUBEN GLASS MUSEUM. | Manila | ||||
Study for Serenata | Drawing | Pencil on Manila paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | The sketch led to two paintings and a woodcut, all completed in 1955. | Manila | ||||
Temples of Worship | Drawing | Pencil on paper | 29.5 x 42 cm | Arturo R. Luz | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Signed and undated | ||||
Ticket Vendor, Madrid | Drawing | Tempera on newsprint | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | In Madrid, the blind earn a living by selling lottery tickets. They stand in street corners with tickets pinned to their coats, perpet ually announcing the number of tickets unsold for the day. | Madrid | ||||
Trolley Stop | Drawing | Pen and ink on bond paper | Arturo R. Luz | Drawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann. | Marseilles | |||||
White Temples (The Palirana Series) | Painting | Acrylic on Canvas | Arturo R. Luz | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
A Blue-Footed Booby with Green Feet | Painting | Watercolor on handmade paper | 33 x 45.7 cm. | Benedicto R. Cabrera | Birds of Tubbataha. (2012). Bencab Museum. | |||||
A Pair of Black Noddies | Painting | Watercolor on handmade paper | 45.7 x 33 cm. | Benedicto R. Cabrera | Birds of Tubbataha. (2012). Bencab Museum. | |||||
Four Faces of Sabel | Drawing | Digital Drawing | A3, Artist Proof Ill | Benedicto R. Cabrera | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA,UP Diliman | ||||
Garrote | Etching | Etching | 15.2 x 19.6 cm. | Benedicto R. Cabrera | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA,UP Diliman | ||||
Green-footed Booby with Juvenile | Painting | Watercolor on handmade paper | 33 x 45.7 cm. | Benedicto R. Cabrera | Birds of Tubbataha. (2012). Bencab Museum. | |||||
José Rizal | Painting | Oil on canvas | 106.5 x 86 cm. | Benedicto R. Cabrera | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CAL, UP Diliman | ||||
Man Thiking | Sculpture | Cast Bronze | Benedicto R. Cabrera | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Red-Footed Boobies | Painting | Watercolor on handmade paper | 45.7 x 33 cm. | Benedicto R. Cabrera | Birds of Tubbataha. (2012). Bencab Museum. | |||||
Red-Footed Booby | Painting | Watercolor on handmade paper | 45.7 x 33 cm. | Benedicto R. Cabrera | Birds of Tubbataha. (2012). Bencab Museum. | |||||
Red-Footed Booby Nesting | Painting | Watercolor on handmade paper | 45.7 x 33 cm. | Benedicto R. Cabrera | Birds of Tubbataha. (2012). Bencab Museum. | |||||
Running Women | Painting | Oil on Canvas | Benedicto R. Cabrera | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Sabel | Painting | Acrylic on canvas | 60.96 x 45.72 cm. | Benedicto R. Cabrera | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA,UP Diliman | ||||
Saya | Etching | Etching | 20.3 x 14.6 cm. | Benedicto R. Cabrera | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA,UP Diliman | ||||
Sunset at Tubbataha Bird Isle | Painting | Watercolor on handmade paper | 45.7 x 33 cm. | Benedicto R. Cabrera | Birds of Tubbataha. (2012). Bencab Museum. | |||||
Tern Nesting | Painting | Watercolor on handmade paper | 33 x 45.7 cm. | Benedicto R. Cabrera | Birds of Tubbataha. (2012). Bencab Museum. | |||||
Tribal Images | Painting | Acrylic on cast paper relief | 129.5 x 129.5 cm | Benedicto R. Cabrera | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Signed and dated ‘96 | ||||
Untitled | Drawing | Pencil on paper | 40.6 x 30.4 cm. | Benedicto R. Cabrera | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Untitled (2) | Drawing | Colored pencil on paper | 40.6 x 30.4 cm. | Benedicto R. Cabrera | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA,UP Diliman | ||||
Yerro | Painting | 25.3 x 20.2 cm | Benedicto R. Cabrera | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | 1967 20th Annual Painting and Photography Art Exhibition; Northern Motors Showroom; 1st Prize, Photography Category | Collection of Justin Nyuda | ||||
Harana | Painting | Silkscreen | 24.7 x 29.2 cm. | Carlos V. Francisco | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery | ||||
History of Medicine in the Philippines (1) | Painting | Oil on canvas | 309.8 x 279.4 cm. | Carlos V. Francisco | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | PGH, UP Manila | ||||
History of Medicine in the Philippines (2) | Painting | Oil on canvas | 309.8 x 279.4 cm. | Carlos V. Francisco | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | PGH, UP Manila | ||||
History of Medicine in the Philippines (3) | Painting | Oil on canvas | 309.8 x 279.4 cm. | Carlos V. Francisco | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | PGH, UP Manila | ||||
History of Medicine in the Philippines (4) | Painting | Oil on canvas | 309.8 x 279.4 cm. | Carlos V. Francisco | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | PGH, UP Manila | ||||
Cockfight | Painting | Oil on Board | Cesar T. Legaspi | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Untitled | Drawing | Ballpen on paper | 6 x 7 cm | Cesar T. Legaspi | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Signed and embossed “LEGASPI” at bottom margin | ||||
Untitled (2) | Drawing | Ballpen on paper | 7.2 x 10.8 cm | Cesar T. Legaspi | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Unsigned and embossed “LEGASPI” at bottom left | ||||
Untitled (3) | Drawing | Ballpen on paper | 8.5 x 11.5 cm | Cesar T. Legaspi | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Unsigned and embossed “LEGASPI” at bottom left and right margin, inscribed in pencil by the artist - bottom lefy margin “CAT” #00BPNS 9” | ||||
Untitled (4) | Painting | Oil on wood | 29.3 x 39.4 cm. | Cesar T. Legaspi | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, Iloilo City | ||||
Federico Aguilar Alcuaz (Exhibit Poster) | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | France | |||||||
Out in the Sunset | Tapestry | Tapestry | Federico Aguilar Alcuaz | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Self Portrait | Sculpture | Bronze Bust | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | ||||||
Self Relief | Sculpture | Bronze Bust | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | ||||||
The Flying Dutchman | Painting | Oil on Canvas | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | France | |||||
Untitled | Drawing | Charcoal on Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | ||||||
Untitled (2) | Painting | Oil on Canvas | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (3) | Painting | Oil on Canvas | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (4) | Painting | Watercolor on Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (5) | Painting | Watercolor on Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (6) | Painting | Watercolor on Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (7) | Painting | Watercolor on Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (8) | Collage | Collage on Felt Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (9) | Collage | Collage on Felt Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (10) | Painting | Watercolor on Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (11) | Painting | Oil on Canvas | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | |||||
Untitled (12) | Etching | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | ||||||
Untitled (13) | Etching | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | ||||||
Untitled (14) | Etching | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | ||||||
Untitled (15) | Etching | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Spain | ||||||
Untitled (16) | Painting | Oil on Canvas | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | France | |||||
Untitled (17) | Painting | Oil on Canvas | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | France | |||||
Untitled (18) | Painting | Oil on Canvas | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Germany | |||||
Untitled (19) | Painting | Oil on Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Germany | |||||
Untitled (20) | Painting | Oil on Canvas | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Germany | |||||
Untitled (21) | Collage | Mixed Media on Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Germany | |||||
Untitled (22) | Collage | Collage on Paper | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Germany | |||||
Untitled (23) | Tapestry | Tapestry, Wool | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Czech Republic | |||||
XII | Tapestry | Tapestry, Wool | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Czech Republic | |||||
XVI | Tapestry | Tapestry, Wool | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Czech Republic | |||||
XXI | Tapestry | Tapestry, Wool | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Czech Republic | |||||
XXVI | Tapestry | Tapestry, Wool | Federico Aguilar Alcuaz | Alcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille. | Czech Republic | |||||
Alejandro Roces | Painting | Oil on canvas | 96.5 x 71.1 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Ang Wakas ni Magallanes | Painting | Oil on canvas | 87.6 x 130.8 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Assassination of Governor Bustamante | Painting | Oil on canvas | 88.2 x 125.7 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Bataan | Painting | Oil on canvas | 99.6 x 120.6 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Bienvenido S. Gonzalez | Painting | Oil on canvas | 79.3 x 59.6 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Elpidio Quirino | Painting | Oil on canvas | 69.8 x 54.6 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Faustino S. Aguilar | Painting | Oil on canvas | 64.7 x 49.5 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
George A. Malcolm | Painting | Oil on canvas | 113 x 87.6 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CL, UP Diliman | ||||
Jorge C. Bocobo | Painting | Oil on canvas | 80 x 59.6 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Judge Guillermo B. Guevara | Painting | Oil on canvas | 74.9 x 59.6 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Manuel A. Roxas | Painting | Oil on canvas | 90 x 70.4 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Murray S. Bartlett | Painting | Oil on canvas | 80 x 59.6 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Rafael V. Palma | Painting | Oil on canvas | 79.3 x 59.6 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Vidal A. Tan | Painting | Oil on canvas | 78.7 x 59 cm. | Fernando C. Amorsolo | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Andres Bonifacio | Sculpture | Original plaster, covered with bronze paint | Guillermo E. Tolentino | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Balagtas | Sculpture | Plaster cast | 63.5 x 58.4 x 30.4 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
José Rizal | Sculpture | Bronze cast | 68.5 x 50.8 x 30.4 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Palma Hall, UP Diliman | ||||
José Rizal | Sculpture | Plaster | 73.5 x 50 x 31 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CAL, UP Diliman | ||||
Oblation | Sculpture | Concrete cast | 267.9 x 500.3 x 321.3 cm | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Oblation (Bronze cast from the original by Anastacio Caedo) | Sculpture | Bronze cast | 252.7 x 485.1 x 306 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Iloilo City | ||||
Oblation (Bronze cast from the original by Anastacio Caedo) | Sculpture | Bronze cast | 252.7 x 485.1 x 306 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UP Baguio | ||||
Oblation (Bronze cast from the original by Anastacio Caedo) | Sculpture | Bronze cast | 252.7 x 485.1 x 306 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UP Manila | ||||
Oblation (Bronze cast from the original by Guillermo Tolentino | Sculpture | Bronze cast | 252.7 x 485.1 x 306 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Quezon Hall, UP Diliman | ||||
Oblation (Bronze cast from the original by Napoleon Abueva) | Sculpture | Bronze cast | 252.7 x 485.1 x 306 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPLB | ||||
Oblation (Bronze cast from the original by Napoleon Abueva) | Sculpture | Bronze cast | 252.7 x 485.1 x 306 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Miagao | ||||
Oblation (Bronze cast from the original by Napoleon Abueva) | Sculpture | Bronze cast | 252.7 x 485.1 x 306 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UP Mindanao, Mintal, Davao City | ||||
Oblation (Cast from the original in mixed media by Gigi Javier Alfonso) | Sculpture | Bronze cast | 252.7 x 485.1 x 306 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UP Open University | ||||
Oblation Painted concrete cast from the original by Napoleon Abueva) | Sculpture | Bronze cast | 252.7 x 485.1 x 306 cm. | Guillermo E. Tolentino | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UP College Tacloban | ||||
Rizal | Sculpture | Plaster cast pulled from original negative | Guillermo E. Tolentino | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
The Jugglers | Painting | Oil on Board | Hernando R. Ocampo | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Mindanao | Painting | Tempera on paper | 59 x 49.5 cm | J. Elizalde Navarro | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | 1952 2nd Watercolor Exhibition; Chamber of Commerce Showroom; 1st Prize, Poster Category | Collection of the Artist | |||
Waterpool of Amandari, Bali | Painting | 75 x 58.5 | J. Elizalde Navarro | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Signed, dated “2-20-96,” and title inscribed by the artist on the right margin | |||||
Barter of Panay | Painting | Oil on canvas | 175.2 x 609.6 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CBA, UP Diliman | ||||
Beautiful Lady | Drawing | Charcoal and Colored pencil on paper | 43.4x 28.7 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, Iloilo City | ||||
Church Belfry (Laoag, locos Norte) | Drawing | Charcoal and colored pencil on paper | 43.4 x 28.9 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, Iloilo City | ||||
City Silhouette | Etching | 22.8 x 15.2 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | |||||
Cityscape | Intaglio | 22.8 x 15.2 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | |||||
Controversial Composition | Painting | Oil on Canvas | Jose T. Joya | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Decorative Painting, | Painting | Oil on wood | 130.8 x 59.6 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Executive House, UP Diliman | ||||
Dream Odyssey | Painting | Acrylic on canvas | 85 x 85 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CBA, UP Diliman | ||||
Fate | Collage | Mixed media | 34.6 x 55 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, Iloilo City | ||||
Friend | Drawing | Charcoal and colored pencil on paper | 43.1 x 28.5 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, Iloilo City | ||||
Girl with Flowers | Sketch | Pencil on paper | 43 x 28.5 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CAS Dean’s Office, UPV Miagao | ||||
Inundation | Collage | Mixed media | 96 x 65 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | ||||
Lady with a Fan | Sketch | Pencil on paper | 43.2 x 28.8 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, Iloilo City | ||||
Lonely Woman | Drawing | Charcoal and colored pencil on paper | 42 x 27.2 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, Iloilo City | ||||
Mind Caves | Painting | Oil on canvas | 78 x 119 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CBA, UP Diliman | ||||
Moriones | Etching | 17.1 x 15.2 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | |||||
Mother and Child | Sketch | Pastel on paper | 49 x 31 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | ||||
Mother and Son | Sketch | Pastel on paper | 44 x 28.6 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, lloilo City | ||||
Nude: Male | Sketch | Pencil on paper | 44.4 x 29.8 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Old Woman | Drawing | Charcoal and colored pencil on paper | 55 x 34.7 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, Iloilo City | ||||
Piddig, Ilocos Norte | Drawing | Charcoal and colored pencil on paper | 28.5 x 44 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | ||||
Portrait of Nene Borja | Drawing | Pencil on paper | 24.7 x 29.6 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Space Transfiguration | Painting | Oil on Canvas | 152 x 178.5 cm | Jose T. Joya | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | 1959 12th Annual Exhibition; Northern Motors Showroom; 2nd Prize, Painting Category | Joya-Baldovino Collection | |||
Study of an Old Man | Sketch | Pencil on paper | 53 x 40 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Study of an Old Man | Sketch | Pencil on paper | 40.6 x 55.2 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
The Tree of Life | Collage | Mixed media | 100 x 63.8 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Art Gallery, Iloilo City | ||||
The Visayans | Embossing | 19 x 24.7 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CFA, UP Diliman | |||||
Two Women | Drawing | Ink on paper | 51.4 x 34.9 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Untitled | Painting | Acrylic on Canvas | 91.5 x 61 cm | Jose T. Joya | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Signed and dated ‘92 | ||||
Untitled | Painting | Oil on canvas | 274.4 x 152.4 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CHE, UP Diliman | ||||
Untitled (2) | Sketch | Pencil on paper | 44.4 x 29.8 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Yeseria VII1 | Painting | Oil on canvas | 59.6 x 120.6 cm. | Jose T. Joya | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Executive House, UP Diliman | ||||
Abaca Strippers | Painting | Oil | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | FMC | |||||
Abanico | Sculpture | Various Types of Wood and Stainless Steel | 96 x 110 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Abanico (2) | Sculpture | Various Types of Wood | Height 182 (excluding metal support) x 299 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Abstraction | Sculpture | Iron and Concrete | 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JNC | ||||
Abstraction (2) | Sculpture | Narra Wood | 14 x 35.5 x 5.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Abstraction (3) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Adoration of the Sto. Nino | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CPH | |||||
Aguinaldo Shrine | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NHI | |||||
Alabaster City | Sculpture | Alabaster | 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ND | ||||
Allegorical Harpoon | Sculpture | Molave Wood | Height 129 x length 303 x breadth 44 cm. | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | XXXII Venice Biennial | Cultural Center of the Philippines Collection | |||
Allegorical Harpoon II | Sculpture | Narra and Kamagong Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Alma Mater | Sculpture | Concrete cast | 259 x 160 x 83.8 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UP Baguio | ||||
Alma Mater (2) | Sculpture | Painted concrete cast | 93 x 70 x 72 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Ang Bahay ng Alumni, UPAA | ||||
Alma Mater (3) | Sculpture | Reinforced Concrete | Height 259 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPB | ||||
Altar | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ZC | |||||
Altar Table | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDCHS | |||||
Altar Table (2) | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DCMC | |||||
Altar Table (3) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ES | |||||
Altar Table (4) | Sculpture | Stainless Steel and Glass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Altar Table (5) | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Altar Table (6) | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ZC | |||||
Altar Table (7) | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Altar Wall | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MDV | |||||
American | Sculpture | Bronze | 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | SC | ||||
Amihan's Chair | Sculpture | Narra Wood and Leather | 106.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Ang Nagdarasal | Sculpture | Stone | 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | FTC | ||||
Ang Sigaw ng Pugad Lawin (Cry of Pugad Lawin) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size and more than life-size | QCPB | ||||
Anne | Sculpture | Bronze | 50.8 x 20.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Arceo Family Relief | Sculpture | Bronze | 50.8 x 20.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Arceo Family Relief (2) | Sculpture | Ink on Paper | 26.7 x 23 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Arceo Collection | ||||
Armadillo | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MGL3 | |||||
Arts (Theater Arts) | Sculpture | Reinforced Concrete | 914.4 x 182.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QMT | ||||
As an Actor | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | EC | |||||
Asian History | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size | Artist's Collection | ||||
Athlete | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Audit | Sculpture | Iron and brass and reinforced concrete | Height of tallest figure 183 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCCA | ||||
Babel Tower I | Sculpture | Bronze | Height 43.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Babel Tower II | Sculpture | Wood | Height 259.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Baby Duero | Sculpture | Wood | Length 50 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Baby Moses | Sculpture | Wood and Metal | 76.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||
Baby Moses (2) | Sculpture | Jackfruit Wood | Length 81.28 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||
Baby Moses Floating | Sculpture | Wood | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Cranbrook Academy of Art, Michigan, USA | |||||
Baby on a Manger | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | ||||||
Bagong Buhay | Sculpture | Marble | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Artist’s Collection | |||||
Bagong Buhay (2) | Sculpture | Marble | Height c. 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | ||||
Balangiga Massacre Monument | Sculpture | Bronze and Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Balanggiga, Eastern Samar | |||||
Ballet Book | Sculpture | Narra Wood, Marble, and Acrylic | 35 x 32 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Ballet Dancers (Nonoy Froilan and Edna Vida) | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | More than life size | Cultural Center of the Philippines | ||||
Balut Vendor | Sculpture | Marble | 91.4 x 70 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JGC | ||||
Baptism of Christ | Sculpture | Reinforced Concrete | Height of Christ 202 cm., Height of St. John the Baptist 206 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Little Temple of the Child Jesus, Artist's Residence | ||||
Bataan Heroes Memorial | Sculpture | Fiberglass | c. 12.80 m. x c. 150 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bataan Heroes Memorial College, Bataan | ||||
Batang PGH | Sculpture | Painted concrete cast | 401.32 x 401.32 cm | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Dept. of Otorhinolaryngology, PGH | ||||
Bathala | Sculpture | Terracotta | 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bed | Sculpture | Bronze | 25.4 x 47 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Belfry | Sculpture | Iron and Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCCAG | |||||
Bench | Sculpture | Narra Wood | 60.9 x 243.8 x 91.4 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CBA, UP Diliman | ||||
Bench (2) | Sculpture | Concrete | 553.7 x 116.8 x 60.9 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Right side, University Avenue, UP Diliman | ||||
Bench (3) | Sculpture | Concrete | 553.7 x 116.8 x 60.9 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Left side, University Avenue, UP Diliman | ||||
Bench (4) | Sculpture | Narra Wood | 60.9 x 243.8 x 91.4 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CBA, UP Diliman | ||||
Bench (5) | Sculpture | Narra Wood | 60.9 x 243.8 x 91.4 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CBA, UP Diliman | ||||
Bench (6) | Sculpture | Narra Wood | Length 304.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bench (7) | Sculpture | Wood | Length 335.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bench (8) | Sculpture | Wood | Length 298 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Bench (9) | Sculpture | Wood | Height 59 x length 236.2 x width 78.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RCC | ||||
Bench (10) | Sculpture | Acacia Wood | Length (of long side) 285 x length (of short side) 129.5 x height 64.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bangko Sentral ng Pilipinas | ||||
Bench (11) | Sculpture | Wood | 90.17 x 187.96 x 107.95 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Bench (12) | Sculpture | Wood | Height 81.5 x Length 91 x Width 71.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Bench (13) | Sculpture | Wood | 68.58 x 307.34 x 149.86 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Bench (14) | Sculpture | Acacia Wood | 335.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Bench (15) | Sculpture | Molave Wood | 75 x 45 x 222 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Bench (16) | Sculpture | Narra Wood and Metal (Bronze) | 396.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||
Bench (17) | Sculpture | Narra Wood | 60.9 x 243.8 x 91.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDCBA | ||||
Bench (18) | Sculpture | Wood | Length 246 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Bench (19) | Sculpture | Molave Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Bench (20) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City | |||||
Bench (21) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Bench (22) | Sculpture | Acacia Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | EKC | |||||
Bench (23) | Sculpture | Acacia Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Corito Araneta-Kalaw Collection | |||||
Bench (24) | Sculpture | Acacia Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JMC | |||||
Bench (25) | Sculpture | Molave Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Bench (26) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JTC | |||||
Bench (27) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MSC | |||||
Bench (28) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PQC | |||||
Bench (29) | Sculpture | Narra Wood and Rope | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PQC | |||||
Bench (30) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Carlos Arguelles Collection | |||||
Bench (31) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | SLC | |||||
Bench (Arroceros Forest Park) | Sculpture | Concrete | Napoleon V. Abueva | |||||||
Bench with Chess Board | Sculpture | Molave Wood | 30 in. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bench/ Sculptural Bench | Sculpture | Molave Wood and Metal (Bronze) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LLC | |||||
Benches | Sculpture | Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Benches (2) | Sculpture | Molave Wood and Metal (Bronze) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LLC | |||||
Benches (3) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PSC | |||||
Benches (4) | Sculpture | Wood and Metal (Bronze) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DRC | |||||
Benches (5) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Government Service Insurance System Museum | |||||
Benches (6) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | HKC | |||||
Benches (7) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DC | |||||
Benches, UP Gateway | Sculpture | Reinforced Concrete | 553.7 x 60.9 x 116.8 cm | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDCBA | ||||
Bending Nude | Sculpture | Santol Wood | 76.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LAC | ||||
Billicopter | Sculpture | Wood and Metal (Copper) | 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bird | Sculpture | Wood | 64.5 x 113 x 20.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JJC | ||||
Bird (2) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RSC | ||||||
Bird Bath | Sculpture | Stone | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | FZC | |||||
Bird in Flight | Sculpture | Copper | 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Birds | Sculpture | Narra Wood and Metal (Bronze) | 76.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Birds (2) | Sculpture | Capiz | Length of tallest figure 76.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LAO | ||||
Birds (3) | Sculpture | Marble | 15 x 16 x 19 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RAC | ||||
Birds (4) | Sculpture | Marble | 38 x 40.6 x 48.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Birds (5) | Sculpture | Coral | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LLC | |||||
Birds in Flight | Sculpture | Wood and Metal (Stainless steel) | Height 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Birth Control | Sculpture | Molave Wood | 61 x 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bitin (Suspension Chair) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||||
Blind Justice | Sculpture | Wood | 152.4 x 365.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CQC | ||||
Boat | Sculpture | Narra Wood | 152.4 x 365.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bones of a Mother | Sculpture | Wood | 457.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Born Free | Sculpture | Wood and Iron | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Camp Aguinaldo, QC | |||||
Born Free (2) | Sculpture | Fiberglass | Height 56 cm. (including base) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Born Free (3) | Sculpture | Wood and Metal | Height 365.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCNCC | ||||
Bowl | Sculpture | Terracotta | 22.9 x 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bridge of Love | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist’s Collection | |||||
Bridge of Love (2) | Sculpture | Concrete cast | 182 x 390 x 117 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CBA, UP Diliman | ||||
Bridge of Love (3) | Sculpture | Reinforced Concrete | 540 x 325 x 170 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Removed from original Sculpture Garden. | UPD | |||
Bridge of Love (4) | Sculpture | Fiberglass and Metal (Steel) | Height c. 320 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | More than life-size | Artist's Collection, on loan to Malagos Garden Resort, Davao | |||
Bridge of Love (5) | Sculpture | Reinforced Concrete and Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDCFASC | |||||
Bridge of Love (6) | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Building | Sculpture | Molave Wood and Narra Wood | 28.2 x 40 x 17.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Buoyant Sculptures | Sculpture | Wood and Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | |||||
Burning Bush | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DCMC | |||||
Bust (Self-Portrait) | Sculpture | Painted concrete cast | Height 78 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | With inscription on brass plate: Legal Name: Esabelio Veloso Abueva; Name given during confirmation: Napoleon Veloso Abueva, Alias BILLY; Born: January 26, 1930 (Pay Ward) Phil. Gen. Hospital; Tentative and Optimistic Date of Death: November 8, 2020 (I.C.U.) Makati Medical Center. | Artist's Collection, on loan to Malagos Garden Resort, Davao | |||
Bust of a Woman | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Bust of Agnes Rule | Sculpture | 38.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Armando Rule Collection | |||||
Bust of Amihan | Sculpture | Wood | Height 50 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Amihan Abueva and Jimmy Lanoy Collection | ||||
Bust of Beth Arcellana | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | FAC | |||||
Bust of Carriedo | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCBF | |||||
Bust of Chuckie Warren | Sculpture | Plaster | 25.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bust of Claudio Teehankee | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Ateneo Law School, Makati | ||||||
Bust of Cojuangco | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PLDT | |||||
Bust of Cong. Lacson de Leon | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | |||||
Bust of David Sycip | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | |||||
Bust of Dean Jorge Bocobo | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | |||||
Bust of Dean Jorge Bocobo | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | TG | ||||||
Bust of Don Bosco | Sculpture | Concrete | 274.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DBS | ||||
Bust of Douglas Lee | Sculpture | Plaster | 35.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||
Bust of Dr. Hippolito Aznar | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Aznar Collection | |||||
Bust of F. Sionil Jose | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | |||||
Bust of Fr. John Delaney | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDDH | |||||
Bust of Joan Edades | Sculpture | Plaster | Height 40.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JEC | ||||
Bust of Jose Espiritu | Sculpture | Plaster | Height 66 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDCL | ||||
Bust of Juvenal Sanso | Sculpture | Plaster | Height 38.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JSC | ||||
Bust of Katy Lawton | Sculpture | Painted Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Bust of Lualhati Tolentino | Sculpture | Plaster | 38.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bust of Mang Bert Puentespina | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | |||||
Bust of Marcelita Lopez-Kabayao | Sculpture | Plaster | 38.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Bust of Maria Paz Guanzon | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPMCM | |||||
Bust of Marian Anderson | Sculpture | Stone | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Bust of Monique Villongco | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||||
Bust of Mulawin | Sculpture | Molave Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Bust of Nicanor Abelardo | Sculpture | Painted Plaster Cast | Height 76.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDCM | ||||
Bust of Nikki Kaplan | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Bust of Ninoy Aquino | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size | Artist's Collection | ||||
Bust of President Fidel V. Ramos | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||||
Bust of Pura Villanueva-Kalaw | Sculpture | Plaster | 45.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Bust of Purita Kalaw-Ledesma | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||||
Bust of Rafael Palma | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Bust of Robert Koch | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Bust of Rodolfo Cuenco | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Bust of Sandino | Sculpture | Plaster on Iron Base | Height of head 28 cm. (heigh of base 7.5 cm.) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Amihan Abueva and Jimmy Lanoy Collection | ||||
Bust of Sec. Emmanuel Pelaez | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DFA | ||||||
Bust of Teodoro Yangco | Sculpture | Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ZSA | |||||
Bust of Teresita Manguera | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | |||||
Bust of Titus Brandsma and Lectern | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCTBC | |||||
Bust of TVA | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Bust of Vicente Manansala | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NHC | |||||
Bust of Vicente Manansala | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Busts of ASEAN Ministers | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | IAP | |||||
Busts of Mr. and Mrs. Angeles | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Angeles University Collection | |||||
Caballero Rusticana de Machina | Sculpture | Acrylic, wood and bronze | Height 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Caganapan (Kaganapan) | Sculpture | Marble | 33 x 20.3 x 114.3 cm | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words; Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | 1953 Semi-Annual Art Exhibition; Northern Motors Showroom; 1st Prize, Sculpture Category and Special Award for Best Female Figure | Artist’s Collection | |||
Candelabra with Doe and Fawn | Sculpture | Wood and Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Candle Holder | Sculpture | Stainless Steel | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Candlesticks | Sculpture | Wood and Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Cannon | Sculpture | Molave Wood and Brass | 609.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Carabao | Sculpture | Bronze | Height 20 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Arceo Collection | ||||
Carabao (2) | Sculpture | Bronze | Height 19 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Carabao (3) | Sculpture | Marble | Length 71.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Carabao (Water Buffalo) | Sculpture | Bronze | Height 22.86 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Mr. and Mrs. Arturo Tangco, Jr. Collection | ||||
Carabao (Water Buffalo) | Sculpture | Terracotta | 20.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Carabao (Water Buffalo) | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MOCAM | |||||
Carabao Party (Carabao Herd) | Sculpture | Alabaster | Length 39.37 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Carabaos | Sculpture | Bronze | Approx. 100 cm. each | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Carabaos (2) | Sculpture | Black Marble | Length 14 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Carabaos (3) | Sculpture | Kamagong Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Carlos P. Romulo Podium | Sculpture | Laminated Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Carolers | Sculpture | Limestone | Height 66 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||
Carrying of the Cross | Sculpture | Fiberglass | 50 x 75 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bahay ng Alumni, University of the Philippines, Diliman, Quezon City | ||||
Caruaje | Sculpture | Wooed and Metal | 213.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Caryatid | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||||
Catapult | Sculpture | Wood and Stone | Height 114 x Length 85 x Width 62 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Cathedral | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PPT | ||||||
Ceiling Decor | Sculpture | Wood and Plaster | 426.7 x 426.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Amihan Abueva and Jimmy Lanoy Collection | ||||
Ceiling Designs | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PMB | ||||||
Celebration of Life | Sculpture | Painted concrete cast | 304.8 cm. high | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | College of Medicine, UP Manila | ||||
Celebration of Life (2) | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPMCM | |||||
Centennial Ring (Millenium Ring) | Sculpture | Stainless Steel | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Government Service Insurance System | |||||
Centennial Tower (model) | Sculpture | length 107 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Ceramic Pieces | Sculpture | Terracotta | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | |||||
Ceramic Tiles | Sculpture | Glazed Terracotta | 152.4 x 304.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PGC | ||||
Ceremonial Urn at Dambana ng Kagitingan | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | ||||||
Chair | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Chair (2) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Mr. & Mrs Geronimo Velasco Collection | |||||
Chair with Wheels | Sculpture | Wood, Metal, and Rubber | Height 78.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Chair with Wheels (2) | Sculpture | Narra and Iron | Height 89.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Chariot | Sculpture | Various Materials | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Chastity Belt | Sculpture | Molave Wood | 76.2 x 14 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PQPC | ||||
Chess Set | Sculpture | Kamagong and Molave Woods | Height of tallest figute 20.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||
Child with a Duck | Sculpture | Concrete | 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCBF | ||||
Child Wrapped in Swaddling Clothes | Sculpture | Bronze | 66 x 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | ||||
Childbirth | Sculpture | Bamboo Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Chopping Blocks | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||||
Christ Among the Doctors (Christ Disputing with the Elders) | Sculpture | Reinforced Concrete | Heigh of Christ 116 cm., height of man on the steps 173 cm., height of standing man at the back 178 cm., height of seated man to Christ's right 133 cm., height of man behind Christ 123 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Little Temple of the Child Jesus, Artist's Residence | ||||
City | Sculpture | Molave Wood | 35.6 x 139.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Little Temple of the Child Jesus, Artist's Residence | ||||
Code of Kalantiao | Sculpture | Metal | Height 198.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Coffee Tables | Sculpture | Narra and Kamagong Wood | 152.4 182.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Coffin | Sculpture | Wood and Metal | Length 224 x height 56 x width 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Column | Sculpture | Wood | 330.2 x 67.3 x 63.3 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CMC, UP Diliman | ||||
Column (2) | Sculpture | Wood | 102.8 x 19.6 x 19.6 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Executive House, UPLB | ||||
Columna Consunji | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Columna/Kolumna Fredesvinda | Sculpture | Wood | 305 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Columns, Pews, and Doorway | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | ||||||
Comb Letter Rack | Sculpture | Wood | Length 53.5 cm. (height 14 cm.) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Comb Letter Rack (2) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Comb Letter Rack (3) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Come Unto Me | Sculpture | Acacia Wood | 76.2 x 114.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JJC | ||||
Composition | Sculpture | Kamagong Wood | 35.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Composition E | Sculpture | Terracotta | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Composition No. 1 | Sculpture | Wood | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Composition No. 2 | Sculpture | Brass | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Composition No. 3 | Sculpture | Wood and Bronze | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Composition No. 4 | Sculpture | Wood and Bronze | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Composition No. 5 | Sculpture | Wood and Bronze | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Computer Arts/ Information Technology | Sculpture | Height 22 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Concept of Design | Sculpture | Marble and Steel | 61 x 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Concrete Chair | Sculpture | Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Conference | Sculpture | Molave Wood | 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Conference (2) | Sculpture | Molave Wood | 50.8 x 34.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Conformist | Sculpture | Bamboo Wood | 101.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Consummate Embrace | Sculpture | Bronze | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Artist’s Collection | |||||
Consummate Embrace (2) | Sculpture | Marble | 63.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Crankshaft and Flywheel | Sculpture | Molave, Kamagong, and Narra Woods | 76.2 x 152.4 x 76.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Crossbow | Sculpture | Bamboo and Molave Woods and Metal | 63.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Crossroad to Progress | Sculpture | Wood | Height 190.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DAP | ||||
Crucifix with Two Corpora | Sculpture | Wood | 304.8 x 335.2 x 106.6 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Crucifix, UP Chapel | Sculpture | Wood | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Architect: Leandro V. Locsin; Builder: DMCI | U.P. Chapel, Diliman, QC | ||||
Crucifixion | Sculpture | Wood | 304.8 x 335.2 x 106.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDCHS | ||||
Crucifixion (2) | Sculpture | Bronze | 48.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Ateneo Chapel, Quezon City | ||||
Crucifixion (3) | Sculpture | Wood | Height 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NEDC | ||||
Crucifixion (4) | Sculpture | Wood | Height 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Duero Church, Bohol | ||||
Crucifixion (5) | Sculpture | Bronze | Height 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MBAC | ||||
Crucifixion (6) | Sculpture | Wood | Height 243.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DCMC | ||||
Crucifixion (7) | Sculpture | Wood | Height 243.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCSLR | ||||
Crucifixion (8) | Sculpture | Wood | Height 274.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ICA | ||||
Crucifixion (9) | Sculpture | Wood | Height 274.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CSCS | ||||
Crucifixion (10) | Sculpture | Fiberglass | Height 365.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Lourdes Church, Tagbilaran, Bohol | ||||
Crucifixion (11) | Sculpture | Bronze | Length 35 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Crucifixion (12) | Sculpture | Bronze | Height 273.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCPC | ||||
Crucifixion (13) | Sculpture | Fiberglass | c. 40 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Amihan Abueva and Jimmy Lanoy Collection | ||||
Crucifixion (14) | Sculpture | Wood | Height 134.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MLAHC | ||||
Crucifixion (15) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PQMM | |||||
Crucifixion (16) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCSLC | |||||
Cultivated Fields | Sculpture | Narra Wood | 63.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PHSA | ||||
Cultivated Plains | Sculpture | Ipil and Molave Woods and Bronze | 148.3 x 351 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bangko Sentral ng Pilipinas | ||||
Dalag at Palay | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||||
Dambana ng Kagitingan | Sculpture | Reinforced Concrete (Relief Sculpture on the Cross); Bronze (Doors); Reinforced Concrete (Two Urns); Marble (Relief Sculpture) | Doors: 256 x 136 cm. (272 x 177 cm. with frame); Dimension per panel: 60 x 27.5 cm.; Two urns: Diameter 216 cm., height 110 cm. each; Relief sculpture: height 150 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Relief sculptures on the cross | Mt. Samat, Bataan | |||
Dambana ng Kagitingan Reliefs | Sculpture | Marble | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Architect: Lorenze del Castillo; Builder: DMCI | |||||
Dambana ng mga Santo | Sculpture | Marble | c. 110 x c. 155 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Dambana ng Pasko | Sculpture | Molave Wood and Brass and Bronze | 479 x 450 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bangko Sentral ng Pilipinas | ||||
Dance | Sculpture | Height 30 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
De Sautile | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | XSM | |||||
Death Mask of Fernando Poe, Jr. | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||||
Death Mask of Jaime Cardinal Sin | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||||
Deer Group | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Defensive Society | Sculpture | Molave Wood | 129 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bangko Sentral ng Pilipinas | ||||
Demonstration | Painting | Oil on wood | 66.5 x 104 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bangko Sentral ng Pilipinas | ||||
Deposition of St. Peter | Painting | Oil | 91.5 x 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City | ||||
Descent from the Cross | Sculpture | Marble | c. 305 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Descent from the Cross (maquette) | Sculpture | Fiberglass | 31 x 21 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Design Statement | Sculpture | Bronze | 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Diamond Jubilee | Sculpture | Kamagong Wood | 53.3 x 127 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Diamond Jubilee (2) | Sculpture | Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Divider | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Divider & Reception Desk | Sculpture | Wood & Metal | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Meralco Building, Manila | |||||
Diwata ng Dagat | Sculpture | Concrete cast | 487.68 x 258 x 330 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPV Miagao | ||||
Diwata ng Dagat (2) | Sculpture | Reinforced Concrete | Height 518.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPVCF | ||||
DMCI logo | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Dog House | Sculpture | Reinforced Concrete | 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Dolphins | Sculpture | Stainless Steel | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MHI | |||||
Don and Dona Antonio Floirendo | Sculpture | Steel and Stainless Steel | Height 260 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Dona Carmen vds. de Soriano Column | Sculpture | Stainless Steel | Height c. 340 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Door | Sculpture | Acacia Wood | 212 x 149 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Door (2) | Sculpture | Wood and Bronze | 2.9x 1.7 m | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Door (3) | Sculpture | Wood | 198 x 88 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Door (4) | Sculpture | Wood | 208 x 81 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Door (5) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ELM | |||||
Door (6) | Sculpture | Wood and Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JMC | |||||
Door (7) | Sculpture | Acacia Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | EKPC | |||||
Door (8) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MOC | |||||
Door (9) | Sculpture | Narra Wood and Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | VSC | |||||
Door (10) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Andres Cristobal Cruz Collection | |||||
Door Handle | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDFC | |||||
Door Handles | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NMP | |||||
Door of Eugenio Lopez Memorial Museum and Library (bronze cast) | Sculpture | Bronze | Height 133.35 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JJC | ||||
Door, J. Moreno Residence | Sculpture | Bronze and Wood | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | ||||||
Doors | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Little Temple of the Child Jesus, Artist's Residence | |||||
Doors (2) | Sculpture | Wood and Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | VSC | |||||
Doors (3) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DDC | |||||
Doors (4) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | WIJW | |||||
Doors (5) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | TTC | |||||
Double Rocking Chair | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Dove | Sculpture | Bronze | Length 35 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Dove (2) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCP | |||||
Dove (3) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Drama | Sculpture | Bronze | Height 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Duero's Steel Bouquet | Sculpture | Steel | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Dumbell | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RHC | ||||||
Electrocuted | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Elevator Doors and Panel | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MMH | ||||||
Equestrian Statue of Gen. Emilio Aguinaldo | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size | Artist's Collection | ||||
Eternal Flame | Sculpture | Stainless Steel | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RPC | |||||
Face in Space | Sculpture | Bronze | 30.5 x 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Family | Sculpture | Wood | Height 84 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NMP | ||||
Family (2) | Sculpture | Reinforced Concrete | Height 121.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Mr. and Mrs. Carlos Moran Sison Collection | ||||
Family (3) | Sculpture | Kamagong Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DPC | |||||
Family Group | Sculpture | Wood | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | National Museum, Manila | |||||
Family Group (2) | Sculpture | Wood | 35.5 x 20.3 x 83.8 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Executive House, UP Diliman | ||||
Family Group (3) | Sculpture | Tanguile Wood | 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PBC | ||||
Family Group (4) | Sculpture | Stainless Steel | Height of talest figure 256 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Family Group (5) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | TDC | |||||
Family Group (6) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | EC | |||||
Family Group (Family at Play) | Sculpture | Reinforced Concrete | 304.8 x 73.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | FRC | ||||
Father and Son | Sculpture | Wood | 109 x 48 cm | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
FEB Center Mural | Sculpture | Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MFEB | |||||
Fil-Chinese Relatives | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | TMI | |||||
Filipino Family | Sculpture | Marble with Aggregate Finish and Reinforced Concrete | 4.5 x 15 m | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ILB | ||||
Fire Hydrant | Sculpture | Iron | 121.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Ateneo de Manila University, Quezon City | ||||
Fish Form | Sculpture | Wood and Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LMA | |||||
Fish Forms | Sculpture | Cherry Wood and Brass Rod | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Fish Forms I | Sculpture | Wood | Length 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Buoyant Sculpture | UC | |||
Fish Forms II | Sculpture | Wood and Brass | Length 76.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Buoyant Sculpture | UC | |||
Flight | Sculpture | Molave Wood | 57.2 x 118.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JCC | ||||
Flying Carabao (Winged Carabao) | Sculpture | Reinforced Concrete and Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPLB | |||||
Flying Carabaos | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Flying Christ | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Little Temple of the Child Jesus, Artist's Residence | |||||
Flying Fish | Sculpture | Brass | 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
For Heavy-Duty Wife | Sculpture | Wood | Diameter 22.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
For Light-Duty WIfe | Sculpture | Wood | Diameter 15.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Fort Dagohoy | Sculpture | Black Marble | Height 23.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Foundation Design in the Inter-Seismic Region | Sculpture | Metal | 91.5 x 14 sq. cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | ||||
Fountain Sculpture | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PMB | ||||||
Fourteen Stations of the Cross | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CSC | |||||
Fr. John Patrick Delaney | Sculpture | Bronze cast | 73 x 54 x 27 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Garden of Communion, Church of the Holy Sacrifice, UP Diliman | ||||
Francisco Dagohoy | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Danao, Bohol | |||||
Fredesvinda | Sculpture | Concrete | 627 x 1156 x 330 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Art Collection | ||||
Fredesvinda (2) | Sculpture | Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Fredesvinda (3) | Sculpture | Ink on paper | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Fredesvinda (scale model) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Fredesvinda 2, Asean Boat No. 2 | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDCFASC | |||||
Free Form | Sculpture | Plaster | 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JVR | ||||
Freedom Park | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCM | |||||
Frogs | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MNE | ||||||
Galleon Ribs | Sculpture | Molave Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | GCC | |||||
Gallery of the Mind | Sculpture | Marble | 35.6 x 83.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Gemma | Sculpture | Molave Wood | 96 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LG | ||||
Globe | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | INC | ||||||
Goodbye to Lateral Thrust | Sculpture | Bronze | 96.5 x 71.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Goodbye to Lateral Thrust (2) | Sculpture | Narra and Kamagong Wood | 12 ft. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Cultural Center of the Philippines, National Arts Center, Laguna | ||||
Goodbye to Lateral Thrust (3) | Sculpture | Wood | 182 x 88.6 x 190 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MET | ||||
Goodbye to Lateral Thrust (4) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Graciano Lopez-Jaena Podium | Sculpture | Wood | Height 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Growth | Sculpture | Narra Wood | 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Gulong ng Palad | Sculpture | Narra Wood | 345 x 16.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PQPC | ||||
Halik/Kiss | Sculpture | Adobe | 60 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Hall of the Three Muses | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||||
Hand Sculptures | Sculpture | Walrus Teeth | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Handorawan (Remembrance Stairway) | Sculpture | Molave Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, Duero, Bohol | |||||
Happy Landing | Sculpture | Bronze | Length 34.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
He is Not Here | Sculpture | Marble | 143 x 93 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
He Stood Here | Sculpture | Marble | 40.6 x 31.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PBC | ||||
Head | Sculpture | Terracotta | 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||
High Reliefs at Dambana ng Kagitingan Cross | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Mount Samat, Bataan | |||||
Historical Events of Cebu | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CPH | |||||
Homage to Brancusi | Sculpture | Reinforced Concrete | Height 914.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Formerly at UPDCFASC | ||||
Homage to D.M. Consunji | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Cainta, Rizal | |||||
Homage to DM Consunji | Sculpture | Reinforced Concrete | 457.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | ||||
Homage to Dr. Jaime C. Laya: The Saints are Celebrating the Restoration of the Walls of Intramuros | Sculpture | Wood | 95.5 x 351.5 x 4.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Homage to USA | Sculpture | Bronze | 10,000 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Horse Head | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LMA | |||||
Horse Heads | Sculpture | Narra Wood | 104.1 x 160 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | SBC | ||||
Horse-drawn Wagons | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||||
House Post (Mother and Child) | Sculpture | 129.5 x 45 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Panel of three-sided house post | Artist's Collection | ||||
House Post 2 (Father and Son) | Sculpture | 129.5 x 45 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Panel of three-sided house post | Artist's Collection | ||||
House Post I (Abueva Family Tree) | Sculpture | 129.5 x 45 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Panel of three-sided house post | Artist's Collection | ||||
If You Are Not with Me (Cross) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | ||||||
Ifugao Dancers | Sculpture | Height 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | |||||
Ilohan | Sculpture | Stone, Wood, and Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Cultural Center of the Philippines | |||||
Ilohan (Presser) | Sculpture | Wood, Stone, and Bronze | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | DAP, Tagaytay City | |||||
Images of NVA | Sculpture | Molave Wood | 85 x 210 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | ||||
Images of NVA (2) | Sculpture | Incised Acrycic | 61 x 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
In My Father's House There Are Many Mansions | Sculpture | Bamboo Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ND | |||||
Interfaith Chapel | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CSU | ||||||
Interlocking Forms | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Atty. and Mrs. Avelino Cruz Collection | |||||
Iron Set | Sculpture | Iron | 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Isa Pa Nga | Sculpture | Marble | Height 20.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Jahoy na Panggatong | Sculpture | Tanguile Wood | 213.4 x 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Jesus Christ in Jail | Sculpture | Narra Wood and Iron | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size | Artist's Collection | ||||
Jesus Meets the Women of Jerusalem | Sculpture | Narra Wood | 61 x 177.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Jewelry Case | Sculpture | Anodized Chrome | 11.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Joints to Remember | Sculpture | Molave Wood | 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Joints to Remember (2) | Sculpture | Molave Wood | 27.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Chito Madrigal-Collantes Collection | ||||
Joints to Remember (3) | Sculpture | Wood | 27.9 x 24.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JPC | ||||
Joy-Joy | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JPC | |||||
Kaganapan | Sculpture | Marble | Height 113 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Kaganapan (2) | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | FAC | |||||
Kaganapan (cast of 1953 original) | Sculpture | Fiberglass | Height 113 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Kaganapan (cast of 1953 original) | Sculpture | Bronze | Height 113 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NMP | ||||
Kaganapan (reproduction of the marble original) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Kaganapan (study of the original) | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JLG | |||||
Kalaw Mausoleum | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LPB | ||||||
Kalesa | Sculpture | Various Materials | 154.94 x 104.14 x 187.96 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Key Holder | Sculpture | Metal and Narra Wood | 66 x 109.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Kiss of Judas | Sculpture | Oak Wood | 61 cm. | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Detroit, Michigan, USA | EKPC | |||
Kiss of Judas (Thirty Pieces of Silver) | Sculpture | Adobe | Height 59 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Ateneo Art Gallery | ||||
Kusina Pilipina | Sculpture | Sand | 152.5 x 577 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Lady with Garland | Sculpture | Bronze | Height 91 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bahay ng Alumni, University of the Philippines, Diliman, Quezon City | ||||
Lady with Garland (maquette) | Sculpture | Fiberglass | Height c. 25 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Lalake at Babae | Sculpture | Wood | Length of Lalake 214 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Lamentation (study) | Sculpture | Clay | 55.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Lapu-Lapu | Sculpture | Fiberglass | Height 51.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Last Supper | Sculpture | Bronze | 13.5 x 20 in. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Last Supper (2) | Sculpture | Bronze | 34.3 x 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Last Supper (3) | Sculpture | Bronze | 35.6 x 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Last Supper (4) | Sculpture | Bronze | 38 x 25.4 cm | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Last Supper (5) | Sculpture | Narra Wood | 91.5 x 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MEC | ||||
Last Supper (6) | Sculpture | Narra Wood | 121.9 x 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MKK | ||||
Last Supper (7) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JKC | |||||
Law Books | Sculpture | Wood and Steel | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | IC | |||||
Lectern | Sculpture | Narra Wood | 121.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Legaspi Founding Manila | Sculpture | Molave Wood | c. 213.4 x 273 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NMP | ||||
Letter Holder | Sculpture | Molave Wood | 91.5 x 22.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MEC | ||||
Letter Opener | Sculpture | Kamagong Wood | 25.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Literature | Sculpture | 30 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Little Temple of the Child Jesus | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||||
Love Birds | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Mr. and Mrs. Bienvenido Tantoco Collection | ||||||
Love Seat | Sculpture | Narra Wood | 61 x 289 x 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Lucky JOl | Sculpture | Narra Wood | 101.6 x 71.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Lying Woman (Mary Magdalene) | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Little Temple of the Child Jesus, Artist's Residence | |||||
Madonna | Sculpture | Molave Wood | 45.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCC | ||||
Magdangal | Sculpture | Painted concrete cast | 274.32 cm high | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CAL, UP Diliman | ||||
Mag-Ina | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RMC | |||||
Magkayakap | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | SNC | |||||
Magtanim Hindi Biro | Sculpture | Narra Wood | 38 x 67.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RBZ | ||||
Maiden in the Pool | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Atty. and Mrs. Avelino Cruz Collection | |||||
Mao Tse Tung | Sculpture | Bronze | 53.3 x 40.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Maranaw Designs | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MMH | ||||||
Maria Paz Guanzon Memorial Sculpture | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MPD | ||||||
Maria Paz Mendoza Guazon | Sculpture | Painted concrete cast | 81.28 x 55.88 x 30.48 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Paz Mendoza Guazon Hall, CM, UP Manila | ||||
Mariang Makiling | Sculpture | Bronze | 25.4 x 19.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Marker | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bohol Provincial Government, Tagbilaran, Bohol | |||||
Mary | Sculpture | Kamagong Wood | 71.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Mary and Joseph | Sculpture | Reinforced Concrete | Height of Mary 175 cm., Height of Joseph 182 cm., Height of Donkey 100 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Little Temple of the Child Jesus, Artist's Residence | ||||
Maynilad | Sculpture | Molave Wood | 165 x 251.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Mayor Rodrigo Duterte Column | Sculpture | Stainless Steel | 281 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Means of Communication (Column) | Sculpture | Wood | 3,302 x 67.3 x 63.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDCMC | ||||
Meat Chopping Board | Sculpture | Granite | 25.4 x 25.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Medals (various) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||||
Men in a Huddle | Sculpture | Plaster | 30.5 x 25.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Mental Health | Sculpture | Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NMH | |||||
Metropolis | Painting | Oil on wood | 66 x 111.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Mga Batang Naglalaro ng Gagamba | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Grepalife Collection | |||||
Miguel Malvar Monument | Sculpture | Metal | Napoleon V. Abueva | |||||||
Miniature Column | Sculpture | Bronze with Wooden Base | Height without wooden base 54.5 cm. (height of base 12.2 cm.) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Miss Ga | Sculpture | Bronze and Stainless Steel | Height 84 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Miss Li | Sculpture | Bronze | Height of figure 86 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Missal Stand | Sculpture | Narra Wood and Brass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Mocking of Christ | Sculpture | Fiberglass | 50 x 75 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bahay ng Alumni, University of the Philippines, Diliman, Quezon City | ||||
Model | Sculpture | Acacia Wood | 73.7 x 54.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Molave Bench | Sculpture | Molave Wood | Napoleon V. Abueva | Ateneo Art Gallery | Collection of Ambeth R. Ocampo | |||||
Monument to Fr. Diego Cera | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LPC | |||||
Mortar and Pestle | Sculpture | Marble | 25.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | SCC | ||||
Moses | Sculpture | Alabaster | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Galerie Bleue, Makati, Metro Manila | |||||
Moses (2) | Sculpture | Adobe | Height 101.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | FZC | ||||
Mother and Child | Sculpture | Molave Wood | 45.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCC | ||||
Mother and Child (2) | Sculpture | Aluminum and Plaster | 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Mother and Child (3) | Sculpture | Adobe | Height c. 117 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NMP | ||||
Mother and Child (4) | Sculpture | Narra Wood | Height 63 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Mother and Child (5) | Sculpture | Alabaster | Height 22.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Mother and Child (6) | Sculpture | Bronze | Height 36 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Amihan Abueva and Jimmy Lanoy Collection | ||||
Mother and Child (7) | Sculpture | Concrete | 99.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | FLTC | ||||
Mother and Child (8) | Sculpture | Narra Wood | 185.4 x 45.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Mother and Child (9) | Sculpture | Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | |||||
Mother and Child (10) | Sculpture | Alabaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Mr. and Mrs. Alejandro Melchor Collection | |||||
Mother and Child (11) | Sculpture | Alabaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Mother and Child (12) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | SEJA | |||||
Mother and Child (13) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | EGC | ||||||
Motherly | Sculpture | Wood | 33 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Buoyant Sculpture | UC | |||
Mourning | Sculpture | Wood | 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Mr. and Mrs. Roberto Puentespina, Sr. Column | Sculpture | Iron | Height 307 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Muslim Art | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ZP | ||||||
My Grandmother | Sculpture | Painted Plaster | Height 45 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Nagpapalamig ng Puwet | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PQC | |||||
Nanking | Drawing | Ink on paper | 30.4 x 43.1 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | University Library, UP Diliman | ||||
Nariel Carre | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Nativity | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Nicanor Abelardo | Sculpture | Painted plaster cast | 76.2 x 53.3. x 33 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CM, UP Diliman | ||||
Nine Muses | Sculpture | Painted concrete cast | 83.84 x 487 x 487 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CAL, UP Diliman | ||||
Nipple Tickler | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||||
Noah's Ark | Sculpture | Bronze | 88.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JFC | ||||
Non-conformist | Sculpture | Bamboo Wood | 121.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Nude Girl with Monkey | Sculpture | Marble | Height 129.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | ||||
Nude Women | Sculpture | Wood | 72 x 140 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Old Port | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Olivetti Typewriter Stand | Sculpture | Narra Wood | 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Palo-Palo | Sculpture | Santol Wood | 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Palo-Sebo | Sculpture | Wood and Metal | 12.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Pandanggo sa Ilaw | Sculpture | Narra Wood | 55.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Alfredo Morales Collection | ||||
Pang-upo at Iba Pa | Sculpture | Yakal Wood | 41.9 x 29.2 x 5.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Panty-Checker | Sculpture | Wood and Mirror | Length 55.5 cm. x width 8.5 cm. x 3.5 cm. (mirrors 4 x 3.2 cm. and 3.3 x 3.5 cm.) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RCC | ||||
Pasasalamat | Sculpture | Bronze | 121.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bahay ng Alumni, University of the Philippines, Diliman, Quezon City | ||||
Peace Podium | Sculpture | Iron and Wood | Height 274.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | YGC | ||||
People | Sculpture | Narra Wood | 63.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Philippines in Abstract Form | Sculpture | Bronze, Copper, and Aluminum | 76.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Plains of Endearment | Sculpture | Marble | 35.6 x 38.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Play Sculpture | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Artist’s Collection | |||||
Play Sculpture (2) | Sculpture | Reinforced Concrete | Length 300 x height 115 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Play Sculpture (3) | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DAF | |||||
Play Sculpture (4) | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QGL | |||||
Play Sculptures (Archway, Viewing Tower, and Slide) | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDP | |||||
Please Sit Pretty Close to Me | Sculpture | Wood and Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
Podium | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ZC | |||||
Podium | Sculpture | Wood and Brass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCTBC | |||||
Polychrome Relief | Sculpture | Wood and Paint | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKC | |||||
Portait of Mrs. Kintanar | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Portrait of Dr. Kintanar | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Portrait of Evelio Javier | Sculpture | Bronze | Height 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Province of Aklan | ||||
Portrait of Felipe Ysmael | Sculpture | Bronze | 304.8 x 182.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | FYC | ||||
Portrait of Mayor Tonying Borja | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Xavier University, Cagayan de Oro | |||||
Pregnant Carabao | Sculpture | Marble | 42.2 x 15.5 x 16 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Pregnant Lady with Two Birds | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LTC | |||||
Prescila | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Mr. and Mrs. Carlos Moran Sison Collection | |||||
President Carlos P. Garcia Statue | Sculpture | Bronze | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Tagbilaran, Bohol | |||||
Printing | Sculpture | Metal | 243.8 x 213.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bustamante Press, Quezon City | ||||
Raja Humabon | Sculpture | Plaster | 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Rajah Sulayman with His Escorts | Sculpture | Molave Wood | c. 213.4 x 273 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NMO | ||||
Ramon Magsaysay | Sculpture | Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Reception Desk | Sculpture | Marble and Brass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PMB | |||||
Reclining Chair | Sculpture | Wood | Height 86.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Reclining Figure | Sculpture | Terracotta | Length 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DCML | ||||
Reclining Mother and Child | Sculpture | Marble | Length 147 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Rejoice | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PPT | ||||||
Relief Sculpture | Sculpture | Adobe | 304.8 x 365.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MGB | ||||
Relief Sculpture (2) | Sculpture | Narra wood | c. 152.4 x 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCPS | ||||
Relief Sculpture (3) | Sculpture | Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PPN | |||||
Relief Sculpture (4) | Sculpture | Wood and Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JRC | |||||
Relief Sculpture (5) | Sculpture | Wood and Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LC | |||||
Relief Sculpture (6) | Sculpture | Wood and Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Mr. & Mrs Geronimo Velasco Collection | |||||
Relief Sculpture (7) | Sculpture | Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | VRC | |||||
Relief Sculpture (8) | Sculpture | Terracotta | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MHRH | |||||
Relief Sculpture (9) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RBC | |||||
Relief Sculpture (10) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMP | ||||||
Relief Sculpture (11) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MFCP | ||||||
Relief Sculpture (12) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCSC | ||||||
Relief Sculpture (13) | Sculpture | Painted wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NBC | |||||
Relief Sculptures (14 panels) | Sculpture | Various Materials | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCSLR | |||||
Resurrection (XIV Station) | Sculpture | Bronze | 100 x 100 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Resurrection (XIV Station) | Sculpture | Fiberglass | 100 x 100 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bahay ng Alumni, University of the Philippines, Diliman, Quezon City | ||||
Reward | Sculpture | Marble | 85.5 x 41.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Rice Planters | Sculpture | Bronze | Height 23.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Rice Planters (2) | Sculpture | Santol Wood | Height 170 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Rice Planters (3) | Sculpture | Bronze | Height of largest figure 87.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Rice Planters (4) | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Rice Planters (reproduction of 1952 wood original) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | EGC | |||||
Ring of the Gods | Sculpture | Stainless Steel | 279.4 x 218.4 x 116.84 cm. (diameter 274.3 cm.) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Ring of the Gods (small-scale replica of 1971 stainless steel original) | Sculpture | Bronze | Height 30.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Amihan Abueva and Jimmy Lanoy Collection | ||||
Ring Round the Rose | Sculpture | Bronze and Glass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | GCC | |||||
Risen Christ (Risen Lord) | Sculpture | Kamagong Wood | 62.5 x 42 x 20 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Risen Christ (Risen Lord) (2) | Sculpture | Brass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Memorial Park, Angat, Bulacan | |||||
Risen Christ (Risen Lord) (3) | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Lourdes Church, Tagbilaran, Bohol | |||||
Risen Christ (Risen Lord) (4) | Sculpture | Brass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PMP | |||||
Risen Christ (Risen Lord) (5) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | ||||||
Risen Christ (study) | Sculpture | Bronze | 34.3 x 29.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Rizal and Josephine in Bed | Sculpture | Wood | 102 x 70 x 25 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Rompe Candado | Sculpture | Wood | Length 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Roro | Sculpture | Kamagong Wood | 27.9 x 48.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Rose Gun | Sculpture | Wood and Metal, with Bamboo Bow | Length 101 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Sacred Heart | Sculpture | Molave Wood | 101.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DFC | ||||
Sacred Heart | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | TDC | |||||
Sacrifice of Isaac | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | More than life-size | Little Temple of the Child Jesus, Artist's Residence | ||||
Sagrada Corazon de Jesus | Sculpture | Wood | 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | GBC | ||||
Sagrada Familia | Sculpture | Molave Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DLF | |||||
Sailboat | Sculpture | Bronze with Wooden Base | Height without wooden base 47.5 cm. (height of base 9.2 cm.) | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Sails of the Seven Seas | Sculpture | Narra Wood | 55.9 x 40.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Sandugo (Blood Compact) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size | Tagbilaran City, Bohol | ||||
Sarimanok | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PPT | ||||||
Satirway to Heaven | Sculpture | Molave Wood | 243.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCM | ||||
School Model | Sculpture | Painted Plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Now damaged | Artist's Collection | ||||
Screen | Sculpture | Wood and Metal | Length 640.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PMB | ||||
Sculpture to the New Filipino | Sculpture | Wood and Iron | Height 823 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Sculptured Bench | Sculpture | Wood | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Artist’s Collection | |||||
Seated Lady | Sculpture | Concrete cast | 91.4 x 76.2 x 76.2 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CL, UP Diliman | ||||
Seated Lady (Seated Girl) | Sculpture | Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDLC | |||||
Seated Woman (Our Lady of Consolation, study) | Sculpture | Fiberglass | Height 39.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Amihan Abueva and Jimmy Lanoy Collection | ||||
Seated Woman (Our Lady of Consolation, study) | Sculpture | Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City | |||||
Security Check (Panty Checker) | Sculpture | Wood and Glass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
See Your Profile | Sculpture | Wood and Iron | 152.4 x 121.9 x 182.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
See-Saw | Sculpture | Wood and Iron | 304.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Self-Portrait | Sculpture | Wood | 83.5 x 51 x 6.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Set Design for CCP Ballet | Sculpture | Molave Wood | 100 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Sewing the First Philippine Flag | Sculpture | Black Pebbles, Reinforced Steel, Fiberglass, Reinforced Concrete | Height 274 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDDG | ||||
Shoe Maker | Sculpture | Narra Wood | 121.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | TRT | ||||
Simoy | Sculpture | Steel | 175.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Siyam na Diwata ng Sining (Nine Muses of the Arts) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Various sizes | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Siyam na Diwata ng Sining (Nine Muses of the Arts) | Sculpture | Reinforced Concrete and Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | More than life-size | UPDFCC | ||||
Slippers of Rizal | Sculpture | Wood and Brass | Length 7.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Adela Planas Paterno Collection | ||||
Small Harpoon | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Mr. & Mrs Geronimo Velasco Collection | |||||
Socrates About to Drink the Hemlock | Sculpture | Fiberglass | 83 x 84 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Solid Law Books | Sculpture | Narra Wood and Stainless Steel | 116.8 x 182.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | IC | ||||
Spirit of Business | Sculpture | Concrete and Metal | 365.7 x 243.8 x 121.9 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CBA, UP Diliman | ||||
Stabilization of a Compressive Load | Sculpture | Narra and Kamagong Wood, Metal, and Rope | Height 42.5 in. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Stabilization of the Monetary System | Sculpture | Wood, Brass, and Rope | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bangko Sentral ng Pilipinas | |||||
Staircase | Sculpture | Wood and Stainless Steel | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | IRB | |||||
Stairway | Sculpture | Reinforced Concrete | 243.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MVC | ||||
Stairway Posts (Man and Woman) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDVM | |||||
Stations of the Cross | Sculpture | Narra Wood | 152.4 x 365.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | IHM | ||||
Stations of the Cross (EDSA Shrine) | Sculpture | Bronze | 76.2 x 50.8 cm. each | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ES | ||||
Statue of Fernando Poe, Jr. | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | More than life-size | Artist's Collection | ||||
Statue of Francisco Dagohoy | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size | Artist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City | |||||
Statue of Gen. Miguel Malvar | Sculpture | Bronze | Height 365.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Statue of Gov. Jocson | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PLW | |||||
Statue of Graciano Lopez-Jaena | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size | Artist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City | |||||
Statue of Jaime Cardinal Sin | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MSA | |||||
Statue of Jose Rizal | Sculpture | Bronze | Height 243.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CRS | ||||
Statue of Jose Rizal | Sculpture | Bronze | Height 274.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCH | ||||
Statue of Mayor Tonying Borja | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Liceo de Cagayan, Cagayan de Oro | |||||
Statue of Mr. and Mrs. Pelaez | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Liceo de Cagayan, Cagayan de Oro | |||||
Statue of Pres. Carlos P. Garcia | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size | Capitol Grounds, Tagbilaran, Bohol | ||||
Statue of Pres. Elpidio Quirino | Sculpture | Concrete | 243.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ISV | ||||
Statue of Sec. Hernandez | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CSNC | |||||
Statue of Sen. Arturo Tolentino | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MSP | |||||
Statue of Teodoro M. Kalaw | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NLM | |||||
Statue of Victoria Tirol | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bohol University, Tagbilaran, Bohol | |||||
Step | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | IRB | |||||
Stool for Two-Year Old | Sculpture | Wood | Height 15.2 cm., diameter 15.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Structure | Sculpture | Wood and Iron | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | U. N. Building, New York, USA | |||||
Structures | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UNNY | |||||
Study for Columna/Kolumna Imelda | Sculpture | Wood | Height 79.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Sugar Cane Milling Industry | Sculpture | Plaster and Sugar | 457.2 x 365.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Sunburst | Sculpture | Copper and Bronze, with silver-leaf finish | diameter 12 m. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PEN | ||||
Sungka | Sculpture | Wood and Brass | 106.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Sungka (2) | Sculpture | Narra Wood | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Sungka (3) | Sculpture | Brass | 76.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Gilda Cordero-Fernando Collection | ||||
Sungka (4) | Sculpture | Kamagong Wood | 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | ||||
Sungka (5) | Sculpture | Molave Wood | 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Sungka (6) | Sculpture | Molave Wood | 109.2 x 14 x 5.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Sungka (7) | Sculpture | Narra Wood | 66 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Super Executive Chair | Sculpture | Molave Wood | 85.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Suspended Metal Tracery | Sculpture | Brass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NHC | |||||
Swaying House | Sculpture | Iron, Steel, Stainless Steel, Bamboo | Width 500 x length 770 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Swing | Sculpture | Molave Wood and Steel | Height 240 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Table | Sculpture | Wood and Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Table | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Talisman | Sculpture | Bronze | 27 x 16 x 2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Tatlong Krus | Sculpture | Marble and Iron | 25.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Temptation of Christ | Sculpture | Reinforced Concrete and Fiberglass | Height of Christ c. 330 cm., height of Satan c. 310 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Little Temple of the Child Jesus, Artist's Residence | ||||
The Philippines and the Spirit of APEC | Sculpture | Steel, Stainless Steel, and Brass | Height 261 x width 177 x breadth or thickness 17 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bangko Sentral ng Pilipinas | ||||
The Pursuit of Higher Education | Sculpture | Stainless Steel | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPOU | |||||
The Rice Planters | Sculpture | Wood | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | P. K. Ledesma Collection, Makati | |||||
The Unknown Political Prisoner | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||||
They Call Me in So Many Names | Sculpture | Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCSLR | |||||
They Call Me in So Many Names (2) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Three Graces | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | LTC | ||||||
Three Kings (Crossing the River) | Sculpture | Bronze | Length c. 20 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Three Kings (Crossing the River) (2) | Sculpture | Wood and Ceramics | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Three Women Sewing the First Philippine Flag | Sculpture | Polychromed concrete cast | 274.3 cm. high | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPD Donors Garden | ||||
To and From the Sea | Sculpture | Narra, Tanguile, and Molave Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
To Live is to Die | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
To Live is to Love | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Torso | Sculpture | Adobe | c. 92 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NMP | ||||
Torso | Sculpture | Fiberglass | Height 148 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
Torso | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Mr. and Mrs. Bienvenido Tantoco Collection | ||||||
Totem Pole | Sculpture | Painted Wood | Height 238.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Tourist Spots | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCPS | ||||||
Transfiguration | Sculpture | Welded Brass | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Eternal Gardens Memorial Park, Caloocan City | |||||
Transfiguration (2) | Sculpture | Brass and Iron | Height 1,371.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | EGCL | ||||
Transfiguration (3) | Sculpture | Brass and Iron | Height 792.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | EGMC | ||||
Transfiguration (4) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Transfiguration (Head) | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Tribute to Higher Education | Sculpture | Reinforced Concrete | 1360.6 square meters (680.3 sq. m. each) | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Left and right structures, University Avenue, UP Diliman | ||||
Tribute to the Filipino Entrepreneur | Sculpture | 762 x 121.9x 91.4 cm. | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards; Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UP Institute of Small Scale Industries, Diliman, QC | |||||
Triple Gun | Sculpture | Wood | 55.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | SVC | ||||
Trophy (ADCP) | Sculpture | Bronze | 25.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Trophy (Aurora A. Quezon Peace Awards) | Sculpture | Narra Wood | 48.3 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Cory Aquino Collection | ||||
Trophy (Children's Museum) | Sculpture | Narra Wood | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Trophy (College of Fine Arts' Outstanding Student) | Sculpture | Narra Wood | Height 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Trophy (Disabled Awards) | Sculpture | Narra Wood | 43.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Trophy (Fulbright Scholar Awards) | Sculpture | Narra Wood and Brass | Height 35.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PAEF | ||||
Trophy (Fulbright-Hays/Philippine-American Educational Foundation) | Sculpture | Wood and Brass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Trophy (German-Philippine Cultural Cooperation) | Sculpture | Kamagong and Steel and Stainless Steel | 61 x 21.54 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCM | ||||
Trophy (Golden Carabao Awards) | Sculpture | 17.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Trophy (International Cooperation) | Sculpture | Kamagong Wood | 63.5 x 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | CPR | ||||
Trophy (Kayamanan Award) | Sculpture | Wood and Bronze | Height c. 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Bangko Sentral ng Pilipinas | ||||
Trophy (Metro Aid) | Sculpture | Narra Wood | 45.7 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Trophy (NEA) | Sculpture | Narra Wood | 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Trophy (Philippine Art Awards or Joints to Remember: Variations II) | Sculpture | Wood and Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | |||||
Trophy (Ten Outstanding Young Men Awards) | Sculpture | Narra Wood | Height 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Trophy (Toyota Dealers Awards) | Sculpture | Narra Wood | Height 35.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Trophy (Toyota Dealers Awards, study) | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Alquin F. Gayagoy Collection | |||||
Trophy (Voice of America) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Trophy for Walk-a-thon | Sculpture | Molave Wood | 61 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | ||||
Trophy with Female Figure | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Turtle | Sculpture | Coral Stone | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | NDC | ||||
Turtle (2) | Sculpture | Coral Stone | 63.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||
Turtle (3) | Sculpture | Molave Wood | 61 x 38 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PEL | ||||
Turtle (4) | Sculpture | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PQC | ||||||
Twin Catapults | Sculpture | Wood and Brass, Iron, and Stainless Steel | Height 127 x Length (from front to back wheels) 162 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | ||||
University Gateway | Sculpture | Concrete | 739.6 square meters | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Left and right structures, University Avenue, UP Diliman | ||||
Untitled | Sculpture | Carved wood | 150 x 100 cm | Napoleon V. Abueva | Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation. | Signed and dated ‘92 | ||||
Untitled (2) | Sculpture | Wood | 20.2 x 43.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Untitled (3) | Sculpture | Wood | 20.2 x 43.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Untitled (4) | Sculpture | Wood | Length 114 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCN | ||||
Untitled (5) | Sculpture | Wood | 29 x 72.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Untitled (6) | Sculpture | Wood | 56 x 137.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | ||||
Untitled (7) | Sculpture | Wood | 80 x 170 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCN | ||||
Untitled (8) | Sculpture | Wood | 28 x 40.2 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | ||||
Untitled (9) | Sculpture | Fiberglass | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Life-size | Artist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City | ||||
Untitled (10) | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Untitled (11) | Sculpture | Molave Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Cultural Center of the Philippines | |||||
Untitled (12) | Sculpture | Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Untitled (bas-relief) | Sculpture | Bronze and Reinforced Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCTL | |||||
Untitled (relief from Dambana ng Kagitingan Urn) | Sculpture | Painted plaster | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Arceo Collection | |||||
Untitled (relief with angels and initials) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | RKC | |||||
Untitled (relief) | Sculpture | Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Untitled (relief) (2) | Sculpture | Wood and Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Various sizes | DMCC | ||||
Untitled (To Freddie) | Sculpture | Wood | 30.5 x 43 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Arceo Collection | ||||
UP Gateway | Sculpture | Reinforced Concrete | 369.8 sq. m. | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Diliman, Quezon City; Associate Designer: Architect Jess Reyes; UP Physical Plant, Builder | UPD | |||
Use It Now, Use It Later | Sculpture | Narra Wood | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, Duero, Bohol | |||||
Uyug-Uyugan | Sculpture | Steel, Metal, Concrete | 50.8 x 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | QCMC | ||||
Vanishing Nobility of Man | Sculpture | Kamagong Wood | Length 91.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Vase | Sculpture | Terracotta | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Veda | Sculpture | Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PBC | |||||
Venus de Milo | Sculpture | Plaster | 38.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MNC | ||||
Vessel 1, 2, 3 | Sculpture | Silver and Copper | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | |||||
Viable Communities | Sculpture | Wood and Bronze | Length 182.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Virgin Mary | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ZC | |||||
Voice of Democracy | Sculpture | Narra Wood | 40.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Wall Floral Design | Sculpture | Terracotta | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MCPS | |||||
Wall Relief | Sculpture | Wood and Bronze | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DMCC | |||||
Warm-Up | Sculpture | Concrete | 121.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Water Buffalo | Sculpture | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | City Art Museum, St. Louis, Missouri, USA | ||||||
Water Catapult (For the Burning of the Books of Alexandria) | Sculpture | Wood, Bronze, and Copper | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Artist’s Collection | |||||
Watermelon | Sculpture | Stainless Steel | 30.5 x 71.1 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Welcome Tower (Post) | Sculpture | Metal | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection | |||||
What Is Love? | Sculpture | Iron, Steel, Stainless Steel, and Concrete | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | Artist's Collection, on loan to Malagos Garden Resort, Davao | |||||
Wheels of Progress | Sculpture | Stone | 170.18 x 142.24 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | DAP | ||||
Wild Boar | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ELC | |||||
Wild Boar Group | Sculpture | Marble | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | ELC | |||||
Winged Carabao | Sculpture | Painted concrete cast | 360 x 202 x 272 cm. | Napoleon V. Abueva | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPLB | ||||
Woman | Sculpture | Terracotta | 152.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Woman (2) | Sculpture | Reinforced Concrete | 50.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | JNC | ||||
Woman (3) | Sculpture | Brass | 31.8 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PKLC | ||||
Woman (4) | Sculpture | Bronze with wooden Base | Height 25.4 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UPDVM | ||||
Woman’s World | Sculpture | Marble | Napoleon V. Abueva | Abueva, N. (1990). Abueva: Works and Words. | Private Collection, USA | |||||
Woman's World (2) | Sculpture | Marble | c. 121.9 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | UC | ||||
Wrestlers | Sculpture | Marble | c. 30.5 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | PC | ||||
Wrestlers (2) | Sculpture | Narra Wood | 43.2 x 68.6 cm. | Napoleon V. Abueva | Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards. | MDC | ||||
Abstract Composition | Drawing | Pen and Ink on Bond Paper | 11 x 8.5 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000265 | ||||
Abstract Composition (2) | Drawing | Pen and Ink on Light Cotton Paper | 8.52 x 10.93 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000250 | ||||
Abstraction | Drawing | Sepia Ink on Bond Paper | 10.92 x 8.5 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000259 | ||||
Bananas | Drawing | Pen and Ink on Sketchpad Paper | 5.83 x 9 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000245 | ||||
Bust of a Young Girl | Drawing | Lead Pencil on Bond Paper | 10.83 x 8.42 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000268 | ||||
Chicken Yard | Drawing | Sepia Ink on Light Sketchpad Paper | 5.5 x 8.46 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000244 | ||||
Crab | Drawing | Pen and Ink on Light White Paper | 5.75 x 8.45 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000246 | ||||
European Mansion | Drawing | Pen and Ink on Light Sketchpad Paper | 10 x 7.33 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000253 | ||||
Female Nude | Drawing | Pen and Ink on Light Buff Sketchpad Paper | 10.92 x 8.42 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000257 | ||||
Fernando Calderon | Painting | Oil on canvas | 119.3 x 96.5 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CM, UP Manila | ||||
Girl’s Head | Drawing | Lead Pencil on Bond Paper | 10.92 x 8.52 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000266 | ||||
Girl’s Head (2) | Drawing | Lead Pencil on Bond Paper | 10.92 x 8.52 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000267 | ||||
Girl’s Head (3) | Drawing | Lead Pencil on Bond Paper | 10.83 x 8.35 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000269 | ||||
Girl’s Head (4) | Drawing | Lead Pencil on Bond Paper | 10.92 x 8.50 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000270 | ||||
Heads of Two Roosters | Drawing | Sepia Ink on (Bond Paper) | 11 x 8.5 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000237 | ||||
Help | Painting | Oil on canvas | 118 x 80 cm. | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CBA, UP Diliman | ||||
Male Nude | Drawing | Black Ink on Light Cotton Paper | 10.93 x 8.52 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000251 | ||||
Male Nude, Squatting | Drawing | Black Feltpen on Light Bond Paper | 11 x 8.5 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000256 | ||||
Man With Hat | Drawing | Lead Pencil on (Bond Paper) | 10.93 x 8.42 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000262 | ||||
Nude Woman | Drawing | Pen and Ink Bond Paper | 10.92 x 8.42 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000258 | ||||
Quiapo Scene | Painting | Oil on canvas | 86 x 131 cm. | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | CBA, UP Diliman | ||||
Reclining Woman | Drawing | Pen and Ink on Bond Paper | 8.5 x 11 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000255 | ||||
Rooster | Drawing | Sepia Ink on (Bond Paper) | 11 x 8.5 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000231 | ||||
Rooster (2) | Drawing | Sepia Ink on (Bond Paper) | 11 x 8.5 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000238 | ||||
Rooster (3) | Drawing | Sepia Ink on (Bond Paper) | 11 x 8.5 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000241 | ||||
Rooster and a Hen | Drawing | Sepia Ink on Light Sketchpad Paper | 8.07 x 6.36 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000243 | ||||
Rooster and Chick | Drawing | Black India Ink Wash on Buff Sketchpad Paper | 10.11 x 8.5 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000247 | ||||
Rooster, sitting on a pole | Drawing | Sepia Ink on (Bond Paper) | 8.42 x 10.92 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000233 | ||||
Rooster, sitting on a pole | Drawing | Sepia Ink on (Bond Paper) | 8.42 x 10.92 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000235 | ||||
Roosters | Drawing | Sepia Ink on (Bond Paper) | 10.92 x 8.42 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000234 | ||||
Sabong | Painting | Oil on Canvas | Vicente S. Manansala | Ateneo Art Gallery | Collection of PLDT | |||||
Salvador P. Lopez | Painting | Oil on canvas | 82.8 x 66.6 cm. | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Seated Male Nude | Drawing | Black Feltpen on Light Bond Paper | 8.5 x 11 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000252 | ||||
Seated Woman | Drawing | Lead Pencil on Light Bond Paper | 8.52 x 10.93 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000248 | ||||
Still Life with Chair Motif | Drawing | Pen and Ink on Light Bond Paper | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000254 | |||||
Studies for Squatting Woman | Drawing | Pen and Ink on Light Cotton Paper | 8.52 x 10.93 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000249 | ||||
Studies of Three Geese | Drawing | Pen and Ink on Heavy Sketchpad Paper | 7.75 x 10 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000242 | ||||
Studies of Three Hens | Drawing | Sepia Ink on (Bond Paper) | 8.5 x 11 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000239 | ||||
Study for Planting Rice | Drawing | Pen and Ink on Light Bond Paper | 8.5 x 10.93 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000261 | ||||
Study for the Crowing of Art Goddess | Drawing | Lead Pencil on (Bond Paper) | 11 x 8.52 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000263 | ||||
Study of Lamps | Drawing | Pen and Ink on Bond Paper | 11 x 8.58 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000264 | ||||
Study of Seven Chicks | Drawing | Sepia Ink on (Bond Paper) | 8.5 x 11 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000240 | ||||
Study of the Squatting Posture | Drawing | Pen and Ink on Light Bond Paper | 11 x 8.5 | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000260 | ||||
The Arts and the Sciences | Painting | Oil on canvas | 208.2 x 1412.2 cm. | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Palma Hall, UP Diliman | ||||
The Ascension | Painting | Oil on board | 274.3 x 457.2 cm. | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Two Hens, sitting on poles | Drawing | Sepia Ink on (Bond Paper) | 8.42 x 10.92 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000236 | ||||
Two Roosters, sitting on poles | Drawing | Sepia Ink on (Bond Paper) | 8.42 x 10.92 inches | Vicente S. Manansala | Paras-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art. | No. 000232 | ||||
Untitled | Painting | Watercolor on rice paper | 69.8 x 14.6 cm. | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | University Library, UP Diliman | ||||
Untitled (2) | Linocut 133/250, | 42 x 18.5 cm. | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UP Baguio | |||||
Untitled (3) | Serigraph | 34.2 x 34.9 cm. | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | UPLB | |||||
Via Crucis (First Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Second Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Third Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Fourth Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Fifth Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Sixth Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Seventh Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Eighth Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Ninth Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Tenth Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Eleventh Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Twelfth Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Thirteenth Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman | ||||
Via Crucis (Fourteenth Station) | Painting | Oil on board | 274.3 x 457.2 cm | Vicente S. Manansala | Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System. | Church of the Holy Sacrifice, UP Diliman |