Works of National Artists - Visual Arts

Photo/Link (Source)Name of Work of National ArtistTypeSupport/MediumMeasurementDateArtistSourceShort DescriptionRemarksCollection
Abstract Ceramic (1)PaintingJars17.8 x 23 cm; 25.5 x 20.3 cm1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract Ceramic (2)PaintingPlate34.5 cm (diameter)1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract Ceramic (3)PaintingPlate33 cm (diameter)1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract Drawing, New YorkDrawingColored pencil on paperJanuary 24, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperMay 6, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperMay 12, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperAugust 27, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperAugust 27, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperNovember 14, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract PaintingPaintingOil on marine plywood38.1 x 60.9 cm1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract SketchPaintingMarking Ink45.7 x 59.8 cmNovember 14, 1967Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract SlabPaintingCeramic tile28 x 45 cm1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract StudyDrawingInk on paper1956Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Abstract StudyLithograph1960Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)An early, non-objective print where Joya explored line work through calligraphy, an artist's most versatile tool for expression.
Abstract StudyPaintingOil28 x 23 cm1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract StudyDrawingMarker pen on paper1967Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Abstract StudyDrawingPen and ink on paper1967Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
AbstractionPaintingOil60.5 x 37.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
After Shock IPaintingAcrylic collage25.5 x 33 cmSeptember 5, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
After Shock IIPaintingAcrylic collage33 x 25.5 cmSeptember 5, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Afternoon in KuangchowPaintingOil121.8 x 162.5 cmMarch 25, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Aleng may SalakotPaintingOil on Canvas1953Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)An old woman, kneeling on the ground, holding a "salakot" before her. It shows perfect anatomical form and portrayal of light, according to Defeo. It is also noteable for its definite "modern" brushworks.University Art Collection Jorge B. Varge Museum and Filipiniana Research Center)
An Impression, Amphiteatro Flavio, RomePaintingWatercolor26 x 41 cmJuly 7-17, 1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
AngelesPaintingOil81.2 x 60.9 cm1966Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Approaching StormPaintingOil on Canvas1951Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Features a boy with a herd of carabaos hurrying against a backdrop of portentous clouds. The white clouds showed the first signs of Joya's thick impasto. It is Joya's first award-winning student work.Paulino and Hetty Que Collection
ArayatPaintingAcrylic collage41 x 63.5 cmJuly 24, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Artist's MotherPaintingOil10 cm (diameter)1952Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Asean OdysseyPaintingAcrylic collage39 x 60 cmAugust 8, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Asean SeaPaintingAcrylic collage28 x 41 cmJune 14, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Astral OdysseyPaintingOil on wood164 x 247.4 cmNovember 2, 1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
AuroraPaintingAcrylic collage91.4 x 134.6 cm1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Back of a Young ManPaintingOil on Canvas28 x 23 cm1952Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A young man's back, exposed. It is compelling for its use of the "backlighting effect," a technique highly identified with Fernando Amorsolo.
Back of Male NudeDrawingColored pencil on paper1989Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A drawing of the back of a nude, male form. It exhibits Joya's bias for the idealized muscular build, not unlike those of body-builder's.
Bacolod from the AirPaintingMixed Media on Ceramic Tiles23 x 55 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Balete TreesPaintingOil30.5 x 38 cm1953Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Bicol ExpressPaintingAcrylic56 x 76 cmNovember 22, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Binhi, SeedPaintingOil on Canvas121 x 121 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Birth (Triptych) PaintingMixed Media on Ceramic Tiles33 x 62.5 cm1975Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Blue HorizonPaintingAcrylic collage38 x 58.5 cmApril 13, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue LanternPaintingAcrylic collage35.5 x 57 cmApril 10, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue MagicPaintingAcrylic collage91.4 x 134.6 cm1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue NiagaraPaintingAcrylic collage82 x 133.3 cmSeptember 12, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue ShrinePaintingAcrylic collage75.5 x 110 cmApril 20, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue SonataPaintingAcrylic collage51 x 65 cmMarch 4, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue TidePaintingOil121.8 x 162.5 cmNovember 14, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Boat CruisePaintingAcrylic on paper38 x 58.5 cmOctober 15, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Break WatersPaintingOil on Canvas76.5 x 61 cmMarch 12, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Brick BridgePaintingAcrylic collage57 x 71 cmSeptember 3, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
BuhawiCeramicJose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Bulacan ReflectionsPaintingOil on Canvas.91 x 1.82 mNovember 18, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Caballero TreesPaintingAcrylic on paper23 x 38 cmOctober 15, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Cadmium Red SquarePaintingOil on Canvas65.8 x 49.6 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Cagayan Mountain RangePaintingAcrylic91.4 x 182.8 cm1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CalumpitPaintingOil55.8 x 35.5 cmMarch 5, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Camiguin PaintingOil30.5 x 44.5 cm1975Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Carcar, CebuPaintingAcrylic collage36.7 x 57 cmJune 30, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Carillon TowerOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
CarouselPaintingWoodcut34 x 47 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CarouselColored print1956Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Showcases Joya's floating abstract figures and early non-representational work.
CascadePaintingOil71.2 x 71.2 cm1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CathedralPaintingTempera27 x 47 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Cave LightPaintingAcrylic25.5 x 33 cmDecember 25, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CavitePaintingAcrylic collage101.5 x 67 cmAugust 7, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Celestial ExplosionPaintingAcrylic on canvas61 x 91.5 cmAugust 14, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Celestial SunburstPaintingAcrylic on canvas61 x 91.5 cmNovember 7, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Central OasisPaintingAcrylic collage56 x 76.5 cmApril 26, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Chapel of the Holy SacrificeOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
Church of the Risen LordOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
City Entering the Edge of SundownPaintingOil on Canvas139.7 x 177.8 cmNovember 15, 1959Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Coast of CavitePaintingAcrylic on canvas120.5 x 90 cm (47.5 x 35.5 in)1992Jose T. JoyaNational Artist in Visual ArtsIn this highly dynamic piece, National Artist Jose Joya merges flat color fields and loose, spontaneous gestural strokes - evoking two of the most prominent facets of American Abstract Expressionism. The subject and colors, however, are distinctly Filipino - the earthy brown, shades of blue-grey, and hints of rust are tones that dominate coastlines both in rural Cavite and the rest of the archipelago. Capturing both the rugged yet palliative mood of the seaside, bronze tones, refined gradients, and vigorous splashes layer atop and mix together to form one lyrical spectacle climaxing at the center. This seamless marriage of the modern international movement and local landscapes
makes this piece a quintessential Joya - epitomizing the remarkable oeuvres of the prime pioneer of
Philippine abstraction.
https://salcedoauctions.com/lots/important-philippine-art.html
CocktailsPaintingOil on Canvas83.8 x 114.3 cm1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CodePaintingOil37 x 56.5 cmMarch 23, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Code of KalantiaoPaintingOil121.8 x 162.5 cm1967Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
ColumbiaPaintingOil on marine plywood81.5 x 123 cmMay 4, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Conical HeapPaintingAcrylic collage58.5 x 38.5 cmJuly 31, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Cosmic Trip PaintingAcrylic25.5 x 33 cm1993Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Country FairPaintingAcrylic collage109 x 151 cmOctober 23, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Country RidePaintingAcrylic collage50.8 x 67.2 cmJuly 7, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Crumbling Hut, Dumangas, IloiloDrawingColored pencil on paper1983Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Dance of the YouthPaintingOil123 x 162.5 cm1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Dancing SunPaintingAcrylic collage75 x 111 cmMarch 8 1988Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
DaybreakPaintingAcrylic collage56 x 75 cmNovember 25, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Decorative PaintingPaintingOil on wood1958Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of Joya's early abstracts which he described as showing an "off-balanced, very oriental style."University Art Collection (Executive House)
Desert DancePaintingAcrylic collage56 x 76.5 cmMarch 11, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Desert LightPaintingAcrylic collage56 x 76.5 cmJanuary 31, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Details of Chartres Cathedral, ParisPaintingOil60.3 x 72.2 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Details of Notre DamePaintingTempera and Sealing Wax50.8 x 80 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
DikePaintingAcrylic collage25.5 x 33 cmSeptember 6, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Dimensions of FearPaintingOil on Canvas101 x 298 cm1965Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Donato House, ViganDrawingPen and ink on paper1977Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture.
Dragon on the RoofPaintingAcrylic collage102.5 x 67.5 cmJanuary 21, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
DreamPaintingAcrylic collage38 x 58.5 cmSeptember 8, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Drizzle on the HillPaintingAcrylic collage25.5 x 33 cm (10 x 13 in)1992Jose T. JoyaNational Artist in Visual ArtsThe familiar scene of raindrops kissing the earth is made anew
in this collage. From paint splotches to overlapping mesh
and paper, National Artist Jose Joya experiments with bold, loose lines; shapeless fields; and amonochrome palette in grey to depict a melancholic scene of a rainy day. The moon is found almost touching the hill, putting one in the perspective that is far and distant from the summit. In his refined abstraction, Joya captures the mood of a moment.
https://salcedoauctions.com/lots/important-philippine-art.html
Early RainPaintingAcrylic collage25.5 x 33 cm1993Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Ecru LightPaintingOil38 x 61 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Endangered OzonePaintingAcrylic collage76.5 x 56 cmAugust 5, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Episode in StockholmPaintingOil122 x 152.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
EquinoxPaintingAcrylic collage67.5 x 102.5 cmMarch 30, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Ethereal AuraPaintingAcrylic on canvas202 x 131 cm1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Faded Yellow EraPaintingAcrylic25.5 x 33 cmMarch 7, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Farcical MasksPaintingAcrylic76.2 x 61 cmJanuary 9, 1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Father and ChildPaintingPastel on paper1991Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Female NudeDrawingWatercolor and ink on paper1952Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A portrait of nude female model. One of Joya's student works, it displays his tentative lines which would disappear in his later works, according to Defeo.
Female NudeDrawingPencil on paper1972Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)University Art Collection (University Library)
Female TorsoSculptureWoodJose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of Joya's rare sculptures, showcasing his popular muscular and full-figured torso drawings actualized in three-dimensional space. The lines are clean, fluid, and economical, unvarying from the dominant linearity of Joya's nudes.
Festival RhythmPaintingAcrylic91.5 x 183 cmMarch 31, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
FiestaPaintingOil54.5 x 67.3 cmMay 1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fire DancePaintingOil35.5 x 56 cmNovember 2, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fire LakePaintingAcrylic85 x 85 cm1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fire LightPaintingAcrylic collage38 x 58.5 cmAugust 18, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fish Ceramic1982Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
FishesPaintingPlate32.4 cm (diameter)1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fishpond ReflectionsPaintingOil on Canvas178 x 117 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
FlagellantsPaintingOil on Canvas132 x 132 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Flash RainPaintingAcrylic collage25.5 x 33 cmJuly 8, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
FlashbackPaintingAcrylic on Board60.5 x 60.5 cm1972Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Fluvial ParadePaintingAcrylic collage67.2 x 51.5 cmJune 14, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Forest MurmursPaintingOil102.2 x 429.2 cm1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fortune HillPaintingAcrylic91.4 x 182.8 cmNovember 20, 1987Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fragmentary YodelPaintingOil on Canvas46 x 61 cmJanuary 4, 1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Framed FishesPaintingPlate33 cm (diameter)1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Freedom BoatsPaintingAcrylic on paper56 x 76.5 cmAugust 10, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Full CyclePaintingAcrylic collage25.5 x 33 cmJuly 20, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fun StripPaintingOil56 x 71 cmSeptember 7, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
GamePaintingOil35.5 x 55.8 cm1978Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Gates of HapinessPaintingAcrylic on Canvas122 x 78.5 cm1979Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
GeminiPaintingOil on Canvas152.5 x 210.8 cm1966Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
GeyserPaintingAcrylic25.5 x 33 cmAugust 6, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Global WarmingPaintingAcrylic collage1990Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)An abstract of Joya's that showed his shift from volatile energy to kinematics, according to Defeo. His dynamism and movement remained, but displayed themselves in more tempered floatations, fluxes, and oscillations rather than flustered outbursts. The pieces then featured geometric planes, rhytmic elements, with the brushstrokes and echo lines showing more control and calculation. As a result, the resulting compositions became "tidier."
Global WarmingPaintingAcrylic collage101.5 x 75 cmJanary 30, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Golden DragonPaintingAcrylic collage101.5 x 67.2 cm1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Golden ValleyPaintingAcrylic on canvas76 x 61 cmAugust 1, 1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Granadian ArabesquePaintingOil on Canvas119.4 x 305 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Granite MountainPaintingAcrylic collage25.5 x 33 cmMarch 18, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Gray AfternoonPaintingOil47 x 63.5 cm1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Green MansionPaintingAcrylic collage61 x 51 cmMarch 25, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Green SproutsPaintingOil45.7 x 35.5 cm1968Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Green TunnelsPaintingAcrylic65.4 x 99.3 cmJune 9, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
GuilinPaintingAcrylic25.5 x 33 cmJanuary 22, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Heavenly BodiesPaintingAcrylic45.5 x 61 cm1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Heavenly Temple, PekingDrawingPen and ink on paper1979Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture.
HideawayPaintingOil on Canvas91.5 x 183 cmMarch 30, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Hill TopPaintingOil on Canvas78.5 x 58.5 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Hill TownPaintingAcrylic on paper25.5 x 53 cmSeptember 2, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Hills of Nikko, JapanPaintingOil on Canvas172.7 x 177.8 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.NMG. No.655 as cited in Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.
Hong KongPaintingAcrylic collage38 x 58.5 cmApril 8, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
HorizonPaintingCeramic slab31.5 x 24 cm1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
House of LifePaintingOil on Canvas116 x 116 cm1960Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Huang Po River, ShanghaiPaintingAcrylic on canvas181.5 x 138.5 cmMay 3, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
HymnPaintingOil35.5 x 55.8 cmJanuary 1980Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Ilocos Sand DunesPaintingAcrylic collage91.4 x 182.8 cmNovember 15, 1984Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
ImpulsePaintingOil30.5 x 43.2 cmNovember 6, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Isang UmagaPaintingOil30.5 x 45 cmNovember 16, 1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Island PlaygroundPaintingAcrylic collage67 x 102.5 cmJanuary 15, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
JarCeramic1975Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
JarCeramic1976Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
KaratePaintingOil on wood61 x 76 cmAugust 1, 1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
KasuluganCeramic1976Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Kun Yam TemplePaintingOil63.5 x 49.5 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
KundimanPaintingOil35.5 x 58.4 cmNovember 14, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Landscape of the Inner EyePaintingOil on Canvas115.5 x 115.5 cm1958Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
LandslidePaintingAcrylic collage25.5 x 33 cmJuly 27, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Lanterns of EnlightenmentPaintingOil on wood, triptych163.8 x 369 cm1977Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya); Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
LigawanPaintingOil on Canvas1948Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)It depicts a formal courtship, carried out before the watchful presence of family members. It features classics of western art such as the Greek sculpture in the background, the presence of mirror reflections (popularized by Van Eyck), and the powerful chiaroscuro lighting of artists like da Vinci and Caravaggio.
Lin Yin Temple, HangchowPaintingAcrylic collage20 x 26.5 cmMarch 1, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Lion DancePaintingAcrylic91.5 x 183 cm1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
LoretoPaintingOil40.5 x 30.5 cm1953Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Love RitePaintingOil182.8 x 243.8 cmFebruary 13, 1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
MadridDrawingCharcoal on paper1955Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Main LibraryOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
MakatiPaintingOil56 x 35.5 cmSeptember 26, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Makati SkylinePaintingAcrylic collage91.5 x 183 cmSeptember 11, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Male TorsoSculptureWoodJose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of Joya's rare sculptures, showcasing his popular muscular and full-figured torso drawings actualized in three-dimensional space. The lines are clean, fluid, and economical, unvarying from the dominant linearity of Joya's nudes.
Manila BayPaintingOil24.8 x 38 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Manila Bay, 6:00 PMPaintingOil on paper35.5 x 56 cmJune 9, 1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Marginal ForestPaintingAcrylic38 x 58.5 cmOctober 15, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
MarikinaPaintingOil56 x 71 cmOctober 10, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mary MagdalenePaintingAcrylic collage66 x 50.8 cm1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
May FestivalPaintingAcrylic on paper58.5 x 38 cmMay 25, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Memories of MalaccaPaintingAcrylic collage56 x 75 cmApril 20, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Memories of Qin Ling MountainPaintingAcrylic collage57.1 x 72.3 cmMarch 13, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Middle-Aged ManPaintingOil on Canvas38.5 x 30 cm1952Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Mind Landscape IPaintingOil81.2 x 122 cmJuly 21, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mind LanternsPaintingAcrylic collage56 x 75.6 cmMarch 23, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mind TunnelsPaintingAcrylic25.5 x 33 cmApril 10, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mindanao FeastPaintingOil56 x 35.5 cmJune 12, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Minds CavesPaintingAcrylic collage38.5 x 102.5 cmOctober 19, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
MorionesEtched print, 2nd Proof1974Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)University Art Collection (College of Fine Arts), gifted by the artist
Mother and ChildPaintingPastel on paper1995Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A figure drawing of a mother and child with unremarkable faces, demonstrating that Joya resists dependence on facial expressions to communicate emotion. He instead creates interest through his mastery of lines. This is shown in the mother's arms, her billowing veil and sleeves, the striped pattern in the clothes, and the outline of the boy's body and hair.
Mother EarthPaintingOil91.4 x 121.9 cmNovember 14, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mountain FaçadePaintingAcrylic collage1991Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of Joya's pieces featuring texture, both actual and simulates, as prominent elements. He used materials such as sand and kalsomine to highlight the painterly quality of his early works. He also used handmade paper with very visible fibers to provide the tactile component of his later works.
Mountain FaçadePaintingAcrylic collage25.5 x 33 cmFebruary 25, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mountain RidgePaintingAcrylic collage25.5 x 33 cm1991Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mountain TipPaintingAcrylic33 x 25.5 cmApril 20, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mountain TrailPaintingAcrylic on paper1995Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)An example of Joya's abstract work which, according to curator Rubén D. F. Defeo, can be appreciated as visualizations of explosive energy. As such, his works were often associated with Jackson Pollock and the New York School.
Mountain TrailPaintingAcrylic25.5 x 33 cmFebruary 21, 1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
MuralPaintingOil on Canvas550 x 700 cm1976Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
MurallaPaintingAcrylic collage108 x 75 cmSeptember 30, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
NankingPaintingOil on Canvas30.4 X 43.1 cmJose T. JoyaUniversity of the Philippines Library
NasugbuPaintingOil76 x 56 cmMarch 4, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
NasugbuPaintingAcrylic collage56 x 67.5 cmJune 12, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
New WorldPaintingAcrylic collage91.4 x 134.6 cmNovember 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
NiadPaintingOil on Canvas605 x 15.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Night FirePaintingAcrylic collage56 x 75 cmFebruary 10, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Nude BoyDrawingColored pencil on paper1974Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Nude MaleDrawingPencil on paper1973Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)University Art Collection (University Library)
Ocean ViewPaintingAcrylic25.3 x 33 cmDecember 25, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Ode to HeidelbergPaintingAcrylic collage109 x 75 cmAugust 28, 1984Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Odyssey into the Inner SelfPaintingAcrylic collage101.5 x 72.5 cmSeptember 18, 1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Old ManPaintingOil on Canvas1952Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Orange MoonPaintingAcrylic collage55.8 x 38 cmJanuary 20, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
OtonPaintingAcrylic on Canvas61 x 77 cm1976Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Over the Rainbow, ShanghaiPaintingAcrylic collage56 x 76.5 cmMarch 26, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Paco ParkPaintingOil56 x 35.5 cmJanuary 1980Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PadangPaintingAcrylic collage56 x 76.5 cmOctober 2, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PagdiriwangPaintingOil5.5 x 7 cm1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PageantPaintingAcrylic collage65.4 x 48.8 cmSeptember 3, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PahiyasPaintingAcrylic58.5 x 38 cm1993Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Paper FishPaintingAcrylic on Paper50 x 66 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
PatrolPaintingAcrylic66 x 50.8 cmMay 19, 1971Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Peace RoutePaintingOil on Canvas91.5 x 183 cmFebruary 21, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
People PowerPaintingAcrylic on canvas87 x 174 cmMay 21, 1986Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Pinatubo PrismPaintingAcrylic collage33 x 25.3 cmSeptember 6, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PlateCeramic1982Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Playground of the MindPaintingAcrylic collage67.5 x 102.5 cmMarch 31, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PoracPaintingAcrylic on paper58.5 x 38 cmAugust 28, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Portrait of Nene BorjaDrawingPencil on paper1952Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A pencil portrait of Nene Borja, the sole female in the graduating batch of 16 students in the UP School of Fine Arts in 1953.University Art Collection (University Library)
Primitive DiscPaintingIntaglio15 x 16 cm1971Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Prismatic VistaPaintingOil56 x 35.5 cmJune 17, 1980Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PulsationPaintingOil121.8 x 162.5 cmFebruary 8, 1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PuppetsPaintingAcrylic collage56.5 x 71 cmOctober 28, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PutiPaintingOil61 x 61 cmFebruary 8, 1972Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Qin Ling MountainPaintingAcrylic collage67 x 101.5 cmNovember 30, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Quiapo Nazarene FestivalPaintingOil140 x 178 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Rain on the LakePaintingAcrylic collage58.5 x 38 cmAugust 18, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Red SarimanokPaintingOil on Canvas150.5 x 75 cm1964Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Red SongPaintingOil45.5 x 45.5 cm1966Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Red TalismanPaintingOil on Canvas57.1 x 57.1 cm1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Features Joya's affinity towards abstract shapes and attention to coloration like warm-on-warm, as seen here.
River ParadePaintingAcrylic collage67.5 x 46.5 cmOctober 1, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
RiversidePaintingAcrylic collage46.5 x 67.5 cmOctober 9, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sa Pula Sa PutiPaintingAcrylic58.4 x 38 cmApril 17, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sa Pula Sa Puti (2)PaintingAcrylic33 x 25.5 cmMarch 12, 1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
San Miguel, BulacanPaintingAcrylic collage56 x 75 cmApril 20, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sand Dunes PaintingOil on Wood86 x 106.5 cm1973Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Sand IslandPaintingAcrylic collage45.8 x 67.3 cmJune 12, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sangley Point (Dacion En Pago)PaintingOil on Canvas90 x 181 cm1977Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
https://httppinoyartshub.wordpress.com/Save the EarthPaintingAcrylic58.4 x 38 cmApril 19, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Scarlet DramaPaintingAcrylic collage50.8 x 33 cmFebruary 14, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Seated Old ManDrawingColored pencil on paper1974Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A drawing of an old man; his isolation is emphasized by his compact form placed off-center against a sparse background.
Self-PortraitPaintingOil63 x 51 cm1952Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
SerenadePaintingOil35.5 x 56 cmOctober 28, 1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Shooting GaleryPaintingOil on Panel60 x 80 cm1967Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Shout of the SeaPaintingAcrylic on paper56 x 76 cmJanuary 21, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
SibolPaintingAcrylic collage67.2 x 55.8 cmJuly 21, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sierra MadrePaintingAcrylic collage36 x 54 cmAugust 2, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Wikimedia CommonsSilay LandscapePaintingAcrylic on Canvas75 x 60.5 cm1976Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
National Museum of the PhilippinesSociety MatronPaintingOil on wood76 x 61 cm1966Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sound BreakPaintingAcrylic collage91.5 x 122 cmNovember 6, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Soundwaves of Manila BayPaintingAcrylic56 x 76 cmMarch 21, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Space TransfigurationPaintingOil on Canvas1959Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Space TransfigurationPaintingOil on Canvas152.3 x 177.8 cmFebruary 5, 1959Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Spirit of ASEANPaintingAcrylic collage1992Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Spirit of AseanPaintingAcrylic collage28 x 41 cmMay 19, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Stone LionPaintingAcrylic collage51 x 67.3 cmOctober 23, 1972Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Stone QuarryPaintingOil77.5 x 124.5 cmAugust 4, 1959Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Storm Signal IIPaintingAcrylic collage100.2 x 129.5 cmJuly 21, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Study after HidalgoDraiwingInk on paper1951Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Study for a MuralPaintingAcrylic23 x 46 cm1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Study for a Mural (2)PaintingAcrylic30.5 x 23 cm1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Study for Homage to VasarelyDrawingPen and ink on paper1967Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Study of an Old ManDrawingPencil on paper, back to back1952Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Back-to-back studies made on a sketchpad.University Art Collection (University Library)
Summer RetreatPaintingAcrylic collage76.5 x 56 cmMay 16, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Summer's End, EdoPaintingAcrylic36 x 69 cmNovember 10, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
SundialOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
Sunrise RitesPaintingAcrylic collage91.4 x 134.6 cm1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sunshine CountryPaintingAcrylic collage38 x 58.5 cm1993Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Tagaygay MistPaintingOil on Canvas152.5 x 274.5 cm (60 x 108 in)1990Jose T. JoyaNational Artist in Visual ArtsOne of the largest paintings of National Artist Jose Joya, the master of the Philippine abstract expressionist movement, still in private hands, Tagaytay Mist holds within its frame the consummate skill of an artist at his apogee. Primary and pastel colors float above each other, clustered in the center and spreading out into the edges. There is purpose to the arrangement of the wafting forms, as incongruent lines move the viewer’s
eyes in a small dance around the canvas. Joya shows a control and restraint that is not usually associated with the genre, and in doing so reclaims and expands its boundaries to meet his unique vision. There is something essentially Orientalist about Joya’s work, exuding the local through his calligraphic aesthetic. Differing from the Western postwar expressionist stalwarts such as Pollock and Rothko, Joya draws out a quintessentially Filipino spirit in gestural strokes of green and blue, subtly hinting to a transparency that he and his modernist contemporaries had honed. There is a feeling of lightness, and a unarticulated breeze that wafts through the canvas and shadows the senses of the viewer, provoking the familiar sensation of a crisp mountain breeze.
https://salcedoauctions.com/lots/important-philippine-art.html
Tagaytay MistPaintingOil on Canvas1.52 x 2.74 mNovember 18, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
TavernPaintingAcrylic collage58.5 x 38 cmMarch 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Temple on a HllPaintingAcrylic collage58.5 x 38 cmNovember 22, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The Big CircusPaintingAcrylic collage38 x 58.5 cm1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The CaravanPaintingAcrylic collage75.5 x 110 cmApril 3, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The JesterPaintingAcrylic collage101.5 x 67 cmOctober 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The Legend of the SarimanokPaintingAcrylic collage1.5 x 3.5 mSeptember 22, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The OriginsPaintingOil on Canvas203 x 351.5 cmOctober 8, 1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The OzonePaintingAcrylic collage76 x 109.2 cmApril 9, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The OzonePaintingAcrylic collage67 x 102.5 cmMarch 21, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The RainbowPaintingAcrylic collage56 x 67.5 cmAugust 5, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The Twelfth NightPaintingAcrylic collage105.5 x 67 cmJanuary 6, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The Universe Within a SquarePaintingOil on marine plywood81.5 x 123 cm1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The VisayansEmbossed print, R 6/251974Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Swirling patterns inspired by the heavily tattooed bodies of the Pintados of the Visayas, displaying abstract, geometric patterns.University Art Collection (College of Fine Arts), gifted by the artist
The Visayans PaintingIntaglio19 x 25.33 cm1972Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Three TalesPaintingOil on Canvas177.8 x 274.5 cm1958Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
TiananmenPaintingAcrylic collage138 x 205 cmMay 15, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
TilesCeramic1976Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
ToroganPaintingAcrylic on canvas90 x 120 cmOctober 8, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Transparent FantasyPaintingAcrylic collage50.8 x 67.3 cmJanuary 1, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Tree of LifePaintingOil35.5 x 55.8 cmJuly 3, 1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
TutubiWoodcut, 77/2101967Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of noticeably Filipino-themed prints Joya created in a desire to use decorative motifs that were uncommon to his then western environment.
Two Boys, CebuDrawingColored pencil on paper1995Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Two Male NudesDrawingColored pencil on paper1989Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Two StudiesPainting, DrawingPencil and watercolor on paper1953Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Depicts the subjects participating in traditional crafts such as weaving, mat-making, carving, and pottery.
Two Women DrawingInk on paper1956Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A drawing of two women, reflecting Joya's experimentations with the one line technique, simplified abstraction and exaggeration.University Art Collection (University Library)
Unititled (1956)PaintingTempera21.5 x 28.5 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitiled (Burning of Loreto)PaintingWatercolor on paper1951Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A depiction of the burning of Loreto Church in Sampaloc. It is striking for its powerful expressions of the haunting, sorrow-stricken and beseeching masses against the burning red background. It also features Joya's (who was an art student at the time) awkward proportions, perspective, and foreshortening.
Untitled (1957)PaintingOil on board28.5 x 37.2 cm1957Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1959)PaintingOil on paper16 x 20.2 cm1959Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1960)PaintingOil on paper11.5 x 13.8 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1962)PaintingOil on paper25.2 x 43 cm1962Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1964)PaintingOil29 x 56.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1964)PaintingOil on paper15.5 x 21.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1964) (2)PaintingOil15 x 17 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1964) (3)PaintingOil30.5 x 44.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1987)PaintingAcrylic collage51 x 66 cm1987Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1987) (2)PaintingAcrylic collage33 x 25.5 cm1987Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1994)PaintingAcrylic91.5 x 61 cm1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1995)PaintingAcrylic61 x 91.5 cm1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1995) (2)PaintingAcrylic59.5 x 38.5 cm1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (Nude Couple)PaintingPastel on paper43.5 x 57 cm (17 x 22 1/2 in)1995Jose T. JoyaNational Artist in Visual ArtsThe lightness brought forth by the pastel medium both comprises and compliments the intimate scene sketched by National Artist Jose Joya. A woman rests her head on the lap of her lover, pulling him closer by the hand as the latter responds with a fond gaze. There is more to happen in the scene, but the artist chooses to render a moment in time captured.
Untitled (NYC series)PaintingPen and ink28.5 x 35 cm (11 1/4 x 13 3/4 in)Jose T. JoyaNational Artist in Visual Arts
Untitled (Portrait of a Woman)PaintingOil on Canvas1952-1953Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A woman sitting sideways. An example of a portrait that Joya wanted to rework, with "misplaced highlights" indicating areas he intended to fix.
Untitled (Woman)PaintingSketch26.2 x 43.5 cm (10 x 17 in)1976Jose T. JoyaNational Artist in Visual ArtsThe pioneer of abstraction in the Philippines displays his inimitable versatility in this figurative sketch. A
youthful woman gently sits slouched on a chair: her face both contemplative and at ease. A quiet, intimate mood is drawn with soft outlines, muted colors, and thick, light strokes creating depth. Nevertheless, Joya’s controlled shading and articulated lines evident in this piece prevail even in his most abstract drawings. The work thus exemplifies how Joya’s merit lay not merely in grasping a particular abstract style, but in mastering fundamental drawing skills in order to effectively evoke a feeling.
https://salcedoauctions.com/lots/important-philippine-art.html
UP TheaterOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
Urban BeatPaintingOil57 x 36 cmDecember 15 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Vanishing Blue AntsPaintingAcrylic collage108.5 x 66 cm.1994Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Venetian Female ModelPaintingOil on Canvas1949Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A woman sitting still, with a dreamy face. The focus is on the lady's blouse and the curtain in the background.
Virgin of PeñafranciaPaintingOil on plywood76.2 x 61 cm1966Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Visayan Melody PaintingAcrylic collage67.3 x 50.8 cm1976Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Vista Beyond VisionPaintingAcrylic collage36 x 52 cmAugust 2, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
WanchaiPaintingAcrylic collage38 x 58.5 cmApril 4, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Warm AfternoonPaintingOil40.5 x 81 cmSeptember 15, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
National Museum of the PhilippinesWest Lake, HangzhouDrawingPen and ink on paper1972Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture.
Western End HKPaintingAcrylic collage38 x 58.5 cmFebruary 28, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
White PoemPaintingOil86.5 x 183 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
White ShrieksPaintingOil on lawanit122 x 152 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
White SymbolPaintingOil61 x 81.2 cm1967Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Winter LightPaintingAcrylic101 x 76 cmFebruary 12, 1978Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Yellow EraPaintingAcrylic collage33 x 25 cmJune 11, 1987Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Yeseria IVPaintingOil on Canvas164 x 116.7 cm1955Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Yeseria VIIPaintingOil on Canvas60 x 122 cm1958Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Yin YangPaintingAcrylic collage101.6 x 66 cm1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Zarraga, IloiloDrawingPen and ink on paper1980Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture.
Zen Black PaintingAcrylic collage134.6 x 91.4 cm1982Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Zen GardenPaintingAcrylic collage38 x 58 cmAugust 21, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Marikina PaintingAcrylic on Board55.50 x 71.50 cm. / 21.87 x 28.17 in.1981Jose T. JoyaGalleria DuemilaRef. Number GDP-9058 (https://galleriaduemila.com/web2003/collection/jjo/jjo09058.html)
Four Seasons (4 panels)PaintingOil on Paper37.50 x 62.50 cm. / 14.77 x 24.63 in.1960Jose T. JoyaGalleria DuemilaRef. Number GDP-9167 (https://galleriaduemila.com/web2003/collection/jjo/jjo09167.html)
Nude WomanSketchPastel on Paper44.00 x 30.00 cm. / 17.34 x 11.82 in.1974Jose T. JoyaGalleria DuemilaRef. Number COP-540 (https://galleriaduemila.com/web2003/collection/jjo/jjo00540.html)
Nude WomanSketchPastel on Paper43 x 29 cm. / 16.94 x 11.43 in.1973Jose T. JoyaGalleria DuemilaRef. Number COP-535 (https://galleriaduemila.com/web2003/collection/jjo/jjo00535.html)
Ang Paslit (male)SketchPastel on Paper45 x 30 cm. / 17.73 x 11.82 in.1974Jose T. JoyaGalleria DuemilaRef. Number COP-538 (https://galleriaduemila.com/web2003/collection/jjo/jjo00538.html)
Male Nude (1)SketchPastel on Paper43.00 x 29.00 cm. / 16.94 x 11.43 in.1974Jose T. JoyaGalleria DuemilaRef. Number COP-532 (https://galleriaduemila.com/web2003/collection/jjo/jjo00532.html)
Male Nude (2)SketchPastel on Paper43.00 x 29.00 cm. / 16.94 x 11.43 in.1974Jose T. JoyaGalleria DuemilaRef. Number COP-534 (https://galleriaduemila.com/web2003/collection/jjo/jjo00534.html)
LabyrinthPaintingOil on Canvas86 cm x 117 cm1960Jose T. JoyaLeon Gallery Private collection
SusoSculptureJose T. JoyaPhilippine International Convention Center“Suso”, the first and only sculpture by renowned National Artist, Jose Joya, was an inconspicuous masterpiece of PICC. https://www.facebook.com/watch/?v=412906519233772PICC Collection
Abstract (Manila)PaintingOil and metallic paint on woodUndatedJose T. JoyaKalaw-Ledesma Foundation Inc. Facebook Joya's art depicts a world beyond physical reality. Abstract (Manila) is made up of streaks of black, white, pink, grey, and beige paint on wood board. There are parts where colors are spread in a controlled manner, as though one puts butter on bread, while there are portions of the composition where paint is smeared in varying degrees of spontaneity and force.Kalaw-Ledesma Foundation Inc
Hala BiraPaintingAcrylic collage1992Jose T. JoyaKalaw-Ledesma Foundation Inc. Facebook Today's featured work is Hala Bira, an Aklanon phrase which means to "dispense of all things." It is chanted in religious festivals such as the Ati-Atihan and Dinagyang in the Visayas. Joya's work combines diaphanous and textured shapes and layers of festive colors. What can you imagine from the work's dense composition?Kalaw-Ledesma Foundation Inc
Two Faces of Villa FernandinaPaintingOil on Canvas161.5 x 120.5 cm1970Jose T. JoyaSalcedo AuctionsThis work is best seen as a bird’s eye view of a large tract of land, its rich primary color blocks straddling the energetic force of abstract expressionism and the detached stillness and cerebral quality of geometric abstraction. This is the largest work by the artist to come to the auction market in recent time.
Folk DancePaintingOil on Wood91.4 x 128.9 cm1977Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Forty years of Cesar Legaspi : a retrospective exhibition, 3 August to 27 September, 1978 n/an/an/a1978Cesar T. LegaspiMuseum of Philippine Art [1978n]. Publication/Exhibition
Foundation of Philippine LinguisticPaintingTempera on Cardboard47 x 54 cm1967Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Four HeadsPaintingOil on Wood1970Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Frugal MealPaintingOil on Canvas58.4 x 41.9 cmundatedCesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Gadget IPaintingOil on Canvas105 x 68 cm1948Cesar T. LegaspiCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.Four male figures, with lean and exaggerated musculature, stand amidst cogs and wheels. The arms of each figure extend in varying directions as their hands merge with the mechanica gadgets. The painting is rendered in deep shades of green, red, and purple.Lucila Atacadero Salazar Collection/ Aurelio Sevilla Alvero Collection
Gadget IIPaintingOil on Canvas101 x 69 cm1949Cesar T. LegaspiCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Gadgets IPaintingOil on Canvas105 x 68 cm1948Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Gadgets IIIPaintingOil on Canvas101 x 69 cm1949Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Gadgets IIIPaintingOil on Wood56 x 33.5 cm1952Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Girl wth MirrorPaintingOil on Masonite90 x 54 cm1974Cesar T. LegaspiTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
GleanersPaintingOil on Canvas57 x 40 cm1946Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
GOMBURZATempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Grand CanyonPaintingOil on Plywood74.6 x 51.8 cm1981Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Green FlamePaintingOil on Canvas107 x 59 cm1960Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Group PaintingOil on Plywood60.5 x 106.2 cm1971Cesar T. LegaspiTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
GuitaristaPaintingOil on Canvas51 x 41 cm1951Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Icon PaintingOil on Wood64.8 x 42.2 cm1970Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
IdolsPaintingOil on Canvas72.8 x 51.3 cm1940Cesar T. LegaspiEdades and the 13 Moderns (1995). A head of a well-groomed man is found at the center of the canvas. Three female figures are seated at the bottom section section with their heads and arms raised to the central image. An autograph book is found at the center right while the phrase "POPULAR DEMAND" is inscribed at the top left section. The painting is rendered in varying shades of orange and green.Paul and Helen Chan Collection
Idols of the Third EyePaintingGouache on Board44.4 x 58 cm1957Cesar T. LegaspiCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Idols of the Third EyePaintingOil on Canvas44.4 x 58 cm1957Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Igorot Festival1951Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
In DeepPaintingOil on Canvas64.5 x 124 cm1992Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
InnerscapeDrawingBallpen on Paper9 x 12.8 cm1987Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Itlog na MaalatPaintingOil on Plywood60 x 90 cm1973Cesar T. LegaspiTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
JugglersPaintingOil on Canvas113.7 x 141 cm1992Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
LandscapePaintingOil on Canvas73 x 66 cmCesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
LanzonesPaintingPatel on Paper60 x 45 cm1981Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Lavanderas PaintingOil on Canvas53 x 38 cm1946Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Leaves35 x 26 cm1961-1964Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible WorkshopReprinted by Virgilio Aviado in 1993 in etching and aquatint
Legazpi drawings : padding around Asia, Europe, and America with a ball point penn/an/an/a1990Cesar T. Legaspi1990 - The Brix Gallery, ; MakatiPublication
Los AbanicosPaintingOil on Canvas58.4 x 73.7 cm1973Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Lot Next DoorPaintingOil on Canvas54 x 76 cm1950Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
LourdesPaintingWatercolor39 x 30 cm1980Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Mad HourOil on Canvas122 x 288.5 cm1988Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Mag-anakPaintingOil on Canvas77 x 51 cm1973Cesar T. LegaspiTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
MagtatagalPaintingOil on Canvas73 x 105 cm1982Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Malacanang BallPaintingOil on Wood 60 x 121.5 cm1964Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Man PaintingOil on Canvas91 x 61 cm1978Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Man AlonePaintingOil on Canvas45.7 x 30.5 cm1991Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Man and WomanPaintingOil on Masonite66 x 51 cm1952Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
MealtimePaintingOil on Wood61 x 41.9 cm1951Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Monument33.5 x 25 cm1961-1965Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible WorkshopReprinted by Virgilio Aviado in 1993 in etching and aquatint
Morning DancePaintingOil on Plywood90 x 180 cm1975Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Mother and ChildPaintingOil on Canvas61 x 46 cm1941Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Mother and ChildPaintingOil on Wood61 x 32.4 cm1952Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Mother and ChildPainting1952Cesar T. LegaspiGuillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.NMG No.658
Mysterious Games PaintingOil on Wood61 x 91 cm1975Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Nagpipili ng BigasPaintingOil on Canvas60 x 43 cm1946Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Night ScenePaintingOil on Plywood57.75 x 85 cm1971Cesar T. LegaspiTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
NightmarePaintingOil on Canvas75.5 x 60.5 cm1979Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
NudeCharcoal74.8 x 54 cm1979Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
NudePaintingOil on Canvas76 x 71 cm1979Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Nude Drawingsn/an/an/a2008Cesar T. LegaspiDe La Salle-College of Saint BenildePublication
Onslaught54.5 x 35 cm1961-1963Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible WorkshopReprinted by Virgilio Aviado in 1993 in etching and aquatint
Ovary PaintingOil on Wood74.9 x 120.7 cm 1960Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
PalaspasPaintingOil on Canvas81 x 48 cm1955Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Paradise FoundPaintingOil on Canvas71 x 91.5 cm1976Cesar T. LegaspiTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Patintero IPaintingOil on Wood74 x 112 cm1974Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Patintero IIPaintingOil on Wood58.4 x 88.9 cm1975Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
PeacePaintingOil on Canvas77 x 122 cm1986Cesar T. LegaspiCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
PeacePaintingOil on Canvas77 x 112 cm1986Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Philippine IndependenceTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Philippine Matel AgeTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Philippine Neolthic Stone AgeTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Pillar of FirePaintingOil on Canvas132 x 81.6 cm1992Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Portrait of Imelda MarcosPaintingPastel on Paper142 x 288 cm1978Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Predator34 x 49 cm1961-1967Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible WorkshopReprinted by Virgilio Aviado in 1993 in etching and aquatint
Pulang DagatPaintingOil on Wood35 x 45 cm1978Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Randall and Pia Young CollectionPencil on paper71 x 49.5 cm1988Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Reclining NudePaintingOil on Canvas60 x 122 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Rising Tide 85'PainitngOil on Canvas98 x 61 cm1986Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
RitualPaintingOil on Canvas80 x 60 cm1951Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
RocksPaintingWatercolor on Paper46.5 x 58.61989Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
SabungerosPaintingOil on Wood73.6 x 88 cm1952Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
SentinelsDrawingBallpen on Paper1989Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Si Malakas at Si MagandaPaintingOil on Canvas61 x 81 cm1976Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Sick Child PaintingOil on Masonite48.3 x 38 cm1940Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Skecthes for ManunuklayPencil on Paper21.7 x 9.5 cm1946Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Sketch for BackyardPencil on Paper11 x 9 cm1946Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Sketch of Female Figure and Male Torso Ballpen on Prescription Paper16.5 x 10.5 cmCesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Sketch of Ruins in Arle, FrancesPencil on paper8 x 7 cm1981Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Sketch of Two FiguresBallpen on Paper8.5 x 11.5 cm1988Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Song of VictoryDrawingOil on Cardboard8.6 x 14 cm1986Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Song to VictoryPaintingOil on Canvas67 x 99 cm1986Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Stairway PaintingOil on Board70 x 54 cm1948Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Standing FigurePaintingOil on Wood62 x 40 cm1970Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Stone WorkersPaintingOil on Canvas63.5 x 54 cm1950Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Street IncidentPaintingOil on Wood59 x 119.5 cm1968Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Street IncidentPaintingOil on Masonite60 x 120.5 cm1968Cesar T. LegaspiTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
StrugglePaintingOil on Wood122 x 183 cm1978Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
StudyPencil on Paper23.8 x 15.5 cm1940Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Study DrawingBallpen on Paper8 x 11.8 cm1992Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Study for Dancing FiguresDrawingPencil on Paper1970Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Study for Male FacesPencil on Paper21 x 14 cm1938Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Study of a Young WomanPencil on Paper22 x 14 cm1937Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Study of Study for Proposed Mural in MalacanangPaintingPencil on Paper16.7 x 17 cm1979Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
SugudPainitngOil on Canvas59.5 x 80 cm1980Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
SungkaPaintingOil on Canvas43 x 61 cm1953Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
SuperstitionPaintingundatedCesar T. LegaspiGuillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.NMG No.492
Terra IncognitaPaintingOil on Canvas167.5 x 244.5 cm1979Cesar T. LegaspiTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
The Age of Moslem TradeTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The American PeriodTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Coming of the SpanishTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Development of the LandTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Guitarista PaintingOil on Canvas45 x 32 cm1946Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Idol PaintingOil on Canvas63 x 45 cm1949Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The KatipunanTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The KissPaintingOil on Canvas51.8 x 45 cm1947Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Making of the Filipino NationPaintingPencil on Illustration Board22,2 x 17.2 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Making of the Filipino Nation: The American PeriodTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The MemorialPaintingOil on Wood 122 x 60 cm1966Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Mossy PlacePaintingOil on Canvas49 x 39 cm1992Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Mourners PaintingOil on Canvas55 x 63 cm1946Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Old WalPaintingOil on Wood72 x 56.8 cm1970Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Planters PaintingOil on Wood59 x 45 cm1947Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible WorkshopA male figure, kneeling at the center, holds a seedling on his lefts hand while his right hand reaches down to the ground. A female figure, wearing a white bandana, stands behind him. Another male figure, holding a shovel, watches the two figures from the center left. Clusters of stylized structures rise from the left and right background.p. 71 (61.3 x 46.3 cm)Dominador and Celeste Gallardo Collection
The Propaganda MovementTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Ritual PaintingOil on Canvas80 x 60 cm Cesar T. LegaspiCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The SurvivorPaintingOil on Marine Plywood76 x 60.5 cmCesar T. LegaspiCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The Survivor Oil on Marine Plywood76 x 60.5 cm1976Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The Third Eye Ballpen on Paper7.5 x 12 cm1987Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The WallPainitngOil on Canvas76.3 x 60.6 cm1986Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The WanderersPaintingOil on Wood121 x 181.27 cm1978Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Three HorsesPaintingOil on Wood74 x 119.5 cm1978Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
TiniklingPaintingOil on Wood89.2 x 181.5 cm1977Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Todos Los SantosPaintingOil on Wood19 x 27 cm1974Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Totemic Divagation IIOil on wood116 x 44.2 cm1961Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Traces of Unknown GodPaintingOil on Canvas62 x 92 cm1977Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Trade with ChinaTempera on Illustration Board22.5 x 31.5 cm1972Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
TransitionPaintingOil on Canvas84.5 x 112.4 cm1992Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Tree TrunksPaintingOil in Canvas31.5 x 55.6 cm1990Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Trees on RocksPaintingWatercolor on Paper40 x 30 cm1989Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Tribal RitualsPaintingOil on Masonite120 x 169 cm1971Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
TriptychPaintingOil on Wood128.8 x 722.4 cm1969Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Tropical BaroquePaintingOil on Canvas171 x 171 cm1988Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Turning PointPaintingOil on Canvas123 x 129 cm1985Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Two BodiesPaintingOil on Canvas56 x 71 cm1991Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Ubiquitous MoonPaintingOil on Canvas91 x 51 cm1965Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
UnderwaterBallpen on Paper6.5 x 12 cm1991Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Unfinished SketchBallpen on Paper18 x 12 cm1987Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Unfinished Study of Two FiguresDrawingBallpen on Paper12 x 15 cm1989Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Untitled (Nude)PaintingPastel59.69 x 74.93 cm (23 1/2 x 29 1/2 in)1984Cesar T. LegaspiNational Artist in Visual ArtsWith her head turned to face the viewer, back unnaturally arched, and breasts and arms exaggerated, the laying nude figurepainted by National Artist Cesar Legaspi exudes an empowered presence. These subtle distortions show traces of Legaspi’s sharp, cubist tendencies, yet they are balanced out by supple and smooth gradations executed ina pastel medium giving the woman a graceful air.https://salcedoauctions.com/lots/important-philippine-art.html
Untitled (Nude)PaintingPastel93.35 x 72.39 cm (36 3/4 x 28 1/2 in)UndatedCesar T. LegaspiNational Artist in Visual ArtsVital member of the Thirteen Moderns and Neo-Realists, National Artist CesarLegaspi exhibits his mastery in human anatomy in this female nude, appearing tranquil as she gazes at a faraway distance. The delicate strokes in pastel
gradually grow rough and hazy as they move from the face to the torso, bringing light to the woman’s defying features—a graceful profile and the soft, natural waves of her hair.
Valley of Three Moons33.5 x 25 cm1961-1966Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible WorkshopReprinted by Virgilio Aviado in 1993 in etching and aquatint
VendorPaintingOil on Canvas54 x 40 cm1940Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
WaterfallPaintingOil in Canvas40.1 x 56.5 cm1992Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
WebPaintingOil on Canvas46.7 x 117 cm1992Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
WildernessPaintingPastel on Paper45.5 x 63 cm1976Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Windy DayPaintingPastel on Paper44 x 63 cm1975Cesar T. LegaspiTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Woman by a WomanPaintingOil on Wood50 x 75 cm1970Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Wood GatherersPaintingOil on Canvas75 x55 cm1948Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Worshippers or PassionPencil on Paper11.5 x 9 cm1950Cesar T. LegaspiRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Aguilar Alcuaz : wandtapijten.Painting1973Federico Aguilar AlcuazRizal Library, Ateneo de Manila UniversityText by Leonidas V. Benesa. Photo reproductions by Nap Jamir
Federico Aguilar Alcuaz Paintingc. 1967Federico Aguilar AlcuazPhilippine Art Series [c1967].
Parallel texts : Federico Aguilar Alcuaz with Rod. Paras-Perez Paintingc. 2005Federico Aguilar AlcuazArtlink Group,Inc. c2005.
Untitled (Abstract)PaintingOil on Canvas27 x 34 cm (11 x 13 in)1979Federico Aguilar AlcuazNational Artist in Visual ArtsNational Artist Federico Aguilar Alcuaz refers to the terrain surrounding his beloved Barcelona in this abstract work that pays tribute to the painterly style of his artistic comrades in Spain in the 1960s, in particular the delineated, rough-hewn and gestural works of Antonio Saura.https://salcedoauctions.com/lots/important-philippine-art.html
(South Islands) The TradersPaintingOil on Canvas115 x 89 cm1958Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
A Fisherman Making His Evening CatchPaintingOil on Canvas24 x 30 inches1944Fernando C. AmorsoloFilipinas Heritage LibraryMaxine Cacho Collection
A set of 10 Nude EtchingsPainting28 x 43.2 cm (11 x 17 in) eachUndated c. irc. a 1920sFernando C. AmorsoloNational Artist in Visual ArtsOne of the core appeals of Amorsolo’s cherished art work, was his impeccable skill to compose the human person in their most ideal light. Left with nothing to decorate their nude forms, these 10 charcoaled women exude a grace that radiates from the smooth gradient between shadow and light trickling on the curves of their forms. Light does not just accentuate them, but instead defines them, giving them dimensionality and existence in a plain of negative spa.
Afternoon Meal of the Rice WorkersPaintingOil on Panel29 x 39.5 cm1941Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Agueda PaternoPaintingOil on Canvas66 x 52 cm1929Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Alejandro Roces PaintingOil on Canvas96.5 x 71.1 cm.1962Fernando C. Amorsolohttp://ilib.upd.edu.ph
Filipinas Heritage Library-Retrato CollectionAn Old Woman Preparing BuyoPaintingOil on Canvas22" x 28"Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Ang DalagaPaintingOil on Panel41.5 x 34 cm1929Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Angelus PaintingOil on Canvas61 x 86.5 cm1950Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Antipolo Fiesta ScenePaintingOil on Canvas70.1 x 100.4 cm1943Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Assassination of Governor - General BustamantePaintingOil on Canvas39.5 x 49.5 cm1950Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
AtimonanPaintingOil on Panel22.75 cm x 32 cm1922Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Baguio MarketPaintingOil on Panel33 x 40.5 cm1927Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionBahay PariPaintingOil on Canvas31.1 cm x 48.25 cm1931Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Balintawak GirlPaintingOil on Canvas98.5 x 76 cm1927Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Balintawak Girl with BangaPaintingOil on Canvas66 x 50.25 cm1935Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Baptism in CebuPaintingOil on Canvas89 x 138 cm1948Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Baptism in CebuPaintingOil on Canvas89 x 138 cm1948Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Baptismal of the EldestPaintingOil on Canvas30.5 x 40.5 cm1950Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Barrio FiestaPaintingOil on Canvas60 x 90.5 cm1949Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
National Museum of the PhilippinesBataanPaintingOil on Canvas1942Fernando C. AmorsoloNational Museum of the PhilippinesJudge Guillermo B. Guevara Foundation on loan to the National Museum of the Philippines.
Bathing with a TaboPaintingOil on Panel29.75x 20.75 cm1943Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Bienvenido S. Gonzalez PaintingOil on Canvas79.3 x 59.6 cm.1954Fernando C. Amorsolohttp://ilib.upd.edu.ph
Filipinas Heritage Library-Retrato CollectionBombing of IntendenciaPaintingOil on Canvas44.4 x 65.4 cm1942Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Filipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Filipinas Heritage Library-Retrato CollectionBoy Fishing at NightDrawingPencil and Watercolor7 3/4 x 5 inches1930sFernando C. AmorsoloFilipinas Heritage Library
Burning of IntendenciaPaintingOil on Canvas72 x 100 cm1942Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
National Museum of the PhilippinesBurning of Manila (Port Area)PaintingOil on Masonite1942Fernando C. AmorsoloNational Museum of the PhilippinesNational Artist Fernando Amorsolo's the Burning of Manila (1942, oil on masonite) showed a dramatic episode around the port area, not far from the Old Legislative Building, which is now the National Museum of Fine Arts. This painting is on loan from the collection of Enrique Zobel.Enrique Zobel Collection
Burning of Manila (Rizal Avenue)PaintingOil on Canvas89.5 x 120.5 cm1945Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionBurning of Manila During LiberationPaintingOil on Canvas44 1/2" x 28 1/2"1945Fernando C. AmorsoloFilipinas Heritage LibraryAntonio Delgado Collection
Filipinas Heritage Library-Retrato CollectionBurning of the IdolsPaintingOil33.5 x 50.5 inchesca. 1955-1960Fernando C. AmorsoloFilipinas Heritage LibraryGift from IL-FGU. To secure a strong foothold for the Christian faith in the Islands, early Spanish missionaries who accompanied the castillian conquerors ordered the burning of the idols and anitos of the ancient Filipinos. Pagan images and carved wooden figures of the old gods were gathered, by force or persuasion, and collectively cast to the fires. Thus upon erasing the memories of the former faith, a new civilized belief was writ on the religious tablet of the people.Ayala Museum Collection
National Museum of the PhilippinesBurning of Sto. DomingoPainting1940sFernando C. AmorsoloNational Museum of the PhilippinesAmorsolo was able to capture on canvas the magnitude of the fire as well as the concerted effort of the firemen and the clergy to save the sanctuary. Noteworthy was his rendition of intensity of the fire through the application of hues, texture, and perspective, which were his trademarks. His early works such as this have a hyper-realistic style. The original church structure, which was of gothic architecture, was previously located within Intramuros (Manila) and managed by the Dominican Order. It was one of the landmarks of Old Manila and frequented by devotees because of the alleged miraculous image of the Our Lady of the Most Holy Rosary (Nuestra Señora del Rosario de la Naval). The image is now enshrined in the new church located in Quezon Avenue, Quezon City. One fine example of a historical painting, it depicts the destruction of the Sto. Domingo Church brought about by the tremendous fire that occurred in the 1940s.
Church in BaguioPaintingOil on Panel22.75 cm x 32 cm1923Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Church of San Francisco Del MontePaintingOil on Panel40.5 x 33 cm1924Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Composition (Evacuation) December 1941PaintingOil on Canvas110 x 150 cm1944Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Cubao LandscapePaintingOil on Panel22.75 x 32 cm1925Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
National Museum of the PhilippinesDalagang BukidPaintingOil on Panel1928Fernando C. AmorsoloNational Museum of the PhilippinesBenefactor: Patrick Eugenio
Dalagang BukidPaintingOil on Panel65 x 50 cm1936Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Dalagang BukidPaintingOil on Panel50.5 x 40.5 cm1939Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionCountry Road
PaintingOil on Panel36.8cm x 44.4cm1926Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Dalagang Bukid (Harvest Scene)PaintingOil on Panel45 x 64.5 cm1944Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Dalagang Bukid 2PaintingOil on Canvas70.5 x 55 cm1949Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
December 1941 (First Sketch)PaintingOil on Panel25.5 x 35.5 cm 1941Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
December 1941 (Second Sketch)PaintingOil on Panel25.5 x 35.5 cm1941Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
December 1941 (Third Sketch)PaintingOil on Panel25.5 x 35.5 cm 1941Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionEl CiegoPaintingOil on Canvas65.3 x 48 cm1928Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). ; Filipinas Heritage LibraryA blind man singing with his guitar.
Elpidio Quirino PaintingOil on Canvas69.8 x 54.6 cm.1953Fernando C. Amorsolohttp://ilib.upd.edu.ph
Filipinas Heritage Library-Retrato CollectionEvacuationPaintingOil on Canvas16 x 11 3/4 inches1945Fernando C. AmorsoloFilipinas Heritage Library
Family Boarding a BancaPaintingOil on Canvas56 x 71 cm1955Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionFarm ScenePaintingOil on Wood10 1/2 x 8''1969Fernando C. AmorsoloFilipinas Heritage LibraryCacho Collection
Family in a Banca PaintingOil on Canvas46.5 x 64 cm1947Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Faustino S. AguilarPaintingOil on Canvas64.7 x 49.5 cm.1957Fernando C. Amorsolohttp://ilib.upd.edu.ph
Filipinas Heritage Library-Retrato CollectionField WorkersPaintingOil1920sFernando C. AmorsoloFilipinas Heritage Library
FishermanPaintingOil on Panel33 x 40 cm1928Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Fishermen at SunsetPaintingOil on Canvas85.5 x 55 cm (34 x 22 in)1955Fernando C. AmorsoloNational Artist in Visual ArtsThe orange of dusk paints the sky, clouds colored in soft pastel hues. They serve as the backdrop to the fishermen preparing to set sail in the receding tide for what may be their last trip of the day. Beyond the reclaimed shores, a dark storm gathers, ominously breaking the sunlight and obscuring the seafarers’ way. Nonetheless the men push their boat off the sandbank. National Artist Fernando Amorsolo did more than just create picturesque scenes of Filipino life through his masterful strokes of the brush; he presented a people and their values - each perfect form imbued with dignity. We see here then the fishermen as embodiments of determination - indomitable spirits charging forward in spite of the storms of circumstance.https://salcedoauctions.com/lots/important-philippine-art.html
Filipinas Heritage Library-Retrato CollectionFishing at NightPaintingOil on Panel33 cm x 41.9 cm1942Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Fishing BoatsPaintingOil on Canvas32 x 39 cm1938Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionFishing ScenePaintingOil on Panel90 cm x 182 cm1942Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Fishpond in MalabonPaintingOil on Canvas15 x 22 cm1942Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Francis Burton HarrisonPainting1938Fernando C. AmorsoloGuillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.NMG No.154
Fruit VendorPaintingOil on Canvas40.5 x 50.5 cm1947Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionFruit VendorsPaintingOil1920sFernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Filipinas Heritage Library-Retrato CollectionHarvest ScenePaintingOil on Board 90.2 x 182.9 cm.1942Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Filipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Harvest Scene- Dalagang BukidPaintingOil on Masonite65 x 41 cm1944Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Filipinas Heritage Library-Retrato CollectionHarvest Scene at Mount ArayatPaintingOil on Canvas21 1/4" x 331936Fernando C. AmorsoloFilipinas Heritage Library
Harvest Time in PinaglabananPaintingOil on Canvas96 x 130 cm 1922Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Harvesting Rice (LandspcapePaintingOil on Canvas60 x 90.5 cm1948Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Head Study of an Old ManPaintingCrayon45.25 x 35.25 cm1920Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Imelda CojuangcoPaintingOil on Canvas145 x 86.5 cm1967Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Intramuros Destruide Por Los Salvajes JaponesesPaintingOil on Canvas15.5 x 21.5 cm1947Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Jorge C. BocoboPaintingOil on Canvas80 x 59.6 cm1958Fernando C. Amorsolohttp://ilib.upd.edu.ph
Filipinas Heritage Library-Retrato CollectionKawilihanPaintingOil on Masonite50.2 x 88.9 cm1944Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Filipinas Heritage Library-Retrato CollectionLaundry WomenPaintingOil on Panel29.2 cm x 36.2 cm1942Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
LavanderasPaintingOil on Canvas47 x 54.5 cm1935Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
LavanderasPaintingOil on Canvas47.9 x 64.5 cm1943Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Lavanderas PaintingOil on Canvas48.5 x 65.5 cm1936Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Filipinas Heritage Library-Retrato CollectionLeyte LandingPainting23 1/2 x 33 1/4 inchesFernando C. AmorsoloFilipinas Heritage LibraryCarlos P. Romulo Collection
Los BanosPaintingOil on Panel22.75 x 32 cm1924Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Maiden in a StreamPaintingOil on Canvas70.5 cm x 100 cm1921Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Maidens in the StreamPaintingOil on Panel30.5 x 20.5 cm1943Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
MakopaPaintingOil on Canvas28.5 x 35 cm1954Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionMalacanang by the Pasig River; Malacañan by the RiverPaintingOil on Panel32 x 44.5 cm1948Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Filipinas Heritage LibraryJorge B. Vargas Filipiniana Collection
Filipinas Heritage Library-Retrato CollectionMamimintakasiPaintingOil Painting43.8 cm x 33.65 cm1952Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Man with a RoosterPaintingOil on Panel65 x 50 cm1937Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
MandaluyongPaintingOil on Panel22.75 x 32 cm1921Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Manuel A. RoxasPaintingOil on Canvas90 x 70.4 cm.1938Fernando C. Amorsolohttp://ilib.upd.edu.ph
MarikinaPaintingOil on Panel22.75 x 32 cm1934Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Marikina MountainPaintingOil on Panel22.75 x 32 cm1925Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionMango HarvestersPaintingOil on Panel19" x 12 1/2"1936Fernando C. AmorsoloFilipinas Heritage LibraryHofilena Collection, Silay City
Mayon Volcano and Cagsawa ChurchPaintingOil on Canvas60 x 85 cm1956Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Maytime in AntipoloPaintingOil on Canvas72 x 102.75 cm1943Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Midday Meal in the FieldsPaintingOil on Canvas62 x 87 cm1941Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
MontalbanPaintingOil on Panel22.75 x 32 cm1928Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionMoro VintaPaintingOil on Canvas32.4 cm x 22.85 cm1949Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Mother and ChildPaintingOil on Board 84 x 64 cm 1942Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Murray S. Bartlett PaintingOil on Canvas80 x 59.6 cm.1958Fernando C. Amorsolohttp://ilib.upd.edu.ph
Naguilian RoadPaintingOil on Panel40.5 x 33 cm1925Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Nude Bathing by the RiverPaintingOil on Panel66 x 50 cmUndatedFernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
National Commission for Culture and the ArtsOracionPaintingOil on Canvas1959Fernando C. AmorsoloNational Commission for Culture and the Arts
Paul V. McNuttPainting1938Fernando C. AmorsoloGuillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.
Filipinas Heritage Library-Retrato CollectionPicnic in TagaytayPaintingOil on Canvas30" x 20"Fernando C. AmorsoloFilipinas Heritage LibraryCollection of Juan Garcia, Sr.
Planting RicePaintingOil on Canvas55 x 68. 5 cm1943Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Planting RicePaintingOil on Canvas55 x 68.5 cm1946Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Planting RicePaintingOil on Canvas60 x 85.5 cm1952Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionPlanting RicePaintingOil on Canvas24 3/4" x 17 1/2"Fernando C. AmorsoloFilipinas Heritage LibraryCollection of Juan Garcia, Sr.
Filipinas Heritage Library-Retrato CollectionPlowing the FieldPaintingOil on Canvas24 3/4" x 17 1/2"Fernando C. AmorsoloFilipinas Heritage LibraryCollection of Juan Garcia, Sr.
Portrait of a CadetPaintingOil on Canvas69.5 x 54.5 cm1954Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Portrait of a Spanish LadyPaintingCharcoal45.25 x 35.25 cm1919Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Portrait of an American BoyUndated64.5 x 49. 5 cmUndatedFernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Portrait of Mrs. Sonia Rifkin PaintingOil on Canvas105 x 78 cm1930Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Portrait of T.B.PaintingOil on Canvas58 x 51.5 cm1935Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Portrait of Teodoro F. ValenciaPaintingOil on Canvas63 x 50 cm1964Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Rafael V. PalmaPaintingOil on Canvas79.3 x 59.6 cm.1958Fernando C. Amorsolohttp://ilib.upd.edu.ph
Reclining Woman ReadingPaintingOil on Canvas57.5 x 75 cm1942Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Resting in the ShadePaintingOil on Canvas69 x 86 cm1939Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Filipinas Heritage Library-Retrato CollectionRice PlantingPaintingOil on Canvas54 cm x 76.8cm1943Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Filipinas Heritage Library-Retrato CollectionRiver Scene with Two WomenPaintingOil on Canvas22" x 28"ca. 1946Fernando C. AmorsoloFilipinas Heritage LibraryJun B. Silva Collection
Filipinas Heritage Library-Retrato CollectionRizal Avenue on FirePaintingOil on Masonite39.35cm x 59.7cm1945Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Ruins of IntramurosPaintingOil on Canvas32.5 x 49 cm1948Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionRuins of the Manila CathedralPaintingOil on Masonite32.3cm x 39.8cm1945Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
San Francisco Del Monte RiverPaintingOil on Panel22.75 x 32 cm1924Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionSan Sebastian Church through Quiapo RuinsPaintingOil on Masonite39.7cm x 32.3cm1945Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Self-PortraitPaintingOil on Canvas51.5 x 46.5 cm1942Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Still LifePaintingOil on Canvas53.5 x 73 cm1968Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Storm CloudsPaintingOil on Panel22.75 cm x 32 cm1921Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Stream (Lavanderas and Bathers)PaintingOil on Canvas22.5 x 25 cm1953Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
National Museum of the PhilippinesStudy for Rizal Memorial Stadium SweepstakesStudyGraphite on paperc. 1932Fernando C. AmorsoloNational Museum of the PhilippinesNational Fine Art Collection
Sugar Cane Field, NasugbuPaintingOil on Panel22.75 x 32 cm1936Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Sunday Morning, Going to ChurchPaintingOil on Canvas60.5 x 85.5 cm1953Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). ; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionSunday Morning, Going to TownPaintingOil41 1/2" x 46 1/2"1958Fernando C. AmorsoloFilipinas Heritage LibraryAyala Museum Collection
Sundown in San Juan RiverPaintingOil on Panel22.75 cm x 32 cm1923Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
SunsetPaintingOil on Canvas55 x 75 cm1968Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Sunset at CubaoPaintingOil on Panel22.75 cm x 32 cm1923Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
TagaytayPaintingOil on Panel33 x 40.5 cm 1941Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
TagaytayPaintingOil on Canvas117 x 113 cm1958Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Teresa StreamPaintingOil on Panel33 x 40.5 cm1928Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The Ambassador's WifePaintingOil on Canvas78 x 62.5 cm1942Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
The CockfighterPaintingOil on Canvas33 x 41.5 cm1935Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The House in the ForestPaintingOil on Panel22.75 cm x 32 cm1921Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The MestizaPaintingOil on Canvas70 x 96.6 cm1943Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Tinikling PaintingOil on Canvas60 x 75.5 cm1950Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
To Defend Thy HonorPaintingOil on Canvas25 x 20 cm1943Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Twilight at the LunetaPaintingOil on Panel22.75 x 32 cm1927Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Two Woman in a StreamPaintingOil on Canvas62 x 89 cm1958Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Under a Mango TreePaintingOil on Canvas62 x 87.5 cm1948Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Under a Mango Tree 2PaintingOil on Canvas65 x 90.5 cm1949Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
UntitledPaintingOil on Canvas85.5 x 60 cm (33 1/2 x 23 3/4 in)1961Fernando C. AmorsoloNational Artist in Visual ArtsOne of Amorsolo’s best - known subjects, two young women bathe in a flowing river conversing as one dries herself and the other washes clothes. There is a bucolic lushness in this setting, even the smallest of the cascading bamboo leaves are rendered in their most perfect form. The women’s bodies glow with a smooth glaze, sunlight smoothly spread across their young skin, vitality and beauty at their peak, and their expressions show joy and contentment in the simple life they share.https://salcedoauctions.com/lots/important-philippine-art.html
Vidal A. Tan PaintingOil on Canvas78.7 x 59 cm.1954Fernando C. Amorsolohttp://ilib.upd.edu.ph
View of MayonPaintingOil on Panel32 x 39 cm1946Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
View of TeresaPaintingOil on Panel40.55 x 33 cm1927Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Winnowing RicePaintingOil on Canvas55 x 70 cm1948Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionWinnowing RicePaintingOil32" x 26"1948Fernando C. AmorsoloFilipinas Heritage LibraryAyala Museum Collection
Woman CookingPaintingOil on Canvas34 x 44 cm1955Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Filipinas Heritage Library-Retrato CollectionWoman Cooking in the KitchenPaintingOil on Canvas55.85 cm x 40.65cm1959Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Woman in BluePaintingOil on Canvas51 x 41 cm1944Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Woman Reading PaintingOil on Canvas57 x 74.5 cm1942Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Woman with a BangaPaintingOil on Canvas51 x 37. 5 cm1941Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Woman with a LocketPaintingOil on Canvas66 x 49 cm1935Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Woman with Bandana (Liberation)PaintingOil on Canvas82 x 65 cm1946Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Woman with BangaPaintingOil on Canvas55 x 40 cm1938Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Woman with Umbrella in a BancaPaintingOil on Canvas22.5 x 36 cm1941Fernando C. AmorsoloCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Women BathersPaintingOil on Canvas150 x 200 cm1933Fernando C. AmorsoloTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Approaching StormPaintingOil on Canvas56 x 71 cm1951Francisco V. CochingJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Barter of PanayPaintingOil28.5 x 38.3 cm1948Francisco V. CochingJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
BrookPaintingOil on Canvas38.3 x 62.3 cm1951Francisco V. CochingJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fish PondsPaintingOil23 x 28 cm1952Francisco V. CochingJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
LigawanPaintingOil47 x 37.5 cm1948Francisco V. CochingJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Recoletos Church, IntramurosPaintingOil38 x 49 cm1948Francisco V. CochingJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
SaturComic Novelc. 1951 Francisco V. Coching
Still LifePaintingOil30.5 x 38.5 cm1950Francisco V. CochingJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The PipelinePaintingOil65.5 x 92.8 cm1949Francisco V. CochingJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1951)PaintingWatercolor39.3 x 56 cm1951Francisco V. CochingJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Victorio Edades and his art [microfilm] Publication book1935Francisco V. CochingIn: Philipp. mag. (Dec 1935), v. 32, no. 12, p. 601.
A mestiza, a donna per beneSculptureWax Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Ady ZaguireSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Alma Mater at U.E. SculptureMonuments with Bronze Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Amang RodriguezSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
and Don Isauro Gabaldon (also in bronze)SculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
BalagtasSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Bas relief and portrait busts of King Alfonso XIII and Cervantes on the facade of Casino EspanolSculptureCement1915-1919Guillermo E. TolentinoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. Rod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)Done in the Philippines (1915-1919)
BatuteSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Bonifacio and Del Pilar at the Lyceum of the PhilippinesSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Bonifacio MonumentSculpturePostage Stamps1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Bonifacio Monument at Caloocan CitySculptureMonuments with Bronze Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Bust of gen. Antonio Luna at Malacanang PalaceSculptureIron Wood1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
busts of Hon. and Mrs. Jaime de VeyraSculptureCement1919-1921Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Cabeza de Barangay SculptureWax Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Co KengSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Commonwealth Triumphal Arch SculpturePostage Stamps1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Commonwealth Triumphal Arch SculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don BiaggioSculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don Crispulo Zamora (all in bronze)SculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don Juan Sumulong in AntipoloSculptureGranolithics1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don Leon Ma. GuerreroSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don Manuel TiacquiSculptureMonuments with Bronze Figures (Bas Reliefs)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don Mariano LimjapSculptureMonuments with Bronze Figures (Statuettes)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don Ramos SantosSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don Teodoro LangcoSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don Vicente CarmonaSculptureMonuments with Bronze Figures (Bas Reliefs)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Don Vicente Carmona, Don Bibiano Meer, President Tan, Regent Arturo Garcia, Dean Fonacier, Pres. Manuel RoxasSculptureMonuments with Bronze Figures (Miniature Heads)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dona Consolacion SingianSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Jose RizalSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Jose Rizal SculptureWax Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Jose Rizal (won first prize in 1962)SculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Rizal (life-size-full figure) in San Simon, PampangaSculptureGranolithics1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Rizal at Plaridel Temple SculptureMonuments with Bronze Figures (Life-size Figures)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Rizal at U.E.SculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Rizal at U.P.SculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Rizal in Kawit, CaviteSculptureGranolithics1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Rizal in Pasig CitySculptureGranolithics1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Dr. Rizal with MabiniSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Elias and two beauties SculptureWax Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
F.E.U. Pres. Nicanor ReyesSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Fernando Ma. GuerreroSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Filipinas freedSculpturePostage Stamps1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Fr. Juan SomeraSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Funeral sculptures for cemeteriesSculptureCement1915-1919Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Gen. Carlos P. RomuloSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Gen. Carlos P. RomuloSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Gen. Emilio Aguinaldo SculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Gen. Gregorio del PilarSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Genato of Genato CommercialSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Gold and bronze Ramon Magsaysay for Ramon Magsaysay Award FoundationSculptureMedals1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Gold, silver and bronze Dr. Rizal's Centennery (1962)SculptureMedalsGuillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Heroic statues of Rizal and Fr. Burgos fpr monumentsSculptureCement1915-1919Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Heroic statues representing education, medicine, forestry, veterinary science, fine arts, music and oblation of U.P.SculptureGranolithics1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Hon. and Mrs. Feliciano RamosoSculptureMarble1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Hon. and Mrs. Gabaldon (made in Italy)SculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Hon. and Mrs. Melencio CojuangcoSculptureMonuments with Bronze Figures (Bas Reliefs)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Hon. Jose Abad SantosSculptureMonuments with Bronze Figures (Bas Reliefs)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Hon. Juan SumulongSculptureMarble1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Hon. Santiago LuceroSculptureMarble1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
horseSculptureMonuments with Bronze Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
II RimorsoSculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Jose Cojuangco (Dr. Fa) in Panique, TarlacSculptureGranolithics1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Jose Cojuangco (grandfather) and Jose Cojuangco (grandchild)SculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Jose Rizal at San Juan and Pasig CitySculptureMonuments with Bronze Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Julian FelipeSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Lello; LuizetteSculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Life size image of La Milagrosa in amrble for San Juan de DiosSculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Lim Bun ChitSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Lim Chui TeeSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Little Boy for Dr. LaurelSculptureGranolithics1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
LiwanagSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
LualhatiSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Luisa MarasiganSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)Done in the Philippines (1925-1959)
LuwalhatiSculptureMarble1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
M.U. Pres. Mariano de los SantosSculptureMonuments with Bronze Figures (Life-size Figures)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Madonna and ChildSculptureMarble1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Mama Nella SculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Manuel QuezonSculptureWax Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Marcelo H. del Pilar (sitting full figure)SculpturePostage Stamps1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Maria Clara awardSculpture Monuments with Bronze Figures (Statuettes)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Maria Makiling for Dr. LaurelSculptureGranolithics1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
MarikitSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Monina AcunaSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Mr. and Mrs. Filemon Sta. AnaSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Mr. and Mrs. Mariano LimjapSculptureMarble1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Mr. and Mrs. Wenceslao TrinidadSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Mrs. Gabaldon Sculpture Cement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Mrs. Gabaldon SculptureMarble1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Mrs. PanganSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Multiple busts and studies in plaster of ParisSculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
N.U. Pres. Mariano JhocsonSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
naked foregin man and woman SculptureSketches1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Nicanor AbelardoSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Obispo Maximo Gregorio AglipaySculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Oblation at U.P.SculptureMonuments with Bronze Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
others exhibited at World's Fair in Paris (1935) and Golden Gate World's Fair (1940) including Tagala, Mora, Bisaya, Igorota, Ancient Warrior and WifeSculptureWax Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Pacita delos Reyes SculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
pencil sketch of a composition showing a much taller woman (symbolizing the U.S.) handing the Philippine flag to a Filipina in native costume (when the Philippines was granted independence)SculptureSketches1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Persian Bulls for the Solomon Masonic Temple in TondoSculptureCement1915-1919Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Philippines Independence (July 4, 1946)SculpturePostage Stamps1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Portrait painting of Hugo Villa, etc.SculptureCement1919-1921Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Pres. Carlos GarciaSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Pres. Elpidio QuirinoSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Pres. Manuel QuezonSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
President Quezon at Quezon Memorial SculptureMonuments with Bronze Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Pre-Spanish scribe, a martyr in garrote, a scholar, a devout catholic kissing hand of friarSculptureWax Figures1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Profile of Elias SculpturePostage Stamps1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Quintin ParedesSculptureMonuments with Bronze Figures (Life-size Figures)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Ramon Magsaysay in GSIS Bldg. and Davao (granolithic)SculptureMarble1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Saluto Romano SculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)Done in Italy (1921-1924)
Seal of the Republic of the PhilippinesSculptureSeal1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Sec. Juan PajoSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
self-portrait (1931)SculptureSketchesGuillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
six oriental dancers (these 11 pieces are in Malacanang Palace)SculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Spirit of BataanSculptureMonuments with Bronze Figures (Symbolical Groups)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Statuette of Peace; The Slave (bronze)SculptureCement1919-1921Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)Done in USA (1919-1921)
TerpsicoreSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
The Doughboy in ActionSculptureCement1919-1921Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
The Four Horsemen of the ApocalypseSculptureCement1919-1921Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
The PhilippinesSculptureCement1921-1924Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
U.E. Pres. Francisco DalupanSculptureMonuments with Bronze Figures (Life-size Busts)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
U.P. Presidents Ignacio Villamor and Dr. Rafael PalmaSculpturePlaster1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
Unknown teacherSculptureMonuments with Bronze Figures (Symbolical Groups)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
VenusSculptureMarble1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
woman in Philippine dressSculptureMonuments with Bronze Figures (Statuettes)1925-1959Guillermo E. TolentinoNational Artists of the PhilippinesRod Paras-Perez, Guillermo Tolentino (Zone-D Art Publications, 1972)
A Song for SummerPaintingOil on Canvas81.5 x 61.5 cm1973Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Abstraction #15 PaintingAcrylic on Paper54 x 38 cm1976Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Abstraction #17PaintingAcrylic on Paper Mounted on Board54 x 38 cm1976Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Abstraction #18PaintingAcrylic on Paper 37.5 x 54.5 cm1976Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Abstraction #22PaintingAcrylic on Paper Mounted on Board55 x 38 cm1976Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Abstraction #23PaintingAcrylic on Paper 54 x 37.51976Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Abstraction #26PaintingAcrylic on Paper Mounted on Board56 x 38 cm1976Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
AncestorsPaintingOil on Canvas51 x 61 cm1951Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Ang PulubiPainting1946Hernando R. OcampoGuillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.NMG No.489
Angel's KissPaintingOil on Canvas25 x 20 cm1949Hernando R. OcampoGuillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Another DayPaintingOil on Canvas54.7 x 70 cm1968Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Backdrop PaintingOil on Canvas152 x 91.5 cm1956Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
CalvaryPaintingOil on Canvas71 x 56 cm1948Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.Three stylized figures hang, with arms anchored, on green crosses. They are rendered with minimal anatomical details. Tall purple smoke attacks are found in the background. The sky is rendered in varying shades of red.Lucila Acatadera Salazar Collection/ Aurelio Sevilla Alvero Collection
Decorative MotifPaintingOil on Canvas34 x 50 cm1967Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Easter SundayPaintingAcrylic on Wood59.5 x 45 cm1974Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Fiesta PaintingOil on Canvas84 x 126.5 cm1957Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). ; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Fifty- Three "Q"PaintingOil on Canvas108. 5 x 93.5 cm1953Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Final Rehearsal PaintingOil on Wood50 x 40 cm1971Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Final Rehearsal PaintingOil on Board60 x 45.5 cm1974Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
GenesisPaintingOil on Canvas24 x 48 cm1968Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Growth PaintingOil on Canvas70.5 x 55 cm1957Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Hat WeaversPaintingOil on Canvas53.8 x 67.9 cm1940Hernando R. OcampoEdades and the 13 Moderns (1995). Three figures- two females and one male- sit on the ground surrounded by straw hats. The female figure at the center is weaving a hat while the two figures on each side are in more relaxed poses. The figures are portrayed with minimal anatomical and facial details. Tha painting is rendered in varying tones of yellows, greens, abd oranges.Atty. Antonio Quintos Collection
Heart Flame (Green)PaintingWatercolor, Ink on Paper43 x 29 cm1972Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Heart Flame (Red)PaintingWatercolor, Ink on Paper44 x 29 cm1972Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Homage to Andres BonifacioPaintingOil on Canvas, mounted on plywood101.5 x 76 cm1976Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Homage to Jose RizalPaintingAcrylic on Canvas101 x 76 cm1976Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Homage to Tandang SoraPainting1977Hernando R. OcampoGuillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.NMG No.457
Ina ng BalonPaintingOil on Canvas59.5 x 47.5 cm1939Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Isda at Mangga PaintingOil on Canvas34 x 43 cm1952Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Lupang Hinirang (Triptych)PaintingAcrylic on Canvas152.5 x 152.5 cm1976Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Madonna of the WellPaintingOil on Canvas61.3 x 49.3 cm1939Hernando R. OcampoEdades and the 13 Moderns (1995). A mother, wearing a blue blouse and red skirt, is standing at the center carrying a child with back turned. The middle ground is covered with green grass. The opening of the well is found at the lower right with a bucket standing on its rim while a carabao lies sleeping at the left side. Two haystacks and a cropped view of a nipa hut roof are found in the background.Mr. and Mrs. Paulino Que Collection
Man and CarabaoPaintingOil on Canvas52 x 68 cm1949Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
MaskPaintingOil on Canvas70.5 x 54.6 cm (27 3/4 x 21 1/2 in)1961Hernando R. OcampoNational Artist in Visual ArtsIn this rare 1960s work, National Artist H.R. Ocampo engages hisoften used stippling technique to create the image of a tribal mask inhis signature biomorphic style, his deft hand creating quick short strokes that neatly texture the canvas of familiar reds and greens. Ocampo’s abstracted forms were ceaselessly calculated and yet unconstrained, completely fluid and open to interpretation. The forms he thoughtfully laid out were constantly drawn from varying sources of inspiration, his‘Mask’ series in particular kindled by books he encountered on African masks - their faces, hybrids of humans as well as horned animals such as antelope and buffalo. The masks were traditionally considered to impart the character of the animals on to their wearers - the antelope bringing
good harvest and bounty, the buffalo strength and good relations. Ocampo began depicting masks as part of a series in the 1950s, and a similar work was sold at Christie’s Hong Kong in 2014.
https://salcedoauctions.com/lots/important-philippine-art.html
Mga KitiPaintingAcrylic on Tetoron Fabric91 x 914 cm1972Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Mutation PaintingOil on Canvas58 x 83 cm1950Hernando R. OcampoTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
NudePaintingOil on Canvas102 x 76 cm1975Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Nude with the Candle and FlowerPaintingOil on Canvas21.5 x 33 cm1948Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Palayok at Kalan PaintingOil on Canvas51 x 61 cm1950Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Piniritung IsdaPainting1958Hernando R. OcampoGuillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.NMG No.668
Promenade PaintingOil on Canvas121 x 162 cm1973Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Ritual PaintingOil on Canvas87 x 127.5 cm1966Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Semana SantaPaintingOil on Canvas75 x 100 cm (39.4 x 29.5 in)1978Hernando R. OcampoNational Artist in Visual ArtsMonochromatic forms oscillate spontaneously in this masterpiece by National Artist Hernando R. Ocampo, swirling both above and alongside each other in a fluid dance of organic bodies. There is a synergetic flow to their interaction, none striking the other’s path but instead harmoniously influencing the balance shared by one another as if cogs of a plasmic mechanism. As Semana Santa devotees march behind Christ’s corpus, they become a living breathing wave of spiritual potency. Prayers are shared by thousands of tongues as fervent faith feeds off one another, amplifying the potency of their shared tradition. This is not so much a celebration, but a time for reflection. The energy that looms above the crowd is solemn with thoughts of the Crucifixion - a phalanx of penitents moving forward, a grey essence flowing in an unfixed yet singular path.https://salcedoauctions.com/lots/important-philippine-art.html
SeremonyaPaintingOil on Canvas87 x 127.5 cm1966Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Slum DwellersPaintingOil on Canvas40.5 x 35.3 cm1948Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Social Disease1939Hernando R. OcampoRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible WorkshopSocial Disease part of his Luetica Series
The MinersPaintingOil on Canvas44.7 x 34.7 cm1952Hernando R. OcampoEdades and the 13 Moderns (1995). A scene of two male figures inside a mine shaft. The figure in the foreeground is holding an electric drill thrusted towards the left while the top figure is holding a spade.. The figures are rendered in bold and solid forms with minimal anatomical details.Esther Vibal Collection
The ResurrectionPaintingOil on Canvas65 x 130 cm1952Hernando R. OcampoCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
UntitledPaintingOil on Wood27.5 x 21 cm (10 3/4 x 8 1/4 in)1970Hernando R. OcampoNational Artist in Visual ArtsCreated only one year after executing his iconic Genesis tapestry at the Cultural Center of the Philippines Main Theater, this oil-onwood work is a testament to National Artist and leading modernist H.R. Ocampo evolving into his most exuberant creative period - “visual melody”. Though the work exhibits the artist’s distinct quality of forming abstracted organic forms in luminous color and texture, the fields
found in this piece contain darker, richer, and deeper tones layered and mixed together in thick impasto. With a harmony of somber notes in brown and dark ochre, the work sings a melancholic melody accentuated by hints of vibrant tones in yellow and orange.
https://salcedoauctions.com/lots/important-philippine-art.html
UntitledPaintingInk on paper29 x 21.5 cm (11 1/2 x 8 1/2 in)1978Hernando R. OcampoNational Artist in Visual Artshttps://salcedoauctions.com/lots/important-philippine-art.html
Untitled (Dedicated to Candea)PaintingInk on paper27.5 x 21 cm (10 3/4 x 8 1/4 in)1978Hernando R. OcampoNational Artist in Visual Arts
Untitled (Dedicatred to Celia)PaintingInk on paper30 x 22.5 cm (12 x 9 in)1977Hernando R. OcampoNational Artist in Visual Arts
Untitles (Mother and Child)PaintingAcrylic on paper44 x 30 cm ( 17 1/4 x 11 3/4 in)1974Hernando R. OcampoNational Artist in Visual ArtsA popular theme in Philippine art becomes a wholly unique piece under the rendition of champion of the Neo-Realist movement in the Philippines, H.R. Ocampo. The Artist reevaluates reality, and pieces it back together, creating a more unbound interpretation of phenomena. here, there is a warmth and germinal reliance that spreads through the fused that compose this intimate piece
A Flying Contraption for Mr. IcarusPaintingPainted Wood Sculpture1984J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
A Foul Wind on the Eleventh Day of February: The Murder of Evelio Javier Painting1986J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
A Patch of LandscapePaintingAcrylic and Papier on canvas1975J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
A Sixty-four Dinner at New York 21PaintingOil on Canvas1992J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
All Because of Humpty Dumpty's FallPaintingOIl and acrylic 1991J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
An Ivory Tower for Emmanuel T.PaintingOil on Canvas1992J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Awesome in Her Beauty When Mother EarthPaintingAcrylic on canvas1996J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Bagusina Islet, Padre Burgos, LucenapaintingWatercolor on paper32.5 x 22 cm (12 3/4 x 8 3/4 in)1979J. Elizalde NavarroNational Artist in Visual ArtsNational Artist J. Elizalde Navarro hanesses the challenging medium of waterclor to create three distinct textures of nature: the serenity of water, the rigid structure of rock formations, and the lush softness of greenery.
BathersPaintingOil on Canvas1957J. Elizalde NavarroTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Black MachinePaintingPainted Wood Relief1961J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Crufixion Painting1947J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
DesaparecidosSculptureWood Sculpture1984J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Detail of a Temple PaintingOil on Canvas1961J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Ecce Homo (Is He the Man?)PaintingWood, Oil on Canvasearly 1960sJ. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Gabor- Pendet DancePaintingAcylic on canvas1989J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Gestures in the Wind: Self- PortraitPaintingOil and acrylic on canvas1994J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Grand Prix: Homage to Dodgie LaurelPaintingWood and Metal Sculpture Ateneo University Art Gallery collection 1968J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
I am Sorry, Jesus, I Can't Attend ChristmasPaintingMixed media reliefJ. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
I Saw My Tia Consuelo Dance the La JotaPaintingAcrylic on canvas1998J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Incomplete ManPainting1970sJ. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Kyoto SoundsPaintingAcrylic on canvas 1970J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Looking for the Fourth SeasonPaintingOil on Canvas1979J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Man and Woman PaintingOil on Canvas1995J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Musician25.5 x 28.5 cm1980sJ. Elizalde NavarroTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). 27/188 Seisgraph
My MasksPainting1975-1989J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
PostersPaintingCasein on Panel1961J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
The Avenging Mother EarthPainting Acrylic on canvas1997J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
The Battered WomanPaintingOil on Canvas1995J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
The Degreening of Mother EarthPaintingOil on Canvas1993J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
The Four SeasonsPaintingOil on Canvas1992J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
The Kimono from BaliPaintingOil on Canvas1994J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
The Other Side of Ubod, Bali PaintingAcylic on canvas1993J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
The Woman Who Loved MasksPaintingOil and acrylic on canvas1994J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Ubod, My BaliPaintingOil on Canvas1991J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
VendorPaintingOil on Panel1955J. Elizalde NavarroCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Abstract Ceramic (1)PaintingJars17.8 x 23 cm; 25.5 x 20.3 cm1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract Ceramic (2)PaintingPlate34.5 cm (diameter)1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract Ceramic (3)PaintingPlate33 cm (diameter)1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract Drawing, New YorkDrawingColored pencil on paperJanuary 24, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperMay 6, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperMay 12, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperAugust 27, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperAugust 27, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract Drawing, New YorkDrawingColored pencil on paperNovember 14, 1968Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of colored pen abstract drawings made by Joya, exploring planar values and patterns and textures, while also visualizing his scholarly discipline of meticulously processing ideas, concepts, and problems
Abstract PaintingPaintingOil on marine plywood38.1 x 60.9 cm1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract SketchPaintingMarking Ink45.7 x 59.8 cmNovember 14, 1967Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract SlabPaintingCeramic tile28 x 45 cm1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract StudyDrawingInk on paper1956Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Abstract StudyLithograph1960Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)An early, non-objective print where Joya explored line work through calligraphy, an artist's most versatile tool for expression.
Abstract StudyPaintingOil28 x 23 cm1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Abstract StudyDrawingMarker pen on paper1967Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Abstract StudyDrawingPen and ink on paper1967Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
AbstractionPaintingOil60.5 x 37.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
After Shock IPaintingAcrylic collage25.5 x 33 cmSeptember 5, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
After Shock IIPaintingAcrylic collage33 x 25.5 cmSeptember 5, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Afternoon in KuangchowPaintingOil121.8 x 162.5 cmMarch 25, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Aleng may SalakotPaintingOil on Canvas1953Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)An old woman, kneeling on the ground, holding a "salakot" before her. It shows perfect anatomical form and portrayal of light, according to Defeo. It is also noteable for its definite "modern" brushworks.University Art Collection Jorge B. Varge Museum and Filipiniana Research Center)
An Impression, Amphiteatro Flavio, RomePaintingWatercolor26 x 41 cmJuly 7-17, 1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
AngelesPaintingOil81.2 x 60.9 cm1966Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Approaching StormPaintingOil on Canvas1951Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Features a boy with a herd of carabaos hurrying against a backdrop of portentous clouds. The white clouds showed the first signs of Joya's thick impasto. It is Joya's first award-winning student work.Paulino and Hetty Que Collection
ArayatPaintingAcrylic collage41 x 63.5 cmJuly 24, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Artist's MotherPaintingOil10 cm (diameter)1952Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Asean OdysseyPaintingAcrylic collage39 x 60 cmAugust 8, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Asean SeaPaintingAcrylic collage28 x 41 cmJune 14, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Astral OdysseyPaintingOil on wood164 x 247.4 cmNovember 2, 1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
AuroraPaintingAcrylic collage91.4 x 134.6 cm1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Back of a Young ManPaintingOil on Canvas28 x 23 cm1952Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A young man's back, exposed. It is compelling for its use of the "backlighting effect," a technique highly identified with Fernando Amorsolo.
Back of Male NudeDrawingColored pencil on paper1989Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A drawing of the back of a nude, male form. It exhibits Joya's bias for the idealized muscular build, not unlike those of body-builder's.
Bacolod from the AirPaintingMixed Media on Ceramic Tiles23 x 55 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Balete TreesPaintingOil30.5 x 38 cm1953Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Bicol ExpressPaintingAcrylic56 x 76 cmNovember 22, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Binhi, SeedPaintingOil on Canvas121 x 121 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Birth (Triptych) PaintingMixed Media on Ceramic Tiles33 x 62.5 cm1975Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Blue HorizonPaintingAcrylic collage38 x 58.5 cmApril 13, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue LanternPaintingAcrylic collage35.5 x 57 cmApril 10, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue MagicPaintingAcrylic collage91.4 x 134.6 cm1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue NiagaraPaintingAcrylic collage82 x 133.3 cmSeptember 12, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue ShrinePaintingAcrylic collage75.5 x 110 cmApril 20, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue SonataPaintingAcrylic collage51 x 65 cmMarch 4, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Blue TidePaintingOil121.8 x 162.5 cmNovember 14, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Boat CruisePaintingAcrylic on paper38 x 58.5 cmOctober 15, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Break WatersPaintingOil on Canvas76.5 x 61 cmMarch 12, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Brick BridgePaintingAcrylic collage57 x 71 cmSeptember 3, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
BuhawiCeramicJose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Bulacan ReflectionsPaintingOil on Canvas.91 x 1.82 mNovember 18, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Caballero TreesPaintingAcrylic on paper23 x 38 cmOctober 15, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Cadmium Red SquarePaintingOil on Canvas65.8 x 49.6 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Cagayan Mountain RangePaintingAcrylic91.4 x 182.8 cm1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CalumpitPaintingOil55.8 x 35.5 cmMarch 5, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Camiguin PaintingOil30.5 x 44.5 cm1975Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Carcar, CebuPaintingAcrylic collage36.7 x 57 cmJune 30, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Carillon TowerOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
CarouselPaintingWoodcut34 x 47 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CarouselColored print1956Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Showcases Joya's floating abstract figures and early non-representational work.
CascadePaintingOil71.2 x 71.2 cm1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CathedralPaintingTempera27 x 47 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Cave LightPaintingAcrylic25.5 x 33 cmDecember 25, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CavitePaintingAcrylic collage101.5 x 67 cmAugust 7, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Celestial ExplosionPaintingAcrylic on canvas61 x 91.5 cmAugust 14, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Celestial SunburstPaintingAcrylic on canvas61 x 91.5 cmNovember 7, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Central OasisPaintingAcrylic collage56 x 76.5 cmApril 26, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Chapel of the Holy SacrificeOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
Church of the Risen LordOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
City Entering the Edge of SundownPaintingOil on Canvas139.7 x 177.8 cmNovember 15, 1959Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Coast of CavitePaintingAcrylic on canvas120.5 x 90 cm (47.5 x 35.5 in)1992Jose T. JoyaNational Artist in Visual ArtsIn this highly dynamic piece, National Artist Jose Joya merges flat color fields and loose, spontaneous gestural strokes - evoking two of the most prominent facets of American Abstract Expressionism. The subject and colors, however, are distinctly Filipino - the earthy brown, shades of blue-grey, and hints of rust are tones that dominate coastlines both in rural Cavite and the rest of the archipelago. Capturing both the rugged yet palliative mood of the seaside, bronze tones, refined gradients, and vigorous splashes layer atop and mix together to form one lyrical spectacle climaxing at the center. This seamless marriage of the modern international movement and local landscapes
makes this piece a quintessential Joya - epitomizing the remarkable oeuvres of the prime pioneer of
Philippine abstraction.
https://salcedoauctions.com/lots/important-philippine-art.html
CocktailsPaintingOil on Canvas83.8 x 114.3 cm1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
CodePaintingOil37 x 56.5 cmMarch 23, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Code of KalantiaoPaintingOil121.8 x 162.5 cm1967Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
ColumbiaPaintingOil on marine plywood81.5 x 123 cmMay 4, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Conical HeapPaintingAcrylic collage58.5 x 38.5 cmJuly 31, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Cosmic Trip PaintingAcrylic25.5 x 33 cm1993Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Country FairPaintingAcrylic collage109 x 151 cmOctober 23, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Country RidePaintingAcrylic collage50.8 x 67.2 cmJuly 7, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Crumbling Hut, Dumangas, IloiloDrawingColored pencil on paper1983Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Dance of the YouthPaintingOil123 x 162.5 cm1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Dancing SunPaintingAcrylic collage75 x 111 cmMarch 8 1988Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
DaybreakPaintingAcrylic collage56 x 75 cmNovember 25, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Decorative PaintingPaintingOil on wood1958Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of Joya's early abstracts which he described as showing an "off-balanced, very oriental style."University Art Collection (Executive House)
Desert DancePaintingAcrylic collage56 x 76.5 cmMarch 11, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Desert LightPaintingAcrylic collage56 x 76.5 cmJanuary 31, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Details of Chartres Cathedral, ParisPaintingOil60.3 x 72.2 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Details of Notre DamePaintingTempera and Sealing Wax50.8 x 80 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
DikePaintingAcrylic collage25.5 x 33 cmSeptember 6, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Dimensions of FearPaintingOil on Canvas101 x 298 cm1965Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Donato House, ViganDrawingPen and ink on paper1977Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture.
Dragon on the RoofPaintingAcrylic collage102.5 x 67.5 cmJanuary 21, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
DreamPaintingAcrylic collage38 x 58.5 cmSeptember 8, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Drizzle on the HillPaintingAcrylic collage25.5 x 33 cm (10 x 13 in)1992Jose T. JoyaNational Artist in Visual ArtsThe familiar scene of raindrops kissing the earth is made anew
in this collage. From paint splotches to overlapping mesh
and paper, National Artist Jose Joya experiments with bold, loose lines; shapeless fields; and amonochrome palette in grey to depict a melancholic scene of a rainy day. The moon is found almost touching the hill, putting one in the perspective that is far and distant from the summit. In his refined abstraction, Joya captures the mood of a moment.
https://salcedoauctions.com/lots/important-philippine-art.html
Early RainPaintingAcrylic collage25.5 x 33 cm1993Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Ecru LightPaintingOil38 x 61 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Endangered OzonePaintingAcrylic collage76.5 x 56 cmAugust 5, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Episode in StockholmPaintingOil122 x 152.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
EquinoxPaintingAcrylic collage67.5 x 102.5 cmMarch 30, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Ethereal AuraPaintingAcrylic on canvas202 x 131 cm1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Faded Yellow EraPaintingAcrylic25.5 x 33 cmMarch 7, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Farcical MasksPaintingAcrylic76.2 x 61 cmJanuary 9, 1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Father and ChildPaintingPastel on paper1991Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Female NudeDrawingWatercolor and ink on paper1952Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A portrait of nude female model. One of Joya's student works, it displays his tentative lines which would disappear in his later works, according to Defeo.
Female NudeDrawingPencil on paper1972Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)University Art Collection (University Library)
Female TorsoSculptureWoodJose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of Joya's rare sculptures, showcasing his popular muscular and full-figured torso drawings actualized in three-dimensional space. The lines are clean, fluid, and economical, unvarying from the dominant linearity of Joya's nudes.
Festival RhythmPaintingAcrylic91.5 x 183 cmMarch 31, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
FiestaPaintingOil54.5 x 67.3 cmMay 1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fire DancePaintingOil35.5 x 56 cmNovember 2, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fire LakePaintingAcrylic85 x 85 cm1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fire LightPaintingAcrylic collage38 x 58.5 cmAugust 18, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fish Ceramic1982Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
FishesPaintingPlate32.4 cm (diameter)1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fishpond ReflectionsPaintingOil on Canvas178 x 117 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
FlagellantsPaintingOil on Canvas132 x 132 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Flash RainPaintingAcrylic collage25.5 x 33 cmJuly 8, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
FlashbackPaintingAcrylic on Board60.5 x 60.5 cm1972Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Fluvial ParadePaintingAcrylic collage67.2 x 51.5 cmJune 14, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Forest MurmursPaintingOil102.2 x 429.2 cm1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fortune HillPaintingAcrylic91.4 x 182.8 cmNovember 20, 1987Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fragmentary YodelPaintingOil on Canvas46 x 61 cmJanuary 4, 1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Framed FishesPaintingPlate33 cm (diameter)1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Freedom BoatsPaintingAcrylic on paper56 x 76.5 cmAugust 10, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Full CyclePaintingAcrylic collage25.5 x 33 cmJuly 20, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Fun StripPaintingOil56 x 71 cmSeptember 7, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
GamePaintingOil35.5 x 55.8 cm1978Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Gates of HapinessPaintingAcrylic on Canvas122 x 78.5 cm1979Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
GeminiPaintingOil on Canvas152.5 x 210.8 cm1966Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
GeyserPaintingAcrylic25.5 x 33 cmAugust 6, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Global WarmingPaintingAcrylic collage1990Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)An abstract of Joya's that showed his shift from volatile energy to kinematics, according to Defeo. His dynamism and movement remained, but displayed themselves in more tempered floatations, fluxes, and oscillations rather than flustered outbursts. The pieces then featured geometric planes, rhytmic elements, with the brushstrokes and echo lines showing more control and calculation. As a result, the resulting compositions became "tidier."
Global WarmingPaintingAcrylic collage101.5 x 75 cmJanary 30, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Golden DragonPaintingAcrylic collage101.5 x 67.2 cm1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Golden ValleyPaintingAcrylic on canvas76 x 61 cmAugust 1, 1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Granadian ArabesquePaintingOil on Canvas119.4 x 305 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Granite MountainPaintingAcrylic collage25.5 x 33 cmMarch 18, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Gray AfternoonPaintingOil47 x 63.5 cm1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Green MansionPaintingAcrylic collage61 x 51 cmMarch 25, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Green SproutsPaintingOil45.7 x 35.5 cm1968Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Green TunnelsPaintingAcrylic65.4 x 99.3 cmJune 9, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
GuilinPaintingAcrylic25.5 x 33 cmJanuary 22, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Heavenly BodiesPaintingAcrylic45.5 x 61 cm1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Heavenly Temple, PekingDrawingPen and ink on paper1979Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture.
HideawayPaintingOil on Canvas91.5 x 183 cmMarch 30, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Hill TopPaintingOil on Canvas78.5 x 58.5 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Hill TownPaintingAcrylic on paper25.5 x 53 cmSeptember 2, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
National Museum of the PhilippinesHills of Nikko, JapanPaintingOil on Canvas172.7 x 177.8 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.NMG. No.655 as cited in Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.
Hong KongPaintingAcrylic collage38 x 58.5 cmApril 8, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
HorizonPaintingCeramic slab31.5 x 24 cm1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
House of LifePaintingOil on Canvas116 x 116 cm1960Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Huang Po River, ShanghaiPaintingAcrylic on canvas181.5 x 138.5 cmMay 3, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
HymnPaintingOil35.5 x 55.8 cmJanuary 1980Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Ilocos Sand DunesPaintingAcrylic collage91.4 x 182.8 cmNovember 15, 1984Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
ImpulsePaintingOil30.5 x 43.2 cmNovember 6, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Isang UmagaPaintingOil30.5 x 45 cmNovember 16, 1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Island PlaygroundPaintingAcrylic collage67 x 102.5 cmJanuary 15, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
JarCeramic1975Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
JarCeramic1976Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
KaratePaintingOil on wood61 x 76 cmAugust 1, 1965Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
KasuluganCeramic1976Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Kun Yam TemplePaintingOil63.5 x 49.5 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
KundimanPaintingOil35.5 x 58.4 cmNovember 14, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Landscape of the Inner EyePaintingOil on Canvas115.5 x 115.5 cm1958Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
LandslidePaintingAcrylic collage25.5 x 33 cmJuly 27, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Lanterns of EnlightenmentPaintingOil on wood, triptych163.8 x 369 cm1977Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya); Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
LigawanPaintingOil on Canvas1948Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)It depicts a formal courtship, carried out before the watchful presence of family members. It features classics of western art such as the Greek sculpture in the background, the presence of mirror reflections (popularized by Van Eyck), and the powerful chiaroscuro lighting of artists like da Vinci and Caravaggio.
Lin Yin Temple, HangchowPaintingAcrylic collage20 x 26.5 cmMarch 1, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Lion DancePaintingAcrylic91.5 x 183 cm1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
LoretoPaintingOil40.5 x 30.5 cm1953Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Love RitePaintingOil182.8 x 243.8 cmFebruary 13, 1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
MadridDrawingCharcoal on paper1955Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Main LibraryOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
MakatiPaintingOil56 x 35.5 cmSeptember 26, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Makati SkylinePaintingAcrylic collage91.5 x 183 cmSeptember 11, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Male TorsoSculptureWoodJose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of Joya's rare sculptures, showcasing his popular muscular and full-figured torso drawings actualized in three-dimensional space. The lines are clean, fluid, and economical, unvarying from the dominant linearity of Joya's nudes.
Manila BayPaintingOil24.8 x 38 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Manila Bay, 6:00 PMPaintingOil on paper35.5 x 56 cmJune 9, 1979Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Marginal ForestPaintingAcrylic38 x 58.5 cmOctober 15, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
MarikinaPaintingOil56 x 71 cmOctober 10, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mary MagdalenePaintingAcrylic collage66 x 50.8 cm1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
May FestivalPaintingAcrylic on paper58.5 x 38 cmMay 25, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Memories of MalaccaPaintingAcrylic collage56 x 75 cmApril 20, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Memories of Qin Ling MountainPaintingAcrylic collage57.1 x 72.3 cmMarch 13, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Middle-Aged ManPaintingOil on Canvas38.5 x 30 cm1952Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Mind Landscape IPaintingOil81.2 x 122 cmJuly 21, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mind LanternsPaintingAcrylic collage56 x 75.6 cmMarch 23, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mind TunnelsPaintingAcrylic25.5 x 33 cmApril 10, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mindanao FeastPaintingOil56 x 35.5 cmJune 12, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Minds CavesPaintingAcrylic collage38.5 x 102.5 cmOctober 19, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
MorionesEtched print, 2nd Proof1974Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)University Art Collection (College of Fine Arts), gifted by the artist
Mother and ChildPaintingPastel on paper1995Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A figure drawing of a mother and child with unremarkable faces, demonstrating that Joya resists dependence on facial expressions to communicate emotion. He instead creates interest through his mastery of lines. This is shown in the mother's arms, her billowing veil and sleeves, the striped pattern in the clothes, and the outline of the boy's body and hair.
Mother EarthPaintingOil91.4 x 121.9 cmNovember 14, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mountain FaçadePaintingAcrylic collage1991Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of Joya's pieces featuring texture, both actual and simulates, as prominent elements. He used materials such as sand and kalsomine to highlight the painterly quality of his early works. He also used handmade paper with very visible fibers to provide the tactile component of his later works.
Mountain FaçadePaintingAcrylic collage25.5 x 33 cmFebruary 25, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mountain RidgePaintingAcrylic collage25.5 x 33 cm1991Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mountain TipPaintingAcrylic33 x 25.5 cmApril 20, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Mountain TrailPaintingAcrylic on paper1995Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)An example of Joya's abstract work which, according to curator Rubén D. F. Defeo, can be appreciated as visualizations of explosive energy. As such, his works were often associated with Jackson Pollock and the New York School.
Mountain TrailPaintingAcrylic25.5 x 33 cmFebruary 21, 1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
MuralPaintingOil on Canvas550 x 700 cm1976Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
MurallaPaintingAcrylic collage108 x 75 cmSeptember 30, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
NankingPaintingOil on Canvas30.4 X 43.1 cmJose T. JoyaUniversity of the Philippines Library
NasugbuPaintingOil76 x 56 cmMarch 4, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
NasugbuPaintingAcrylic collage56 x 67.5 cmJune 12, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
New WorldPaintingAcrylic collage91.4 x 134.6 cmNovember 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
NiadPaintingOil on Canvas605 x 15.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Night FirePaintingAcrylic collage56 x 75 cmFebruary 10, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Nude BoyDrawingColored pencil on paper1974Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Nude MaleDrawingPencil on paper1973Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)University Art Collection (University Library)
Ocean ViewPaintingAcrylic25.3 x 33 cmDecember 25, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Ode to HeidelbergPaintingAcrylic collage109 x 75 cmAugust 28, 1984Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Odyssey into the Inner SelfPaintingAcrylic collage101.5 x 72.5 cmSeptember 18, 1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Old ManPaintingOil on Canvas1952Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Orange MoonPaintingAcrylic collage55.8 x 38 cmJanuary 20, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
OtonPaintingAcrylic on Canvas61 x 77 cm1976Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Over the Rainbow, ShanghaiPaintingAcrylic collage56 x 76.5 cmMarch 26, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Paco ParkPaintingOil56 x 35.5 cmJanuary 1980Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PadangPaintingAcrylic collage56 x 76.5 cmOctober 2, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PagdiriwangPaintingOil5.5 x 7 cm1961Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PageantPaintingAcrylic collage65.4 x 48.8 cmSeptember 3, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PahiyasPaintingAcrylic58.5 x 38 cm1993Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Paper FishPaintingAcrylic on Paper50 x 66 cm1971Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
PatrolPaintingAcrylic66 x 50.8 cmMay 19, 1971Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Peace RoutePaintingOil on Canvas91.5 x 183 cmFebruary 21, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
People PowerPaintingAcrylic on canvas87 x 174 cmMay 21, 1986Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Pinatubo PrismPaintingAcrylic collage33 x 25.3 cmSeptember 6, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PlateCeramic1982Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Playground of the MindPaintingAcrylic collage67.5 x 102.5 cmMarch 31, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PoracPaintingAcrylic on paper58.5 x 38 cmAugust 28, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Portrait of Nene BorjaDrawingPencil on paper1952Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A pencil portrait of Nene Borja, the sole female in the graduating batch of 16 students in the UP School of Fine Arts in 1953.University Art Collection (University Library)
Primitive DiscPaintingIntaglio15 x 16 cm1971Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Prismatic VistaPaintingOil56 x 35.5 cmJune 17, 1980Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PulsationPaintingOil121.8 x 162.5 cmFebruary 8, 1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PuppetsPaintingAcrylic collage56.5 x 71 cmOctober 28, 1983Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
PutiPaintingOil61 x 61 cmFebruary 8, 1972Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Qin Ling MountainPaintingAcrylic collage67 x 101.5 cmNovember 30, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Quiapo Nazarene FestivalPaintingOil140 x 178 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Rain on the LakePaintingAcrylic collage58.5 x 38 cmAugust 18, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Red SarimanokPaintingOil on Canvas150.5 x 75 cm1964Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Red SongPaintingOil45.5 x 45.5 cm1966Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Red TalismanPaintingOil on Canvas57.1 x 57.1 cm1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Features Joya's affinity towards abstract shapes and attention to coloration like warm-on-warm, as seen here.
River ParadePaintingAcrylic collage67.5 x 46.5 cmOctober 1, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
RiversidePaintingAcrylic collage46.5 x 67.5 cmOctober 9, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sa Pula Sa PutiPaintingAcrylic58.4 x 38 cmApril 17, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sa Pula Sa Puti (2)PaintingAcrylic33 x 25.5 cmMarch 12, 1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
San Miguel, BulacanPaintingAcrylic collage56 x 75 cmApril 20, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sand Dunes PaintingOil on Wood86 x 106.5 cm1973Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Sand IslandPaintingAcrylic collage45.8 x 67.3 cmJune 12, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sangley Point (Dacion En Pago)PaintingOil on Canvas90 x 181 cm1977Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Save the EarthPaintingAcrylic58.4 x 38 cmApril 19, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Scarlet DramaPaintingAcrylic collage50.8 x 33 cmFebruary 14, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Seated Old ManDrawingColored pencil on paper1974Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A drawing of an old man; his isolation is emphasized by his compact form placed off-center against a sparse background.
Self-PortraitPaintingOil63 x 51 cm1952Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
SerenadePaintingOil35.5 x 56 cmOctober 28, 1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Shooting GaleryPaintingOil on Panel60 x 80 cm1967Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Shout of the SeaPaintingAcrylic on paper56 x 76 cmJanuary 21, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
SibolPaintingAcrylic collage67.2 x 55.8 cmJuly 21, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sierra MadrePaintingAcrylic collage36 x 54 cmAugust 2, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Silay LandscapePaintingAcrylic on Canvas75 x 60.5 cm1976Jose T. JoyaTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Society MatronPaintingOil on wood76 x 61 cm1966Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sound BreakPaintingAcrylic collage91.5 x 122 cmNovember 6, 1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Soundwaves of Manila BayPaintingAcrylic56 x 76 cmMarch 21, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Space TransfigurationPaintingOil on Canvas1959Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Space TransfigurationPaintingOil on Canvas152.3 x 177.8 cmFebruary 5, 1959Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Spirit of ASEANPaintingAcrylic collage1992Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Spirit of AseanPaintingAcrylic collage28 x 41 cmMay 19, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Stone LionPaintingAcrylic collage51 x 67.3 cmOctober 23, 1972Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Stone QuarryPaintingOil77.5 x 124.5 cmAugust 4, 1959Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Storm Signal IIPaintingAcrylic collage100.2 x 129.5 cmJuly 21, 1973Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Study after HidalgoDraiwingInk on paper1951Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Study for a MuralPaintingAcrylic23 x 46 cm1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Study for a Mural (2)PaintingAcrylic30.5 x 23 cm1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Study for Homage to VasarelyDrawingPen and ink on paper1967Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Study of an Old ManDrawingPencil on paper, back to back1952Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Back-to-back studies made on a sketchpad.University Art Collection (University Library)
Summer RetreatPaintingAcrylic collage76.5 x 56 cmMay 16, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Summer's End, EdoPaintingAcrylic36 x 69 cmNovember 10, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
SundialOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
Sunrise RitesPaintingAcrylic collage91.4 x 134.6 cm1982Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Sunshine CountryPaintingAcrylic collage38 x 58.5 cm1993Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Tagaygay MistPaintingOil on Canvas152.5 x 274.5 cm (60 x 108 in)1990Jose T. JoyaNational Artist in Visual ArtsOne of the largest paintings of National Artist Jose Joya, the master of the Philippine abstract expressionist movement, still in private hands, Tagaytay Mist holds within its frame the consummate skill of an artist at his apogee. Primary and pastel colors float above each other, clustered in the center and spreading out into the edges. There is purpose to the arrangement of the wafting forms, as incongruent lines move the viewer’s
eyes in a small dance around the canvas. Joya shows a control and restraint that is not usually associated with the genre, and in doing so reclaims and expands its boundaries to meet his unique vision. There is something essentially Orientalist about Joya’s work, exuding the local through his calligraphic aesthetic. Differing from the Western postwar expressionist stalwarts such as Pollock and Rothko, Joya draws out a quintessentially Filipino spirit in gestural strokes of green and blue, subtly hinting to a transparency that he and his modernist contemporaries had honed. There is a feeling of lightness, and a unarticulated breeze that wafts through the canvas and shadows the senses of the viewer, provoking the familiar sensation of a crisp mountain breeze.
https://salcedoauctions.com/lots/important-philippine-art.html
Tagaytay MistPaintingOil on Canvas1.52 x 2.74 mNovember 18, 1990Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
TavernPaintingAcrylic collage58.5 x 38 cmMarch 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Temple on a HllPaintingAcrylic collage58.5 x 38 cmNovember 22, 1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The Big CircusPaintingAcrylic collage38 x 58.5 cm1991Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The CaravanPaintingAcrylic collage75.5 x 110 cmApril 3, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The JesterPaintingAcrylic collage101.5 x 67 cmOctober 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The Legend of the SarimanokPaintingAcrylic collage1.5 x 3.5 mSeptember 22, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The OriginsPaintingOil on Canvas203 x 351.5 cmOctober 8, 1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The OzonePaintingAcrylic collage76 x 109.2 cmApril 9, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The OzonePaintingAcrylic collage67 x 102.5 cmMarch 21, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The RainbowPaintingAcrylic collage56 x 67.5 cmAugust 5, 1989Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The Twelfth NightPaintingAcrylic collage105.5 x 67 cmJanuary 6, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The Universe Within a SquarePaintingOil on marine plywood81.5 x 123 cm1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
The VisayansEmbossed print, R 6/251974Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Swirling patterns inspired by the heavily tattooed bodies of the Pintados of the Visayas, displaying abstract, geometric patterns.University Art Collection (College of Fine Arts), gifted by the artist
The Visayans PaintingIntaglio19 x 25.33 cm1972Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Three TalesPaintingOil on Canvas177.8 x 274.5 cm1958Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
TiananmenPaintingAcrylic collage138 x 205 cmMay 15, 1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
TilesCeramic1976Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
ToroganPaintingAcrylic on canvas90 x 120 cmOctober 8, 1985Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Transparent FantasyPaintingAcrylic collage50.8 x 67.3 cmJanuary 1, 1976Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Tree of LifePaintingOil35.5 x 55.8 cmJuly 3, 1977Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
TutubiWoodcut, 77/2101967Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of a series of noticeably Filipino-themed prints Joya created in a desire to use decorative motifs that were uncommon to his then western environment.
Two Boys, CebuDrawingColored pencil on paper1995Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Two Male NudesDrawingColored pencil on paper1989Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Two StudiesPainting, DrawingPencil and watercolor on paper1953Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)Depicts the subjects participating in traditional crafts such as weaving, mat-making, carving, and pottery.
Two Women DrawingInk on paper1956Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A drawing of two women, reflecting Joya's experimentations with the one line technique, simplified abstraction and exaggeration.University Art Collection (University Library)
Unititled (1956)PaintingTempera21.5 x 28.5 cm1956Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitiled (Burning of Loreto)PaintingWatercolor on paper1951Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A depiction of the burning of Loreto Church in Sampaloc. It is striking for its powerful expressions of the haunting, sorrow-stricken and beseeching masses against the burning red background. It also features Joya's (who was an art student at the time) awkward proportions, perspective, and foreshortening.
Untitled (1957)PaintingOil on board28.5 x 37.2 cm1957Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1959)PaintingOil on paper16 x 20.2 cm1959Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1960)PaintingOil on paper11.5 x 13.8 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1962)PaintingOil on paper25.2 x 43 cm1962Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1964)PaintingOil29 x 56.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1964)PaintingOil on paper15.5 x 21.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1964) (2)PaintingOil15 x 17 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1964) (3)PaintingOil30.5 x 44.5 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1987)PaintingAcrylic collage51 x 66 cm1987Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1987) (2)PaintingAcrylic collage33 x 25.5 cm1987Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1994)PaintingAcrylic91.5 x 61 cm1994Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1995)PaintingAcrylic61 x 91.5 cm1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (1995) (2)PaintingAcrylic59.5 x 38.5 cm1995Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Untitled (Nude Couple)PaintingPastel on paper43.5 x 57 cm (17 x 22 1/2 in)1995Jose T. JoyaNational Artist in Visual ArtsThe lightness brought forth by the pastel medium both comprises and compliments the intimate scene sketched by National Artist Jose Joya. A woman rests her head on the lap of her lover, pulling him closer by the hand as the latter responds with a fond gaze. There is more to happen in the scene, but the artist chooses to render a moment in time captured.
Untitled (NYC series)PaintingPen and ink28.5 x 35 cm (11 1/4 x 13 3/4 in)Jose T. JoyaNational Artist in Visual Arts
Untitled (Portrait of a Woman)PaintingOil on Canvas1952-1953Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A woman sitting sideways. An example of a portrait that Joya wanted to rework, with "misplaced highlights" indicating areas he intended to fix.
Untitled (Woman)PaintingSketch26.2 x 43.5 cm (10 x 17 in)1976Jose T. JoyaNational Artist in Visual ArtsThe pioneer of abstraction in the Philippines displays his inimitable versatility in this figurative sketch. A
youthful woman gently sits slouched on a chair: her face both contemplative and at ease. A quiet, intimate mood is drawn with soft outlines, muted colors, and thick, light strokes creating depth. Nevertheless, Joya’s controlled shading and articulated lines evident in this piece prevail even in his most abstract drawings. The work thus exemplifies how Joya’s merit lay not merely in grasping a particular abstract style, but in mastering fundamental drawing skills in order to effectively evoke a feeling.
https://salcedoauctions.com/lots/important-philippine-art.html
UP TheaterOffset Lithograph1985Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of six drawings of UP landmarks that Joya donated to the school.University Art Collection (University Library)
Urban BeatPaintingOil57 x 36 cmDecember 15 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Vanishing Blue AntsPaintingAcrylic collage108.5 x 66 cm.1994Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Venetian Female ModelPaintingOil on Canvas1949Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)A woman sitting still, with a dreamy face. The focus is on the lady's blouse and the curtain in the background.
Virgin of PeñafranciaPaintingOil on plywood76.2 x 61 cm1966Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Visayan Melody PaintingAcrylic collage67.3 x 50.8 cm1976Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005).
Vista Beyond VisionPaintingAcrylic collage36 x 52 cmAugust 2, 1981Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
WanchaiPaintingAcrylic collage38 x 58.5 cmApril 4, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Warm AfternoonPaintingOil40.5 x 81 cmSeptember 15, 1974Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
West Lake, HangzhouDrawingPen and ink on paper1972Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture.
Western End HKPaintingAcrylic collage38 x 58.5 cmFebruary 28, 1992Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
White PoemPaintingOil86.5 x 183 cm1960Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
White ShrieksPaintingOil on lawanit122 x 152 cm1964Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
White SymbolPaintingOil61 x 81.2 cm1967Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Winter LightPaintingAcrylic101 x 76 cmFebruary 12, 1978Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Yellow EraPaintingAcrylic collage33 x 25 cmJune 11, 1987Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Yeseria IVPaintingOil on Canvas164 x 116.7 cm1955Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Yeseria VIIPaintingOil on Canvas60 x 122 cm1958Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.; Joya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)
Yin YangPaintingAcrylic collage101.6 x 66 cm1975Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Zarraga, IloiloDrawingPen and ink on paper1980Jose T. JoyaJoya: Artist, Mentor, Scholar (An Exhibition of Works of National Artist José Joya)One of several drawings Joya made, which served as a visual diary of his life and art, and showcased his eye for architecture.
Zen Black PaintingAcrylic collage134.6 x 91.4 cm1982Jose T. JoyaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. (2005)./ Joya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Zen GardenPaintingAcrylic collage38 x 58 cmAugust 21, 1993Jose T. JoyaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
Asiong Aksaya1976-1984Lauro Z. Alcala2018 Order of National Artist
Baryo PogspakCartooning1966-1972Lauro Z. Alcala2018 Order of National Artist
Bing Bang BungCartooning1978-1989Lauro Z. Alcala2018 Order of National Artist
Cartoon Feature1963Lauro Z. Alcala2018 Order of National Artist
Congressman KalogCartooning1966-1972Lauro Z. Alcala2018 Order of National Artist
Islaw Palitaw1946-1948Lauro Z. Alcala2018 Order of National Artist
Kalabog en BosyoCartooning1949-1983Lauro Z. Alcala2018 Order of National Artist
KalabogesyonsCartooning1966-1972Lauro Z. Alcala2018 Order of National Artist
LoverboyCartooning1964-1969Lauro Z. Alcala2018 Order of National Artist
Mang Ambo1963-1965Lauro Z. Alcala2018 Order of National Artist
Mod-Caps1974-2002Lauro Z. Alcala2018 Order of National Artist
Project 13Cartooning1966-1972Lauro Z. Alcala2018 Order of National Artist
Siopawman1972-1983, 2002Lauro Z. Alcala2018 Order of National Artist
Slices of Life WeekendPainting1980-1986Lauro Z. Alcala2018 Order of National Artist
SmolbatteribolsCartooning1972-1984Lauro Z. Alcala2018 Order of National Artist
Snickerteens1973-1984Lauro Z. Alcala2018 Order of National Artist
TipinCartooning1951-1965Lauro Z. Alcala2018 Order of National Artist
Weekly Nation1965-1972Lauro Z. Alcala2018 Order of National Artist
Allegorical HarpoonSculptureWood1964Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Alma MaterSculptureWood1955Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Baby Moses Floating SculptureSculptureWood1951Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Bagong BahaySculptureMarble1974Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
BenchSculptureWood1992Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
BirdSculptureWood1958Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Born FreeSculptureMarble1967Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Bridge of LoveSculptureReinforced Concrete1970Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Ceremonial Urn at Dambana ng Kagitingan CrossSculptureReinforced Concrete1968Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
ColumnSculptureWood1982Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Consummate EmbraceSculptureBronze1970Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
CrucifixSculptureWood1957Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Dambanan nf Kagitingan ReliefsSculptureMarble1968Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Divider and Reception DeskSculptureWood and Metal1967Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Family Group SculptureWood1952Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Family Group SculptureStainless Steel1975Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
FlightSculptureMolave1964Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Gossips StudyPaintingOil26 x 20 cm1952Napoleon V. AbuevaJoya (with foreword by Francisco Arcellana). (1996). Manila, Philippines: Dick Baldovino Enterprises.
High Reliefs at Dambana ng Kagitingan CrossSculptureReinforced Concrete1968Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Homage to D. M. ConsunjiSculptureReinforced Concrete1973Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
IlohanSculptureWood, Stone and Bronze1970Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
KaganapanSculptureMarble1953Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
KalesaSculptureVarious Materials1993Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
National Museum of the PhilippinesKiss of JudasSculptureWood1955Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City. Benefactor: Mr. Patrick Eugenio
Magtanim Hindi BiroSculptureNarra1978Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
MosesSculptureAlbaster1952Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Mother and ChildSculptureMarble1987Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
National Museum of the PhilippinesMother and ChildSculpture1960sNapoleon V. AbuevaGuillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.The huge art piece is sculpted from solid adobe and shows abstract figures of a woman in a sitting position and holding a child. The child, meanwhile, clings on the head of his mother. The subject Mother and Child is very popular among visual artists. The National Museum prides itself with this Mother and Child sculpture created by Napoleon V. Abueva, a pioneer of Philippine modern sculpture.
Murmurings of a wood, stone and metal carver Painting1990Napoleon V. Abueva
Nine MusesSculptureReinforced Concrete1994Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
OblationSculptureConcrete Cast1983Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Planting RiceSculptureNarra1951Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Play SculptureSculptureReinforced Concrete1968Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Pres. Carlos P. Garcia StatueSculptureBronze1962Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Ring of the GodsSculptureStainless Steel1971Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Roses, Wine, and a Woman to Dance in My BoatSculptureWood, Steel, and Polymer1991Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Scultured BenchSculptureWood1977Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
See Your ProfileSculptureWood and Glass1978Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Spirit of BusinessSculptureConcrete and Metal1979Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
SunburstSculptureMetal1994Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Tamaraw with WingsSculptureReinforced Concrete and Fiberglass1996Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The Rice Planters SculptureWood1952Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The Vanishing Nobility of ManSculptureMulawin1973Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Three GracesSculptureNarra1979Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Three Women Weaving the Filipino FlagSculptureConcrete and Marble1996Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
TorsoSculptureAdobe1972Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
TransfigurationSculptureWelded Brass1979Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Tribute to Higher EducationSculptureConcrete1966Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Tribute to the Filipino EntrepreneurSculptureSteel1970Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
U.P. GatewaySculptureConcrete1967Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Untitled (DovesSculptureMarble 16 x 36 x 24 cm
(6 1/4 x 14 1/2 x 7 1/2 in)
1977Napoleon V. Abuevahttps://salcedoauctions.com/lots/important-philippine-art.htmlNapoleon Abueva was named National Artist in 1976. This marble work displays the artist’s unparalleled ability to tell a story and evoke a mood through the simplest forms and the essence of the material used. Marble is molded into two tender doves resting in harmony—the top bird gently kissing the head of the bottom one. In its power and purity, the work is a testament to Abueva’s genius
Water BuffaloSculptureReinforced Concrete1968Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Water Catapult (For the Burning Books of Alexandria)SculptureWood, Bronze and Copper1990Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Woman's WorldSculptureMarble1971Napoleon V. AbuevaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
A Cluster of Nipa HutsPaintingOil on Canvas36.2 x 49.5 cm1943Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Abstract Sumi-e PaintingInkwash on Paper23 x 20.3 cm1967Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
AngelusPainting1939Vicente S. ManansalaEdades and the 13 Moderns (1995).
Balut VendorsPaintingOil on Canvas145.5 x 165 cm1981Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
BanaklaotPaintingOil on Canvas61 x 85.5 cm1948Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Banaklaot PaintingOil on Canvas107.7 x 133.3 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
BankusayPaintingWatercolor on Paper44.3 x 62 cm1957Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Barong-barong PaintingWatercolor 28 x 38 cm1975Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Barong-barong with BangkaPaintingWatercolor on Paper26.8 x 34.4 cm1951Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
BeggarPaintingWatercolor on Paper71.5 x 50 cm1963Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Beggars at Malacanang PaintingWatercolor68 x 67.5 cm1971Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
BirdsPaintingWatercolor on Paper54.2 x 73.8 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
BirdsPaintingPen and Ink11.7 x 17 cm1978Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
BirdsPaintingOil on Canvas119.3 x 73.5 cm1980Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Birds in MotionPaintingOil on Canvas78.7 x 99 cm1978Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
BoatmenPaintingWatercolor on Paper26.3 x 54.5 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Burial PaintingOil on Canvas88 x 75 cm1951Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A burial scene with a woman carrying a child grieving over a coffin that is about to be lowered into the grave by two male figures. Five mourners stand in the backgrund while a man carrying a cross lunges towards the grave. Dark and somber hues applied on a rough surface dominate the painting.p.66 (76.7 x 89.8)cm 1948National Museum Collection
CalesaPaintingWatercolor47.5 x 63 cm1950Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
CalesaPaintingWatercolor47.5 x 63 cm 1951Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Calesa PaintingOil on Panel48.2 x 63.5 cm1955Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Candle VendorsWatercolor on Paper70.3 x 97.2 cm1967Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Candle VendorsPaintingWatercolor on Paper54 x 74 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Cluster of Ninja HutsPaintingOil on Canvas59.5 x 70.8 cm 1943Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
CockfightWoodcut27.6 x 74.6 cm1960Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Code of KalantiawSculptureBronze1969Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
CrucifixionPaintingPen and Ink25.4 x 20.2 cm1950Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
CrucifixionPaintingOil on CaIvorynvas14.9 x 13.5 cm1971Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
CrucifixionPaintingOil on Canvas155 x 109.2 cm1980Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
CrucifixionPaintingOil on Canvas137.2 x 98.2 cmVicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.Unfinished
CumbancheroPaintingOil on Canvas59.66 x 66.4 cm1958Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
DambanaPaintingEnamel, Oil and Tin Strip on Masonite Board92.2 x 66.8 cm1956Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Disco ComboPaintingOil on Canvas77.6 x 117 cm1975Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Establishment of a Stable and Healthy CitizenrySculptureBronze1969Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Female NudeDrawingCharcoal on Paper 37.8 x 41.8 cm1974Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Female NudeDrawingCharcoal on Paper 69.8 x 49.6 cm1980Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Female NudeDrawingCharcoal on Paper 23.6 x 29.2 cmundatedVicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Female Nude DrawingCharcoal on Paper 52.6 x 72.2 cm1978Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
FishPaintingPen and Ink12.1 x 16.8 cm1978Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Fish and Fruit VendorStained Glass25.4 x 85 cm1960Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Fish VendorPaintingMixed Media Collage73.7 x 53.1 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Fish VendorsSilk Screen60.1 x 50 cm1967Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
FlowersPaintingWatercolor on Paper70 x 57.4 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Freedom of the PressPaintingOil on Lawanit Board301.6 x 1742.4 cm1955Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
French NudePaintingPastel on Paper44.5 x 60 cm1974Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Give Us This Day Our Daily BreadPaintingOil on Canvas69 x 86 cm1981Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Grand PatriarchPaintingOil on Board61.4 x 46.8 cm1944Vicente S. ManansalaEdades and the 13 Moderns (1995). A portrait of a white-haired man with an austere expression. He is seated on a rattan chair clasping a book on his lap with both hands. A table stands behind him with a vase of flowers, a cross, and books on top. Th painting is reflected in glazed passages with impasto accents and a somber color scheme.Hermenegilda Manansala Collection
GuadalupePaintingOil on Canvas56 x 41 cm (22 x 16 in)1955Vicente S. ManansalaNational Artist in Visual ArtsAn early painting by National Artist Vicente Manansala in excellent condition, its rarity beyond its period and pre-cubist style lies in its very medium. Where most landscapes by the master are rendered in watercolor, this is a very rare oil on canvas depicting the misty, verdant environs of Guadalupe. Today, the painting comes across with wistful nostalgia, a picture of nature now replaced by the built environment. Provenance: Acquired by the present owner from Ma. Cristina ‘Kit’ Ongpin-Roxas, Tawalisi Antiques, Makati Cityhttps://salcedoauctions.com/lots/important-philippine-art.html
I believe in GodPaintingOil on Canvas77.7 x 68.5 cm1948Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.A group composition --one male and two females-- framed in a nipa shed. All figures are facing leftwards, heads bowed. Each is holding a wooden mortar as they pause from pounding rice. A dog lies on the ground in a curled-up position. A man ridinga carabao is seen in the far right side near a haysyack.p.63 (66.3 x 75.9)cm oil on lawanit
______________
NMG. No. 51 as cited in Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.
National Museum Collection
Iba't Ibang Mukha ni EvaPaintingOil on Canvas87.8 x 67.4 cm1978Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
International Year of the ChildPaintingOil on Canvas107.3 x 92 cm1979Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
JeepneysPaintingOil on Plywood51 x 59 cm1951Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
JeepneysPaintingEnamel on Masonite Board50 x 59 cm1951Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
La LunaPaintingPen and Ink40.3 x 32.8 cm1961Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
LandscapePaintingWatercolor on Paper31.4 x 38 cm1939Vicente S. ManansalaEdades and the 13 Moderns (1995). A watercolor landscape with trees and shrubs on the upper half of the picture plane. A stream of water in the foreground reflects the lush vegetation. The wet-on-wet technique is employed throughout the paintingHermenegilda Manansala Collection
LandscapePaintingOil on Canvas31.1 x 30.9 cm1947Vicente S. ManansalaEdades and the 13 Moderns (1995). Branches of a tree stretch from the left across the foreground while a nipa hut is found at the center. The scene is rendered in broad impasto strokes.Ambassador J.V. Cruz Collection
London ScenePaintingWatercolor on Paper42 x 57.3 cm1976Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Madonna of the SlumsPaintingOil on Lawanit Board86 x 61 cm1950Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.; Cultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A mother, standing at the center and facing left, carries her child as she stares to the right. The chid's right hand is touching her mother's cheek. Clotheslinws hang behind the two figures at the bottom section while a cluster of makeshift houses occupy the the entire background. The painting is dominated by varying shades of browns and greens. The sky is rendered bright blue.Lucila Atacero Salazar Collection/ Aurelio Sevilla Alvero Collection
Mag-anakWatercolor on Paper74.7 x 54.8 cm1974Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Male StudyPaintingInk and Watercolor on Paper32.3 x 13.5 cm1973Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
MamimintakasiPaintingMixed Media on Masonite66 x 58 cm1954Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Man with GuitarPaintingPen and Ink14.5 x 9.5 cm1965Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Maria ClaraPaintingPen and Ink40.3 x 30.2 cm1961Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Market SceneDrawingRoller ball pen25.9 x 25.9 cm1957Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Market ScenePaintingOil on Canvas43.4 x 65 cm1980Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Market VendersPaintingOil on Canvas37 x 43.5 cm1949Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Mother and ChildPaintingOil on Wood Panel59.4 x 32.7 cm1952Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Mother and ChildWoodcut45 x 21 cm1961Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Mother and ChildPaintingOil on Ivory14.9 x 13.5 cm1971Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Mother and ChildPaintingOil on Canvas85 x 64.6 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Mother and Child in ReposePaintingOil on Canvas67.3 x 130.7 cm1973Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
NudePaintingCharcoal on Paper63 x 89 cm1981Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
NudePaintingCharcoal on paper41.5 x 33 cm (16 1/4 x 13 in)UndatedVicente S. ManansalaNational Artist in Visual ArtsCritics are one in saying that among Philippine visual artists, when it comes to rendering the female nude, nobody comes close to the technical skill and deft handling of form, light, and shadow of National Artist Vicente Manansala. Owing to his renown, it is well known that many ladies of Philippine society were more than happy to be drawn in the nude by the maestro, their demure poses, with faces tilted away from the viewer, maintaining their anonymity.https://salcedoauctions.com/lots/important-philippine-art.html
Nude #11PaintingCharcoal and Watercolor44 x 30.2 cm1971Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Ottawa ForestPaintingWatercolor on Paper50.7 x 37.3 cm1949Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
PanguinguiPaintingOil on Canvas85.1 x 96.5 cmundatedVicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Paris ScenePaintingWatercolor on Paper44.5 x 59.2 cm1978Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Pila sa BigasPaintingPastel on Paper115.3 x 189.2 cm1974Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Pila sa BigasPaintingPastel on Paper114 x 187 cm1975Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
National Museum of the PhilippinesPlanting of the First CrossPaintingOil on Canvas301 x 145 cm1965Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.The painting depicts the planting of the cross in Cebu in 1521 with Ferdinand Magellan, Spanish soldiers and the natives with intricate tattoos known as pintados. The original cross can still be found in a special kiosk in Cebu City. This mural painting is one of the best representations of historical artwork in the collection. Manansala’s rendition is an amalgamation of the traditional and modern techniques in painting. It also manifests his mastery of transparent cubism. The artwork was commissioned by the national government in celebration of the 400 years of Philippine Christianization held in Cebu in 1965.NMG. No.314 as cited in Guillermo, A. (1991). The National Museum Visual Arts Collection. Quezon City; Kyodo Printing Co., Inc.
Planting RicePaintingMixed Media Collage61.7 x 82.2 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Portrait of LucilaPaintingOil on Canvas75 x 59.5 cm1950Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Pounding RicePaintingOil on Canvas84.8 x 97.2 cm1979Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
PrisonerPaintingWatercolor on Paper91 x 69.6 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
PrisonerPaintingOil on Canvas35.8 x 24.3 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Puto Bumbong at BibingkaPaintingOil on Wood Panel60.6 x 63.8 cm1950Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Reclining Mother and ChildPaintingOil on Wood56.9 x 119.4 cm1967Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
RoosterPaintingWatercolor on Paper53.2 x 34.4 cm1957Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Salvador P. LopezPaintingOil on Canvas82.8 x 66.6 cm1972Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
San Francisco del MontePaintingOil on Wood35 x 48.5 cm1946Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
ShrimpsPaintingChinese Ink on Paper36.3 x 90.8 cm1950Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
SimounPaintingPen and Ink40.3 x 32.7 cm1961Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
SinigangPaintingOil on Canvas49 x 59 cm1956Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Stil Life with Green GuitarPaintingOil on Plywood60 x 50 cm1952Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Stil Life with Life GuitarPaintingOil on Plywood60 x 50 cm1951Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Still LifePaintingMixed Media Collage54 x 73.7 cm1966Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Still LifePaintingPen and Ink55.8 x 78.5 cm1967Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Still LifePaintingPen and Ink27.8 x 34.5 cm1980Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Still Life with WatermelonPaintingOil on Wood Panel49.5 x 45.7 cm1952Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Study from Artist's SketchbookDrawingCharcoal on Paper 30 x 23.5 cmVicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Study PrisonerDrawingCharcoal on Paper 18.8 x 16.2 cm1977Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Study, Code of KalantiawPaintingWatercolor on Paper20.7 x 51.8 cm1969Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Study, Establishment of a Stable and Healthy CitizenryPaintingWatercolor on Paper20.7 x 51.8 cm1969Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Study, Market ScenePaintingPen and Ink18 x 25.5 cmVicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
SungkaPaintingOil on Canvas79.3 x 92.2 cm1979Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Tarragona SpainPaintingWatercolor on Paper72.3 x 52.5 cm1967Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
The Arts and the SciencesPaintingOil on Canvas208.2 x 1412.2 cm1960Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Nazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
The AscencionPaintingOil on Board274.3 x 457.2 cm1957Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The AscensionPaintingOil on Masonite Board274.3 x 457.2 cm1956Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
The CrucifixionPaintingWatercolor99 x 104 cm1971Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Three CarabaosPaintingOil on Plywood53 x 62 cm1958Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
TinderaPaintingOil on Canvas84.8 x 60. 8 cm1978Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
TreesPaintingWatercolor on Paper54 x 74.4 cm1975Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
TreesPaintingWatercolor on Paper61 x 46 cm1979Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Tuba DrinkersPaintingOil on Masonite83.2 x 134.6 cm1954Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Two Women PaintingPastel on Paper60.5 x 45.3 cm1973Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
UntitledPaintingOil on Wood Canvas91.6 x 44.5 cm1965Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
VenoricaPaintingEnamel on Masonite118 x 62.4 cm1957Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Via Crucis PaintingOil on Board274.3 x 457.2 cm1957Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Via Crucis, Jesus Carries His CrissPaintingOil on Masonite Board274.3 x 457.2 cm1956Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
WhirrPaintingOil on Canvas80.9 x 92.8 cm1962Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Whirr PaintingOil on Canvas74.3 x 64.71962Vicente S. ManansalaCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Woman SewingPaintingOil on Canvas85.3 x 68 cm1980Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Woman with a CatPaintingWatercolor on Paper74 x 53.8 cm1974Vicente S. ManansalaNazareno, I. (2005). Discovering Manansala. Friends of Manansala Foundation, Inc.
Alice BonoanPaintingOil on Canvas135 x 103.5 cm1971Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Antipolo Church ScenePaintingOil on Canvas80 x 18 cm1959Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Artist and ModelPainting59 x 87.25 cm1927Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Baguio MarketPaintingOil on Canvas38 x 53.5 cm1968Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Baptismal of the EldestPaintingOil on Canvas60 x 85.75 cm1961Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Bontoc FolkPaintingOil on Canvas89.1 x 70.9 cmundatedVictorio C. EdadesEdades and the 13 Moderns (1995).
Bringing in the CatchPainting73 x 62.5 cm1976Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
By the SeashorePaintingOil on Canvas70.5 x 106 cm1969Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Children PlayingPaintingOil on Canvas45 x 58 cm1963Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Cockfighting at NoonPaintingOil on Canvas60.5 x 80.5 cm1963Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Country ScenePaintingOil on Canvas32 x 39.5 cm1959Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Davao FruitsPaintingOil on Canvas50 x 61 cm (19 3/4 x 24 in1980Victorio C. EdadesNational Artist in Visual ArtsVeering from the overtly crude and distorted forms that defined his earlyworks, National Artist Victorio Edades, Father of Modern Philippine Art, applies rich color and texture to a pineapple, rambutan, and the famed durian of Davao, where the artist spent his final years. There is finesse to the brushwork - tiny strokes convey the rough and thorny surfaces of the fruits, while broad, layered strokes create a lavish background in ochre. In spite of its refinement, there are prevailing modern traces in the work: a flat perspective and a heightened, exaggerated contrast in colors. These note worthy qualities hold parallels to two forerunners of modern art in Europe: Manet and Cezanne. Employed on local fruit, they become distinctly Edades - telling of how the artist paved the way in transposing modernism to the Philippine context. https://salcedoauctions.com/lots/important-philippine-art.html
Davao IndustriesPaintingOil on Canvas122 x 366 cm1981Victorio C. EdadesTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Davao IndustriesPaintingOil on Canvas150 x 1158 cm1982Victorio C. EdadesTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Davao LandscapePaintingOil on Canvas75 x 60 cm1980Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Desmoiselle de DavaoPaintingOil on Canvas129.5 x 99 cm1976Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Dr. Frederick StarrPainting74.5 x 96 cm1928Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
EliasPaintingOil on Canvas65 x 85 cm1963Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
EliasPaintingOil on Canvas60 x 85.5 cm1968Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
EstherPaintingOil on Wood122 x 153 cm1965Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A portrait of a short-haired woman wearing a whitegown in Filipiniana motif. She is seated on a blue cushioned chair, gazing to her right side, with handss resting on her lap. The background is rendered in varying shades of blue and brown.p. 53 (150.5 x 199.6)cmTeresita C. Lopa Collection
Fishing Scene at DawnPaintingOil on Canvas55 x 75 cm1959Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Founding of ManilaPaintingOil on Canvas100 x 150 cm1959Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Fruit VendorPaintingOil on Canvas60 x 85.5 cm1966Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
HarvestPaintingOil on Canvas70 x 100.5 cm1962Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Japanese GirlPainting38.75 x 46 cm1927Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
JoanPainting86 x 121 cm1949Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Lady in RedPaintingOil on Masonite122 x 99 cm1970sVictorio C. EdadesTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Laundry Woman in the StreamPaintingOil on Canvas79 x 59.5 cm1967Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
LavanderasPaintingOil on Canvas101.6 x 78.7 cm1964Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Man and Woman Riding on a CarabaoPaintingOil on Canvas70 x 100 cm1959Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Mango VendorPaintingOil on Canvas38 x 53.5 cm 1966Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Market ScenePaintingOil on Board61 x 85 cm1928Victorio C. EdadesTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Modern Maria ClaraPaintingOil on Canvas94 x 75 cm1958Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.NMG No.52
Montalban WoodsPaintingOil on Canvas76 x 61 cm1980Victorio C. EdadesTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Morning DipPaintingOil on Canvas59.75 x 44.5 cm1961Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Moro LassPaintingOil on Ply77 x 53 cm1981Victorio C. EdadesTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Mother and DaughterPainting106 x 122 cm1927Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
My SweetheartPainting66 x 83.5 cm1928Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
NudePainting69 x 73.5 cm1976Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Philippine Rural Scene (at Dawn)PaintingOil on Panel27.5 x 44.5 cm1963Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Picnic in TaalPaintingOil on Canvas61 x 83 cm1970Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Poinsettia GirlPaintingOil on Canvas62 x 54.4 cm1976Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A portrait of a long-haired girl in a red dress, sitting on a yellow xushioned chair with bth hands clasped on her lap. Poinsentia flowers bend her from the right. The background is composed of leaf-like patterns rendered in quick strokes of yellow and blue pigment.p.51 (63.2 x 55.8) cm Mr. and Mrs. Victor Puyat Collection
Portrait of Fr. Silvestre SanchoPaintingOil on Panel121 x 37 cm1938Victorio C. EdadesTanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005).
Portrait of JoanPaintingOil on Canvas58.3 x 48.3 cm1939Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A portrait of young Joan Edades, the artist's daughter, sitting on a green cushioned chair as she holds a doll with both hands. The painting is rendered in short and broad strokes.Private Collection
Portrait of Purita Kalaw-LedesmaPaintingOil on Canvas97 x 81.5 cm1977Victorio C. EdadesEdades and the 13 Moderns (1995). A seated portrait of Purita Kalaw-Ledesma, one of the founders of the Arts Association of the Philippines (AAP). She is bespectacled and rendered frontally with both hands on the arms rest.n Ms. Ledesma is wearing a cream colored mestiza dress and a necklace. The portrait is presented against an aqua-colored background while the lower section is rendered in a dark shade of rose.Purita Kalaw-Ledesma Collection
Portrait of the ProfessorPaintingOil on Canvas61.3 x 45.8 cm1927Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A half-lenght portrait of a bald man, bespectacled and bearded, wearing a black suit with high-colarshirt and printed tiep. 50 Mr. and Mrs. Paulino Que Collection
Preparing for the PicnicPainting66 x 77 cm1968Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Puente de CanaPaintingOil on Canvas70 x 101 cm1959Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
PuritaPaintingOil on Canvas81.5 x 96.7 cm1977Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Rear View At Bas SamoisPaintingWatercolor48.9 x 35.5 cm1937Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Rising PhilippinesPaintingOil on Canvas15.7 x 26.5 cm1935Victorio C. EdadesRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
Rural Scene (Ladies to the Market)PaintingOil on Canvas80 x 118 cm1959Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Self-PortraitPaintingOil on Canvas22 x 21 cm1980Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.; Tanaw: Catalogue of the Bangko Sentral ng Pilipinas Painting Collection (2005). The artist at 33 years old, is portrayed and seated with his right arm on the arm rest and the left hand hold a hat on his lapp.48. 62.2 x 52.3cm
StellaPainting64.5 x 82 cm1966Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Still Life No. 1 "Flowers"PaintingOil on Canvas44 x 55 cm1963Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Store PaintingOil on Canvas65 x 85.5 cm1964Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
StreamPaintingOil on Canvas55 x 75.5 cm1959Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
StreamPaintingOil on Canvas55 x 74.5 cm1961Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Sunday Morning Going to Town PaintingOil on Canvas108 x 129 cm1958Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
SunsetPaintingOil on Canvas79 x 59.5 cm1964Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Sunset PaintingOil on Canvas51 x 70.5 cm1959Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
SusanPaintingOil on Canvas122 x 153 cm1971Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The Artist and the ModelPaintingOil on Wood87.2 cm x 60.5 cm1927Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A femal nude model with short wavy hair. She is surrounded by propped canvasses on easles with one male painter in the center background.
The ArtsPaintingOil on Canvas1930Victorio C. EdadesRoces, A. (1993). LEGASPI: The Making of a National Artist. Philippines: The Crucible Workshop
The BuildersPaintingOil on Plywood120.5 x 321.5 cm1928Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A multi-figure composition of men portrayed in various poses working on rough cuts of bolders.p47. (182 x 321)cm
The PicnicPainting92 x 62.5 cm1928Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
The SketchPaintingOil on Canvas117 x 96 cm1928Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A woman lies on a bed combing her hair with eyes gazing down while a man sits by the bed sketching a still life set on a table.p 49 (97.3 x 118.2) cm, undated
The WrestlersPaintingOil on Wood44 x 60 cm1927Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.A scene of nude male figures with their backs turned. The figures are rendered in impasto strokesp.50 (61.3 x 45.3) undatedMel Calderon Collection
Tinikling PaintingOil on Canvas64 x 84 cm1970Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Two Igorot WomenPaintingOil on Canvas49.5 x 59.7 cm1940Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.Two women in ethnic attire resting on a hilltop beside a cluster of banana trees. The figures are rendered in simplified form using rough and broad strokes of pigment.p. 52 (50.1 x 61.5)cm U.P Vargas Museum and Filipiniana Research and Collection.
Two Young PeoplePainting122 x 153 cm1964Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Wedding of a Muslim PrincessPaintingOil on Canvas83 x 60 cm1971Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Women Washing by the RiverPaintingOil on Canvas101.6 x 78.7 cm1967Victorio C. EdadesCultural Center of the Philippines. (1998). The National Artists of the Philippines. Pasig City.
Oath-taking of Regent Jorge Vargas before President QuezonPaintingOil on Canvas53.3 cm x 64.1 cm1941Fernando C. AmorsoloFilipinas Heritage Library
NudePaintingOil26 x 19 inches1948Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Nude with orchidsPaintingOil on Canvas50.8 cm x 40.6 cm1939Fernando C. AmorsoloFilipinas Heritage LibraryAyala Museum Collection
Portrait of Amorsolo's grandfatherSketchCharcoal Pencil and Pastel SketchFernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Madamme Nena GabaldonPaintingOil on Canvas41.9 cm x 29.9 cm1955Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Madam KimuraPaintingOil on Canvasboard24.8 cm x 17.5 cmFernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
President Jose P. LaurelPaintingOil on Canvas90.2 cm x 64.75 cm1944Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Mrs. Luz B. MagsaysayPaintingOil on Canvas49.5 cm x 39.3 cm1954Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Dona Damiana R. vda. De OrtizPaintingOil on Canvas34.25 cm x 24.1 cm1944Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Dona Leona Pasion de GarciaPaintingOil on Canvas21 1/2 inches x 28 inchesFernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Portrait of PriscillaPaintingOil on Woodboard40 cm x 29.85 cm1955Fernando C. AmorsoloFilipinas Heritage LibraryCollection of Juan Garcia Sr
Portrait of Dona Angela RicoPaintingOil on Canvas33 1/2 x 33 1/2 inches1928Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Portrait of Angela Vargas y TiongcoPaintingOil on Canvasboard44.4 cm x 34.9 cm1942Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Dona Filomena Celis de VargasPaintingOil on Canvasboard44.4 cm x 34.9 cm1940Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Ambassador Jorge B. VargasPaintingOil on Canvas90.2 cm x 64.75 cm1944Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Jorge B. VargasPaintingOil on Canvas123.8 cm x 90.2 cm1943Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Nena VargasPaintingOil on Canvasboard64.75cm x 47 cm1942Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Filipinas Heritage LibraryTeresita Carolina VargasPaintingOil on Canvasboard48.9 cm x 39.35 cm1944Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Dona Filomena Ortiz de YuloPaintingOil on Canvas45 cm x 35.55 cm1940Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Don Gregorio YuloPaintingOil on Canvasboard41.1 cm x 34.9 cm1943Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Marina Yulo VargasPaintingOil on Masonite36.8 cm x 29.1 cm1943Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
For World and Philippine ScoutingPaintingOil on Canvas60.95 cm x 76.2 cm1951Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Mrs. Alicia Syquia QuirinoPaintingOil on Canvas28 inches x 34 inches1949Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Portrait of a Bagobo chiefPaintingOilFernando C. AmorsoloFilipinas Heritage LibrarySyquia Mansion, Vigan, Ilocos Sur
Portrait of a DatuPaintingFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Caricature of Don Ignacio VillamorSketchPen and InkFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Caricature of Stephen BoncalSketchPen and InkFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Portrait of a young man with a cigarettePaintingOilFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Portrait of an old manPaintingFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Portrait of a Spanish mestizaSketchCharcoal-PastelFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Portrait of a violinistPaintingOilFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Poster of the Manila CarnivalPaintingPen-Watercolor1924Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Adoring of the IdolsSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Antipolo Market DayStudyPencil and Watercolor11 x 8 1/2 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
AttireSketchPencil Sketch6 x 7 3/4 inches1934Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a female nudeSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of Baguio NativesSketchCharcoal Pencil Sketch1963Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of "Battle of Bataan"SketchCharcoal PencilFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of "Burning of Manila"Sketch10 x 5 1/2 inches1945Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of carabao grazingSketchPencil Sketch12 x 9 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Caricature of two womenSketch7 1/2 x 6 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Cristy and MaringSketchGraphite1963Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of the custom of kissing the handSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryChristina C. Amorsolo
Study of a Farm sceneSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Baguio sceneSketch8 x 5 3/8 inches1934Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of female bathersSketchPencil Sketch10 1/2 x 8 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a female nude holding up her hairSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of female nudeSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Figure studiesSketch11 x 8 1/2 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of children at playSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Scene of Children at PlaySketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Figure StudiesSketch10 x 8 1/2 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Figure Studies of a Naked WomanSketch9 x 6 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Figure StudiesSketch9 x 6 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Figure Studies of Planting RiceSketchCharcoal Pencil Sketch1952Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Scaled Study of the First BaptismSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Pencil Sketch of a FishermanSketch8 6/8 x 6 2/8 inches Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Fisherman's VillageSketch11 1/4 x 8 1/2 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Fishing in the NudeSketchPencil Sketch7 1/2 x 11 inches1934Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Gay LadySketch3 1/4 x 4 1/2 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of "Girl with Bilao"Sketch8 4/8 x 11 6/8 inches1960Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Rice HarvestSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of Baguio Igorots and MarketSketchPencil8 x 6 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Female NudeSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Kneeling Female NudeSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Jose Paciano LaurelSketch6 x 6 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Miguel Lopez de Legaspi Being Feted by NativesSketch12 x 9 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of a Woman Holding Up a Piece of ClothSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Boatman Holding an OarSketchPencil Sketch9 x 1 3/4 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of a Man Holding a GlassSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Farmer Carrying Rice Stalks on a PoleSketchPencil Sketch5 3/4 x 5 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Model at RestSketch17.15 x 24.1 cm1919Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a MonumentSketch6 x 6 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Female Nude Cleaning a JarSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Female Nude, Back ViewSketch5 1/4 x 6 3/4 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Male Nude, Back ViewSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Nude StudiesSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Female Nude with JarSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Nude StudiesSketchPencil Sketch9 x 11 7/8 inches1952Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of the Manila CathedralSketch9 x 6 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Peasant GirlSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of a Peasant GirlSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Female Figure for Planting RiceSketch5 1/2 x 7 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Pen and Ink PortraitSketchPen and Ink1907Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Pensive NudeSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of the Back View of a Woman Carrying a JarSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Reclining Female NudeSketch8 4/8 x 11 inches1945Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
River BankSketch9 x 6 inches1926Fernando C. AmorsoloFilipinas Heritage Library
Study of RuinsSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Fort SantiagoSketchPencil Sketch10 1/2 x 7 1/2 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Cockfight Aficionado and His Game CockSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
study for a Brochure for Amigos Hospital San LazaroSketch8 1/2 x 11 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Seated NudeSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Woman Sowing SeedsSketch9 x 12 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Spanish Model in the NudeSketch6 3/4 x 10 inches1919Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of the SS Dona AliciaSketchPencil Sketch9 x 11 3/41952Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of Baguio Street VendorsSketchCharcoal Pencil Sketch1963Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of an Advertisement for Sun-Maid RaisinsSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of "Sunduan"Sketch7 x 5 1/2 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Teenage NudeSketch9 1/2 x 11 inches1947Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Studies of Two Half NudesSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Two WomenSketchCharcoal Pencil Sketch1962Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Laundrywomen on River BankSketch8 1/4 x 5 1/4 inchesFernando C. AmorsoloFilipinas Heritage Library
Study of "Wealth and Poverty"Sketch9 x 11 3/4 inches1946Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Woman Drying PalayaSketch8 1/2 x 11 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a WomanSketchCharcoal Pencil Sketch1963Fernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a WomanSketch7 x 5 1/8 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Woman Cooking and a Man with His Game CockSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Woman on a BancaSketch10 5/8 x 7 6/8 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Woman in TapisSketchPencil Sketch6 6/8 x 9 2/8 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Woman Picking Fruit and Her PanueloSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of WomenSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Women Bathing and WashingSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Women BathingSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Scaled Study of Women Bathing in the RiverSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Pre-Spanish TutoringSketchCharcoal Pencil SketchFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Two Women with Salakot and BilaoSketch3 6/8 x 5 3/8 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of Women Vendors and a Man Training a Game CockSketch8x5 1/4 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Study of a Young Woman Eating a MangoSketch5 x 7 inchesFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Wedding Portrait of Elpidio Quirino and Alicia SyquiaPaintingOil on Canvas28" x 34"1952Fernando C. AmorsoloFilipinas Heritage LibrarySyquia Mansion, Vigan, Ilocos Sur
Maria Amorsolo and Daughter CristyPaintingOilFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
Pearl TradersPaintingFernando C. AmorsoloFilipinas Heritage LibraryAmorsolo Collection
LandscapePaintingOil on Cardboard15.25 cm x 24.15 cm1958Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
The First Baptism in the PhilippinesPaintingOil34 1/2 cm x 51 1/2 inches1949Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Portrait of Carmen Zaragoza AranetaPainting1933Fernando C. AmorsoloFilipinas Heritage LibraryCollection of Antonio Araneta Jr.
Portrait of Gregorio Soriano AranetaPaintingOil1933Fernando C. AmorsoloFilipinas Heritage LibraryCollection of Antonio Araneta Jr.
Un Rincon de PasigSketchPen and Ink Sketch1911Fernando C. AmorsoloFilipinas Heritage LibraryFilipinas Heritage Library
The Barter of Panay for a Golden SalakotPaintingOil on Canvas34 x 52"1956Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Confeccion de la Standarte NacionalPaintingOil on Canvas36" x 52"1955Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Early Gold MiningPaintingOil on Canvas24" x 32"1950Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Ogorrrota de BenguetSketchPen And Ink Sketch1910Fernando C. AmorsoloFilipinas Heritage LibraryFilipinas Heritage Library
Open Market ScenePaintingOil42 x 46 inches1958Fernando C. AmorsoloFilipinas Heritage LibraryAyala Foundation
Princess UrdujaPaintingOil on Canvas52 x 36 inches1956Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
The Barter of Panay for a Golden SalakotPainting1956Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
TradersPaintingFernando C. AmorsoloFilipinas Heritage LibraryAyala Corporation
Peral FisherPaintingFernando C. AmorsoloFilipinas Heritage Library
Abaca StrippingPaintingOil29 1/4 x 23 inchesFernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Afternoon Meal of Rice WorkersPaintingFernando C. AmorsoloFilipinas Heritage LibraryInternational Business Machines Corporation (Owner)
MarikinaPaintingOil on Panel22.75 x 32 cm1929Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Model at RestSketchColored Pencil on Paper17.5cm x 25.2cm1919Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
La ModeloPaintingOil13 1/2 x 16 1/2"Fernando C. AmorsoloFilipinas Heritage LibraryLopez Museum
MontalbanPaintingOil on Panel9 1/4 x 13 inches1928Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Montalba CavePaintingOil on Panel9 1/4" x 13"1926Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Montalban DamPaintingOil on Panel9 1/4" x 13"1926Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Morning DipPaintingOil24 1/4" x 17 1/2"1961Fernando C. AmorsoloFilipinas Heritage LibraryAlberto Cacnio Collection
Bundok Marikina (Marikina Valley)PaintingOil on Panel22.75 x 32 cm1925Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Naguilian RoadPaintingOil on Canvas13" x 16"1925Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
NudePaintingOil on Canvas49 x 68 cm1947Fernando C. AmorsoloFilipinas Heritage LibraryAyala Museum Collection
NudePainting11 1/2'' x 15 3/4''1960Fernando C. AmorsoloFilipinas Heritage LibraryLopez Museum
Nude on GrassPaintingWatercolor14 1/2" x 9 3/4"1919Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Afternoon Meal of Rice WorkersPainting15 1/2" x 11 1/2"1948Fernando C. AmorsoloFilipinas Heritage LibraryAnselmo Trinidad Collection
Antipolo PilgrimagePaintingOil11 1/2" x 16"1959Fernando C. AmorsoloFilipinas Heritage LibraryFermin Caram Jr. Collection
AtimonanPaintingOil on Panel22.75 cm 32 cm1922Fernando C. AmorsoloFilipinas Heritage LibraryPagrel Collection
Baguio MarketPaintingOil on Canvas13'' x 16''1927Fernando C. AmorsoloFilipinas Heritage LibraryAraneta Collection
BataanPaintingOil26'' x 21''1964Fernando C. AmorsoloFilipinas Heritage Library
Bath in the RiverPaintingOil17 3/4'' x 21 1/2''1951Fernando C. AmorsoloFilipinas Heritage LibraryMutuc Collection
BatisPaintingOil20'' 25 1/2'1941Fernando C. AmorsoloFilipinas Heritage LibraryDel Rosario Collection
Before the WeddingPaintingOil19 1/2'' x 15 1/2''1938Fernando C. AmorsoloFilipinas Heritage LibraryCelso Carunungan Collection
BetrothalPaintingOil33 1/2'' x 50 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryOriginal Painting from Insular Life - FGU Collection but was destroyed during July 11, 1971 fire
Binyag ng PanganayPaintingOil on Canvas60 x 85.75cm1961Fernando C. AmorsoloFilipinas Heritage LibraryElsie Roa Cacnio Collection
The Building of the Walls of IntramurosPaintingOil34 1/2'' x 51 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
The Carabao SledPaintingOil23'' x 29''Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Chorus GirlsPaintingOil on Wood24 1/2'' x 17''Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Church in BaguioPaintingOil on Panel22.75 x 32 cm1923Fernando C. AmorsoloFilipinas Heritage LibraryPagrel Collection
The ConvertPaintingOil16'' x 11 1/2''1967Fernando C. AmorsoloFilipinas Heritage LibraryYu Mun Collection
Cubao LandscapePaintingOil on Panel22.75 x 32 cm1924Fernando C. AmorsoloFilipinas Heritage LibraryPagrel Collection
DawnPaintingOil on Canvas8'' x 10 3/4''Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Aranet Collection
The Death of a KatipuneroPaintingOil on Canvas37 1/2'' x 27 3/8''1962Fernando C. AmorsoloFilipinas Heritage LibraryAnselmo Trinidad Collection
Composition (Evacuation) December 1941PaintingOil on Canvas110 x 150 cm1944Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Aranet Collection
Drying Tobacco Leaves (Study)PaintingOil on Panel7'' x 9''Fernando C. AmorsoloFilipinas Heritage LibraryLui Ma. Araneta Collection
The Explosion, Manila, 8pm, 21 September 1944PaintingOil on Canvas24.75 x 33cmFernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
EvacuationPaintingOil46'' x 36''1945Fernando C. AmorsoloFilipinas Heritage Library
Nude in a Flower GardenPaintingFernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Fishing At NightPaintingOil on Panel33 x 41.9 cm1942Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Fishing BoatPaintingOil23 1/2'' x 33 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Fishing ScenePaintingOil on Panel91.45 x 182 cm1942Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Good MorningPaintingOil12'' x 15 1/2''1951Fernando C. AmorsoloFilipinas Heritage LibraryAlberto Cacnio Collection
Harvest TimePaintingOil on Panel12 3/4'' x 11''Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
The House in the ForestPaintingOil on Panel9 1/4'' x 13''1921Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
KabyawanPaintingOil23'' x 29 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Laundry WomenPaintingOil on Panel30 x 36.3cm 1942Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
LavanderasPainting16'' x 19 1/2''1931Fernando C. AmorsoloFilipinas Heritage LibraryRody Herrera Collection
Woman ReadingPaintingOil22 1/4'' x 29 1/4''1942Fernando C. AmorsoloFilipinas Heritage LibraryCentral Bank of The Philippines
Leyte LandingPaintingOil23 1/2'' x 33 1/4''Fernando C. AmorsoloFilipinas Heritage LibraryCarlos P. Romulo Collection
Luksong TinikPaintingOil23'' x 33 1/2''1961Fernando C. AmorsoloFilipinas Heritage LibraryFermin Caram Jr. Collection
Maiden in the StreamsPaintingOil on Panel30.5 x 20.5 cm1943Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Portrait of President Elpidio QuirinoPainting1949 (?)Fernando C. AmorsoloFilipinas Heritage LibrarySyquia Mansion, Vigan, Ilocos Sur
Portrait of Alicia Syquia-QuirinoPaintingOil on Canvas28'' x 34''1949Fernando C. AmorsoloFilipinas Heritage LibrarySyquia Mansion, Vigan, Ilocos Sur
Portrait of President Manuel L. QuezonPaintingOil40 1/2 x 36 1/2''1941Fernando C. AmorsoloFilipinas Heritage LibraryZenaida Quezon-Avacena Collection
Portrait of Aurora Aragon-QuezonPaintingOil54'' x 39''Fernando C. AmorsoloFilipinas Heritage LibraryPhilippine Women's University Collection
Portrait of Leona Pasion GarciaPaintingOil on Canvas21 1/2'' x 28''Fernando C. AmorsoloFilipinas Heritage LibraryJuan Garcia, Sr. Collection
Portrait of Francisco OrtigasPaintingOil on Canvas29 1/2'' x 21 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Portrait of Antonio Melian Y PaviaPaintingOil on Canvas29 1/2'' x 21 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Portrait of Luz Banzon-MagsaysayPaintingOil on Canvas49.5 x 39.3cm1954Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Portrait of Presentacion Hofilena-Lopez.PaintingOil on Wood15 1/4'' x 19 1/4''1949Fernando C. AmorsoloFilipinas Heritage LibraryEugenio Lopez Memorial Museum
Portrait of Pacita Moreno-LopezPaintingOil on Wood27'' x 35''1937Fernando C. AmorsoloFilipinas Heritage LibraryEugenio Lopez Memorial Museum
Portrait of Eugenio Lopez, Sr.Painting34'' x 49''1957Fernando C. AmorsoloFilipinas Heritage LibraryEugenio Lopez Memorial Museum
Portrait of Nena Varela-GabaldonPaintingOil on Canvas41.9 cm x 29.2 cm1955Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Portrait of Luis Ma. Araneta.Painting16'' x 12 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Portrait of Luis Ma. AranetaPaintingOil on Masonite22 1/2'' x 17''1944Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Portrait of Gregorio AranetaPaintingOil on Canvas33'' x 27''1942Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Portrait of Francisco Z. AranetaPaintingOil on Canvas16'' x 12 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Portrait of Conchita AranetaPaintingOil on Canvas16'' x 12 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Woman with BilaoPaintingOil23'' x 29''Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
Woman Cooking in the KitchenPaintingOil on Canvas55.85 cm x 40.65 cm1959Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Malacañan by the RiverPaintingOil on Canvas33 cm 45.7 cm1948Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Man Bathing with a TaboPaintingOil on Panel12'' x 8 1/2''1943Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Man and Woman in a SailboatPaintingOil24'' x 29 1/2''Fernando C. AmorsoloFilipinas Heritage LibraryInsular Life - FGU Collection
MandaluyongPaintingOil on Panel9 1/4'' x 13''1920Fernando C. AmorsoloFilipinas Heritage LibraryLuis Ma. Araneta Collection
Mango HarvestersPaintingOil on Panel19'' x 12 1/2''1936Fernando C. AmorsoloFilipinas Heritage LibraryHofileña Collection, Silay City
CocineraPaintingOil24'' x 18''1967Fernando C. AmorsoloFilipinas Heritage Library
KawilihanPaintingOil on Masonite50.2 cm x 88.9 cm1944Fernando C. AmorsoloFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Burning of Manila During LiberationPaintingOil on Canvas44 1/2'' x 28 1/2''1945Fernando C. AmorsoloFilipinas Heritage LibraryMr. Antonio Delgado
Burning of ManilaPaintingOil on Canvas41-3/8'' x 31 1/4''1945Fernando C. AmorsoloFilipinas Heritage LibraryFilipinas Heritage Library
Early Sulu WeddingPaintingOil on Canvas88 x 130 cmca. 1955-1960Fernando C. AmorsoloFilipinas Heritage LibraryAyala Museum Collection
Burning of the IdolsPaintingOil on Canvas88 x 131 cmca. 1955-1960Fernando C. AmorsoloFilipinas Heritage LibraryAyala Museum Collection
HaranaPaintingOil on Canvas.21" x 49"1957Carlos "Botong" V. FranciscoFilipinas Heritage LibraryRoberto Ma. Guerrero Collection
Moriones Festival.PaintingOil on Canvas.34 " x 47 "1966Carlos "Botong" V. FranciscoFilipinas Heritage LibraryAlejandro Roces Collection
Beheading of Longinus.PaintingWatercolor.20" x 34"1966Carlos "Botong" V. FranciscoFilipinas Heritage LibraryAlejandro Roces Collection
MagpupukotPaintingOil on Canvas34'' x 48''1957Carlos "Botong" V. FranciscoFilipinas Heritage LibraryRoberto Ma. Guerrero Collection
Harvest FestivalPaintingOil on Canvas180 cm x 119 cm1962Carlos "Botong" V. FranciscoFilipinas Heritage LibraryCollection of Mrs. Jose Guevarra
Our Lady of Perpetual HelpPaintingOil64'' x 96''Carlos "Botong" V. FranciscoFilipinas Heritage LibraryAngono Catholic Church
Introduction of the First Christian ImagePaintingOil on Canvas304cm x 150 cm1965Carlos "Botong" V. FranciscoFilipinas Heritage LibraryNational Museum
Filipino Struggles Through HistoryPaintingOil on Canvas271 cm x 2.000 cm1964Carlos "Botong" V. FranciscoFilipinas Heritage LibraryA National Cultural Treasure owned by the City of Manila, Bulwagang Villegas, Manila City Hall
PenitenciaSketchCarlos "Botong" V. FranciscoFilipinas Heritage LibraryRosalina V. Francisco Collection
PenitenciaSketchCarlos "Botong" V. FranciscoFilipinas Heritage LibraryRosalina V. Francisco Collection
MorionesSketchCarlos "Botong" V. FranciscoFilipinas Heritage LibraryRosalina V. Francisco Collection
CenaculoSketchCarlos "Botong" V. FranciscoFilipinas Heritage LibraryRosalina V. Francisco Collection
MorionesSketchCarlos "Botong" V. FranciscoFilipinas Heritage LibraryRosalina V. Francisco Collection
Via CrucisSketchCarlos "Botong" V. FranciscoFilipinas Heritage LibraryRosalina V. Francisco Collection
San ClementeSketchCarlos "Botong" V. FranciscoFilipinas Heritage LibraryRosalina V. Francisco Collection
Teodora AlonsoSketchCarlos "Botong" V. FranciscoFilipinas Heritage LibraryRosalina V. Francisco Collection
Genghis KhanSketchCarlos "Botong" V. FranciscoFilipinas Heritage LibraryRosalina V. Francisco Collection
Pista Sa NayonPaintingOil on Canvas670 cm x 213 cm1947Carlos "Botong" V. FranciscoFilipinas Heritage LibraryMalacanan Museum
Introduction of the First Christian ImagePaintingOil on Canvas304 cm x 150 cm1965Carlos "Botong" V. FranciscoFilipinas Heritage LibraryNational Museum of The Philippines
Rice Harvesters in AngonoPaintingOil on Canvas45 1/2'' x 32 1/2''1960Carlos "Botong" V. FranciscoFilipinas Heritage LibraryCarlos Quirino Collection
First Mass in the PhilippinesPaintingOil on Canvas340 x 150 cm1965Carlos "Botong" V. FranciscoFilipinas Heritage LibraryNational Museum of The Philippines
Annual Moriones Festival in MarinduquePaintingOil on Canvas34'' x 47''1966Carlos "Botong" V. FranciscoFilipinas Heritage LibraryAlejandro Roces Collection
Via CrucisPaintingCarlos "Botong" V. FranciscoFilipinas Heritage Library
Jesus Falls the First TimePaintingOil on CanvasCarlos "Botong" V. FranciscoFilipinas Heritage LibraryGSIS
Simon of Cyrene Carries the CrossPaintingOil on CanvasCarlos "Botong" V. FranciscoFilipinas Heritage Library
Basic Services of the City of ManilaPainting1964Carlos "Botong" V. FranciscoFilipinas Heritage LibraryCity of Manila
Pageant of CommercePainting1957Carlos "Botong" V. FranciscoFilipinas Heritage Library
Brown Brother's BurdenPaintingAcrylic on Canvas75 x 55 cm1972Benedicto CabreraFilipinas Heritage LibraryPrivate Collection
A Cigarette-Factory WorkerPaintingAcrylic on Canvas17 1/4 x 22 1/4 inches1972Benedicto CabreraFilipinas Heritage Library
Drape StudyPaintingAcrylic on Canvas1973Benedicto CabreraFilipinas Heritage Library
A Family of ServantsPaintingAcrylic on Paper74 x 57 cm1972Benedicto CabreraFilipinas Heritage LibraryJaime And Bea Zobel De Ayala Collection
Filipina Dress Without the TapisPaintingAcrylic on Canvas21 1/2 x 2 inches1972Benedicto CabreraFilipinas Heritage Library
Filipino Prisoners of WarPaintingAcrylic on Canvas29 1/4 x 21 1/2 inches1972Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Filipino Revolutionary OfficersPaintingAcrylic on Canvas39 x 29 inches1972Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Portrait of a Servant GirlPaintingAcrylic on Paper75 x 56 cm1972Benedicto CabreraFilipinas Heritage LibraryManolo And Maritess Lopez Collection
FlightPaintingAcrylic on Paper1974Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Flower Girl At the OperaPaintingAcrylic22 1/4 x 29 1/2 inches1972Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Girl with a SalakotPaintingAcrylic14 1/4 x 13 inches1972Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Interior of a Negros HaciendaPaintingAcrylic on Paper48 x 36 cm1972Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
KimonaPainting1974Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Long-Haired GirlPaintingAcrylic14 1/2 x 13 inches1972Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Pit-A-Pit's MetamorphosisPaintingAcrylic30 1/4 x 22 1/4 inches1972Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
SayaPaintingAcrylic1974Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Siesta HourPaintingAcrylic1974Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
A Society-Concious FilipinaPaintingAcrylic21 1/2 x 29 1/2 inches1972Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Soldier BoyPaintingAcrylic on Canvas1974Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Soldier '96PaintingAcrylic on Canvas1974Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Summer '96PaintingAcrylic on Canvas1974Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Types of True Filipinos Waiting To Be Called AmericansPaintingAcrylic on Canvas22 1/2 x 29 1/4 inches1972Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
A Typical Gobernadorcillo and His WifePaintingAcrylic on Canvas76 x 56 cm1972Benedicto CabreraFilipinas Heritage LibraryCultural Center of the Philippines Collection
A Typical MestizaPaintingAcrylic on Paper75 x 55 cm1972Benedicto CabreraFilipinas Heritage LibraryPaulino and Hetty Que Collection
Women WaitingPaintingAcrylic1974Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Mother and DaughterPaintingAcrylic1974Benedicto CabreraFilipinas Heritage LibraryLuz Gallery, Makati
Playing the GuitarSketchCrayola on Drawing Paper15.25 cm x 10.8 cm1952Cesar T. LegaspiFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Chinese Trader (Detail)SketchCesar T. LegaspiFilipinas Heritage LibraryAlfredo And Irene Roces Collection
ProfileSketchCharcoal Pencil15 1/6 x 11 1/161920Guillermo E. TolentinoFilipinas Heritage Library
American NegroSketchCharcoal PencilCirca 1920Guillermo E. TolentinoFilipinas Heritage Library
The OblationSculptureGuillermo E. TolentinoFilipinas Heritage LibraryFilipinas Heritage Library
Bonifacio MonumentSculptureGuillermo E. TolentinoFilipinas Heritage LibraryFilipinas Heritage Library
Rizal MonumentSculptureGuillermo E. TolentinoFilipinas Heritage LibraryFilipinas Heritage Library
Alumina ISculpture1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Diagonal GrayPaintingAcrylic on Wood48' x 48'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Double Reclining FiguresSculptureTindalo Wood1970Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Ferro ISculptureIron1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Ferro IISculptureIron1971Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Figura IISculptureIronHeight 67'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Grid IISculptureLaminated Wood24' x 12 3/4'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Incision IIISculptureIncised WoodH-48' W-39'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
KoshuPaintingSprayed Paint on Wood72' x 72'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Lamination XIXSculptureLaminated Plywood39 3/4' x 19'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Lamination XXXIXSculptureLaminated Plywood40' x 40'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Modula ISculptureStainless Steel3.3/4 x 3.3/41972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Relief XPaintingPainted PlywoodH-36' W-18'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Relief XVIPaintingPainted Plywood24' x 1'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
Signal III; Signal IPaintingAcrylic on Wood36' x 36'1972Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
SYOSculptureTindalo Wood1970Arturo LuzFilipinas Heritage LibraryLuz Gallery, Makati
NudePaintingWatercolorVicente S. ManansalaFilipinas Heritage LibraryJose Guevarra Collection
Nipa HutsPaintingOil on Canvasboard36.2cm x 49.5cm1943Vicente S. ManansalaFilipinas Heritage LibraryJorge B. Vargas Filipiniana Foundation
Waiting for the FishermenPaintingOil on Canvas14 1/2 x 17 3/4''1940Vicente S. ManansalaFilipinas Heritage LibraryLuis Ma. Araneta Collection
Sta. MesaPaintingOil on Canvas13'' x 16 1/2''1946Vicente S. ManansalaFilipinas Heritage LibraryLuis Ma. Araneta Collection
Banff, CanadaPaintingOil on Cardboard14" x 16 1/2"1949Vicente S. ManansalaFilipinas Heritage LibraryLuis Ma. Araneta Collection
Guadalupe, MakatiPaintingOil on Canvas13' x 16 1/2'1945Vicente S. ManansalaFilipinas Heritage LibraryLuis Ma. Araneta Collection
HarvestPaintingOil on Canvas16'' x 20''1956Vicente S. ManansalaFilipinas Heritage LibraryLuis Ma. Araneta Collection
House on StiltsPaintingOil on Cardboard10 1/2'' x 13 1/2''Vicente S. ManansalaFilipinas Heritage LibraryLuis Ma. Araneta Collection
Diwata ng DagatSculpture16 feet2001Napoleon V. AbuevaU.P. Visayas – College of Fisheries and Ocean Sciences: National Center of Excellence in Fisheries and Aquatic Sciences WordpressThe Diwata ng Dagat was created by Napoleon V. Abueva, father of modern Philippine sculpture and national artist for sculpture (1976). The Diwata ng Dagat was 16-foot masterpiece of the National Artist Professor Napoleon V. Abueva – a landmark of the University of the Philippines Visayas in the seaside town of Miagao in the province of Iloilo in Panay Island. It is a strong and determined woman standing on fish and pulling a fishnet which symbolizes the philosophy and aspirations of the University though its College of Fisheries and Ocean Sciences (CFOS) as it continues to fulfill its mandate as the national center of excellence for fisheries and aquatic sciences. The Diwata symbolizes the indomitable spirit of the faculty, researchers and students of CFOS and reflects consciousness for sustainable stewardship of God-given resources, creativity, innovativeness, and cultural relevance in the planning and implementation of programs in the fields of aquaculture, capture and post harvest fisheries, fisheries policy formulation and allied disciplines. The Diwata ng Dagat was formally unveiled on July 25, 2001, during UPV’s 55th Foundation Day.https://upvcfos.wordpress.com/36-2/University of the Philippines Visayas-Miagao
IntroiboPaintingOil on Masonite Board71.12 x 55.88 cm1951Hernando R. OcampoAyala Museum
Untitled (Abstract)PrintLithograph 8/5114.5 x 13.5 cm (5 1/2 x 5 in)undatedArturo LuzSalcedo AuctionsLot 241: gavel&block art+design: from regency to contemporary
Untitled (Abstract)PrintLithograph AP 51/5114 x 15 cm (5 1/2 x 6 in)undatedArturo LuzSalcedo AuctionsLot 242: gavel&block art+design: from regency to contemporary
Untitled (Abstract)PrintLithograph 142/15013 x 13 cm (5 x 5 in)undatedArturo LuzSalcedo AuctionsLot 243: gavel&block art+design: from regency to contemporary
UntitledPaintingOffset lithographic reproduction A/P, unframed25.5 x 18 cm (10 x 7 in)2016Benedicto R. CabreraSalcedo AuctionsLot 245: gavel&block art+design: from regency to contemporary
Untitled (Samurai)PaintingOffset lithographic reproduction26.5 x 26.5 cm (10 1/2 x 10 1/2 in)2007Benedicto R. CabreraSalcedo AuctionsProvenance: Acquired by the uncle of the current owner from the late art dealer Ramon VillegasLot 244: gavel&block art+design: from regency to contemporary
Untitled (Harana)PaintingOffset lithographic reproduction25.5 x 29 cm (11 1/2 x 8 1/2 in)undatedCarlos "Botong" V. FranciscoSalcedo AuctionsProvenance: Acquired by the uncle of the current owner from the late art dealer Ramon VillegasLot 247 (A lot of 2 works): gavel&block art+design: from regency to contemporary
Untitled (Fisherman)PaintingOffset lithographic reproduction23 x 24.5 cm (9 x 9 1/2 in)undatedCarlos "Botong" V. FranciscoSalcedo AuctionsProvenance: Acquired by the uncle of the current owner from the late art dealer Ramon VillegasLot 247 (A lot of 2 works): gavel&block art+design: from regency to contemporary
UntitledPaintingOffset lithographic reproduction23.5 x 23.5 cm (9 x 9 in)undatedCarlos "Botong" V. FranciscoSalcedo AuctionsLot 248: gavel&block art+design: from regency to contemporary
Untitled (Filipiniana)PaintingOffset lithographic reproduction23.5 x 19 cm (9 x 7 1/2 in)1974Benedicto R. CabreraSalcedo AuctionsLot 249: gavel&block art+design: from regency to contemporary
UntitledSketchInk on paper35 x 24 cm (14 x 9 1/2 in)1969J. Elizalde NavarroSalcedo AuctionsLot 256: gavel&block art+design: from regency to contemporary
Children PlayingPrintLithograph 10/30 28 x 20.5 cm (11 x 8 in)1977Hernando R. OcampoSalcedo AuctionsLot 258: gavel&block art+design: from regency to contemporary
Collage 14 (Set F)PaintingCollage26.5 x 21 cm (10 1/2 x 8 in)2013Arturo LuzSalcedo AuctionsLot 265: gavel&block art+design: from regency to contemporary
UntitledSketchInk on paper34.5 x 26.5 cm (13 1/2 x 10 1/2 in)1969J. Elizalde NavarroSalcedo AuctionsLot 266: gavel&block art+design: from regency to contemporary
Untitled (Composition)PaintingOil on canvas24 x 28 cm (9 1/2 x 11 in)1978Federico Aguilar AlcuazSalcedo AuctionsLot 271: gavel&block art+design: from regency to contemporaryAccompanied by a Certificate of Authenticity issued and signed by Christian M. Aguilar
Milk Carrier, 2008, HR Chromojet on acrylicPaintingHR Chromojet on acrylic219 x 168 cm (86 x 66 in)2019Benedicto R. CabreraSalcedo AuctionsLimited edition series of 7Lot 274: gavel&block art+design: from regency to contemporary
UntitledSculptureResin36 x 19 x 12 cm (14 1/4 x 7 1/2 x 5 in)UndatedNapoleon V. AbuevaSalcedo AuctionsLot 276: gavel&block art+design: from regency to contemporary
UntitledPaintingOffset lithographic reproduction 10/10, unframed25.5 x 18 cm (10 x 7 in)2014Benedicto R. CabreraSalcedo AuctionsLot 293: gavel&block art+design: from regency to contemporary
UntitledPaintingOffset lithographic reproduction A/P, unframed30.5 x 23 cm (12 x 9 in)2014Benedicto R. CabreraSalcedo AuctionsLot 294: gavel&block art+design: from regency to contemporary
UntitledSketchInk on paper23.5 x 18 cm (9 x 7 in)1972Benedicto R. CabreraSalcedo AuctionsLot 338: gavel&block art+design: from regency to contemporary
Australian CoupleSketchPen and watercolor on paper35 x 24 cm (14 x 9 1/2 in)UndatedJ. Elizalde NavarroSalcedo AuctionsLot 355: gavel&block art+design: from regency to contemporary
Untitled (Portrait)SketchInk and pastel on paper28 x 17.5 cm (11 x 7 in)1966Benedicto R. CabreraSalcedo AuctionsLot 357: gavel&block art+design: from regency to contemporary
Igorots In BaguioPaintingOil on Canvas on Board50.00 x 65.00 cm. / 19.70 x 25.61 in.1935Fernando C. AmorsoloGalleria DuemilaRef. Number GDP-7300 (https://galleriaduemila.com/web2003/collection/fam/fam07300.html)
Girl (unfinished)PaintingOil on Masonite25.50 x 20.00 cm. / 10.05 x 7.88 in.1936Fernando C. AmorsoloGalleria DuemilaRef. Number GDP-14901 (https://galleriaduemila.com/web2003/collection/fam/Fam14901.html)
Block Cock 47/170PrintSerigraph on Paper54.50 x 40.50 cm / 21.47 x 15.96 in.1971Ang KiukokGalleria DuemilaSASPR-15751 (https://galleriaduemila.com/web2003/collection/akk/akk15751.html)
Rooster 84/226PrintSerigraph on Paper53.50 x 33.00 cm / 21.08 x 13.00 in.1971Benedicto R. CabreraGalleria DuemilaSASPR-15750 (https://galleriaduemila.com/web2003/collection/akk/akk15750.html)
Nude Studies 6 5/12PrintA-1 Colour Etching & Aquatint on STPI Handmade Off-white Abaca Paper, Printed from 1 Copper Plate81.30 x 106.70 cm. / 32.03 x 42.04 in.2005Benedicto R. CabreraGalleria DuemilaRef. Number COR-10693 (https://galleriaduemila.com/web2003/collection/ben/ben10693.html)
Nude Studies 6 2/12PrintA-1 Colour Etching & Aquatint on STPI Handmade Off-white Abaca Paper, Printed from 1 Copper Plate81.30 x 106.70 cm. / 32.03 x 42.04 in.2005Benedicto R. CabreraGalleria DuemilaRef. Number COR-10692 (https://galleriaduemila.com/web2003/collection/ben/ben10692.html)
Nude XIISketchCharcoal on Paper40.00 x 27.90 cm. / 15.76 x 10.99 in.1978Benedicto R. CabreraGalleria DuemilaRef. Number COP-196 (https://galleriaduemila.com/web2003/collection/ben/ben00196.html)
Nude VISketchCharcoal on Paper44.40 x 29.20 cm. / 17.49 x 11.50 in.1981Benedicto R. CabreraGalleria DuemilaRef. Number COP-197 (https://galleriaduemila.com/web2003/collection/ben/ben00197.html)
Marikina PaintingAcrylic on Board55.50 x 71.50 cm. / 21.87 x 28.17 in.1981Jose T. JoyaGalleria DuemilaRef. Number GDP-9058 (https://galleriaduemila.com/web2003/collection/jjo/jjo09058.html)
Four Seasons (4 panels)PaintingOil on Paper37.50 x 62.50 cm. / 14.77 x 24.63 in.1960Jose T. JoyaGalleria DuemilaRef. Number GDP-9167 (https://galleriaduemila.com/web2003/collection/jjo/jjo09167.html)
Nude WomanSketchPastel on Paper44.00 x 30.00 cm. / 17.34 x 11.82 in.1974Jose T. JoyaGalleria DuemilaRef. Number COP-540 (https://galleriaduemila.com/web2003/collection/jjo/jjo00540.html)
Nude WomanSketchPastel on Paper43 x 29 cm. / 16.94 x 11.43 in.1973Jose T. JoyaGalleria DuemilaRef. Number COP-535 (https://galleriaduemila.com/web2003/collection/jjo/jjo00535.html)
Ang Paslit (male)SketchPastel on Paper45 x 30 cm. / 17.73 x 11.82 in.1974Jose T. JoyaGalleria DuemilaRef. Number COP-538 (https://galleriaduemila.com/web2003/collection/jjo/jjo00538.html)
Male Nude (1)SketchPastel on Paper43.00 x 29.00 cm. / 16.94 x 11.43 in.1974Jose T. JoyaGalleria DuemilaRef. Number COP-532 (https://galleriaduemila.com/web2003/collection/jjo/jjo00532.html)
Male Nude (2)SketchPastel on Paper43.00 x 29.00 cm. / 16.94 x 11.43 in.1974Jose T. JoyaGalleria DuemilaRef. Number COP-534 (https://galleriaduemila.com/web2003/collection/jjo/jjo00534.html)
May 15, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
After the 9:00 AM Exercise, Muntinglupa, July 5, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
AlternativePaintingOil on masonite board50.8 x 40.64 cm1952Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Alvero Lecturing, May 9, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
AngelusPaintingOil on Canvas77.47 x 69.85 cm1946Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
BloomingPaintingOil on Canvas board55.25 x 43.18 cm1939Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Brigade #4, Bilibid Prison, Manila, May 13, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Brigade #4, Sunday Morning, April 29, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Cell FossilPaintingEnamel on masonite board50.8 x 40.64 cm1954Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
ConquerorsPaintingOil on Canvas86.36 x 127 cm1965Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
CotillionPaintingOil on Canvas86.36 x 127 cm1967Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Counting Cigarette Winnings from Blackjack, April 24, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Dalawang IsdaPaintingOil on masonite board40.64 x 50.8 cm1951Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Decorative MotifPaintingOil on Canvas86.36 x 127 cm1957Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Evening Prayer, Muntinglupa, September 1, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Father and Son (part 1 of 2)PaintingOil on Board31.75 x 50.8 cm1950Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
FloraPaintingOil on masonite board60.96 x 50.8 cm1949Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Graphite sketch of a female nudePainting / sketchHernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
In the BeginningPaintingOil on Canvas board70.49 x 55.88 cm1961Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Ina at AnakPaintingOil on masonite board50.8 x 40.64 cm1951Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
IntroiboPaintingOil on masonite board71.12 x 55.88 cm1951Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Life After DeathPaintingOil on Canvas board25.4 x 20.32 cm1949Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Lunar RitualPaintingOil on masonite board44.45 x 34.291955Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
ManggaPaintingOil on masonite board54.61 x 74.93 cm1956Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Mangga at IsdaPaintingOil on Canvas board55.88 x 20.32 cm1958Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Mother and Child (part 2 of 2)PaintingOil on Board31.75 x 50.8 cm1950Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
MP, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Mr. Correa at Suppertime, Muntinglupa, July 2, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Muntinglupa Studio, June 29, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Muntinglupa, June 29, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Officers' club, Muntinglupa, August 1, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
OraclePaintingOil on Canvas121.92 x 91.44 cm1974Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Parable in the SunPaintingOil on Canvas152.4 x 91.44 cm1956Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
PlantsadoraPaintingOil on Canvas board48.77 x 45.72 cm1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Playing Dama, April 24, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Raul Villacorta, Lapuz, Alzate, April 23, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Reaching for the MoonPaintingOil on masonite board60.96 x 50.8 cm1948Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Reading a letter, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
SacramentalPaintingOil on Canvas111.76 x 96.52 cm1956Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Sea AnemonesPaintingOil on Canvas board55.88 x 20.32 cm1949Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
SunsetPaintingOil on Canvas board45.72 x 35.56 cm1951Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Tatlong Larawan (Triptych)PaintingOil on shaped masonite board66.04 x 132.08 cm1952Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
The Return, May 23, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Totem FormsPaintingOil on Canvas101.6 x 76.2 cm1963Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Two Men, April 29, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Untitled (Illustration of CPR), April 24, 1941PaintingPen and Ink on cardboard25.4 x 17.78 cm1941Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Untitled (Illustration of Franz), April 23, 1941PaintingPen and Ink on cardboard25.4 x 17.78 cm1941Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Untitled (Illustration of S.P. Lopez) April 24, 1941PaintingPen and Ink on cardboard25.4 x 17.78 cm1941Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Untitled #1PaintingWatercolor25.4 x 19.05 cm1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Untitled #2PaintingWatercolor25.4 x 19.05 cm1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Visiting Day, Muntinglupa, July 1, 1945Painting / sketch1945Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Warm Sky, Cool SkyPaintingOil on Canvas71.12 x 55.88 cm1949Hernando R. OcampoAyala Museum. (2021). Images of Nation: The Real H.R. Ocampo: From the Paulino and Hetty Que Collection. Virtual Exhibition. February 19 - April 30.Paulino and Hetty Que Collection
Metro Manila TrafficIllustration1992?Lauro Z. AlcalaThe Peninsula ManilaOne of the covers commissioned for the hotel's newsletter
Slice of Life - At a KapihanIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - At a DrugstoreIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Christmas Reunion in LAIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Dumaguete Public MarketIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Guitar Market in CebuIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Kinder GradsIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Leap YearIllustration1988Lauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Mactan CebuIllustration1993Lauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Market Day in LegaspiIllustration1993Lauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Monsoon FloodsIllustration1990Lauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Office BlessingIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Palm Sunday in Sto. DomingoIllustration1988Lauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Food Home DeliveryIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - In a Banana PlantationIllustration1992Lauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Pineapple PlantationIllustration1986Lauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Seaside FastfoodIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Sidewalk BistrosIllustration1987Lauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - South HarborIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Sunday in TanayIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Sunday MorningIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - Wednesday in BaclaranIllustrationLauro Z. AlcalaLarry Alcala Official Facebook PageLarry Alcala Jr. personal collection
Slice of Life - A Day in SeoulIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - A Day in ViganIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - After the HolidaysIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Along the Valley Fault LineIllustration1991Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - At a Negros Beach ResortIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Anti-Polio CampaignIllustration1993Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - At a Bus StationIllustration1987Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - At a Local AirportIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - At a Rural BankIllustration1984Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - At a SupermarketIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - BakyaIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Bank RobberyIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Behind a Fashion ShowIllustration1990Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - BowlingIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Christmas SaleIllustration1992Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Christmas Toys and GamesIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Coping with the Brownouts 1IllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Coping with the Brownouts 2Illustration1993Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Coronation Night in AgnoIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Davao City DurianIllustration1992Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Dog VeterinarianIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Engelberg SwitzerlandIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Fashion ShowIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Filipino GamesIllustration1988Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Food CourtIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Fruit MarketIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Golf TournamentIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - HabitatIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - ResortIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Handy CraftsIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Highway EnterprisesIllustration1991Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Honolulu StopoverIllustration1989Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - In Fukuoka JapanIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - IntramurosIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - LaharIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Manila MarathonIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Masskara FestivalIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Monday ShutdownIllustration1990Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Brown OutsIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Anti-Smoking CampaignIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - New Years Resolution 1IllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - New Years Resolution 2Illustration1990Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Night ClubIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Noise of the New YearIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - OnomatopoeiaIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Parish FiestaIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Pook BatayanIllustration1989Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Post EarthquakeIllustration1990Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Quiapo in the 60sIllustration2002Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Radio in the 40sIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Silay City Negros OccidentalIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Summer ResortIllustration2002Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Sunday PaintersIllustration2002Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Sydney AustraliaIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - The Cellular Phone fadIllustration1992Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Tiangge in San FranciscoIllustration1989Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Treck to AntipoloIllustration2001Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Turumba in PakilIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Women's LibIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Zapote Las PinasIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Cartoonist Meeting in MalaysiaIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Chinese RestaurantIllustrationLauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Christmas Concert at Rizal ParkIllustration2001Lauro Z. AlcalaLarry Alcala Official Facebook Page
Slice of Life - Valentines DayIllustration1988Lauro Z. AlcalaLarry Alcala Official Facebook Page
CigaretteIllustrationPen and Ink9.5 x 29 cm1954Lauro Z. AlcalaSalcedo Auctions https://salcedoauctions.com/item/988Connoisseur Collection: Fine and Decorative Arts, Jewels, and Collectibles
Slice of Life - Pilipino GamesIllustrationInk and gouache on board38 x 30 cm1980Lauro Z. AlcalaSalcedo Auctions https://salcedoauctions.com/item/15421Under the Tree: The Holiday Sale
Two caricatures of costumed dancers (part 1 of 2)IllustrationWatercolor on Paper25 x 13 cmLauro Z. AlcalaSalcedo Auctions https://salcedoauctions.com/item/15733Under the Tree: The Holiday Sale
Two caricatures of costumed dancers (part 2 of 2)IllustrationWatercolor on Paper25 x 13 cmLauro Z. AlcalaSalcedo Auctions https://salcedoauctions.com/item/15733Under the Tree: The Holiday Sale
Cartoonist View of PragueIllustrationInk and Watercolor on Paper40 x 31 cm1985Lauro Z. AlcalaSalcedo Auctions https://salcedoauctions.com/item/13106Larry Alcala shares his experience in Old Town, Prague. Featuring the numerous people in Old Town, Alcala’s humor is evident in how he portrays the people around. Although the viewers may not have been to Prague, the familiarity of his work makes it relatable to its audience.Important Philippine Art
Francisco V. Coching (Self-Portrait)IllustrationInk on Paper26.5 x 19.8 cm1952Francisco V. CochingAyala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition
Bing BigotilyoComic Seriesc. 1934Francisco V. CochingSumayao, Marco. (2019). How the King of Komiks Reflected the Dreams of a Generation. Esquire. Jan. 19. https://www.esquiremag.ph/culture/lifestyle/francisco-coching-king-of-komiks-a2239-20190125-lfrm
Mara-BiniComic Seriesc. 1935Francisco V. CochingSumayao, Marco. (2019). How the King of Komiks Reflected the Dreams of a Generation. Esquire. Jan. 19. https://www.esquiremag.ph/culture/lifestyle/francisco-coching-king-of-komiks-a2239-20190125-lfrm
Pedro Penduko (1954 Movie)Film1954Francisco V. CochingIMDb. (n.d.). Pedro Penduko (1954). https://www.imdb.com/title/tt0359820/
Duwag ang SumukoIllustration1963Francisco V. CochingAyala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol)
Movie IdolIllustration1941Francisco V. CochingAyala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol)Liwayway magazine cover
BarbaroComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
DumagitComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
TalipandasComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
WaldasComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
Taga sa BatoComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
El ViboraComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
Haring UlupongComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
Bertong BalutanComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
BulalakawComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
MalditaComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
PistoleroComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
SaturComic SeriesFrancisco V. CochingDolor, Danny. (2015). Francisco V. Coching: National Artist. Philstar Global. November 21. Retrieved from: https://www.philstar.com/entertainment/2015/11/21/1524474/francisco-v-coching-national-artist
Salinggawi Dance Troupe PosterIllustration1971Francisco V. Cochinghttps://www.comicartfans.com/GalleryPiece.asp?Piece=471823
Waldas (Cover of Pilipino Komiks, Blg. 216, Setyembre 10, 1955)Illustration1955Francisco V. Cochinghttps://web.archive.org/web/20110623044242/http://alanguilan.com/museum/coching07.html
Movie Fan (Cover of Espesyal Komiks, Blg. 82, Nobyembre 28, 1955)Illustration1955Francisco V. Cochinghttps://web.archive.org/web/20110623044224/http://alanguilan.com/museum/coching06.html
Lapu-Lapu (Cover of Pilipino Komiks, Blg. 180, Abril 24, 1954)Illustration1954Francisco V. Cochinghttps://web.archive.org/web/20111118124803/http://www.alanguilan.com/museum/coching03.html
Dumagit (Cover of Pilipino Komiks, Blg. 177, Marso 13, 1954)Illustration1954Francisco V. Cochinghttps://web.archive.org/web/20111118130255/http://www.alanguilan.com/museum/coching02.html
Hara-Siri (Cover of Tagalog Klasiks, Blg. 30, Agosto 26, 1950)Illustration1950Francisco V. Cochinghttps://web.archive.org/web/20110623044233/http://alanguilan.com/museum/coching01.html
Double-Cross (Cover of Espesyal Komiks, Blg. 186, Nobyembre 23, 1959)Illustration1959Francisco V. Cochinghttps://www.facebook.com/FranciscoVCochingNationalArtist/photos/a.293360127491890/952647138229849/
Bertong Balutan (Cover of Pilipino Komiks, Blg. 47, Marso 19, 1949)Illustration1949Francisco V. CochingAyala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol)
Ang Barbaro (Cover of Pilipino Komiks, Blg. 90, Nobyembre 11, 1950)Illustration1950Francisco V. CochingAyala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol)
Pulot-Gata (Cover of Pilipino Komiks, Blg. 257, Abril 6, 1957)Illustration1957Francisco V. Cochinghttps://web.archive.org/web/20110623044233/http://alanguilan.com/museum/coching01.html
Lapu-Lapu (Cover of Pilipino Komiks, Blg. 187, Hulyo 31, 1954)Illustration1954Francisco V. Cochinghttps://web.archive.org/web/20111118130728/http://www.alanguilan.com/museum/coching13.html
Dumagit (Cover of Pilipino Komiks, Blg. 181, Mayo 8, 1954)Illustration1954Francisco V. Cochinghttps://web.archive.org/web/20111118125122/http://www.alanguilan.com/museum/coching12.html
Satur (Cover of Pilipino Komiks, Blg. 82, Hulyo 22, 1951)Illustration1951Francisco V. Cochinghttps://web.archive.org/web/20110623042440/http://alanguilan.com/museum/coching09.html
Gabriela SilangIllustration1986Francisco V. CochingAyala Museum. (2019). Images of Nation: F. V. Coching, Komiks at Kultura. Exhibition (https://www.artsy.net/artwork/francisco-v-coching-movie-idol)
Central Bank of the Philippines LogoIllustration1949Francisco V. CochingAyala Museum
5 BottlesPaintingAcrylic on Canvas76 cm x 61 cm1994Arturo R. LuzLeon Gallery Private Collection
Abandoned Palace RajasthanSketchInk on Paper32 cm x 61 cm2013Arturo R. LuzLeon Gallery Private Collection
AbstractSculptureGranite91 cm x 25 cm x 26 cmUndatedArturo R. LuzLeon Gallery Private Collection
Abstract 1PaintingAcrylic on Paper39 cm x 28 cmUndatedArturo R. LuzLeon Gallery Private Collection
Abstract 1 (n.d.)PaintingAcrylic on Canvas32 cm x 22 cmArturo R. LuzLeon Gallery Private Collection
Abstract 1 SculptureSculpturePhilippine Hardwood46 cm x 55 cm x 46 cmArturo R. LuzLeon Gallery
Abstract 2PaintingAcrylic on Paper39 cm x 28 cmUndatedArturo R. LuzLeon Gallery Private Collection
Abstract 2 (n.d.)PaintingAcrylic on Canvas32 cm x 22 cmArturo R. LuzLeon Gallery Private Collection
Abstract 2 SculptureSculpturePhilippine Hardwood46 cm x 55 cm x 46 cmArturo R. LuzLeon Gallery
Abstract IPaintingInk and collage44 cm x 29 cmArturo R. LuzLeon Gallery Private Collection
Abstract IIPaintingInk and collage44 cm x 29 cmArturo R. LuzLeon Gallery Private Collection
Abstract Improvisation IVPaintingMixed Media107 cm x 91 cm1986Arturo R. LuzLeon Gallery Private collection
Abstraction (N.Y., N.Y. 1001) 145th copy of 150 (n.d.)PrintLithograph13 cm x 13 cmArturo R. LuzLeon Gallery Private Collection
AcrobatsSketchPencil on Paper32 cm x 22 cm1962Arturo R. LuzLeon Gallery An inclination towards geometry – lines and shapes that are virtually architectural, understated elegance, always subdued, but almost always possessing kinteticism. These are the qualities that have made the art of Arturo Luz distinct and which are very much present in this series from 1962.Private Collection
Anito (Batasang Pambansa Complex)SculptureArturo R. LuzOlivares, John Paul. (2018). Works of National Artists in public spaces. CNN Philippines. January 30. (https://cnnphilippines.com/life/culture/arts/2018/01/30/National-Artists-Philippines-public-art.html
Anito (ca. 2015)SculptureIpil and yakal91 cm x 30 cm x 30 cmca. 2015Arturo R. LuzLeon Gallery Private Collection
Anito (PICC)SculptureArturo R. LuzANCx. (2021). MORE NEW PHOTOS: Leandro Locsin's PICC like you’ve never seen it before. February 19. https://news.abs-cbn.com/ancx/culture/spotlight/02/19/21/inside-picc-new-photos-show-the-iconic-building-like-youve-never-seen-it-before
Anito 1SculptureIpil54 x 18 x 18 in2013Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Anito 2SculptureIpil36 x 12 x 12 in2013Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
BicyclePainting52 cm x 36 cm1970Arturo R. LuzLeon Gallery Private Collection
Black Collage (2000)PaintingCollage and Acrylic on Canvas76 cm x 61 cm2000Arturo R. LuzLeon Gallery
Black Collage (2014) 1PaintingAcrylic on Paper16 x 11 inches2014Arturo R. LuzCrucible Gallery
Black Collage (2014) 2PaintingAcrylic on Paper16 x 11 inches2014Arturo R. LuzCrucible Gallery
Black Collage (2014) 3PaintingAcrylic on Paper16 x 11 inches2014Arturo R. LuzCrucible Gallery
Black Collage 1 (2000)PaintingAcrylic / collage76 cm x 61 cm2000Arturo R. LuzLeon Gallery Private Collection
Black Collage I (1988)PaintingAcrylic on Paper107 cm x 91 cm1988Arturo R. LuzLeon Gallery Private Collection
Black Forms on White SpaceSculptureAluminum48 x 96 x 3 1/2 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Black Forms on White Space (quadriptych)SculptureAluminum96 x 192 x 4 1/2 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Black Forms on White Space (triptych)SculptureAluminum36 x 108 x 3 1/2 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
BorobodurPaintingAcrylic and Mixed Media on canvas122 cm x 152 cm1992Arturo R. LuzLeon Gallery Private Collection
Bottle No. 2PaintingAcrylic on Canvas61 cm x 91 cm2000Arturo R. LuzLeon Gallery Private Collection
Boxes & Shells No. 3PhotoPhotograph41 cm x 50 cm1999Arturo R. LuzLeon Gallery Private Collection
Boxes & Shells No. 4PhotoPhotograph41 cm x 50 cm1999Arturo R. LuzLeon Gallery Private Collection
Brown ManPaintingWatercolor on Chipboardca. 1950sArturo R. LuzKalaw-Ledesma Foundation Inc. Facebook Luz's semi-abstract work in the KLFI Collection shows the influence of ink brush painting. A closer and longer look will help you recognize the figure of the Brown Man (1950s), his posture encumbered by the weight of another person in his arms, as suggested by the toes seen at the left-hand side of the art work.Kalaw-Ledesma Foundation Inc
Carnival Forms (1993)PaintingAcrylic on handmade paper91 cm x 122 cm1993Arturo R. LuzLeon Gallery Private Collection
Carnival Forms (1999)PaintingAcrylic on Canvas61 cm x 122 cm1999Arturo R. LuzLeon Gallery Private collection
Celebration: Variation on the Juggler ThemePaintingAcrylic on Canvas153 cm x 122 cm1991Arturo R. LuzLeon Gallery Private collection
Chroma (2014) 1PaintingColored paper27.5 x 19.5 inches2014Arturo R. LuzCrucible Gallery
Chroma (2014) 2PaintingColored paper27.5 x 19.5 inches2014Arturo R. LuzCrucible Gallery
Chroma (2014) 3PaintingColored paper27.5 x 19.5 inches2014Arturo R. LuzCrucible Gallery
Chroma 2Mixed Media69 x 49 cm2014Arturo R. LuzLeon Gallery Private Collection
Cities of the Past (1997)PaintingAcrylic on Canvas76 cm x 122 cm1997Arturo R. LuzLeon Gallery Private Collection
Cities of the Past (n.d.)PaintingAcrylic on Canvas56 cm x 66 cmArturo R. LuzLeon Gallery Private Collection
Cities of the Past SeriesPaintingAcrylic on Canvas61 cm x 91 cm1997Arturo R. LuzLeon Gallery Private collection
CityscapePaintingAcrylic on Canvas61 cm x 89 cmArturo R. LuzLeon Gallery Private collection
Collage 5 (Set B)PrintL-print, collage23 cm x 15 cm2013Arturo R. LuzLeon Gallery Private Collection
Croma IICollage on handmade paper70 cm x 24 cm1999Arturo R. LuzLeon Gallery Private Collection
Cycling TrioPaintingAcrylic on Canvas91 cm x 61 cm2015Arturo R. LuzLeon Gallery Private Collection
Cyclist (1962)PaintingMixed Media84 cm x 53 cm1962Arturo R. LuzLeon Gallery Private Collection
Cyclist (97th copy of 180)PrintPrint53 cm x 36 cm1970Arturo R. LuzLeon Gallery Private Collection
Cyclist (ca. 1990)SculptureSilver24 cm x 18 cmca. 1990Arturo R. LuzLeon Gallery Private Collection
Cyclist (n.d.)PaintingAcrylic152 cm x 107 cmUndatedArturo R. LuzLeon Gallery Private Collection
Cyclist 1 (1962) 19th copy of 20PrintEtching25 cm x 19 cm1962Arturo R. LuzLeon Gallery Private Collection
Cyclist 1 (n.d.)SculptureMetal27 cm x 24 cm x 13 cmArturo R. LuzLeon Gallery Private Collection
Cyclist 2 (1962)SketchPencil on Paper32 cm x 21 cm1962Arturo R. LuzLeon Gallery An inclination towards geometry – lines and shapes that are virtually architectural, understated elegance, always subdued, but almost always possessing kinteticism. These are the qualities that have made the art of Arturo Luz distinct and which are very much present in this series from 1962.Private Collection
Cyclist 3 (1962)SketchGraphite on Paper22 cm x 33 cm1962Arturo R. LuzLeon Gallery Private Collection
Cyclist 4 (1962)SketchGraphite on Paper22 cm x 33 cm1962Arturo R. LuzLeon Gallery Private Collection
CyclistsPaintingOil on Canvas71 cm x 71 cmUndatedArturo R. LuzLeon Gallery Private Collection
Desert ArchitecturePaintingAcrylic on Paper61 cm x 122 cmUndatedArturo R. LuzLeon Gallery Private Collection
Desert ArchitecturePaintingAcryclic on Canvas36 x 62 inches2008Arturo R. LuzCanete, Reuben Ramas. (2020). Arturo Luz and the language of Philippine Modernism. Blueprint. November 11. https://bluprint.onemega.com/arturo-luz-philippine-modernism/
Desert CityPaintingInk and Acrylic on Paper30 cm x 76 cm2014Arturo R. LuzLeon Gallery Private Collection
Desert Forms, RajasthanPaintingAcryclic on Canvas36 x 66 inches2008Arturo R. LuzCanete, Reuben Ramas. (2020). Arturo Luz and the language of Philippine Modernism. Blueprint. November 11. https://bluprint.onemega.com/arturo-luz-philippine-modernism/
Desert, LandscapePaintingAcrylic on wood61 cm x 122 cm2007Arturo R. LuzLeon Gallery Private Collection
Dessert Moon, RajastanPaintingAcrylic on Canvas91 cm x 152 cm2000Arturo R. LuzLeon Gallery Private collection
Double Reclining Form (Greenbelt 1)SculptureArturo R. LuzSan Jose, Christian. (2021). National Artist Arturo Luz’s sculptures live on in public spaces. May 21. https://nolisoli.ph/97369/arturo-luz-sculpture-public-spaces-20210527/
Figura (2010)Sculpture1/2 inch thick mild steel plate in white finish49 x 30 x 30 inches2010Arturo R. LuzCrucible Gallery
Figura (2015)SculptureMild steel plate in yellow finish30 x 27 x 49 inches2015Arturo R. LuzCrucible Gallery
Graffiti 2PaintingMixed Media41 x 33 cm2014Arturo R. LuzLeon Gallery Private Collection
Grafitti (2014) 1PaintingAcrylic on Paper16.75 x 12.5 inches2014Arturo R. LuzCrucible Gallery
Grafitti (2014) 2PaintingAcrylic on Paper15.5 x 25 inches2014Arturo R. LuzCrucible Gallery
Grafitti (2014) 3PaintingAcrylic on Paper16.75 x 12.5 inches2014Arturo R. LuzCrucible Gallery
Grafitti (2014) 4PaintingAcrylic on Paper16.75 x 12.5 inches2014Arturo R. LuzCrucible Gallery
Grafitti (2014) 5PaintingAcrylic on Paper16.75 x 12.5 inches2014Arturo R. LuzCrucible Gallery
Grafitti (2014) 6PaintingAcrylic on Paper16.75 x 12.5 inches2014Arturo R. LuzCrucible Gallery
GridSculptureIpil19 1/2 x 34 1/2 x 19 1/2 in2013Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Hanoi Series no. 9Mixed Media16 cm x 20 cmArturo R. LuzLeon Gallery Private Collection
Homage to AaltoSculptureIpil21 x 21 x 21 in2013Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to CalderSculptureIpil28 x 28 x 28 in2013Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Eduardo Chillida (black)SculptureBlack Iron48 1/2 x 24 x 24 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Eduardo Chillida (in white finish)Sculpture1/2 inch thick mild steel plate154.5 x 76 x 76 cmArturo R. LuzMuseo Orlina
Homage to Eduardo Chillida (red)SculptureBlack Iron50 1/2 x 20 x 20 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Eusebio Sempere (black)SculpturePainted Steel36 x 36 1/2 x 48 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Eusebio Sempere (white)SculpturePainted Steel36 x 25 x 48 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Fernando ZobelSculptureMild steel plate in red finish26 x 16.5 x 11.5 inches2015Arturo R. LuzCrucible Gallery
Homage to Fernando Zobel (black)SculpturePainted Steel31 x 54 x 34 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Fernando Zobel (white)SculpturePainted Steel32 x 39 x 36 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Gerardo Rueda (black)SculpturePainted Steel25 x 36 x 24 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Gerardo Rueda (white)SculpturePainted Steel15 x 33 x 24 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Isamu Noguchi (2015, black finish)SculptureMetal tube in black finish24 cm x 20 cm x 18 cm2015Arturo R. LuzLeon Gallery Private Collection
Homage to Isamu Noguchi 50th of 100 (2015, black finish)SculptureMetal tube in black finish24 cm x 20 cm x 18 cm2015Arturo R. LuzLeon Gallery Private Collection
Homage to Isamu Noguchi 50th of 100 (2017, rose gold finish)SculptureMetal rose gold finish17 cm x 22 cm x 23 cm2017Arturo R. LuzLeon Gallery Private Collection
Homage to Isamu Noguchi 81st of 100 (2017, rose gold finish)SculptureMetal tube in rose gold finish16 cm x 22 cm x 23 cm2017Arturo R. LuzLeon Gallery
Homage to Sesshu Toyo (black)SculptureDiameter blackiron34 x 55 x 53 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Homage to Sesshu Toyo (white)SculptureDiameter blackiron40 x 37 x 54 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Imaginary Landscape (2014)Pen and Ink on Paper23 cm x 41 cm 2014Arturo R. LuzLeon Gallery Private Collection
Imaginary Landscape IDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape IIDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape IIIDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape IVDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape SeriesPaintingAcrylic on Canvas41 cm x 51 cmArturo R. LuzLeon Gallery Private Collection
Imaginary Landscape Series - MonoprintPrintA photograph of a drawing by Arturo Luz, C-Print on Ilford Smooth Cotton Rag archival paper40 x 60 inches2016Arturo R. LuzCrucible Gallery
Imaginary Landscape VDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape V-2DrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape VIDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape VIIDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape VIIIDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape XDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
Imaginary Landscape XIDrawingPencil on Paper12 x 16.5 inches2010Arturo R. LuzCrucible Gallery
JugglerPaintingAcrylic collage229 cm x 95 cm1991Arturo R. LuzLeon Gallery Private collection
Juggler (1962)SketchGraphite on Paper22 cm x 33 cm1962Arturo R. LuzLeon Gallery Private Collection
Juggler (2005)PaintingAcrylic on Canvas91 cm x 61 cm2005Arturo R. LuzLeon Gallery Private collection
Juggler and ArtistPaintingAcrylic on Canvas91 cm x 91 cm2002Arturo R. LuzLeon Gallery Private Collection
Kyoto (2014) 1PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2014) 10PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2014) 2PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2014) 3PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2014) 4PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2014) 5PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2014) 6PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2014) 7PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2014) 8PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2014) 9PaintingAcrylic on Paper8.5 x 12 inches2014Arturo R. LuzCrucible Gallery
Kyoto (2018)Handtufted wool72 x 48 inches2018Arturo R. LuzCrucible Gallery
Kyoto 1PrintPrint and collage44 cm x 29 cmArturo R. LuzLeon Gallery Private collection
Kyoto 1 (2011)PaintingAcrylic on Paper41 cm x 25 cm2011Arturo R. LuzLeon Gallery Private Collection
Kyoto 2PrintPrint and collage44 cm x 29 cmArturo R. LuzLeon Gallery Private collection
Kyoto 2 (2011)PaintingAcrylic on Paper41 cm x 25 cm2011Arturo R. LuzLeon Gallery Private Collection
Kyoto Series 1 (n.d.)PaintingAcrylic on Canvas51 cm x 41 cmArturo R. LuzLeon Gallery Private Collection
Kyoto Series 2 (n.d.)PaintingAcrylic on Canvas51 cm x 41 cmArturo R. LuzLeon Gallery Private Collection
Madjapahit PotPrintPhoto collage20 cm x 36 cm2013Arturo R. LuzLeon Gallery Private Collection
MagbabanigPaintingOil on Wood70 cm x 39 cmUndatedArturo R. LuzLeon Gallery Private Collection
Man on a WheelPaintingAcrylic on Canvas91 cm x 61 cm2015Arturo R. LuzLeon Gallery Private Collection
Manrique (Red Finish)SculptureArturo R. LuzCrucible Gallery
Manrique (White Finish)SculptureArturo R. LuzCrucible Gallery
MiragePaintingAcrylic on Canvas76 cm x 152 cm2008Arturo R. LuzLeon Gallery Private Collection
Modern Figure of a WomanPaintingGouache on paper42 cm x 28 cmUndatedArturo R. LuzLeon Gallery Private Collection
Modula (ochre)SculptureWelded Steel96 x 24 x 24 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Modula (white)SculptureWelded Steel72 x 24 x 24 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Modula 1SculptureIpil35 x 12 x 12 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Modula 2SculptureIpil36 x 12 x 12 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Modula 3SculptureIpil24 x 12 x 12 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Modula 4SculptureIpil36 x 12 x 12 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Multiple Metal Sculpture (Homage to Gustavo Torner)SculptureBlack iron in thermoplast powder coating17 cm x 22 cm x 24 cmArturo R. LuzLeon Gallery
MusicianPaintingAcrylic on Canvas41 cm x 51 cm2013Arturo R. LuzLeon Gallery Private Collection
Musician and CyclistsPaintingAcrylic on Canvas laid on panel91 cm x 122 cm2003Arturo R. LuzLeon Gallery Private Collection
Musician and JugglerPaintingAcrylic on Canvas107 cm x 107 cm2000Arturo R. LuzLeon Gallery Private collection
Musicians (1962)PaintingMixed Media on paper109 cm x 84 cm1962Arturo R. LuzLeon Gallery Private Collection
Musicians (n.d.)PaintingEnamel on Panel41 cm x 51 cmUndatedArturo R. LuzLeon Gallery Private Collection
Musicians 1 (1962)SketchPencil on Paper12 1/2” x 8 1/4”1962Arturo R. LuzLeon Gallery An inclination towards geometry – lines and shapes that are virtually architectural, understated elegance, always subdued, but almost always possessing kinteticism. These are the qualities that have made the art of Arturo Luz distinct and which are very much present in this series from 1962.Private Collection
Musicians 1 (n.d.)PaintingEnamel on panel71 cm x 127 cmUndatedArturo R. LuzLeon Gallery Private Collection
Necklace by Hans Brumman (designed by Arturo Luz)Jewelry18k gold82g2014Arturo R. LuzLeon Gallery This necklace was part of the Elegance and Grace Collection last 2014. All items were designed by Arturo Luz and manufactured by Hans Brumann. Each piece has the engraved signature of Mr. Arturo Luz.Elegance and Grace Collection (Jewelry)Private Collection
Night Poem (1st copy of of 12)PrintPrint53 cm x 46 cmUndatedArturo R. LuzLeon Gallery Private Collection
Night Poem 6 (3rd copy of 12)PrintPrint53 cm x 46 cmUndatedArturo R. LuzLeon Gallery Private Collection
Nightsong (13th copy of 20) PrintEtching25 x 28 cm1962Arturo R. LuzLeon Gallery Private Collection
Nightsong (19th copy of 20) PrintEtching25 cm x 28 cm1962Arturo R. LuzLeon Gallery Private Collection
Nikko (2014) 1PaintingAcrylic on Paper15.5 x 11.25 inches2014Arturo R. LuzCrucible Gallery
Nikko (2014) 2PaintingAcrylic on Paper15.5 x 11.25 inches2014Arturo R. LuzCrucible Gallery
Nikko (2014) 3PaintingAcrylic on Paper15.5 x 11.25 inches2014Arturo R. LuzCrucible Gallery
Objects from the PastPaintingAcryclic on Canvas24 x 36 inches2011Arturo R. LuzCrucible Gallery
ObuSculptureWood86 cm x 109 cm x 84 cm1971Arturo R. LuzLeon Gallery Private Collection
Palitana-White Temples (2002)PaintingAcrylic on Canvas91 cm x 61 cm2002Arturo R. LuzLeon Gallery
Palitana-White Temples (2006)PaintingAcrylic on Canvas61 cm x 61 cm2006Arturo R. LuzLeon Gallery Private Collection
Performance (1962) 11th copy of 15PrintEtching28 cm x 33 cm1962Arturo R. LuzLeon Gallery Private Collection
Performance (1990-1991)SculptureSilver (847 g)39 cm x 28 cm x 18 cm1990-1991Arturo R. LuzLeon Gallery Private Collection
Performers (1990)SculptureSilver34 cm x 22 cm x 28 cm1990Arturo R. LuzLeon Gallery Private collection
Performers (black)SculptureBlack Iron90 x 41 x 38 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Performers (n.d.)SculptureMetal175 cm x 97 cm x 91 cmUndatedArturo R. LuzLeon Gallery Private collection
Performers (white)SculptureBlack Iron74 x 46 x 38 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Pounding RiceSketchGraphite on Paper24 cm x 13 cmArturo R. LuzLeon Gallery Private Collection
RajasthanPaintingAcrylic on Canvas51 cm x 51 cm2010Arturo R. LuzLeon Gallery Private Collection
Red PerformancePaintingAcrylic on Canvas97 cm x 163 cm2007Arturo R. LuzLeon Gallery
Red SkyPaintingAcrylic on Canvas73 cm x 44 cm2007Arturo R. LuzLeon Gallery Private collection
Red Trio PerformingPaintingAcrylic on Canvas91 cm x 137 cm2009Arturo R. LuzLeon Gallery
Rojo No. 6PaintingAcrylic on Canvas91 cm x 61 cm1999Arturo R. LuzLeon Gallery Private Collection
RYUPaintingAutomotive Lacquer (DUCO)157 cm x 122 cm1971Arturo R. LuzLeon Gallery Private collection
Salute to Frankenthaler 3PaintingDye and Acrylic on Paper43 cm x 30 cm1978Arturo R. LuzLeon Gallery Private Collection
SeashellsPrintGiclee photo print41 cm x 47 cmArturo R. LuzLeon Gallery Private collection
Serenata (1st copy of 20)PrintWoodcut43 cm x 51 cm1965Arturo R. LuzLeon Gallery Private Collection
Serenata 2nd edition (8th copy of 20)PrintPrint43 cm x 50 cmca. 1960Arturo R. LuzLeon Gallery Private Collection
ShokeiPaintingAcrylic on Canvas46 x 46 cm2000Arturo R. LuzLeon Gallery
Solo Performer 17th of 100SculptureStainless steel24 cm x 9 cm x 28 cmArturo R. LuzLeon Gallery Private Collection
Solo Performer 33rd of 100SculptureSilver finished metal tube29 cm x 25 cm x 9 cmArturo R. LuzLeon Gallery Private Collection
Still Life (Boxes and Shells)PhotoPhotograph20 cm x 28 cm2007Arturo R. LuzLeon Gallery Private Collection
Study for "The Procession"PaintingOil on Wood13 cm x 62 cmUndatedArturo R. LuzLeon Gallery Private Collection
Study in Yellow and Black 1PaintWatercolor on Paper51 cm x 51 cm1978Arturo R. LuzLeon Gallery Private Collection
Tange 1SculptureIpil34 1/2 x 21 x 24 in2013Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Tange 2SculptureIpil33 x 12 x 18 3/4 in2013Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Tange 3SculptureIpil31 x 20 x 17 in2013Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Tange 4SculptureIpil34 x 31 x 19 1/2 in2013Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
TanggeSculptureIpil19 x 23 x 18 inches2019Arturo R. LuzCrucible Gallery
Temple Complex IPaintingAcrylic on Canvas30 x 48 inches2010Arturo R. LuzCrucible Gallery
Temple Complex IIPainting32 x 48 inches2010Arturo R. LuzCrucible Gallery
Temple Complex IIIPaintingAcrylic on Canvas32 x 48 inches2010Arturo R. LuzCrucible Gallery
Temple Complex IVPainting30 x 48 inches2010Arturo R. LuzCrucible Gallery
Temples of WorshipPaintingAcrylic on Canvas76 cm x 153 cm1995Arturo R. LuzLeon Gallery Private collection
Temples, RajastanPaintingAcrylic on Canvas61 cm x 86 cm2006Arturo R. LuzLeon Gallery Private Collection
The Great StupasPaintingAcrylic on Canvas74 cm x 121 cm2001Arturo R. LuzLeon Gallery Private Collection
The PerformersPaintingAcrylic on Canvas127 x 81 cm2013Arturo R. LuzSalcedo AuctionsHints of his usual reds are overpowered by the unique use of green in this enigmatic work by National Artist Arturo Luz. Exploring the boundaries of minimalism, elements of the work are made with architectural precision, each with their own role in keeping the structure whole. Exhibition: Reflections Gallery, Museo Orlina, Tagaytay City, 9 April - 5 May 2014The Well-Appointed Life: Important Philippine Art
Three JarsPaintingAcrylic on Canvas61 cm x 122 cmca. 1990Arturo R. LuzLeon Gallery Private Collection
Tribal Figure 1SculptureIpil63 x 17 1/2 x 17 1/2 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Tribal Figure 3SculptureIpil31 1/2 x 9 x 9 in2012Arturo R. LuzFinale Art File Gallery. (2013). Arturo Luz: Sculptures in Metal and Wood. Exhibition. August 16-30 (https://finaleartfile.com/sculptures-in-metal-and-wood-arturo-luz/)
Tribal Figure sculpture editionSculptureIpil81 cm x 30 cm x 30 cm2013Arturo R. LuzLeon Gallery Private collection
32 Variations of SabelGlaze on mariwasa tiles61 x 30 cm eachBenedicto R. CabreraLeon Gallery
A Beautiful WomanPaintingAcrylic on Paper74 x 52 cm1972Benedicto R. CabreraLeon Gallery Private Collection
A Younger Poet in ExilePaintingAcrylic on Paper66 x 50 cm1978Benedicto R. CabreraLeon Gallery
Afternoon BreakPaintingAcrylic on handmade paper112 x 71 cm1992Benedicto R. CabreraLeon Gallery Private Collection
America is in the heart, AP VPrintPrint on arches paper38 x 28 cm2013Benedicto R. CabreraLeon Gallery Private Collection
Ang Pamilya - 16th copy of 100PrintEtching28 x 22 cm2001Benedicto R. CabreraLeon Gallery Private Collection
Ang Pamilya - 19th copy of 100PrintEtching28 x 22 cm2001Benedicto R. CabreraLeon Gallery Private Collection
Anxiety (Family) AP 6PrintArchival Print on Arches paper38 x 28 cm2011Benedicto R. CabreraLeon Gallery Private Collection
Banana Vendor - 6th copy of 20PrintDigital print38 x 28 cm2010Benedicto R. CabreraLeon Gallery Private Collection
Ben Cabrera #110PaintingMixed Media24 x 24 cm1970Benedicto R. CabreraLeon Gallery This gaunt figure, executed in pastel on paper, shows Bencab’s Scavenger at her most haunting countenance. Reduced to a highly simplified form, Bencab also reduces the agonized figure to a garbed skull in the throes of an emotional crisis. In 1970, Bencab started his scavenger Series of etchings, whose imagery of city destitutes originated during the late sixties when he worked as an illustrator for the Manila Times. The archetypal scavenger figure was a real life madwoman roaming the streets of Manila, whom he christened Sabel. As can be seen in this scavenger, Bencab’s inclination to “abstract” comes to the fore with only the barest suggestion of human forms. Bencab has always been sensitive about injustices inflicted on the weak and helpless, giving poignant life to what would be merely skillfully executed pictures. A fine early representative work in his long career, “Ben Cabrera #110” hints at the simplified forms, heavy outlines, sharp contrasts, and emotional content of Ben Cabrera’s mature style to come.Private Collection
BenCab Beetle Art CarPainting1974 Volkswagen Beetle 1303 "Super Beetle"2013Benedicto R. CabreraMuseo Orlina
Birds of Tubbataha - A Blue-footed Booby, AP 1PrintArchival Print on Arches paper28 x 19 cm2012Benedicto R. CabreraLeon Gallery Private Collection
Birds of Tubbataha - A Pair of Black Noodies, AP 1PrintArchival Print on Arches paper28 x 19 cm2012Benedicto R. CabreraLeon Gallery Private Collection
Birds of Tubbataha - Green-footed Booby with Juvenile, AP 1PrintArchival Print on Arches paper19 x 28 cm2012Benedicto R. CabreraLeon Gallery Private Collection
Birds of Tubbataha - Red-footed Boobies, AP 1PrintArchival Print on Arches paper28 x 19 cm2012Benedicto R. CabreraLeon Gallery Private Collection
Birds of Tubbataha - Red-footed Booby , AP 1PrintArchival Print on Arches paper28 x 19 cm2012Benedicto R. CabreraLeon Gallery Private Collection
Birds of Tubbataha - Red-footed Booby Nesting, AP 1PrintArchival Print on Arches paper19 x 28 cm2012Benedicto R. CabreraLeon Gallery Private Collection
Birds of Tubbataha - Sunset at Tubbataha Isle, AP 1PrintArchival Print on Arches paper28 x 19 cm2012Benedicto R. CabreraLeon Gallery Private Collection
Birds of Tubbataha - Tern Nesting, AP 1PrintArchival Print on Arches paper19 x 28 cm2012Benedicto R. CabreraLeon Gallery Private Collection
Blue KerchiefPaintingAcrylic and Charcoal on Paper56 x 37 cm2011Benedicto R. CabreraLeon Gallery Private Collection
Boxed ObjectsPrintEtching41 x 30 cm1979Benedicto R. CabreraLeon Gallery Private Collection
Boy Afraid of TremorsPaintingAcrylic on Canvas122 x 102 cm1992Benedicto R. CabreraLeon Gallery Private Collection
Brown Brothers - 16th copy of 20PrintEtching30,5 x 27 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Brown Women (Macau Series)PaintingAcrylic on Paper56 x 38 cm2006Benedicto R. CabreraLeon Gallery Private Collection
Cabrera Quarter #55PaintingMixed Media25 x 23 cm1970Benedicto R. CabreraLeon Gallery Private Collection
ConversationSculpture1/2 inch thick mild steel plate in red and grey finish30 x 29 x 10 inches2012Benedicto R. CabreraCrucible Gallery
CouplePaintingAcrylic on Paper76 x 52 cm 2006Benedicto R. CabreraLeon Gallery Private Collection
CrucifixSculptureSpray painted 0.5 inch aluminum plate82 x 22 x 18 inches2012Benedicto R. CabreraCrucible Gallery
CrucifixionPaintingWatercolor on handmade paper80 x 52 cm1987Benedicto R. CabreraLeon Gallery Private Collection
Dance Form, 7th copy of 25PrintEtching72 cm x 41 cm2014Benedicto R. CabreraLeon Gallery Private Collection
Dance MovementSculptureSpray painted 0.5 inch aluminum plate70.25 x 49 x 16 inches2014Benedicto R. CabreraCrucible Gallery
Dance of IsadoraPaintingAcrylic on Canvas122 x 272 cm2003Benedicto R. CabreraLeon Gallery Private Collection
Dance Sabel, AP 2PrintArchival Print on Arches paper38 x 28 cm2014Benedicto R. CabreraLeon Gallery Private Collection
DancerDrawingCharcoal on Paper55 x 37 cm1994Benedicto R. CabreraLeon Gallery Private Collection
Deck Chair - 4th copy of 20Print51 x 38 cm2006Benedicto R. CabreraLeon Gallery Private Collection
Draped Figure IIIPaintingAcrylic and Ink on Paper76 x 56 cm2010Benedicto R. CabreraLeon Gallery
DrapesPaintingPen and Acrylic on Paper27 x 36 cm1971Benedicto R. CabreraLeon Gallery Private Collection
Drapes 2DrawingPencil on Paper28 x 36 cm1971Benedicto R. CabreraLeon Gallery Private Collection
Drapes on TablePaintingMixed Media on paper39 x 34 cm1971Benedicto R. CabreraLeon Gallery Private Collection
Edge of Life and DeathPaintingInk & acrylic on handmade paper2012Benedicto R. CabreraBenCab Museum
EspeletaPaintingAcrylic or Oil on Wood51 x 37 cm1967Benedicto R. CabreraLeon Gallery Private Collection
Female Torso 1DrawingMixed Media36 x 29 cm1976Benedicto R. CabreraLeon Gallery Private Collection
Female Torso 2SketchPencil on Paper29 x28 cm1976Benedicto R. CabreraLeon Gallery Private Collection
FerminaPrintDigital print107 x 79 cm2009Benedicto R. CabreraLeon Gallery
Filipina Domestic Help - 7th copy of 25PrintEtching aquatint46 x 56 cm1978Benedicto R. CabreraLeon Gallery Angel de Jesus wrote about “Domestic Help” in 1978 in an article entitled “Bencab: Art for Bruising the Conscience:” “Distant as he is from his country, the “revolutionary” in him cannot forget his roots. His “Larawan II” exhibit recorded the observation on the lives of Filipinos who have sought to improve their lot in other countries. Its theme is suggested by the twin portrait facing front and profile, of a Filipina employed as a maid abroad. Its title is a symbol of the Filipina girl in all her timorousness sacrificing herself for the welfare of her family in a rural province back home. He also showed portraits of Filipinas whom he painted while they were abroad. He has been trying to introduce a new concept locally of having portraits considered as paintings per se.Private Collection
Filipino Dress Study 1DrawingPen and Ink on Paper20 x 15 cm1974Benedicto R. CabreraLeon Gallery These two pen and ink sketches from 1974, were done at a time when Bencab relocated back to London after a two year stay in the Philippines. Featuring studies of a man (in suit and tie) and a woman (in a baro’t saya), we can surmise perhaps that the artist was leisurely honing and practicing his sketching skills in a place far away from the tumult of the Martial Law regime while pining for home.Private Collection
Filipino Dress Study 2DrawingPen and Ink on Paper20 x 15 cm1974Benedicto R. CabreraLeon Gallery These two pen and ink sketches from 1974, were done at a time when Bencab relocated back to London after a two year stay in the Philippines. Featuring studies of a man (in suit and tie) and a woman (in a baro’t saya), we can surmise perhaps that the artist was leisurely honing and practicing his sketching skills in a place far away from the tumult of the Martial Law regime while pining for home.Private Collection
Filipino Scholar Abroad (Larawan II)PaintingWatercolor on Paper66 x 51 cm1978Benedicto R. CabreraLeon Gallery Private Collection
Fishing Village in Batang IslandPaintingOil on Wood58 x 41 cm1963Benedicto R. CabreraLeon Gallery Private Collection
Flight Ca. 2000 Mono VI (monoprint)PrintEtching on handmade paper132 x 168 cm2005Benedicto R. CabreraLeon Gallery Private Collection
Gaze (2012)Sculpture1/2 inch thick mild steel plate in red finish72 x 40 x 24 inches2012Benedicto R. CabreraCrucible Gallery
Gaze (3 items)Resin69 cm x 43 cm x 25 cm2017Benedicto R. CabreraLeon Gallery
Gaze II (Larawan Series I)PaintingAcrylic, Pen and Ink on canvas51 x 41 cm1972Benedicto R. CabreraLeon Gallery Private Collection
Geisha II, APPrintArchival Print on acid-free paper71 x 28 cm2014Benedicto R. CabreraLeon Gallery Private Collection
Gesture 1SculptureBrass29 cm x 18 cm x 14 cmBenedicto R. CabreraLeon Gallery Private Collection
Girl SittingPaintingAcrylic on Canvas76 x 61 cm1994Benedicto R. CabreraLeon Gallery Private Collection
Girl with ChrysanthemumPaintingAcrylic on handmade paper33 x 25 cm1983Benedicto R. CabreraLeon Gallery
Homage to MatisseSculpture1/2 inch thick mild steel plate in rust finish26 x 26 x 8 inches2012Benedicto R. CabreraCrucible Gallery
Homage to SabelPaintingAcrylic on Canvas36 x 28 cm2002Benedicto R. CabreraLeon Gallery Private Collection
Home to TuringPaintingAcrylic on Canvas114 cm x 213 cm2006Benedicto R. CabreraLeon Gallery Private Collection
Iboloi Mother and Child, AP 4Print36 x 26 cm2010Benedicto R. CabreraLeon Gallery Private Collection
Ifugao Man, AP VIPrintArchival Print on Arches paper38 x 28 cm2013Benedicto R. CabreraLeon Gallery Private Collection
Imaginary Portrait of SabelPaintingInk and Acrylic on Paper57 x 53 cm1970Benedicto R. CabreraLeon Gallery Private Collection
Imaginary Portrait of Sabel - 10th copy of 20PrintEtching14 x 14 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Imaginary Portrait of Sabel 1 - 10th copy of 20PrintEtching14 x 14 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Isadora 1Sculpture1/2 inch thick mild steel plate in nickel finish28 x 15 x 7 inches2012Benedicto R. CabreraCrucible Gallery
Isadora in MotionPaintingAcryclic on canvas244 x 198 cm1998Benedicto R. CabreraLeon Gallery Private Collection
Iza as SabelDrawingPastel on Paper75 x 55 cm2015Benedicto R. CabreraLeon Gallery The portrait is that of the beautiful actress Iza Calzado, as it is also of Sabel. The portrait was to become the poster image of “SABEL- LOVE AND PASSION”, presented in part by the Bencab Art Foundation, which had its world premiere gala in April 2015. “Iza as Sabel” also resumes Bencab’s ever recurring theme of women in draperies. The subject, with her slim proportions, pretty face, and windswept hair, is set against neutral background and swathed in an outfit whose manifold convolutions somehow achieve their own languagePrivate Collection
Jet Pangan (Rock Series)DrawingCharcoal and Pastel on Paper83 x 57 cm1995Benedicto R. CabreraLeon Gallery Aside from his re-explorations of the Philippines’ colonial past via old photographs, or his social commentaries via the famed madwoman, Ben Cabrera has done a number of portraits on occasion. For this portrait, Bencab uses a few colors rather than many, and his works assert that fewer colors in a painting give the art greater force and meaning. And ‘force’ is an apt description given that the subject, Jett Pangan, an icon of 1990s pop culture, has that forceful persona onstage when he sings. To quote the book “BENCAB” by Krip Yuson and Cid Reyes: “There is no more convincing proof of Bencab’s… abstracting eye” which is apparent in how the artist distills the image of the rock star into his sartorial essence. Ben Cabrera, like most if not all contemporary artists, works on the portrait outside of reality. Portraits are, after all, a peculiar amalgam of art and reality, and it presents a person, most often famous, in a way not visually experienced before. Like any craftsman, the “interaction” between the painter’s brush and the personality of the subject is made permanent in the final outcome of the portrait. Bencab uses boldness of lines amid the severe neutrality of the background to create an image of the popular rock singer with a young, yet straightforward candor divested of unnecessary details. The flash of vermilion orange provides the requisite 1990s visual angst in a portrait that otherwise captures laid back restraint.Private Collection
Jose RizalPaintingAcrylic on Canvas152 x 61 cm2011Benedicto R. CabreraLeon Gallery Private Collection
Larawan Series (2000)PaintingAcrylic on Canvas91 x 91 cm2000Benedicto R. CabreraLeon Gallery
Looking Back - 14th copy of 25PrintDigital print84 x 53 cm2014Benedicto R. CabreraLeon Gallery Private Collection
Lovers (1992)PaintingAcrylic on Canvas122 x 102 cm1992Benedicto R. CabreraLeon Gallery Private Collection
Lovers (1993)SketchPastel on Paper18 x 14 cm1993Benedicto R. CabreraLeon Gallery
Lovers (2014)Sculpture10 mm thick aluminum plate34 x 48 x 18 inches2014Benedicto R. CabreraCrucible Gallery
Mag-Ina PlateCeramic22 cmBenedicto R. CabreraLeon Gallery 1500 copiesPrivate Collection
Mag-Ina PlatePlate30 x 302001Benedicto R. CabreraLeon Gallery Private Collection
Malboro Country - 12th copy of 25PrintEtching29 x 25 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Male NudeSketchCharcoal and Ink on Paper41 x 30 cm1971Benedicto R. CabreraLeon Gallery Private Collection
Male Torso - 16th copy of 35PrintEtching15 x 13 cm1989Benedicto R. CabreraLeon Gallery
Man - 2nd copy of 25Print32 x 23 cm1988Benedicto R. CabreraLeon Gallery Private Collection
Man - Mono IIIPrintCollagraph and etching on STPI handmade shaped paper, printed from 4 woodblocks165 x 127 cm2005Benedicto R. CabreraLeon Gallery Private Collection
MeriendaPaintingAcrylic on handmade paper61 x 46 cm1989Benedicto R. CabreraLeon Gallery Private Collection
Mestiza Ca 1990, APPrint32 x 24 cm2014Benedicto R. CabreraLeon Gallery Private Collection
Mi Ultimo AdiosPaintingMixed Media76 x 58 cm1996Benedicto R. CabreraLeon Gallery Private Collection
Monumental FigurePaintingAcrylic on Canvas152.5 x 91 cm2010Benedicto R. CabreraSothebys
MoodSketchPen and Ink on Paper27 x 18 cmBenedicto R. CabreraLeon Gallery
Mother and child - 25th copy of 80PrintDigital print28 x 21 cm2006Benedicto R. CabreraLeon Gallery Private Collection
Mother and Child - 29th copy of 40PrintEtching27 x 18 cm1998Benedicto R. CabreraLeon Gallery Private Collection
Mother and Child - Ceramic Circle PlatePlateCeramic30 cmBenedicto R. CabreraLeon Gallery Private Collection
Mother and Child - Ceramic Plate - 130 out of 500PlateCeramic28 x 30 cm2007Benedicto R. CabreraLeon Gallery 500 copiesPrivate Collection
Mother and child (1973)PaintingInk and Acrylic on Paper22 x 17 cm1973Benedicto R. CabreraLeon Gallery Private Collection
Mother and Child (1990)Print19 x 14 cm1990Benedicto R. CabreraLeon Gallery Private Collection
Mother and Child (1996)PaintingOil on Canvas76 x 61 cm1996Benedicto R. CabreraLeon Gallery Private Collection
Mother and Child (1999)PaintingAcrylic on Paper41 x 28 cm1999Benedicto R. CabreraLeon Gallery Private Collection
Mother and Child (2007) - 6th copy of 20PrintDigital print38 x 29 cm2010Benedicto R. CabreraLeon Gallery Private Collection
Mother and Child (2013) 1SculptureCast bronze14.5 x 6 x 9 inches2013Benedicto R. CabreraCrucible Gallery
Mother and Child (2013) 2SculptureCast bronze17 x 8 x 9 inches2013Benedicto R. CabreraCrucible Gallery
Mother and Child (2014)Sculpture10 mm thick aluminum plate48 x 39.75 x 18 inches2014Benedicto R. CabreraCrucible Gallery
Mother and Child 1Fiberglass reinforced resin, oil and acrylic2015Benedicto R. CabreraLeon Gallery
Mother and Child 19th copy of 20SculptureBronze22 cm x 34 cm x 17 cmBenedicto R. CabreraLeon Gallery
Mother and Child 2Fiberglass reinforced resin, oil and acrylic2015Benedicto R. CabreraLeon Gallery
Mother and Child 3Fiberglass reinforced resin, oil and acrylic2015Benedicto R. CabreraLeon Gallery
Mother and Child 4Fiberglass reinforced resin, oil and acrylic2015Benedicto R. CabreraLeon Gallery
Mother and sonPlateCeramic22 cmBenedicto R. CabreraLeon Gallery 2000 copiesPrivate Collection
Naneth (monoprint)Print109 x 81 cm2009Benedicto R. CabreraLeon Gallery
Night RidePaintingAcrylic and Charcoal on Paper34 x 37 cm1968Benedicto R. CabreraLeon Gallery Private Collection
Night Shift IIPaintingAcrylic on Canvas59 x 51 cm1997Benedicto R. CabreraLeon Gallery Private Collection
Nine figure studies (Sabel)PaintingMixed Media61 x 61 cmBenedicto R. CabreraLeon Gallery Private Collection
Nude - 9th copy of 12 (1977)PrintLitograph18 x 15 cm1977Benedicto R. CabreraLeon Gallery
Nude (1975)SketchGraphite on Paper34 x 28 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Nude (1975), APPrintEtching19 x 27 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Nude (1976)DrawingPastel on Paper44 x 29 cm1976Benedicto R. CabreraLeon Gallery Private Collection
Nude (1984)PaintingWatercolor on Paper36 x 25 cm1984Benedicto R. CabreraLeon Gallery Private Collection
Nude (1993)DrawingPastel on Paper53 x 36 cm1977Benedicto R. CabreraLeon Gallery Private Collection
Nude (1995)SketchCharcoal and Pastel on Paper61 x 46 cm1995Benedicto R. CabreraLeon Gallery Private Collection
Nude (1999)DrawingPastel on Paper57 x 39 cm1999Benedicto R. CabreraLeon Gallery Private Collection
Nude (2000)DrawingPastel on Paper56 x 74 cm2000Benedicto R. CabreraLeon Gallery MODERN INTERPRETATIONS OF THE FEMALE FORM The two figures are visually unified together in a tender, intimate, sense of equivalence in their reciprocity. Erotically detailed, Bencab’s nude women exhibit a formal grace referencing nude figures of the Italian renaissance, while at the same time objectifying their subjects sexuality; they “exemplify his aesthetic position between tradition and modernism”. The nudes of this period are displayed boldly, with only the faintest suggestion of setting. Neither demure nor provocative, they are depicted with a degree of objectivity. His nudes manifest a full, sensual beauty that is not weighed down by the detailing of the surroundings. The well proportioned figures are drawn with clear, passionate lines giving them a sensuous feeling.Private Collection
Nude (2000) 1DrawingPastel on Paper38 x 54 cm2000Benedicto R. CabreraLeon Gallery Private Collection
Nude (2000) 2DrawingPastel on Paper59 x 36 cm2000Benedicto R. CabreraLeon Gallery Private Collection
Nude (2000) 3DrawingPastel on Paper41 x 83 cm2000Benedicto R. CabreraLeon Gallery Private Collection
Nude (2007)DrawingPastel on Paper33 x 24 cm2007Benedicto R. CabreraLeon Gallery Private Collection
Nude (2009)DrawingCharcoal on Paper48 cm x 64 cm2009Benedicto R. CabreraLeon Gallery
Nude (2011)DrawingPastel on Paper50 x 65 cm2011Benedicto R. CabreraLeon Gallery Private Collection
Nude (2013) 1SculptureCast bronze7 x 9 x 15 inches2013Benedicto R. CabreraCrucible Gallery
Nude (2013) 2SculptureCast bronze8.5 x 6.25 x 8.5 inches2013Benedicto R. CabreraCrucible Gallery
Nude (n.d.)SketchPen and Ink on Paper23 x 20 cmBenedicto R. CabreraLeon Gallery Private Collection
Nude 1SketchCharcoal on Paper61 x 76 cm2005Benedicto R. CabreraLeon Gallery This pair of nudes are some of BenCab’s later works — but nonetheless, they possess the same coarse elegance and refined grace as that of his earlier drawings. Strong, robust delineations, empowering the beauty of the female form.Private Collection
Nude 1 (1975) - 4th copy of 10PrintEtching17 x 13 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Nude 1 (1988), APPrintEtching10 x 9 cm1988Benedicto R. CabreraLeon Gallery
Nude 2 (1976)SketchPen and Ink on Paper36 x 29 cm1976Benedicto R. CabreraLeon Gallery
Nude 3 (1975)SketchPencil on Paper28 x 36 cm1975Benedicto R. CabreraLeon Gallery
Nude 4 (1976)Sketch26 x 27 cm1976Benedicto R. CabreraLeon Gallery
Nude 5 (1975)Sketch29 x 25 cm1975Benedicto R. CabreraLeon Gallery
Nude and ScreenPaintingWatercolor on japanese paper46 x 62 cm1979Benedicto R. CabreraLeon Gallery Private Collection
Nude IISketchPencil on Paper29 x 25 cm1976Benedicto R. CabreraLeon Gallery Private Collection
Ode to the FlagPainting2013Benedicto R. CabreraBenCab Museum"After more than a century since the revolution against colonial powers, ODE TO THE FLAG reminds us that the fight is not yet over, and suggests that our flag, as yet, does not fly in skies that are truly free." - Exhibition Notes, BenCab Museum 2015.
Peasant ManPaintingOil stick on handmade paper33 x 30 cm1989Benedicto R. CabreraLeon Gallery
Peasant WomanPaintingOil stick on handmade paper33 x 30 cm1989Benedicto R. CabreraLeon Gallery
Portrait of a ManDrawingCharcoal on Paper36 x 25 cm2011Benedicto R. CabreraLeon Gallery Private Collection
Portrait of SabelPrintLitograph32 x 24 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Portrait: Flor ContemplacionPaintingAcrylic on Canvas1995Benedicto R. CabreraMetropolitan Museum ManilaNational Artist for Visual Arts Benedicto "BenCab" Cabrera has ably expressed various social and political issues surrounding Philippine society through his works. 'Flor Contemplacion's is a somber portrait of a Filipina migrant worker in Singapore who was hanged in 1995 for allegedly murdering fellow Filipina worker Delia Maga and her young ward. The story of Flor Contemplacion warranted countless protests from activists nationwide, bringing to light the abuses domestic helpers face abroad and the apathy of the Philippine and Singaporean government to their struggles
Public ExecutionPaintingAcrylic on Paper62 x 57 cm1972Benedicto R. CabreraLeon Gallery “Filipino Prisoners of War: A Public Execution,” is an excellent representative of a distinct period in Bencab’s evolution as an artist wherein he visually interpreted the thematics of the different people’s struggles: the anti-imperialist and anti-fascist struggle; the struggle of the workers and peasants; the struggle of indigenous peoples, and other related themes. In the book “Protest/Revolutionary Art in the Philippines: 1970-1990,” under the chapter “Nationalism and the Anticolonial/Anti Imperial Struggle,” author Alice Guillermo writes: “One of the first artists to explore the national identity through historical images was Ben Cabrera. This was seen in his Larawan 1 exhibit in 1971, which included “Filipino Prisoners of War: A Public Execution,” “The Last March,” and “Brown man’s Burden.” This last work is a striking metaphor of the colonial situation: two tribal Filipinos in G-strings carry a stout faceless white man in a litter.” Guillermo continues: “His (Bencab’s) ‘Bandit and Gentleman Series ‘ (1973) also pursues the same concern.” As to charges that he was trafficking in questionable social realism and in propagandistic messages, Bencab can offer as defense the diction of another printmaker Leonard Baskin: “All art is tendentious. The communication of an artistic idea is also an act of propaganda.” Bencab’s commitment to his themes is absolute. It dispels any notion that he is only after images that can be considered picturesque, quaint and engaging.Private Collection
PunkDrawingPastel on Paper47 x 34 cm1981Benedicto R. CabreraLeon Gallery Private Collection
Punk SeriesDrawingPastel on Paper39 x 29 cm1989Benedicto R. CabreraLeon Gallery One of Bencab’s most iconic works from the 80’s is his punk series that were his interpretations of characters from the local punk scene. Here, he ventures into the pop art realm and is able to capture, playfully, the look, feel and mood of this counter culture movement. 102Private Collection
Reclining NudeSketchPastel on Paper38 x 56 cm2005Benedicto R. CabreraLeon Gallery This pair of nudes are some of BenCab’s later works — but nonetheless, they possess the same coarse elegance and refined grace as that of his earlier drawings. Strong, robust delineations, empowering the beauty of the female form.Private Collection
Recuerdos (Portraits of the Past Series), APPrintArchival Print on Arches paper36 x 28 cm2010Benedicto R. CabreraLeon Gallery Private Collection
Remembering and ForgettingPaintingAcrylic on Canvas72 x 44 cm2014Benedicto R. CabreraLeon Gallery Private Collection
Reminiscence 17th copy of 20PrintEtching aquatint50 x 33 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Sabel (1991)PaintingOil on Wood237 1/2 x 145 cm1991Benedicto R. CabreraLeon Gallery Private Collection
Sabel (1993)PaintingAcrylic on Paper30 x 23 cm1993Benedicto R. CabreraLeon Gallery Private Collection
Sabel (1996)PaintingAcrylic on Canvas18 x 13 cm1996Benedicto R. CabreraLeon Gallery Private Collection
Sabel (1997)PaintingAcrylic on Canvas76 x 61 cm 1997Benedicto R. CabreraLeon Gallery Private Collection
Sabel (2000)PaintingOil on Canvas152 x 102 cm2000Benedicto R. CabreraLeon Gallery Drawing on his iconic Sabel series, this work from 2000 is evocative of that recurring subject that first appeared in 1965. “Sabel,” in fact, was a scavenger and homeless lady from Bencab’s neighborhood that he took a fascination to, leading him to photograph and sketch her. Therefore, apart from serving as splendid explorations into structure and shape (brushstrokes severe and and lines bold), his Sabel series also delves into human existence in relation to society, particularly inequity, human dignity, and the challenges life presents.Private Collection
Sabel (2002)PaintingAcrylic on Canvas104 x 51 cm2002Benedicto R. CabreraLeon Gallery Private Collection
Sabel (2003)PaintingAcrylic on Canvas102 x 76 cm2003Benedicto R. CabreraLeon Gallery Private Collection
Sabel (2004)PaintingAcryclic on canvas61 x 46 cm2004Benedicto R. CabreraLeon Gallery Private Collection
Sabel (2005)PaintingAcrylic on Canvas61 x 61 cm2005Benedicto R. CabreraLeon Gallery Private Collection
Sabel (2006) 17th copy of 18Print56 x 76 cm2006Benedicto R. CabreraLeon Gallery Private Collection
Sabel (2008)PaintingAcrylic on Canvas152 x 91 cm2008Benedicto R. CabreraLeon Gallery
Sabel (2010)Print71 x 53 cm2010Benedicto R. CabreraLeon Gallery Private Collection
Sabel (2013) 1Sculpture1/2 inch thick mild steel plate in red finish39 x 24 x 5 inches2013Benedicto R. CabreraCrucible Gallery
Sabel (2013) 2SculptureCast bronze in gold finish2.25 x 2.25 x 5 inches2013Benedicto R. CabreraCrucible Gallery
Sabel (2014) AP 3PrintArchival Print on Acid-free paper77 x 55 cm2014Benedicto R. CabreraLeon Gallery Private Collection
Sabel (Brown Angel), APPrintArchival Print on Arches paper84 x 51 cm2014Benedicto R. CabreraLeon Gallery Private Collection
Sabel (Monumental Figure) AP 3PrintArchival print80 x 55 cm2014Benedicto R. CabreraLeon Gallery Private Collection
Sabel (sculpture)SculptureMetal sculpture with Virina27 x 8 x 8 cmBenedicto R. CabreraLeon Gallery Limited edition from swatchPrivate Collection
Sabel (undated)PaintingMixed Media12 x 9 inBenedicto R. CabreraLeon Gallery Private Collection
Sabel 1 (2002)PaintingAcrylic on Canvas91 x 76 cm2002Benedicto R. CabreraLeon Gallery Private Collection
Sabel 1 (2003)PaintingOil on Canvas244 x 183 cm2003Benedicto R. CabreraLeon Gallery Private Collection
Sabel DiptychSculpture1/4 inch thick mild steel plate in red and black finish16 x 10 x 5.5 inches2012Benedicto R. CabreraCrucible Gallery
Sabel in FlightPrintEtching36 x 30 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Sabel in Motion, AP 6Print38 x 28 cm2014Benedicto R. CabreraLeon Gallery Private Collection
Sabel in San Andres BukidPaintingOil on Canvas43 x 58 cm1966Benedicto R. CabreraLeon Gallery Private Collection
SabungeroPaintingWatercolor on Paper32 x 24 cm1986Benedicto R. CabreraLeon Gallery Private Collection
Sayaw Sabel, Dance Form V, AP 3PrintPrint on kozo paper79 x 53 cm2014Benedicto R. CabreraLeon Gallery Private Collection
ScavengerPaintingOil on Wood46 x 46 cm1966Benedicto R. CabreraLeon Gallery Private Collection
Scavenger Series IPrintEtching14 x 13 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Scavenger Series IIPrintEtching14 x 13 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Servant with Chopsticks (Larawan Series), AP 6PrintArchival Print on Arches paper38 x 28 cm2010Benedicto R. CabreraLeon Gallery Private Collection
Siesta Hour - 19th copy of 20PrintEtching20 x 25 cm1974Benedicto R. CabreraLeon Gallery In Siesta hour, Bencab playfully portrays the native Filipina Mestizas in an afternoon idle aura.Private Collection
Soldier with ShadesPaintingCharcoal and Acrylic on Paper51 x 38 cm2005Benedicto R. CabreraLeon Gallery Private Collection
SonPrintRubbercut Print14 x 11 cm1992Benedicto R. CabreraLeon Gallery
Studies of Colombian Indian IIPaintingMixed Media36 x 28 cm1977Benedicto R. CabreraLeon Gallery Private Collection
Studies of Sabel (2nd copy of 20)PrintEtching46 x 30 cm1980Benedicto R. CabreraLeon Gallery Private Collection
Studies on RizalPaintingAcrylic on Canvas2011Benedicto R. CabreraBenCab Museum
Study #4PaintingAcrylic on Paper30 x 23 cm1966Benedicto R. CabreraLeon Gallery Private Collection
Surveying the New TerritoryPaintingAcrylic on Paper56 x 75 cmBenedicto R. CabreraLeon Gallery Private Collection
Sweepstakes VendorPaintingPastel on Paper74 x 53 cm1988Benedicto R. CabreraLeon Gallery Private Collection
Taichi (2013) 1SculptureCast bronze10 x 6 x 12 inches2013Benedicto R. CabreraCrucible Gallery
Taichi (2013) 2SculptureCast bronze15 x 11 x 18 inches2013Benedicto R. CabreraCrucible Gallery
The Color of IdeologyPaintingAcrylic on handmade paper79 cm x 56 cm1987Benedicto R. CabreraLeon Gallery
The Huntress - 5th copy of 20Print36 x 28 cm2009Benedicto R. CabreraLeon Gallery Private Collection
The Igorot Experience, APPrintEtching30 x 25 cm1975Benedicto R. CabreraLeon Gallery Private Collection
The KissPaintingAcryclic and Charcoal on handmade paper28 x 23 cm 1994Benedicto R. CabreraLeon Gallery Private Collection
The LetterPaintingAcrylic on Paper66 x 50 cm1984Benedicto R. CabreraLeon Gallery
ThinkingSculptureCast bronze9 x 11 x 19.5 inches2013Benedicto R. CabreraCrucible Gallery
Tres MariasPaintingAcrylic on Canvas123 x 175 cm2003Benedicto R. CabreraLeon Gallery Private Collection
Tribal Form (series of 3)Sculpture1/2 inch thick mild steel plate in rust finish72 x 28 x 24 inches2012Benedicto R. CabreraCrucible Gallery
Triptych on love - 15th copy of 20PrintEtching33 x 28cm1988Benedicto R. CabreraLeon Gallery Private Collection
Triptych on love - 15th copy of 20 1Print33 x 27 cm1988Benedicto R. CabreraLeon Gallery Private Collection
Tropical RainPaintingWatercolor on Paper39 x 31 cm1986Benedicto R. CabreraLeon Gallery Private Collection
Tropical Rain (Sculpture)SculptureCast bronze10 x 10 x 18 inches2013Benedicto R. CabreraThe Crucible GalleryLimited edition of 20
Tuba VendorPaintingAcrylic on Paper56 x 36 cm1973Benedicto R. CabreraLeon Gallery Private Collection
TwinsPaintingAcryclic on canvas122 x 122 cm2001Benedicto R. CabreraLeon Gallery Private Collection
Twins (monoprint)PrintCollograph on Arches paper66 x 46 cm1998Benedicto R. CabreraLeon Gallery
Twins 1 (series of 12)Sculpture1/4 inch thick mild steel plate in black finish with brush strockes16 x 11 x 5 inches2012Benedicto R. CabreraCrucible Gallery
Twins 2Sculpture1/2 inch thick mild steel plate in yellow finish74 x 59 x 22 inches2012Benedicto R. CabreraCrucible Gallery
Two Ladies - 13th copy of 45Print19 x 14 cm1992Benedicto R. CabreraLeon Gallery Private Collection
Two Women - Ceramic PlatePlateCeramic30 cmBenedicto R. CabreraLeon Gallery Private Collection
UndressingSculpture1/4 inch thick mild steel plate in gold leaf finish16 x 8 x 5.5 inches2012Benedicto R. CabreraCrucible Gallery
UntitledDrawingCharcoal on Paper19 x 19 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled (1965)PaintingOil on Canvas46 x 91 cm1965Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1967)DrawingPen and Ink on Paper28 x 43 cm1967Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1968)SketchPen and Ink on Paper23 x 30 cm1968Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1970)PaintingMixed Media on paper67.5 x 35 cm1970Benedicto R. CabreraSothebys
Untitled (1972)PaintingAcrylic and Ink on Paper42 x 34 cm1972Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1974), APPrint23 x 18 cm1974Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1975)PrintEtching32 x 28 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1977) 1 - 6th copy of 25PrintEtching23 x 15 cm1977Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1977) 2 - 6th copy of 25PrintEtching23 x 15 cm1977Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1980)PrintEtching27 x 30 cm1980Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1984)PaintingAcrylic on Paper38 x 29 cm1984Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1993)DrawingPen and Ink on Paper39 x 30 cm1993Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1993) 1DrawingPen and Ink on Paper41 x 30 cm1993Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1994)PaintingAcrylic on Paper37 x 26 cm1994Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1997)Print14 x 10 cm1997Benedicto R. CabreraLeon Gallery Private Collection
Untitled (1999)PaintingAcrylic on Canvas175 x 240 cm1999Benedicto R. CabreraLeon Gallery The subtle dynamics going on between this oriental couple - they may be dancing or engaged in some martial art discipline- also reflects Ben Cab’s fascination with movement. Is the man on the left engaged in some form of martial art? In 1983, BenCab was strolling along a London park when he spotted a man gliding through martial arts movements in a graceful and serene manner. The man, who came from Guyana, was practicing tai chi, which was unlike the most popular form, the Yang style of 108 forms, executed in smooth dance-like, expansive and soft movements. BenCab learned the short form, an abbreviated version of the traditional martial art. For two years, he regularly attended two-hour classes teaching exercises for energy, self-defense and physical conditioning, infused with philosophical discourses. This martial art has influenced his outlook in life. “You learn not to contest the opponent. If the opponent is strong, you go with his strength by using it against him. The teachings are also full of paradoxes. The slower you are, the faster you become”, says BenCab. Ever since BenCab took up tai chi, his style evolved into gestural painting, infused with vigorous rhythmic brush strokes, flowing lines and spirited body movements. BenCab partly attributes the rapturous yet controlled brushwork to his daily morning ritual of 40 minutes of tai chi. In painting, tai chi works up BenCab’s endorphins to put him in a good mood to facilitate the smooth flow of creativity. Thirty years after Sabel first appeared on canvas as a mysterious figure swathed in rags, she is portrayed in full form whirling on canvas, in broad, sweeping brush.Private Collection
Untitled (2003)DrawingPastel on Paper41 x 28 cm2003Benedicto R. CabreraLeon Gallery Private Collection
Untitled (2005) 1 of 1PrintSTPI168 x 132 cm2005Benedicto R. CabreraLeon Gallery
Untitled (2012)Sculpture1/2 inch thick mild steel plate in yellow finish30 x 15 x 8 inches2012Benedicto R. CabreraCrucible Gallery
Untitled (5 Apr 2003)SketchPastel on Paper41 x 28 cm2003Benedicto R. CabreraLeon Gallery For this portrait, Bencab uses a few colors rather than many, and his works assert that fewer colors in an artwork give the art greater force and meaning.
Untitled (Hands)PaintingWatercolor on Paper36 x 25 cm1984Benedicto R. CabreraLeon Gallery Private Collection
Untitled (Larawan Series)PaintingAcrylic on Paper74 x 56 cm1984Benedicto R. CabreraLeon Gallery Private Collection
Untitled (n.d.)SculptureBrass44 cm x 42 cm x 16 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled (n.d.) 1PrintLitograph27 x 39 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled (n.d.) 2Print46 x 36 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled (Sabel 1)PaintingMixed Media20 x 16 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled (Sabel 2)PaintingMixed Media20 x 16 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled (Woman) - 108th copy of 200PrintEtching26 x 18 cm1988Benedicto R. CabreraLeon Gallery Private Collection
Untitled (Woman) - 191st copy of 200PrintEtching21 x 12 cm1988Benedicto R. CabreraLeon Gallery
Untitled 1 (1965)PaintingAcryclic on board14 x 15 cm1965Benedicto R. CabreraLeon Gallery Private Collection
Untitled Lot A PaintingMixed Media25 x 17 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled Lot BPaintingMixed Media25 x 17 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled Lot CPaintingMixed Media25 x 17 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled Lot DPaintingMixed Media25 x 17 cmBenedicto R. CabreraLeon Gallery Private Collection
Untitled Lot EPaintingMixed Media25 x 17 cmBenedicto R. CabreraLeon Gallery Private Collection
Variations on Sabel - 12th copy of 20 (1975)PrintEtching26 cm x 26 cm1975Benedicto R. CabreraLeon Gallery Private Collection
Water Carrier - 10th copy of 20PrintDigital print38 x 28 cm2010Benedicto R. CabreraLeon Gallery Private Collection
Woman SittingPaintingOil on Canvas66 x 46 cm1989Benedicto R. CabreraLeon Gallery Private Collection
Woman with black cat, AP 2Print38 x 28 cm2012Benedicto R. CabreraLeon Gallery Private Collection
Woman With Fan, APPrint33 x 25 cm2013Benedicto R. CabreraLeon Gallery Private Collection
Woman with Winnowing BasketPaintingAcrylic on Canvas104 x 56 cm2002Benedicto R. CabreraLeon Gallery Private Collection
Women and Children II, Larawan Series, APPrintPrint on Arches paper38 x 28 cm2011Benedicto R. CabreraLeon Gallery
Women WaitingDrawingPencil and Ink on Paper67 x 55 cm1974Benedicto R. CabreraLeon Gallery Private Collection
Women Waiting 5th copy of 20PrintEtching and aquatint25 x 19 cm1974Benedicto R. CabreraLeon Gallery Private Collection
WorkerSculptureCast bronze16 x 14 x 17 inches2013Benedicto R. CabreraCrucible Gallery
Young LoversDrawingConte Pencil on Paper48 x 33 cm1993Benedicto R. CabreraLeon Gallery
Creative FishesPaintingAcrylic on Canvas66 x 80 cm2003Abdulmari Asia ImaoMuseo Orlina
Sarimanok (1967)SculptureBronze33 x 31 x 10 cm1967Abdulmari Asia ImaoMetropolitan Museum of ManilaThis bronze sculpture “Sarimanok'' by National Artist and Filipino Muslim, Abdulmari Imao, is one of the artist’s renditions of this mythical creature—an important symbol in Maranao culture. Imao’s methodical research and intense study of Maranao and Tausug aesthetics coupled with his modernist sensibility, made the once obscure sarimanok reach national cultural consciousness.Private Collection
Abstract painting in residence of actor Coco MartinPaintingArturo R. LuzCalzado, Cielo Anne.(2018). Coco Martin's 2000sqm Tropical-inspired dream home. April 2. https://www.realliving.com.ph/home-tours/celebrity-homes/coco-martin-s-2000sqm-dream-home-a00010-20180402Private Collection
Elpidio Quirino Monument, Roxas Blvd., ManilaSculptureAbdulmari Asia ImaoOlivares, John Paul. (2018). Works of National Artists in public spaces. CNN Philippines. January 30. (https://cnnphilippines.com/life/culture/arts/2018/01/30/National-Artists-Philippines-public-art.html
Sultan Kudarat Relief (PICC)SculptureAbdulmari Asia ImaoOlivares, John Paul. (2018). Works of National Artists in public spaces. CNN Philippines. January 30. (https://cnnphilippines.com/life/culture/arts/2018/01/30/National-Artists-Philippines-public-art.html
Stained Glass Window design in Sulu CapitolStained glass1969Abdulmari Asia ImaoOffice of the Governor of Sulu https://www.facebook.com/opgsulu/posts/321464462530737
Paciano Dizon y Santos MonumentSculptureBrass1982Abdulmari Asia ImaoPorac Tourism Facebook https://www.facebook.com/100349674702237/photos/a.137359757667895/586703302733536/Located at the municipal hall of Porac
AAP LogoSculptureBronze - cire perdueAbdulmari Asia ImaoKalaw-Ledesma Foundation Inc. Facebook Kalaw-Ledesma Foundation Inc
Door (Residence of Actor Coco Martin)FurnitureAbdulmari Asia ImaoCalzado, Cielo Anne.(2018). Coco Martin's 2000sqm Tropical-inspired dream home. April 2. https://www.realliving.com.ph/home-tours/celebrity-homes/coco-martin-s-2000sqm-dream-home-a00010-20180402First door made by Abdulmari Imao
Ani ng Dangal Trophy (Design)SculptureAbdulmari Asia ImaoNCCA. Ani ng Dangal: The Trophy. https://aningdangal.weebly.com/the-trophy.htmlThe Ani ng Dangal Trophy is a stylized sarimanok sculpted by National Artist for Visual Arts, Abdulmari Asia Imao. In Imao’s hands the Maranao mythical bird is masterfully transformed into a mono-winged creature with the PAF rice stalk logo incorporated in the rampant wing’s feathers. The creature soars above a globe symbolizing the height of artistic achievement in the global stage.
Sarimanok (n.d.)SculptureBrassAbdulmari Asia ImaoKalaw-Ledesma Foundation Inc. Facebook Kalaw-Ledesma Foundation Inc
Untitled (1981)SculptureBrassAbdulmari Asia ImaoKalaw-Ledesma Foundation Inc. Facebook Kalaw-Ledesma Foundation Inc
Fishes (n.d.)SculptureWoodAbdulmari Asia ImaoKalaw-Ledesma Foundation Inc. Facebook Kalaw-Ledesma Foundation Inc
The Incomplete ManSculptureHardwood, plywood, mirrorJ. Elizalde NavarroMET Museum https://my.matterport.com/show/?m=BteRuDWeAvg
I Sing of Ubud My BaliPaintingOil on Canvas1989J. Elizalde NavarroMET Museum https://my.matterport.com/show/?m=BteRuDWeAvgJ. Elizalde Navarro's works are adept in crossing from one art form to another, with inspirational shifts ranging from Japanese, Australian, and Balinese influences. His abstract paintings in particular illustrate his grasp and knowledge of the importance of line, color, and composition in creating dynamic and stirring imagery.
Visions of WinterPaintingAluminum foil, oil on plywood1953J. Elizalde NavarroMET Museum https://my.matterport.com/show/?m=BteRuDWeAvg
The Barong-Randa EncounterPaintingOil on Canvas1991J. Elizalde NavarroMET Museum https://my.matterport.com/show/?m=BteRuDWeAvg
My Mother's MirrorPaintingOil on Canvas46 cm x 41 cm1993J. Elizalde NavarroLeon Gallery Private collection
The Kimono from Ubud BaliPaintingOil on Canvas121 x 80 cm1995J. Elizalde NavarroLeon Gallery Private collection
Yellow NudePaintingOil on Canvas97 x 97 cmJ. Elizalde NavarroLeon Gallery Private collection
Keeping Abreast with the JonesesPaintingCollage on canvas, Mixed Media21 x 30 inches1970J. Elizalde NavarroLeon Gallery
Made Dancing the LegongPaintingWatercolor on Paper16 x 12 inches1989J. Elizalde NavarroLeon Gallery Private collection
Untitled (Bali Series)PaintingCharcoal on Paper16 x 12 inches1989J. Elizalde NavarroLeon Gallery Private collection
The Music MakersPaintingOil on Canvas83 x 104 cmca. 1950J. Elizalde NavarroLeon Gallery This piece, The Music Makers, exhibits figures rendered in an engaging fragmentary cubist style, made charged by rich color combinations. In the depiction of a familiar folk image of subjects, his mastery in rendering human figures through his style of choice—as versatile and prolific as he was—is showcased. His spontaneous geometric elements noted in his early works during the fifties are also apparent, denoting a vision of composition, mood, and feeling.Private collection
Untitled (ca. 1960)SculptureWood56 x 48 x 33 cmca. 1960J. Elizalde NavarroLeon Gallery
Sun's PresencePaintingAcrylic on Canvas91 x 91 cm1974J. Elizalde NavarroLeon Gallery Private collection
The VictimPaintingOil on Paper55 x 39 cm1992J. Elizalde NavarroLeon Gallery Private collection
The Machines Take OverPaintingMixed Media51 x 51 cm1984J. Elizalde NavarroLeon Gallery Private collection
Chondong The Story TellerPaintingOil on Canvas86 x 79 cm1990J. Elizalde NavarroLeon Gallery Private collection
White RuinsPaintingOil on Canvas53 x 69 cmca. 1970J. Elizalde NavarroLeon Gallery Private collection
Obon Dancer at RestPaintingTempera48 x 47 cm1958J. Elizalde NavarroLeon Gallery Navarro relives a beautiful memory, as he created a colorful rendition of his original drawing Obon Dancer at Rest, Kyoto that was inspired by his sojourn to Japan in the late 1950s, where he held a one-man exhibition at the Mitsukoshi Art Gallery in Tokyo. In congruence to the Japanese aesthetic, this tempera captures the calm spiritual rhythm of the dancer.Private collection
Untitled (1960)SculptureWood37 x 17 x 15 cm1960J. Elizalde NavarroLeon Gallery Private collection
Mt. Bator, on the Road to Kintamani, BaliPaintingOil on Canvas91 x 86 cm1991J. Elizalde NavarroLeon Gallery A true citizen of the world, Navarro’s Mt. Bator, On the Road to Kintamani, Bali was inspired by his peaceful sojourn to the Kintamani, Bali, to witness the beauty of the stunning Mount Bator that rises prominently above a vivid landscape of greenery. It is notable that the crystalline Lake Bator rests inside the active caldera, and interesting villages and a temple cling to the rim of the active volcano.Private collection
The Rush of Birdsong Breaking the Bali DawnPaintingOil on Canvas133 x 89 cm1992J. Elizalde NavarroLeon Gallery Private collection
Various Voices, Various RoomsPaintingMixed Media152 x 122 cmca. 1955J. Elizalde NavarroLeon Gallery Private collection
Mai-Mai Reading the NewspaperPaintingOil on Canvas64 x 79 cm1994J. Elizalde NavarroLeon Gallery This work done in the style of French Post-Impressionist painter Paul Gauguin (1843-1903), depicts one of his models only known as “Mai-Mai”; Navarro paints this portrait of a sultry model, probably of a Balinese descent delicately relaxing while reading the daily newspaper. The theme of the “reclining nude” that was reflected upon by Gauguin (ninety-eight years before Navarro’s own Balinese nude), is drawn from his personal collection of prints and photographs of classical paintings of the Greek goddess depicted by Titian and Giorgione as seen with Te Arii Vahine (The King’s Wife) done in 1896 portraying his model and mistress, Pau’ura reclining and seducing the viewer as she is covering her privates with her mere leafy fans, with her gazing and asking us to peek inside through. Navarro sought a continuation of Gauguin’s style by shifting the approach that is drawn from reality. “Mai-Mai” is depicted with her maroon skirt peeking out at the viewer, with her pupils dilating as she entering into a silent slumber from the boredom of the articles on the broadsheet or from the sheer humid environment. Here, Navarro has partially disrobed the model with her luminous olive-toned breasts shown, with her garments trampled on the side of chair inferring the aftermath of a post-coital union with her unseen partner.Private collection
The Inscrutable EastPaintingOil on Canvas94 x 46 cm1991J. Elizalde NavarroLeon Gallery Clearly contoured shapes generally follow a left-right diagonal ascent, take a pictorial and visual respite to buoy up an ironically deflated but solid black spherical shape against a golden yellow background. The dark blue, light gray, and black shapes are abstracted human forms, and connect the three background panels. The blue shape near the left the bottom corner is a solid statement on peace; conversely, the dull tangerine on the left top, whose lower edge is in the process of dissolution, is a symbolic of an ideology with a cracking impact. Semiotically, this is a statement of a mysterious world unified by a transcedent humanity. — Paul Blanco ZafarallaPrivate collection
The Yellow StudioPaintingOil on Canvas76 x 61 cm1998J. Elizalde NavarroLeon Gallery ‘The Yellow Studio’ combines all of National Artist Jerry Navarro’s most beloved elements — the happy gold tones of his atelier, the works he made in them, his famous ease (symbolized in the butaca covered casually with a scarlet floral throw) and his favorite model. The woman appears to be totally oblivious to her nudity and seems to have a humorous, almost surprised, expression on her face. A smile seems to play in her eyes. The work is remarkable in a number of ways, the first being that it is a rare figurative work situated in the Philippines. Navarro painted a series of Balinese dancers but this had no Filipino equivalent. Second, a preliminary study in almost one fluid stroke is on the reverse of the canvas. Finally, Navarro (as always playful) has created a painting within a painting — in this case, an abstract work within a representational one. Painted half a year before Navarro would meet his Maker, it shows that none of his vigor and high spirits had abated. Navarro has been described as “an artist’s artist”, having mastered both painting and sculpture. As famous in Indonesia as in the Philippines, he is one of the certified regional stars.
Untitled (n.d.)PaintingOil on Wood38 x 30 cmJ. Elizalde NavarroLeon Gallery National Artist Jerry Elizalde Navarro has come to be known for his powerful use of color, and intelligible figurative approach. The renowned modernist puts on display his technical proficiency, elegantly rendering his subjects with a graceful and potent vigor — be they figurative or abstract. This very work by Navarro is a bit of an oddity. Very rarely does one come across works by the iconic modernist, more so one of such distinct subject matter. In the piece, Navarro makes use of strong, definitive, impasto strokes — adding to the grit of the composition. The stylized abstract landscape features Navarro’s palette, but in a very different light. With brilliant color and refined restrain, Navarro captures the abstracted scenery in very masterful fashion — his keen eye for detail and penchant for color put forth.Private collection
Horseman of the ApocalypsePaintingAcrylic on Paper51 x 66 cm1972J. Elizalde NavarroLeon Gallery The apocalyptic horsemen such as the famous woodcut by Albrecht Durer is an interpretation where all four horsemen represent different aspects of the Biblical tribulation. The Philippines’ own Jerry Elizalde Navarro takes on the battle between good and evil, the grand metaphors of the Horsemen of the Apocalypse. The chivalric figure rides the formidable battle-horse clad in prism-like multifaceted colors, a war machine. All in all the entire composite figure is a symbol of war and its supplementary production of more technologically advanced weapons of destruction by warmongers of the world that will not stop on the verge of the apocalypse. Like the malevolent horse, the black backdrop wreaks havoc with its overwhelming presence. In Navarro’s painting, the jewel-like colors of this theater of war, the blazing hues and the whirling of spots of color as he prepares for combat in the sky, land, and sea awakens the viewer to wonder and alarm at the visions that are also enigmatic images of the events in our time. But on the earth below is the daily war of attrition between sharply contending earthbound forces: the big and small, the powerful and the weak, and the disinherited. Overall, beauty hovers amid visual tension, given a subject which in the mind’s eye will swoop down to strike with full power. Versatility of style and a wide range of subject matter have both helped Jerry Elizalde Navarro to gain significant recognition, even before he became a National Artist.Private collection
Ratih's Offering, Ubud BaliPaintingAcrylic on Canvas89 x 80 cm1989J. Elizalde NavarroLeon Gallery Private collection
High, OVer NaganoPaintingOil on Canvas114 x 71 cm1959J. Elizalde NavarroLeon Gallery Private collection
The Dance of the Mists and BirdsongsPaintingOil on Canvas89 x 135 cm1992J. Elizalde NavarroLeon Gallery Private collection
The Blue Silver MachinePaintingMixed Media79 x 61 cm1953J. Elizalde NavarroLeon Gallery In the book “J. ELIZALDE NAVARRO” author Cid Reyes writes: “Without question, where Navarro contributed greatest to Philippine modern art is in the genre of nude painting… it was Navarro who introduced a differentiating element absent in the works of others: a fresh and outright eroticism.” Navarro also explored the nude in the area of sculpture, and Navarro’s recognition of the sculpted form of female pulchritude is exceptional. “The earliest extant works on the nude date from the late sixties, about the time that Navarro and Emma started to live together. But the nascent stage manifested itself from the machine aesthetics of the late fifties. These were aluminium reliefs where the convex sheets swelled into breast like mounds, like Metallic Forms (1954), the “Blue and Silver Machine,” and “It’s About Time.” Studded with rivets that keep them attached to the background woodboard, the pieces summoned a sensuality not readily associated with cold impersonal aluminium sheets. These works continued to evolve into more overt breast configurations dotted with nipples, some by wire strings. Navarro called the series “Love Instrument for E.” Navarro’s sculptural works reflect his protean talents, virtuosic panache and sardonic wit. Navarro’s sculpted aluminium breasts were in step with the ferment of the 1960s Fluxus movement and in Pop Art, deriving their identity as art from the designation placed upon them by the artist and from the social history that comes with the object.Private collection
My Heart Sings UbudPaintingOil on Canvas133 x 149 cm1991J. Elizalde NavarroLeon Gallery My Heart Sings Ubud is pure movement, pure performance, dazzling the eye — and the heart — with its manifold intensities, its blurs and bleeds, its temperamental forms. It features an abstraction that is at once orchestrated and spontaneous, a combination of earthbound solidity and soaring flight of fancy: a definite marker in the opus of the National Artist. Navarro, in having created this work, offers us a visual annotation of a joyous expedition in the kaleidoscopic tropics of his imagination.Private collection
Dark Days in TripoliPaintingOil on Board102 x 76 cm1979J. Elizalde NavarroLeon Gallery Color dots impastoed against a three-stripped background produce a stirring dichotomy of dynamic but controlled virtual explosion against a visually static background. The textured dots in a diagonal formation become part of the sharp-edged dark strip below, the “fiery” middle strip, and the foreboding perspective, a psychological impact of dread by reason of the colors and texture at the onset. The title foretells this emotive response from what is visible.Private collection
The Kecak Dancer, BaliPaintingOil on Canvas152 x 122 cm1997J. Elizalde NavarroLeon Gallery Private collection
Morning Mist Over Ubud, BaliPaintingWatercolor on Paper53 x 66 cm1992J. Elizalde NavarroLeon Gallery A few international galleries have stated that Navarro’s works on paper have been largely “overlooked” despite the fact that they contain the same fiery exuberance found in his landmark works. In truth, he was a master of all media, moving seamlessly from oil, watercolor, and sculpture with ease and versatility. His paintbrush (and chisel) created symphonies of movement and color as if he was conducting a mighty orchestra. “Morning Mist Over Ubud, Bali” is just one such example, containing Navarro’s signature strokes and intense colors that, in a way, summed up the playfulness and jovial character that made him a favorite friend among his artistic contemporaries –- in a career that spanned half a century. Navarro was, in fact, one of two Filipino artists to successfully carve out a career not only in Manila but also in art-hungry Indonesia, where his particular style struck a chord with international collectors who would travel to the venerable Bamboo Gallery in Bali. (The Bamboo, then as now, has the reputation of representing not only Indonesian artists but established painters throughout the region.) J. E. Navarro was named Philippine National Artist for the Visual Arts in 1999.Private collection
The Red Cross IPaintingOil on Board76 x 56 cmJ. Elizalde NavarroLeon Gallery The Red Cross 1 is a prime example of Jerry Elizalde Navarro's works that combine strong colors with geometric elements in strong vivid hues. Navarro believes that part of a painter's discipline is to go back to the basic structure of his art. ‘The Red Cross 1’ almost looks like the subject for the painting is a found object. In fact it resembles a typically powerful detail in many of Elizalde Navarro's assemblages of found objects and metal parts in a variety of freestanding forms. Navarro’s sculptural works reflect his protean talents, virtuosic panache and sardonic wit. In various modes, even on oil on board, Navarro’s recognition of the sculpted form is exceptional. Elizalde Navarro’s early career was in step with the ferment of the 1960s, and in that decade, found objects were present in both the Fluxus movement and in Pop Art, deriving their identity as art from the designation placed upon them by the artist and from the social history that comes with the object. As an art form, found objects tend to include the artist's output — at the very least an idea about it, i.e. the artist's designation of the object as art — which is nearly always reinforced with a title. In The Red Cross 1, Elizalde Navarro makes a powerful oil on board representation of an arbitrary looking object which he designates as a cross. In real life, J. Elizalde Navarro seemed almost too affable for a person whose powerful art has, in its own way, torn through the traditional fabric of Filipino painting and even through the hard surface of sculpture. His canvases have managed to imprint their unique force on the local art scene. Powerful as they are, his works have a life evoking chromatic quality. Elizalde Navarro's color instincts are always on the warm side reflecting his temperament.Private collection
A Maguindanao Folk DancePaintingOil on Canvas119 x 91 cm1994J. Elizalde NavarroLeon Gallery Private collection
Baris DancerPaintingOil on Canvas94 x 89 cm1989J. Elizalde NavarroLeon Gallery Baris — which means warrior formation, and of which this artwork is named after — refers to a traditional Balinese warrior dance that is usually danced by men — dramatic and evocative of the feelings of a young warrior set for battle. It is, too, a celebration of manhood. In 1989, upon the invitation of art dealer Cornelius “Cornie” Choy, Jerry Elizalde Navarro made his way to Bali, Indonesia, where he discovered a newfound inspiration — thanks to the sights and sounds and the culture of the area — that brought him — through the body of work that resulted — renewed acclaim and acceptance as an artist.Private collection
The Incoherencies of LanguagePaintingOil on Canvas110 x 138 cm1993J. Elizalde NavarroLeon Gallery Jerry Elizalde Navarro’s non-representational persona has gone through pendulum swings with his own versions of Cubism, Constructivism, and Abstract Expressionism. And the title “The Incoherencies of Language” seems to perfectly go along these pendulum swings. As a rule, at no point in time does he totally abandon one pictorial idiom in favour of another. His admirers have long accepted those style changes as proof of a protean versatility. This work is from 1993. Since 1989, Navarro’s output has been largely in abstract such as this one. After his sojourn to the island of Bali, he and his mentor, the late Carlos “Botong” Francisco, considered it close to paradise on earth. While it does not give any hint of anything Balinese, it reflects what he discovered in the island: a flamboyant sense of color and a strong rhythmic pulse.Private collection
The Third Eye SeethPaintingOil/Acrylic on Canvas55 x 53 cm1996J. Elizalde NavarroLeon Gallery The sensual grasp of his images reaches far into the soul, drawing the viewer into the very recesses of his own reasoning. His subjects were the anchor for the dazzling splay of colours that make his canvasses come to life. Free flowing, bold strokes, swift and short dabs and swirls, he forged them into a prism of images. A master in his chosen genre, his work evokes power and deep thought. The intricacy of detailing in this work somehow reflects Jerry Elizalde Navarro’s multifaceted background as an artist. Navarro has always been passionate about finding new ways to create art. He experimented with oils, acrylics, and watercolors. With an open mind, he absorbed new ideas, techniques, and various influences which he observed in his travels and stints overseas. “Third Eye Seeth” can be Japanese, New Yorker, even Ancient. Jerry Elizalde Navarro was named National Artist for Visual Arts in 1999. He was also the first Filipino artist to be inducted into the Neka Art Museum in Bali, Indonesia.Private collection
MinotaurPaintingCraypas on felt paper55 x 70 cm1995J. Elizalde NavarroLeon Gallery Revolting is the story, not the depiction of the ancient Greek mythology where “the son of Minos and Pasiphae (was) killed at Athens; to avenge him, Minos forced the Athenians to send a tribute of seven boys and seven girls every year ... to be thrown to the Minotaur ... half man and half bull ... until killed by Theseus.” With this foreground mythology, J. Elizalde Navarro depicted rapacity committed by creatures beyond the limits of the human mind. The raging reds (including the background), sharp-edged and pointed shapes, and pictorial clash of geometric shapes, plus the frontal depiction of the object of femininity, create emotive responses that are, by and large, heuristic.Private collection
The Invasion of My CityPaintingOil on Canvas57 x 100 cmca. 1970J. Elizalde NavarroLeon Gallery Private collection
Cubed LandscapePaintingAcrylic on plywood61 x 61 cm1979J. Elizalde NavarroLeon Gallery As a painter, Jerry Elizalde Navarro’s abstracts combine the spontaneous with geometric elements in strong, vivid hues. “Cubed Landscape” shows the American influences in his evolution as an artist of abstraction. Navarro even had a distinct New York accent whenever he said the word “Abstraction”.Private collection
The Lady JugglesCollage50 x 37 cm1969J. Elizalde NavarroLeon Gallery The year that was 1969 can be noted as the period where a significant shift, a major cusp, in the personal and artistic life of Jerry Elizalde Navarro took place. While busy in the world of advertising, the works that came out of this period – “The Lady Juggles” is a pertinent example —were his playful, imaginative, and quirky collages that are highly evocative of the pop art genre.Private collection
Untitled (1998)PaintingOil pastel and Watercolor on Paper176 x 56 cm1998J. Elizalde NavarroLeon Gallery Seeing artists go back to basics, the roots of their art, is always a fascinating endeavor most especially for those whose works cover an eclectic array of themes and styles. This piece by Elizalde Navarro, National Artist, is no different as it shows us how he executes a leisurely, but nonetheless inspired sketch of a nude lady.Private collection
Silver Clouds FrancePaintingOil on Canvas19 x 15 cm1977J. Elizalde NavarroLeon Gallery Private collection
On My Way to LyonsPaintingOil on Canvas39 x 32 cm1977J. Elizalde NavarroLeon Gallery Private collection
My Kind of CrossPaintingOil on Canvas80 x 119 cm1982J. Elizalde NavarroLeon Gallery “My Kind of Cross” (1982) embodies Jerry Navarro’s intense colorations and bold strokes, made more vivid by his signature impasto technique. He was as playfully expert as well in sculpture and mixed-media, giving an evocative structure as well as tri-dimensional quality to his paintings. Navarro was a shooting star that illuminated the Manila artscape from the time of his first solo exhibit at the Philippine Art Gallery in 1957 to his ascension as Philippine National Artist for the Visual Arts in 1999.Private collection
The Barrier Now CleavenPaintingAcrylic on Canvas152 x 122 cm1996J. Elizalde NavarroLeon Gallery Private collection
Outerspace FloraPaintingOil on Wood36 x 29 cm1993J. Elizalde NavarroLeon Gallery Private collection
The Man Who Loved BirdsPaintingOil on Canvas57 x 85 cm1994J. Elizalde NavarroLeon Gallery A return to form. A resurgence. These succinctly elucidate the artistic period of Elizalde Navarro in 1994, after mounting a series of exhibitions that caught the local visual art scene by storm – and kept art crtics and collectors raving. One of the works that graced those momentous exhibits is this very piece – “The Man Who Loved Birds.” As the title suggests, this work – as well as the others that were on view—were the artists explorations into nature—its creatures and inhabitants—and the universe that surrounds it.Private collection
Islands of the GodsPaintingOil on Canvas83 x 105 cm1994J. Elizalde NavarroLeon Gallery Private collection
The Minute of the Mist and the Bird SongsPaintingOil on Canvas107 x 138 cm1993J. Elizalde NavarroLeon Gallery In 1993, Elizalde Navarro, National Artist, mounted a succession of three exhibits that signaled his glorious return to abstracts as if enjoying a second wind. Entitled “A Return to Abstraction,” this series of breakthrough shows left audiences in awe, where his canvases exploded with colors, his brushstrokes abounding with strong emotions achieved through spontaneous bursts of energy. Much like this work entitled “The Minuet of the Mist and the Bird Songs,” the paintings from this year are examinations into nature and the world beyond.Private collection
The Ilongot War DancePaintingOil on Canvas136 x 98 cm1994J. Elizalde NavarroLeon Gallery In his sojourn in the island of Bali, which he and his mentor, the late Carlos Botong Francisco, considered close to paradise on earth, Jerry Elizalde Navarro discovered a new vision; a flamboyant sense of color and rhythmic pulse. His paintings in the early to mid 1990s have been increasingly poetic in evoking atmospheres, memories of sense impressions, and states of feeling. Deriving from this experience (albeit transplanted to the Philippine setting) is this imposing piece entitled “The Ilongot War Dance.” The Ilongot communities are scattered about in the Sierra Madre and Caraballo mountains in Nueva Vizcaya, where their dances are said to be devoid of foreign influences. Their headtaking (war) dances specifically are emotionally powerful and, as depicted here, mimic combat through smooth, agile movements and the use of sticks and shields. 39Private collection
The Japanese MoonPaintingCasein74 x 41 cm1950J. Elizalde NavarroLeon Gallery Navarro, National Artist, was much-admired for his versatility as an artist, having straddled both painting and sculpture, as well as varying styles and genres. This piece a true rare, early work as it was executed just some two years after his first solo show at the Philippine Art Gallery.Private collection
Christ has Risen, Sydney, AustraliaPrintMonoprint34 x 47 cmJ. Elizalde NavarroLeon Gallery Private collection
Homage to Carlos V. FranciscoPaintingOil on Canvas133 x 90 cm1992J. Elizalde NavarroLeon Gallery Private collection
Untitled (1969) 1PrintMonoprint33 x 46 cm1969J. Elizalde NavarroLeon Gallery Private collection
Ned Kelly, Sydney, AustraliaPrintMonoprint36 x 46 cm1969J. Elizalde NavarroLeon Gallery Private collection
Untitled (1969) 2PrintMonoprint33 x 46 cm1969J. Elizalde NavarroLeon Gallery Private collection
Warning, SydneyPrintMonoprint30 x 46 cm1969J. Elizalde NavarroLeon Gallery Private collection
Untitled (1969) 3PrintMonoprint33 x 46 cm1969J. Elizalde NavarroLeon Gallery Private collection
The Woman Who Loves Masks, APPrint58 x 38 cm1997J. Elizalde NavarroLeon Gallery Private collection
Musicians (7th copy of 188)Print26 x 29 cmJ. Elizalde NavarroLeon Gallery Private collection
The Minotaur's WomanPrintLithography in color pencils on paper48 x 64 cm1997J. Elizalde NavarroLeon Gallery Private collection
Untitled (1984)PaintingOil on Wood46 x51 cm1984J. Elizalde NavarroLeon Gallery Private collection
Thoughts Eddying in MotubushoDrawingPen and Ink on Paper31 x 36 cmJ. Elizalde NavarroLeon Gallery Private collection
Bruto Mundo RossoPaintingMixed Mediaca. 1960J. Elizalde NavarroCultural Center of the Philippines
LabyrinthPaintingOil on Canvas86 cm x 117 cm1960Jose T. JoyaLeon Gallery Private collection
SusoSculptureJose T. JoyaPhilippine International Convention Center“Suso”, the first and only sculpture by renowned National Artist, Jose Joya, was an inconspicuous masterpiece of PICC. https://www.facebook.com/watch/?v=412906519233772PICC Collection
Abstract (Manila)PaintingOil and metallic paint on woodUndatedJose T. JoyaKalaw-Ledesma Foundation Inc. Facebook Joya's art depicts a world beyond physical reality. Abstract (Manila) is made up of streaks of black, white, pink, grey, and beige paint on wood board. There are parts where colors are spread in a controlled manner, as though one puts butter on bread, while there are portions of the composition where paint is smeared in varying degrees of spontaneity and force.Kalaw-Ledesma Foundation Inc
Hala BiraPaintingAcrylic collage1992Jose T. JoyaKalaw-Ledesma Foundation Inc. Facebook Today's featured work is Hala Bira, an Aklanon phrase which means to "dispense of all things." It is chanted in religious festivals such as the Ati-Atihan and Dinagyang in the Visayas. Joya's work combines diaphanous and textured shapes and layers of festive colors. What can you imagine from the work's dense composition?Kalaw-Ledesma Foundation Inc
Two Faces of Villa FernandinaPaintingOil on Canvas161.5 x 120.5 cm1970Jose T. JoyaSalcedo AuctionsThis work is best seen as a bird’s eye view of a large tract of land, its rich primary color blocks straddling the energetic force of abstract expressionism and the detached stillness and cerebral quality of geometric abstraction. This is the largest work by the artist to come to the auction market in recent time.
Trio PerformersPaintingAcrylic on Canvas95 cm x 156 cmArturo R. LuzLeon Gallery
Trio Performers (2019)SculptureMetal rod in black finish17 x 10 x 28 inches2019Arturo R. LuzCrucible Gallery
Trio Performing (1991)PaintingAcrylic on handmade paper142 cm x 102 cm1991Arturo R. LuzLeon Gallery Private Collection
Trio Performing (2007)PaintingAcrylic on Canvas97 cm x 152 cm2007Arturo R. LuzLeon Gallery Private collection
Troubadour Red No. 1PaintingAcrylic on Canvas122 cm x 91 cm 2004Arturo R. LuzLeon Gallery Private Collection
Trumpet PlayerSketchGraphite on Paper22 cm x 33 cm1962Arturo R. LuzLeon Gallery Private Collection
Two Madjapahit PotsPaintingAcrylic on Canvas61 cm x 122 cm2003Arturo R. LuzLeon Gallery Private Collection
Two Men on Wheels (1991)PaintingAcrylic collage on handmade paper152 cm x 122 cm1991Arturo R. LuzLeon Gallery Private collection
Two Men on Wheels (n.d.)PaintingEnamel on canvas69 cm x 94 cmUndatedArturo R. LuzLeon Gallery Private Collection
Two Nudes (part 1 of 2)PaintingAcrylic on Canvas61 cm x 61 cm2010Arturo R. LuzLeon Gallery
Two Women (part 2 of 2)PaintingAcrylic on Canvas61 cm x 61 cm2010Arturo R. LuzLeon Gallery
Two Women ConversingPaintingAcrylic on Canvas61 cm x 61 cmArturo R. LuzLeon Gallery Private collection
UntitledJewelrySung dynasty gold, antique southeast asian beads necklace72 cmca. 1990Arturo R. LuzLeon Gallery Objects wrought in gold were an impression of rank and status, taking on innumerable forms. Objects of gold were used to render homage to divinity, tribute to princes and honor to beauty. Gold jewelry was, of course, most important for its decorative value, Ornaments are designed to render the wearer more regal –or more seductive–and were often created in forms taken from the natural world. This necklace ensemble was designed by Arturo Luz.Private CollectionPrivate Collection
Untitled (1957)PaintingOil on Canvas152 cm x 61 cm1957Arturo R. LuzLeon Gallery Private Collection
Untitled (1958)PaintingEnamel on canvas56 cm x 61 cm1958Arturo R. LuzLeon Gallery Private Collection
Untitled (1962)PaintingPen and Ink on Paper52 cm x 79 cm1962Arturo R. LuzLeon Gallery Private collection
Untitled (1970)SculpturePhilippine hardwood (iron wood)48 cm x 116 cm x 48 cm1970Arturo R. LuzLeon Gallery Private Collection
Untitled (1972)SculptureEnamel on Wood91 cm x 130 cm1972Arturo R. LuzLeon Gallery Private collection
Untitled (1980)PaintingMixed Media25 cm x 33 cm1980Arturo R. LuzLeon Gallery Private collection
Untitled (1991)PaintingMixed Media122 cm x 193 cm1991Arturo R. LuzLeon Gallery Private collection
Untitled (2010)SculptureMetal91 cm x 122 cm x 61 cm2010Arturo R. LuzLeon Gallery Private collection
Untitled (ca. 1955-1958)PaintingEnamel on canvas86 cm x 66.5 cmca. 1955-1958Arturo R. LuzLeon Gallery Private Collection
Untitled (ca. 1972)SculptureBalayong91 cm x 30 cmca. 1972Arturo R. LuzLeon Gallery
Untitled (n.d.)PaintingMixed Media91 cm x 122 cmUndatedArturo R. LuzLeon Gallery Private collection
Untitled (octothorpe-shaped metal sculpture)SculptureMetalArturo R. LuzPhilippine International Convention Center
Untitled (Table)FurnitureMosaic tiles on low table36 cm x 157 cm x 80 cmArturo R. LuzLeon Gallery Private Collection
Untitled 1 (1962)PaintingMixed Media on paper86 cm x 112 cm1962Arturo R. LuzLeon Gallery Private Collection
Untitled 1 (1970)PrintPrint53 cm x 36 cm1970Arturo R. LuzLeon Gallery
Untitled 1 (1972)SculptureNarra91 cm x 30 cm1972Arturo R. LuzLeon Gallery Private Collection
Untitled 1 (1978)PaintingOil on burlap, collage117 x 274 cm1978Arturo R. LuzLeon Gallery
Untitled 1 (2010)SculptureSteel43 cm x 71 cm x 56 cm2010Arturo R. LuzLeon Gallery Private collection
Untitled 1 (n.d.)PaintingAcrylic collage91 cm x 61 cmUndatedArturo R. LuzLeon Gallery Private collection
Untitled 2 (1962)SketchPencil on Paper43 cm x 28 cm1962Arturo R. LuzLeon Gallery Private Collection
Untitled 2 (1970) 169th copy of 180PrintPrint48 x 33 cm1970Arturo R. LuzLeon Gallery Private Collection
Untitled 2 (1978)PaintingPainted Burlap254 cm x 104 cm1978Arturo R. LuzLeon Gallery Private collection
Untitled 2 (n.d.)PaintingAcrylic collage91 cm x 61 cmUndatedArturo R. LuzLeon Gallery Private collection
Untitled 3 (1978)PaintingPainted Burlap103 cm x 257 cm1978Arturo R. LuzLeon Gallery Private Collection
Untitled 3 (n.d.)PaintingAcrylic on Canvas46 cm x 76 cmUndatedArturo R. LuzLeon Gallery
Untitled 4 (n.d.)SculptureWood122 cm x 30 cm x 29 cmUndatedArturo R. LuzLeon Gallery Private Collection
Untitled 5 (n.d.)PaintingAcrylic on Canvas61 cm x 76 cmUndatedArturo R. LuzLeon Gallery Private Collection
Untitled 6 (n.d.)PrintPrint18 cm x 15 cm Arturo R. LuzLeon Gallery Private Collection
Untitled 7 (n.d.)Sculpture18 cm x 29 cm x 20 cmArturo R. LuzLeon Gallery Private Collection
Untitled 8 (n.d.)PrintPrint20 cm x 13 cmArturo R. LuzLeon Gallery
Untitled 9 (n.d.)SculptureMetal20 cm x 26 cm x 15 cmArturo R. LuzLeon Gallery Private Collection
Untitled Collage 4PaintingAcrylic collage89 cm x 61 cm1988Arturo R. LuzLeon Gallery Private Collection
Untitled Collage No. 10PaintingAcrylic collage89 cm x 61 cm1988Arturo R. LuzLeon Gallery Private Collection
Untitled I-IIIPaintingMixed Media41 cm x 29 cmArturo R. LuzLeon Gallery Private Collection
Variations on a Golden Scroll 2PaintingCollage24 cm x 16 cm1978Arturo R. LuzLeon Gallery Private Collection
VeneziaPaintingOil on masonite board58 cm x 65 cm1957Arturo R. LuzLeon Gallery Private collection
White FiguraSculptureSigned steel65 cm x 43 cm x 36 cmArturo R. LuzLeon Gallery
White Shells (part 1 of 2)PaintingAcrylic on Paper46 cm x 152 cm2000Arturo R. LuzLeon Gallery Private Collection
White Shells (part 2 of 2)PaintingAcrylic on Paper46 cm x 152 cm1999Arturo R. LuzLeon Gallery Private Collection
White TemplesPaintingAcrylic on Canvas91 cm x 91 cm2003Arturo R. LuzLeon Gallery Private Collection
10 Temple with MoonPaintingOil on Paper53 x 79 cm1966Ang KiukokLeon Gallery Private collection
Android (1966)PaintingWatercolor on Paper90 x 43 cm 1966Ang KiukokLeon Gallery In 1965, Ang was presented with the opportunity to travel to the States with the intent and hope of widening his world view, by immersing himself in the works of the masters. But what was meant to be the trip of a lifetime had also produced a scarring effect: the culture of America that was so alien to him proved to be too jolting to his provincial sensitivities. In the book Kiukok Deconstructing Despair, his stay there was narrated as follows: “America was a disappointment...he accused Americans of being like machines. Everything was mechanical, no human emotions. After his trip abroad, he could not paint; when the painting came out, it was of machines.” Thus this work from 1966 (incidentally the same year of Ang’s celebrated show at Luz Gallery) entitled “Android”, which was his interpretation of man turned cold, heartless, and practically robotic.Private collection
Android (1969)PaintingMixed Media33 x 23 cm1969Ang KiukokLeon Gallery Ang Kiukok, he of Chinese heritage, secured his place in Philippine art culminating in his being awarded National Artist, through Expressionist works rendered via geometric forms. With Vicente Manansala serving as mentor, Ang used his art as a means to express his commentary on the current affairs of the state, thus the force and intensity that his works project. “Android,” from 1969, was executed at a time when geometric shapes began to populate his artworks.Private collection
ApplesPaintingOil on Canvas22 x 30 cm1993Ang KiukokLeon Gallery While Ang Kiukok is best remembered for his screaming figures, trapped within claustrophobic spaces, he also produced a variety of still lifes during his lifetime, whether it may be the ragged bones of a fish or a slice of watermelon. In this particular work, we see four apples viewed from the top, the three red succulent ones thronging together, while the green one, which is smaller than the rest, provides a visual counterpoint to the rest. In his characteristic abstraction, Ang Kiukok, delivers a powerful meditation on objects — earthy and ethereal at once.Private collection
Bananas (1960)PaintingAcrylic on Paper1960Ang KiukokKalaw-Ledesma Foundation Inc. Facebook The semi-abstract work Bananas by Ang Kiukok (1931-2005) consists of saturated primary colors red, yellow, and blue. It would require us to look a little longer to find the set of bananas on the left side of the picture. What else do you see?Kalaw-Ledesma Foundation Inc
Bananas (1974)PaintingOil on Canvas61 x 30 cm1974Ang KiukokLeon Gallery This piece is accompanied by a certificate issued by Finale Art File confirming the authenticity of this lot The Filipino Chinese artist Ang Kiukok explores the evanescence of the fragile beauty of nature’s bounty amid the startling power of violence that usually surrounds his visual universe. Ang Kiukok simplifies shapes and reduces them to flat textural surfaces. Concerned with composition, his colors are intense, dramatic, and more evocative. His lines have developed a spontaneity, a bravura. Line and color interplay without prejudice to each other. Despite the usual visual violence that pervades his works, Ang’s works are often infused with a fragile, fleeting beauty. Ang Kiukok’s early skills as an illustrator can be gleaned in this abstracted composition. Ang Kiukok has always had a fondness for drawing, and while back at the Davao, Chinese Highschool, he caught the eye of a known Chinese painter Tan Kok King. His passions being fueled by this, he continued drawing and was later then known at school for his art. In 1947, he found a job that allowed him to practice his talent. Ang Kiukok went to Cotabato to work as an apprentice for 2 weeks making billboards for movies in theaters.Private collection
Bananas I (1961)PaintingEnamel on wood51 x 23 cm1961Ang KiukokLeon Gallery Private collection
Barong-barong (1956)DrawingPen and Ink on Paper27 x 33 cm1956Ang KiukokLeon Gallery Award-winning National Artist Ang Kiukok has been known to create pieces expressive of sorrow, agony, and even madness. This greatly acclaimed style of his, however, was preceded by one more serene in nature. In these early works, we see Kiukok’s rendition of Barong-Barong scenes. He displays his skillfulness in composition as he so ruggedly, yet intricately, spawns these disheveled abodes. The quiet, uneventful scenes are very tranquil — nothing at all like his later works.Private collection
Barong-barong (1962)DrawingPen and Ink on Paper27 x 38 cm1962Ang KiukokLeon Gallery Award-winning National Artist Ang Kiukok has been known to create pieces expressive of sorrow, agony, and even madness. This greatly acclaimed style of his, however, was preceded by one more serene in nature. In these early works, we see Kiukok’s rendition of Barong-Barong scenes. He displays his skillfulness in composition as he so ruggedly, yet intricately, spawns these disheveled abodes. The quiet, uneventful scenes are very tranquil — nothing at all like his later works.Private collection
Barong-barong (1965)PaintingWatercolor on Paper25 x 36 cm1965Ang KiukokLeon Gallery Most of the visual artists who pioneered fresh, startling takes on representation started as strict figurative artists, and Ang Kiukok was no exception. In this rendition of the barong-barong (Filipino shanty), the National Artist proved that he was also fluent in the medium of watercolor, executing a variety of tonalities and shades to exhibit the volume of the houses. On the right, a shanty features a much paler wash, which signifies that it is much further recessed in space. In the foreground, a tree flourishes through quick, almost abstract strokes. An engaging piece, this work contains traces of germination of Ang Kiukok’s more angular figuration.Private collection
Blue FishPaintingOil on Canvas22 x 22 cm1986Ang KiukokLeon Gallery National Artist Ang Kiukok typically paints fishes with exposed bones, reminiscent to X-ray art. His early works featuring the catfish also present his circle motif which is added to create tension in his compositions. Some of his fishes appear as fossil fish or dried fish split open. Alfredo Roces wrote that Ang would also avoid depicting the external scale and skin of the fish to avoid the realistic, conservative way of painting the subject. He also noted that Ang’s daughter, who favored his father’s fish paintings best, recalled fondly how Ang would take the fish bones to their backyard to dry in the sun before painting. The fish in this 1986 painting has bloodshot eyes and ready to swallow their prey.Private collection
Blue LandscapePaintingWatercolor and collage42 x 93 cm1971Ang KiukokLeon Gallery Private collection
Cactus on TablePainting1975Ang KiukokGaleria LienzoPrivate collection
ChristPaintingOil on Canvas71 x 46 cm2000Ang KiukokLeon Gallery Private collection
Christ (1993)PaintingOil on Canvas39 x 13 cm1993Ang KiukokLeon Gallery Arguably one of the most sought after artists of today, Ang Kiukok’s angst-ridden cubist expressionism has become a thing of marvel. Concocting such powerful imagery after a career-changing sojourn abroad, Kiukok’s stylized depictions of anguish and pain have garnered great acclaim and reception despite their borderline-grotesque aesthetic. Ang Kiukok’s religious background has visibly influenced his oeuvre — such, evidenced by his numerous depictions of Christ. The stylized renditions of Christ in Kiukok’s creations, among other religious icons, would lead the audience to question the artist’s intent. The powerful imagery in play brings to fore question — asking whether such compositions venerate or merely narrate the travails and passion of Christ.Private collection
Christ (2000)PaintingOil on Canvas76 x 19 cm2000Ang KiukokLeon Gallery Ang Kiukok’s faith and that of his strong Catholic background has made quite an impression in his body of work that takes its cues from cubism and surrealism. While by and large his pieces were depictions of pain, anguish and suffering — which the artist said was but a reflection of the volatile world around him — he also rendered the image of Jesus Christ in similar situations: on the cross, crowned with thorns, or as the Pieta. Although, some works feature less distraught than others. This very work, atypical of Kiukok’s grotesque brand of figurative expressionism, features a similar angular rendition of Christ — more figurative than expressive, moreso with his attention to detail. This powerful work is pervaded by a serenity in the subject, from the palette of the subject to the expression exhibited by which. The subdued red set as the backdrop makes for a striking emotional display, injecting a painful, piercing subtlety into the composition.Private collection
ChurchPaintingOil on Panel37 x 23 cm1967Ang KiukokLeon Gallery Philippine art has long reflected religion, specifically Catholic secular aesthetic traditions, churches, and motifs. The prevalence of religious imagery is only expected in a country strongly influenced by the Catholic Church. National Artist Ang Kiukok, one of the vanguards of Modern Philippine art who is mostly known for his angst-and-agony-ridden depictions of figures and Cubist works, has produced paintings of the Passion of Christ, among other works with religious themes. This is a significant part of his creative development as a master Filipino modern artist with a distinct personal aesthetic—a combination of Cubist, Surrealist, and Expressionist sensibilities. This painting is one of his chronicles of faith through the depiction of a religious image. Expressive in Ang’s signature geometric shapes and color palette, the church’s visual features are synthesized into a unified interpretation. The bare details bring out the most elemental, and his Cubist techniques applied in this work break away from the traditional representations of the church. It is a refreshing rendition of a subject matter taken upon by various notable Filipino artists who utilized both traditional and modern approaches through the years. Here, one also sees the influence of the Philippine Art Gallery Neo-Realists and National Artist Vicente Manansala, his mentor, on Ang. When it comes to Ang Kiukok’s works, even the most familiar themes become unique to the eye. Chosen colors and rendered shapes complement each other and compositions are charming and intriguing. This is one of his works that shows how Ang masterfully gave life to geometric forms and expressed emotion through his palette.Private collection
Church (1971) 93rd copy of 223PrintSerigraph56 x 33 cm1971Ang KiukokLeon Gallery
ClownPaintingOil on Canvas102 x 23 cm1999Ang KiukokLeon Gallery In the later works of Ang Kiukok, such as this clown, one becomes aware of the artist’s greater emphasis on design, with a corresponding reduction in effect, and of the body’s inexhaustible potential as symmetrical form moving around an axis. This is in sharp contrast with how the artist delineated the human figure in the earlier decades of his career. In the 1970s and 1980s period of Ang’s art, the brush became a scalpel with a sharp cutting edge that dissects quivering muscle and tender tissue. In his art, Ang wants to convey what is to be a suffering human being. In them, the artist denies the viewer easy comfort. In the 1990s, Ang’s male figures have become more ‘fleshly’ in the artist’s new concern for muscular structure.Private collection
Cockfight (1966)PaintingTempera74 x 56 cm1966Ang KiukokLeon Gallery The cubist fragmentation of the two chickens initiates a sense of sharp, shifting movements, like a flurry of bladelike planes flung outwards in centrifugal motion against a background of primary blue and red. The technical virtuosity growing out of the speed of execution delights the eye. Throughout the years, the artist has mastered how to wield a powerful brush. While the intense red maintains the high emotional temper, the blue tones, modulating from dark to light, have the quality of the metallic, inorganic, inhuman and alienated. The angular jagged forms are balanced by the strongly defined black and red backdrops. In 1983, Cid Reyes asked the artist: “Are you conscious of doing a Filipino painting?” Ang Kiukok answered:”No. We are all Orientals. What is more important is to show Oriental feeling.” The Oriental/Chinese side in Ang Kiukok plays on the stark contrast of bright and dark, or pits red against black amid intense streaked hues of blue in an antagonistic yin yang relationship. The reds magnify the fact that the scene is a blood sport due to the physical trauma the cocks inflict on each other. In Chinese philosophy, yin and yang describe how seemingly opposite or contrary forces may be complementary, interconnected, and interdependent in the natural world, and how they may give rise to each other as they interrelate to one another. Many tangible dualities (such as light and dark, fire and water, expanding and contracting) are thought of as physical manifestations of the duality symbolized by yin and yang.Private collection
Cockfight (1997)PaintingOil on Canvas122 x 91 cm1997Ang KiukokLeon Gallery The fauna featured in the numerous works of the iconic Ang Kiukok bear a ferocity all their own. Savage and menacing, the vicious dogs, agitated cats, odd horses, and fierce roosters make their appearances in the stark outskirts of Kiukok’s world. There is no determinant to where the scene is set other than the Red, sometimes Black, moon that illuminates the angst-filled realm in all its desolate expanse. In this work by the modern master, we are treated to a graceful, yet violent composition — an aggressive display of aerial combat between two fighting-cocks engaged in battle. Kiukok’s gladiatorial roosters have had quite the evolution. In his transition from his Machine Period to his Expressionist Period, it was his fighting-cocks that led such direction. It was shortly after his return from the US that such fauna had emerged in his works, as opposed to that of his machine landscapes. The warring roosters, from initially depicting such smash-mouth barbarity, have had their share of stylistic development over the years. Numerous variations of the motif have come about, but the robust elegance and channeled rage have nonetheless been retained in their very nature — be they fighting, crowing, or even in the arms of a handler. Kiukok’s powerful renditions of these wild beasts, austere in their grandeur and character, have given them a destitute identity. However, in the dog-eat-dog world of the renowned modern, it is the meek who become victim, and contrary to that of the human characters in this world who succumb to their grim realities, the razed environment has turned these beasts into brutal predators. This very piece is from 1997, some four years before Kiukok was bestowed the honor of National Artist.Private collection
Corn on TablePaintingOil on Wood41 x 48 cm1973Ang KiukokLeon Gallery Emmanuel Eric Torres wrote in June 1974 about Ang Kiukok’s art that “Whenever the color design begins to turn ingratiatingly harmonious, or conventionally sweet, he deliberately throws in an unpredictable hue to create a dissonant, piquant effect.” But in “Corn on Table”, he makes use of sharp contrasts of forms in the composition to achieve that sharp dissonance. The liveliness of the shapes of the corn pointing in different directions give them a baroque exuberance which provides a total contrast to the sharp geometric angles of the surfaces. The spontaneity of this work, its freshness of execution, is of note. The sprouting, flame-like effects of the corn are appreciated with the artist’s aim to create or invent his own kind of literal cubism. Ang Kiukok pushed his interest in challenges on visual abstraction to the limit. What makes his images distinctive is not simply that the sequences from which he chooses them are brief and violent, but that these qualities of brevity and violence are conveyed in the images through imaginative decoupage and modernist stylistic features. Even in depicting the fruits of harvest, angst is visually useful and is both an inspiration for his art and a source of strength.Private collection
Crucifixion (1961)DrawingPencil on Paper18 x 14 cm1961Ang KiukokLeon Gallery Private collection
Crucifixion (1967)PaintingOil on Wood51 x 20 cm1967Ang KiukokLeon Gallery Private collection
Crucifixion (1969)PaintingOil on Wood36 x 33 cm1969Ang KiukokLeon Gallery Private collection
Crucifixion (1979) 1PaintingWatercolor on Paper91 x 46 cm1979Ang KiukokLeon Gallery Private collection
Crucifixion (1979) 2PaintingWatercolor on Paper79 x 51 cm1979Ang KiukokLeon Gallery Ang Kiukok’s stylistic leanings have often (if not always) featured a cubistic quality. There is a uniqueness in his approach to his aesthetic — where the once rigid, and later on more expressive take on forms have given viewers a very evocative brand of art. A potent character in his creations — bordering on grotesque and acerbic. It is in Kiukok’s ability to visually embody angst, anguish, and pain with his subjects that makes for his creations’ inimitable emotional quality. Even in his more abstracted tablescapes and the like, the piercing emotional undertone of Kiukok’s works truly make their power felt. As in this cubistic depiction of the crucified Christ, Kiukok approaches the composition less violently — in contrast to his more gruesome depictions of Christ and the passion. Despite this, the very sullen emotional undertone pervades the work, giving us the boisterous, yet glum rendition of the crucifixion in all its pensive sorrow.Private collection
Crucifixion (1981)PaintingWatercolor on Paper51 x 38 cm1981Ang KiukokLeon Gallery One facet of Ang Kiukok’s mechanical skill stems from his mastery of the Chinese brush. His entire output has been a visual metaphor for the human condition that includes the religious dimension. If there is anything therapeutic about his brutal depiction of Christ on the Cross, it lies in his attitude of looking straight and hard at the evil at hand rather than pretending it does not exist, or is not fit for art. The brutality of the depiction shows Ang putting aside lyrical decorations present in everyday altar crucifixes in favor an expressively dramatic visual statement.Private collection
Crucifixion (1983)PaintingTempera76 x 51 cm1983Ang KiukokLeon Gallery Private collection
Crucifixion (1991)PaintingOil on Canvas36 x 12 inches1991Ang KiukokLeon Gallery Private collection
Crucifixion (1993) 1PaintingOil on Canvas122 x 30 cm1993Ang KiukokLeon Gallery This unique and powerful work immediately stuns the viewer with a totally-stripped Christ with his shoulder blades nailed to the cross, hanging like a slab of meat for sale. The distinctive Ang Kiukok trademarks are here — the sharp as barbed-wire crown of thorns, the broken, bloodied body slumped in anguished suffering. Today, this atrocious view immediately brings to mind the abandoned bodies of suspected drug addicts and drug pushers gunned down for “resisting arrest” by law enforcers and vigilantes. Truly, the art of Kiukok, who intensely immersed himself in the frustrations, pains, and trials of our “kababayan sa mga laylayan” remains alive as an urgent wake-up call for us to respond to their plight. 85Private collection
Crucifixion (1993) 2DrawingPen and Ink on Paper32 x 23 cm1993Ang KiukokLeon Gallery Private collection
Crucifixion (1998)PaintingOil on Canvas99 x 13 cm1998Ang KiukokLeon Gallery In this painting of Ang Kiukok done in oil on canvas, he depicts Christ whose tortured body is narrowed down by the gravity of sorrow. The body of Jesus is reduced into a slender, abused, throbbing mass. It is an uncompromising rendition of the mortal body as a metaphor for the human condition. Ang Kiukok has painted multiple depictions of the crucified Christ that did not shirk from portraying the agonies normally associated with the crucifixion. When asked why he was so angry, he replied, “Why not? Open your eyes. Look around you. So much anger, sorrow, ugliness. And also madness.” Emmanuel Torres wrote in 1974: “A...notable transmutation occurs in the...Crucifixions. No longer the serene, static, crucified Christs of the fifties and sixties, these later ones writhe with Grunewaldian anguish. What comes dramatically across is a vision of mangled humanity...”Private collection
Crucifixion (n.d.) 132nd copy of 190Print63 x 39 cmAng KiukokLeon Gallery Private collection
Crucifixion (n.d.) 44th copy of 190PrintSerigraph61 x 38 cmAng KiukokLeon Gallery Private collection
Crucifixion (n.d.) 4th copy of 190Print61 x 38 cmAng KiukokLeon Gallery Private collection
Dog (1988) 1DrawingPen and Ink on Paper22 x 29 cm1988Ang KiukokLeon Gallery Kiukok’s perception and understanding of form has allowed him to expressively capture his subjects as uniquely as he did. Ever bearing of raw emotion and grit, the figures that reside in the artist’s sheets and canvasses exude a peculiar angst that is particularly ‘Ang Kiukok.’ This rendition of a canine from 1988 carries a dark air, resonant of pain and misery — which goes to show the transcendence of Kiukok’s figurative style.Private collection
Dog (1988) 2DrawingPen and Ink on Paper22 x 29 cm1988Ang KiukokLeon Gallery Private collection
Eighth Station: Jesus Consoles the Women of JerusalemPaintingOil on Canvas102 x 102 cm1996Ang KiukokLeon Gallery Private collection
Father and SonPaintingOil on Canvas91 x 18 cm1958Ang KiukokLeon Gallery Private collection
Fifth Station: Simon Helps Jesus Carry His CrossPaintingOil on Canvas91 x 114 cm1996Ang KiukokLeon Gallery Private collection
Fighting Figures (1984)PaintingOil on Canvas122 x 66 cm1984Ang KiukokLeon Gallery Private collection
Figure 1 (5th copy of 20)PrintEtching30 x 28 cm1979Ang KiukokLeon Gallery Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle.Private collection
Figure 2 (5th copy of 20)PrintEtching30 x 28 cm1979Ang KiukokLeon Gallery Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle.Private collection
Figure 3 (5th copy of 20)PrintEtching30 x 28 cm1979Ang KiukokLeon Gallery Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle.Private collection
Figure 4 (5th copy of 20)PrintEtching30 x 28 cm1979Ang KiukokLeon Gallery Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle.Private collection
Figure 5 (5th copy of 20)PrintEtching30 x 28 cm1979Ang KiukokLeon Gallery Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle.Private collection
Figure 6 (5th copy of 20)PrintEtching30 x 28 cm1979Ang KiukokLeon Gallery Powerful and evocative is Ang Kiukok’s use of the human form as a visual tool, translating pain and anguish into these highly intricate figures. It is Kiukok’s meticulous craftsmanship, heightened by his understanding of the human anatomy, which has allowed the modern master to conjure such an elegant austerity in his works. Be it pen and ink or oil, tempera or print, the powerful vision and rendition of Kiukok’s art is truly a remarkable spectacle.Private collection
Fish (1968)PaintingWatercolor on Paper69 x 69 cm1968Ang KiukokLeon Gallery Private collection
Fish (1972)PaintingOil on Canvas91 x 91 cm1972Ang KiukokLeon Gallery Private collection
Fish (1979)PaintingTempera46 x 30 cm1979Ang KiukokLeon Gallery Private collection
Fish (1988)PaintingOil on Canvas61 x 61 cm1988Ang KiukokLeon Gallery Ang Kiukok’s fish are singled out on the plate. The artist draws out their spiky aspect, their bony frames, predatory teeth, sharp fins and tails. They do not offer a visually edible meal but have the satisfaction of glaring out at the diner before being torn to pieces with a knife and fork. Amid the near symmetry of the composition, Ang combines the expressionist aspect with the formalist aspect of his art. Thus, Ang Kiukok’s characteristic agitated angularities are visibly absent. Save for the sheet of fabric, paper or foil underneath the fish, there are no other objects on the perceived table. Perhaps the artist wanted to focus on the subject as the lone leitmotif, given the intentional geometric mannerisms injected in the composition, such as the perfect circle at the center.Private collection
Fish (2003)PaintingOil on Canvas30 x 30 cm2003Ang KiukokLeon Gallery Private collection
Fish 2 (1997)DrawingPen and Ink on Paper23 x 30 cm1997Ang KiukokLeon Gallery Private collection
Fish Abstract (75th copy of 174)PrintLitograph28 x 30 cmAng KiukokLeon Gallery Private collection
Fishermen (1981)PaintingOil on Canvas102 x 202 cm1981Ang KiukokLeon Gallery The painting in this exhibition is the largest painting by Ang Kiukok to be available for acquisition over the last several years. There may be a subliminal cipher perceptible as “ANG” in the composition The work depicts three men straining to pull in a net laden with fish. Their muscles struggle against the opposing forces of the weighted net. The sun is high in the sky, a red-copper orb against a sky browner than their skin made pale by the cold water. Sweat pours from their lean bodies, in their thoughts are thanks for the bounty that makes a living possible. -Ramon N. VillegasPrivate collection
Fishermen (1993)PaintingOil on Canvas91 x 102 cm1993Ang KiukokLeon Gallery The rural subjects of Ang Kiukok, such as fishermen and farmers cannot be designated to any particular period in the chronology of his career. Ang himself stresses that they recur throughout the years since they are always a part of his life — images harking back to his childhood in Davao where fishermen casting their nets in the sea and carrying the prize back on their shoulders even universal life, and each time they come up, there is a new insight in their interpretation. These images that are supposedly more tranquil, restoring the world of familiar occupations and habits, nonetheless have a palpable and simmering power, as expressed by the taut, heavily built arms trying to haul the catch. Collectively, the arms altogether suggest the direction of powerful movement.Private collection
Fishermen (2002)PaintingOil on Canvas61 x 122 cm2002Ang KiukokLeon Gallery Private collection
FishesPaintingWatercolor on Paper83 x 41 cm1964Ang KiukokLeon Gallery In some of his homebound themes, Ang Kiukok followed a method exactly the same as that which had made Manansala, his former mentor, famous: treating familiar subjects in an appealing abstract style, neither with far-out distortion nor extreme expressionism. What Gertrude Stein wrote about the Twentieth Century in the eyes of Picasso may also apply to Ang Kiukok: “So, the twentieth century is that, it is a time where everything is destroyed; it is a more splendid thing than a period when everything follows itself.”Private collection
Gabi LeavesPainting43 x 81 cm1964Ang KiukokLeon Gallery Private collection
HarvestPaintingOil on Canvas91 x 122 cm2004Ang KiukokLeon Gallery Safe, soothingly-pretty subjects are not Ang Kiukok’s cup of tea. He knows life isn't a bed of roses...at least, not roses without thorns. His works are intense: Ang Kiukok uses distortion for strong impact. With Kiukok, the penchant to idealize and beautify has become a thing of the past. There are, however, images that are more tranquil, restoring the world of familiar occupations and habits, but nonetheless always with a strange and simmering temper. Among these are the fishermen casting their nets in the sea and carrying their prize catch on their shoulders — imagery that harks back to his childhood in Davao by the sea. Ang Kiukok also created taut compositions of familiar rural occupations such as the farmers in “Harvest” (2004). He first attained prominence in the Philippine arts scene in the 1960s with a distinct style that fused influences from cubism, surrealism and expressionism, others merely called it scary. What could not be doubted was the violence in his imagery, a factor that slighted the commercial viability of his works until the 1980s. Sharply dissonant colors mark “Harvest”, which was done just a year before the artist’s death.Private collection
Head of Christ (79th copy of 154)PrintSerigraph39 x 34 cmAng KiukokLeon Gallery Private collection
Jesus Falls Down the Third TimePaintingOil on Canvas91 x 91 cm1997Ang KiukokLeon Gallery Part of National Artist Ang Kiukok’s Stations of the Cross presenting the scenes of the Crucifixion, this piece is a modern depiction of Simon of Cyrene helping Jesus carry the cross, compelled upon seeing him being taken to his crucifixion, as recorded in Matthew 27:32. Though no facial expressions are rendered, this work is expressive in color scheme and figurative features of both Simon and the suffering Christ, showing Ang’s technical focus to detail. The viewer can also feel the weight of the cross, symbolizing humankind’s sins and the soul’s need for deliverance from it, not just because of the visually implied fall of Jesus, but simply in the way it is presented and carried. Brilliant color use and precision of geometric elements are at work here, qualities that many critics have noted upon studying Ang’s striking cubist works. Clearly, this is a fine example of the master artist’s distinct modernist style that achieves genius spaces of color and form and well-executed compositions.Private collection
Jesus Falls for the Second TimePaintingOil on Canvas91 x 122 cm1996Ang KiukokLeon Gallery Private collection
Junkscape (1975)PaintingInk and Watercolor on Paper22 x 30 cm1975Ang KiukokLeon Gallery The rural subjects of Ang Kiukok, such as junkscapes, cannot be designated to any particular period in the chronology of his career. His scarred land of junkscapes include piles of technological and mechanical debris. Ang Kiukok’s junkscapes are thematically related to his dogfights that bristle with a bellicose energy, so much so that poetry has even been written about those visual eyesores of technological junk.Private collection
Junkscape (1977)PaintingOil on Canvas89 x 89 cm1977Ang KiukokLeon Gallery Private collection
Junkscape (1990)PaintingOil on Canvas61 x 45.7 cm1990Ang KiukokLeon Gallery
Landscape (1964)PaintingWatercolor on Paper25 x 34 cm1964Ang KiukokLeon Gallery The landscapes that first seeped into Ang Kiukok’s consciousness were areas in and around the University of Santo Tomas -- the City of Manila -- when he was still a Fine Arts student. From there, when he was afforded the chance to travel to other parts of the country, land and seascapes now also filled his canvas. Occasionally, he would dip his brush into traditional Chinese painting, using watercolor, and created pieces such as this work from 1964. In so doing, he made known to the world his Chinese heritage. It has also been written that for five years early in his career he taught art in a school for children of overseas Chinese. In 1961, he was recognized as Outstanding Overseas Chinese in Art. This idyllic, almost oriental landscape is from 1964, yet in the 1960s, Ang Kiukok’s growing body of works was to gradually break from the rural idylls of the prewar era dominated by Fernando Amorsolo.Private collection
Landscape (1975)PaintingOil on Canvas102 x 178 cm1975Ang KiukokLeon Gallery Ang Kiukok, at times, would venture so far from the visual appearance of actual objects that his paintings seemed thoroughly abstract, and yet in other works he would produce an image which was almost representationally literal: emaciated people, howling dogs, junkscapes. Whether in abstraction or figuration, Ang Kiukok produced works that were so powerful in feeling and so imaginative in design that they evoke not just visual suggestions, but meticulously structured details. In this particular work, the highly charged colors generate an immediate emotional response. Painted in vibrant colors, the agitated shapes zigzag in all directions, making complex, usually cubistic, shapes. Patterns start becoming more apparent, suggesting structures similar to the walls within buildings. The painting is, in a way, disorienting with its all-over design and the absence of perspective, testing the imagination with its intersecting planes and forms that seem to jut out of the picture plane. The painting makes the viewer ask how the details actually are in relation to one another. Is that a moon in the upper left? Are those the roofs of houses at right? The understanding of the forms is dynamic as certain aspects of the work could seem large and distant, or small and near. While the work may have architectural qualities, the planes of color remain true to the ethos of abstraction, fashioning its own complex reality.Private collection
Lovers (1985)PaintingOil on Canvas91 x 91 cm1985Ang KiukokLeon Gallery Private collection
ManPaintingOil on Canvas107 x 86 cm 1968Ang KiukokLeon Gallery Private collection
Man in MotionPaintingOil on Canvas86 x 86 cm1969Ang KiukokLeon Gallery Images like this work, not merely evoke the anomie of a hyper-mechanical civilization, but also hint at boredom behind the chrome and glitter. Dehumanized figures — robots — fill up other canvases, their anatomical features replaced by slick mechanical articulations, cylinders, pistons, valves, wrenches, bolts, etc. Alienation, the brutalization of man by greed, and the self-centeredness of the ‘me Generation’ aggravated his discomfort. Cid Reyes asked him in 1983:“Who are the western painters whose works you admire?” Ang Kiukok: “Picasso, Francis Bacon, Sutherland.” Cid Reyes: “Among Filipino painters, whom do you admire?” Ang Kiukok: “None.” He found in Ricio Lebrun’s tormented men and brutes eloquent correlatives of this brutalization of man‘s spirit by a hyper industrial culture. The somber mood surpassed only by a prismatic richness and brilliance. Yet, in spite of the color splurge, these abstractions hardly give off a rainbow happy feeling; richness of color merely accentuates a desperate kind of cheer, a plastic madness. The side view is chosen to produce a most convincing image of man’s saturnine states of mind and other psychological conditions, the figure imparts a dynamic quality, representing the universal angst of man, and painted with broad bands of swirling color and dynamic forms, it reduces the agonized figure to a cyborg like skull in the throes of inner turmoil. His travel to Europe in 1965 with fellow artist and mentor Vicente Manansala was, for him, the best learning experience that he ever had. In his exposure to modern art, Picasso’s works proved to be a revelation form him; through which, he discovered what painting was supposed to be and what he really wanted to achieve as an artist.Private collection
Man with Fish (1987)DrawingPen and Ink on Paper30 x 23 cm1987Ang KiukokLeon Gallery Among the most sought after artists of today is Ang Kiukok. Having created a strong, and emotionally striking aesthetic, there is so much to be taken from Kiukok’s malaise-filled works. Be it an allegorical or anecdotal piece, the emotional quality of Kiukok’s creations shines through. This very work by the iconic modern, of a fisherman with his prize catch done in pen and ink, harks back to the artist’s childhood in Davao. The evocative use of lines to define and delineate his figure in all its stately angst is remarkable — a powerful combination of unease and elegance.Private collection
Mother and Child (1984) 1PaintingOil on Canvas60.9 x 60.9 cm1984Ang KiukokLeon Gallery Art critics point out that only in recent years did Filipino painters take up the theme of mother and child with definition and vigor. But it was the humantheme and not the Christian mystery of the incarnation of the Son of God who had a human mother. In effect, it is as if the Filipino painter never did take up the classic theme of Christendom but jumped in to humanize it into a depiction of the dominance of the mother in Filipino society. There were two sides to Ang Kiukok as far as his depictions of the mother and child theme are concerned: the religious side, as when Kiukok depicted the pieta, the anguished Mother and the Crucified; then there is the homelier depiction of the mother and child, with the oversimplified image of the mother cuddling the child in full embrace.Private collection
Mother and Child (1984) 2PaintingOil on Canvas61 x 61 cm1984Ang KiukokLeon Gallery Private collection
Mother and Child (1986) 1PaintingOil on Canvas61 x 61 cm1986Ang KiukokLeon Gallery Private collection
Mother and Child (1986) 2PaintingTempera on paper46 x 30 cm1986Ang KiukokLeon Gallery Ang Kiukok combined the elements of provincial folk culture with expressionist cubism, which he developed into his own visual vocabulary. The cubist geometricizing style lends itself successfully to the universal subject. Structured into planes and facets, the mother-and-child figures acquire an essential simplicity and austere purity with its dignity and solidity in the broadly structured facets and lack of embellishments. He willfully exaggerates the mother’s arms to emphasize the bond between the two subjects, a protective gesture against the unpredictable elements of the world, bringing about the humanism of the subject. The baby seems to emerge from a cocoon which is actually a piece of fabric wrapped around it.Private collection
Mother and Child (1986) 3PaintingOil on Paper46 x 30 cm1986Ang KiukokLeon Gallery Clearly, the subjects cum unnamed personalities in the paintings of Mark Justiniani are not so much portraits of individuals, but of character types. The man is covering his lips but the access to his thoughts is a keyhole (on the forehead) away. While Justiniani introduces a comic note, he is more complex than a mere cartoon figure, for he also symbolizes the ludicrous and the absurd, as well as of the opposite grotesque as he leapfrogs over lesser creatures, or plays the power game with other equally hefty colleagues. Mark Justiniani, once identified with Social Realism through the 80’s and 90’s in the Philippines through artist-activist initiatives like Salingpusa (1984) and Sanggawa (1994), has always been working with notions of how we perceive reality.Private collection
Mother and Child (1988)PaintingOil on Canvas60.9 x 60.9 cm1988Ang KiukokLeon Gallery A seated, cross-legged, woman in a baro’t saya envelops the body of a child. Ang Kiukok explores the links between the fragile beauty of motherhood and the startling power of violence. The limp child, head tipped far back, is clutched to the mother. Her features are mostly hidden by the child's arm—her stooped head silently communicates her explosive feelings. With her loving arms--especially a strong, thick hand--she draws the child toward her. Her embrace is allconsuming. The mother's muscular leg forms the base of the monolithic shape that confronts the viewer. Most of the lines the artist uses to shape and shade the forms are aggressive, taut, and meaningful, contributing energy to the surface. As a bit of relief from the overall grief, Ang Kiukok drew the lines of the woman's hair into an elegant bun and delicately rendered the boy's features. The mother, with the pale-colored body of her weak child between her thigh bones and arms, seeks with her face hidden by sorrow, to swallow back into herself the disappearing life that once belonged to her womb.Private collection
Mother and Child (1989)PaintingWatercolor on Paper22 x 29 cm1989Ang KiukokLeon Gallery
Mother and Child (1990)PaintingTempera23 x 30 cm1990Ang KiukokLeon Gallery Private collection
Mother and Child (1991)PaintingOil on Canvas61 x 61 cm1991Ang KiukokLeon Gallery Private collection
Mother and Child (1993) 1PaintingOil on Canvas91 x 61 cm1993Ang KiukokLeon Gallery At a time when modern art was pursuing one formal absolute after another, Expressionists from all over were concerned with embracing the uninhabited natural world. It was their intention to promote a new society for man as much as a new style. With fierce compassion, they depicted a world of primal, even primitive emotions, and strident color. For the Philippines own Ang Kiukok, the most primal emotions are depicted in the mother and child image, framed in strident, even dissonant fields of color — deep red and green. In Western art, Cezanne, Monet and Renoir achieved their successes by choosing subjects carefully to suit their abilities. In the same way, Ang Kiukok, outside of his angst ridden themes, restricted himself to subjects in which he could recognize his own ideals of quiet, iconic beauty. Unlike in the style of cubism, Ang Kiukok does not fragment and dissect the human figures, leaving hints of their identity. For Ang Kiukok, cubism was not a fragmenting or dehumanizing principle but a structuring one. The exaggerated geometrical style lends itself successfully to the subject. Structured into planes and facets, the Mother and child figure acquires an essential simplicity and austere purity.Private collection
Mother and Child (1993) 2PaintingOil on Canvas46 x 15 cm1993Ang KiukokLeon Gallery In his body of work spanning decades, Ang Kiukok worked with a devoted focus on recurrent themes (the seated figure, the harlequin, the abstracted landscape are just three examples), evolving his distinct style and elevating his brand of cubism to great heights. His achievement in representation extends to genre themes, such as the mother and child. In this particular work, the National Artist depicts a mother who comforts the child. The arm of the child beseeches for comfort, indicating that inextricable bond between a mother and her offspring. In return, the mother cradles the child in a protective embrace — evoked by angular lines and solidity of for.Private collection
Mother and Child (ceramic plate)PrintCeramic22 cmAng KiukokLeon Gallery Private collection
Mother and Child (plate) 689th copy of 1500Print22 cmAng KiukokLeon Gallery Private collection
Mother and Child (square plate) 1906th copy of 2000PrintCeramic50 x 50 cmAng KiukokLeon Gallery Private collection
Nude (1979)DrawingPatel on paper64 x 46 cm1979Ang KiukokLeon Gallery Private collection
Nude (1st copy of 30)Print53 x 36 cmAng KiukokLeon Gallery Private collection
OwlDrawingPen and Ink on Paper29 x 48 cm1976Ang KiukokLeon Gallery
Parks and WildlifePaintingOil on Canvas61 x 30 cm1992Ang KiukokLeon Gallery Some 20th century Filipino artists demonstrated a precise understanding of Cubism’s tenets and implications, and they would parse its substructures with aplomb. Other painters were more gingerly in their approach, borrowing the surface aspects of cubism yet never leaving the naturalistic basis of their art. This work by Ang Kiukok is an example of both instances. The verdant scene seems to take on the tree of life motif, connecting all forms of creation, even in the context of a park like setting. Ang displays delicacy of technique, an angularity of drawing, and pleasantly sharply contrasting colours, but sans the violence that usually pervades his works. Various trees of life are recounted in folklore, culture and fiction, often relating to abundance in life. The sky around the tree reflects the peaceful nature of the countryside and the verdant growth of the tree that holds everything together alludes to rebirth and growth. This greeting-card pretty work by Ang Kiukok shows a step in his development from an expressionist painter into a master of formal abstracted composition. In his explorations of geometric simplification, Ang Kiukok was interested in the simplification of naturally occurring forms to their essentials and eventually to the fracturing of form. Objects are shown as a series of flat, angular planes.Private collection
Pieta (1981) 1PaintingOil on Paper23 x 28 cm1981Ang KiukokLeon Gallery Ang Kiukok’s stylistic leanings have often, if not always, featured a cubistic quality. There is a uniqueness in his approach to his aesthetic — where the once rigid, and later on more expressive take on forms have given viewers a very evocative brand of art. It is in Kiukok’s ability to visually embody angst, anguish, and pain with his subjects that makes for his creations’ inimitable emotional quality. Just as in this oil on paper work, the pained Christ exemplifies the very torment that is ever present — even Mary, the dark shroud clutching the beaten Christ, is depicted very subtly yet powerfully.Private collection
Pieta (1981) 2PaintingOil on Canvas61 x 61 cm1981Ang KiukokLeon Gallery Private collection
Pieta (1981) 3PaintingOil on Canvas61 x 61 cm1981Ang KiukokLeon Gallery This work by Ang Kiukok, suggests the Pieta, though it is more of a precursor of his Deposition series which he did in the 1990s. The Pieta is strictly a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ. The Pietà is a subject in Christian art depicting the dead body of Jesus being cradled by the Virgin Mary, although she is depicted, or suggested here as a dark, severely geometric shrouded figure, thus assuming a hinted presence. The Deposition of Christ, or, Descent from the Cross, is the scene, as depicted in art, from the Gospels’ accounts of Christ being taken down from the cross after his (John 19:38-42). Even in early depictions in art, the details and posing of the composition, and especially the position of Christ’s body, are varied. Ang renders the dead Christ with a powerful figurative style–Christ’s head is consumed by the crown of thorns, and his body is in a prostrate state. It is an uncompromising rendition of the mortal body as a metaphor for the human condition. Some classified Ang Kiukok’s style as “figurative expressionism,” but what could not be doubted was the pathos in his imagery, with a distinct style that fused influences from cubism, surrealism and expressionism. The intensity of his works stood in contrast to his own personality, described as “placid and affable”. Ang Kiukok’s bleak imagery of Christ can be related to a comment of his saying that Christ died for nothing because the world has not changed.Private collection
Red FishPaintingOil on Canvas22 x 24 cm1986Ang KiukokLeon Gallery Private collection
Rooster (164th copy of 226)PrintLitograph56 x 36 cmAng KiukokLeon Gallery Private collection
Rooster (1984)PaintingAcrylic on Paper46 x 30 cm1984Ang KiukokLeon Gallery Clenched are the rooster’s toes, the spurs unnaturally pointed to each other, and the shanks are in upright verticals. The sharp-edged and pointed wing feathers close in between the shanks. The right eye stares blankly upward, and the beak is agape as the cock crows in anger, pain and readiness to fight an unseen adversary to the finish. The rooster grips any sensate viewer for it is frankly brutal and brutally frank as a metaphor of man in whose being anger, brutality, criminality, demonic forces, ad nauseum, reside.Private collection
Rooster (1985)PaintingOil on Canvas61 x 61 cm1985Ang KiukokLeon Gallery Like his mentor, National Artist Vicente Manansala, Ang Kiukok’s subjects of interest include fighting cocks, the typical feathered pet of the Filipino sabungero. Also a National Artist, the latter’s distorted roosters are rendered in strong strokes, lines, and forms, with features far from the usual pampered ones. Colors are vibrant and contrasting in his rooster paintings in which the animal is depicted through a multi-dimensional perspective. Art critic Alfredo Roces notes in Kiukok: Deconstructing Despair that Ang’s fighting cocks made their appearance in his works not long after his return from the United States, where he painted machine landscapes and robot faces. May it be roosters in aerial combat or one fighting cock with a commanding presence, Ang showcased his stylistic developments through this animal that caught his interest. In this 1985 Rooster piece, the fierce animal stands firm with its expressive eyes, appearing as a survivor in a harsh environment, set against a background of intense red-orange hues. The beast-like features are pronounced, from its towering wings to enlarged feet. This work is a display of his masterful fusion of Cubist, Surrealist, and Expressionist techniques that resulted in a painterly style influenced by Mexican modernist Rufino Tamayo, Pablo Picasso, and Cuban artist Wilfredo Lam but still distinctly his.Private collection
Rooster (90th copy of 226)PrintSerigraph56 x 35 cmAng KiukokLeon Gallery
Rosary Queen (1975)PaintingTempera on paper46 x 30 cm1975Ang KiukokLeon Gallery Many times, Ang Kiukok has depicted the Virgin Mary from a completely frontal perspective. Its composition is flat. A painted frame within the composition makes for a visual extension of the actual frame, suggesting depth. Here, she is a straightforward figure with colored dots evoking her facial features. What prevents the painting from appearing too stiff is the profusion of details such as the wavy, paisley-like curlicues on her dress, the playfully dotted halo, the geometric orange patterns, and the profusion of wavy patterns on the globelike support where the imagined feet of the Virgin are supposed to rest. Random geometric forms of differentiated greens and blues below the figure break the symmetry. While not playing down the religious aspect of the Virgin, Ang Kiukok brings into focus its decorative qualities of shape, color, and form.Private collection
Rosary Queen (1979)PaintingTempera1979Ang KiukokLeon Gallery Despite being baptized a Catholic, Ang Kiukok is not exactly your typical churchgoing-Christian. With respect to his pessimistic view of humanity — what with our sinful, unchristian conduct — the very ‘Christian’ rituals and practices Kiukok depicts become more of instruments for hypocrisy rather than absolution. This use of religious themes puts the artist’s ire and angst at the forefront, bringing to life the visual splendor of his indignant temperament. In Kiukok’s renditions of the Virgin Mary as a venerated figure, he lay focus on the composition and the cohesiveness of its color and form motifs — this allows for the artist to play around with the theme, transforming the Mother of Christ into a mere ornate icon venerated through processions, and her humanity into nothing more than a faceless symbolism.Private collection
Rosary Queen (1989)PaintingOil on Canvas61 x 61 cm1989Ang KiukokLeon Gallery Ang Kiukok depicts the Virgin Mary from a completely frontal perspective. Its composition is flat. A painted frame within the composition makes for a visual extension of the actual frame, suggesting depth. Ang Kiukok presented the Virgin as a decorative, straightforward image without facial features. What prevents the painting from appearing too stiff is the profusion of details like the wavy curlicues of the frame which seem to recall okirs in Mindanao art, the elaborate monstrance-like halo, the geometric orange patterns on the stiff dress and the profusion of wavy succulent leaves of a lush green plant where the Virgin stands. A moon of differentiated blue breaks the symmetry. By playing down the religious aspect of the Virgin, Ang Kiukok brings into focus its decorative qualities of shape, color and form. Composition wise, Ang Kiukok’s painting of the Virgin is akin to being a companion piece of Fernando Zobel’s “Carroza.”Private collection
Scream (1969)PaintingWatercolor on Paper94 x 46 cm1969Ang KiukokLeon Gallery The subject itself is a human representation of panic. Like most forms of panic, it emanates from a vague and uneasy source. The tragic characters of Ang Kiukok, forming and disintegrating before our eyes, symbolize the precariousness of human life, the fate of his enterprises always threatened, destroyed, and recommenced. How Ang kept his guard against the pretty had been reinforced by a gift from a friend: a book on Francis Bacon which featured color plates of his hallucinatory landscapes and lonely people disintegrating and contorting in ghoulish torment. In his figure scenes, the English artist always continued to investigate the irrational aspects of man’s encounter with nature, although with more explicit concern for the monstrous and horrible experiences. Consequently, the subjects of Ang’s easel metamorphosed into a variety of odd ways.Private collection
Scream (1970)PaintingInk on Paper94 x 46 cm1970Ang KiukokLeon Gallery Private collection
Screaming Figure (1969)PaintingWatercolor on Paper94 x 43 cm1969Ang KiukokLeon Gallery This work by Ang Kiukok deconstructs the human figure screaming into the abyss as if he were disintegrating, with his flesh peeling from the bone and the blood clotting heavily turning into black soot. Considered as the earliest in this series, Kiukok contemplates the plight of a human struggling from a depraved environment as the body decays to just its skin and bones. The despair found in the works of Kiukok makes us yearn for a glimmer of hope outside, for which there is none. The man is trapped in a dark solitary space, where starvation and torture causes for a never ending scream into the wilderness, that society looks and turns away. For Kiukok, the people in his art as shown here, are victims of a condescending society that being exploited and tormented at every turn. Art critic Alfredo Roces commented in his book Kiukok: Deconstructing Despair (Finale Art File, 2000) on how Kiukok portrayed pain and suffering unto his oeuvre: “Does Kiukok extract some measure of catharsis by releasing such torments onto his canvas and into our complacent world? Do the viewers, especially those who own and hang Kiukok’s personification of pain, get relief from their own injury by identifying with the suffering…before them? You do have to put in something in what is before you. Art is, after all, the recreation of an experience.”Private collection
Screaming Figure (2001)PaintingOil on Canvas91 x 15 cm2001Ang KiukokLeon Gallery Private collection
Screaming Figures (1985)PaintingOil on Canvas102 x 91 cm1985Ang KiukokLeon Gallery As one of the enduring themes of the National Artist Ang Kiukok, Screaming Figures represents an existential cry, an assertion of defiance, a release from suffering. The violence he has witnessed and experienced in life has been a profound motivation in his work. Ang Kiukok’s violence is not something gratuitous, but it is both an inspiration for his art and a source of strength. It is, to quote the exhibit note on his homecoming exhibition in Davao City in 1981, “a visual allegory for the age—or of any age for that matter—as long as abuse of power, disequilibrium, and injustice continue to exist in the world Ang Kiukok’s works are enduring records of suffering and resistance, of despair and hope.” What is essentially unique about this particular work is the presence of a lead figure set against six other screaming figures in an unbroken red background—all of them constricted and struggling for freedom, with one rebellious leader having successfully freed himself from a pair of handcuffs. Works such as this are some of the most collected of the artist, a deeply existential man who saw that the role of humanity was to achieve absolute freedom. In the same year, Kiukok represented the Philippines in consecutive exhibitions in Asiaworld Art Gallery, Taipei.Private collection
Seated Figure (1980) 1DrawingPen and Ink on Paper29 x 22 cm1980Ang KiukokLeon Gallery Private collection
Seated Figure (1980) 2DrawingPen and Ink on Paper29 x 22 cm1980Ang KiukokLeon Gallery Private collection
Seated Figure (1981)PaintingOil on Canvas81 x 61 cm1981Ang KiukokLeon Gallery Private collection
Seated Figure (1985)PaintingTempera46 x 30 cm1985Ang KiukokLeon Gallery Private collection
Seated Figure (1997) 1DrawingPen and Ink on Paper29 x 22 cm1997Ang KiukokLeon Gallery Private collection
Seated Figure (1997) 2DrawingPen and Ink on Paper29 x 22 cm1997Ang KiukokLeon Gallery Private collection
Seated Figure (1997) 3DrawingPen and Ink on Paper29 x 22 cm1997Ang KiukokLeon Gallery Private collection
Seated Figure (2001)PaintingOil on Canvas92 x 61 cm2001Ang KiukokLeon Gallery Private collection
Seated Figures (1972)DrawingPen and Ink on bristol board36 x 27 cm1972Ang KiukokLeon Gallery Private collection
Seated Man (AP)PrintEtching34 x 25 cm1978Ang KiukokLeon Gallery Private collection
Still Life - TablePaintingOil on Canvas76 x 102 cm1970Ang KiukokLeon Gallery Private collection
Still Life (1971)PaintingWatercolor on Paper46 x 91 cm1971Ang KiukokLeon Gallery Ang Kiukok’s stylistic leanings have often (if not always) featured a cubistic quality. There is a uniqueness in his approach to his aesthetic — where the once rigid, and later on more expressive take on forms have given viewers a very evocative brand of art. It is in Kiukok’s ability to visually embody angst, anguish, and pain with his subjects that makes for his creations’ inimitable emotional quality. Even in his more abstracted tablescapes and the like, the piercing emotional undertone of Kiukok’s works truly make their power felt. This very work from 1971 is among the artist’s earlier creations. Done in watercolor, Kiukok puts forth his technical prowess in this abstracted tablescape. Masterful is his rendition, capturing the setting in all its detail while still alluding to the dark undercurrent he intends. An excellent example of the artist’s restrain and genius.Private collection
Still Life (1974) 1PaintingOil on Wood30 x 25 cm1974Ang KiukokLeon Gallery Private collection
Still Life (1974) 2DrawingPen and Ink on bristol board36 x 27 cm1974Ang KiukokLeon Gallery Private collection
Still Life (1975)PaintingOil on Canvas91 x 91 cm1975Ang KiukokLeon Gallery Strewn across an upturned tabletop, Ang Kiukok’s watermelon slices and other pictorial elements seem at once to rest on a solid, wooden plank and yet float across the surface of the canvas like a new kind of calligraphy. As if to press home that point, Ang typically includes small, barely identifiable elements to suggest that the gaze of the viewer rise vertically up the canvas, rather than plunge deep within any implied corner of a real kitchen. Tables zigzag with square boxes within boxes, shifting in shape and color, more complicated than any kaleidoscope. Tables riddled with geometric shapes may be interpreted as doors or windows. No matter how many familiar objects pile up on the table — a restive configuration of linear and chromatic rhythms — Ang imposes an authoritative decorum over every busy detail. There is none of the extravagant overspill; the clutter is “contained” within a rigid system of “frames” and propped by uptight table legs, which in most cases number more than four and which, in turn, lead one to think that Ang is painting not just one but several tables to conjure a multiple exposure effectPrivate collection
Still Life (2001)PaintingOil on Canvas61 x 91 cm2001Ang KiukokLeon Gallery Private collection
Still Life (Coconut)PaintingOil on Canvas46 x 61 cm1955Ang KiukokLeon Gallery “When asked why his works are so angry, Ang Kiukok once replied, ”Why not? Open your eyes. Look around you. So much anger, sorrow, ugliness. And also madness.” Yet, in the mid-1950s, a decade before his distinct style which fused influences from cubism, surrealism, and expressionism attained prominence in the 60s Philippine art scene, long before he favored such subjects as fighting cocks, rabid dogs, and people enraptured by rage or bound in chains and other agitated agonies, Ang Kiukok painted this placid and serene still life. Yet what could not be missed is the subtle presence of the sharp bolo, somewhat hinting of the angry sensibilities that are to come in his later ‘figurative expressionist’ works.Private collection
Still Life (n.d.) 3rd copy of 180Print38 x 24 cmAng KiukokLeon Gallery Private collection
Still Life (Window Series, 1999)PaintingOil on Canvas92 x 92 cm1999Ang KiukokLeon Gallery Private collection
Still Life (Window Series, 2001)PaintingOil on Canvas92 x 92 cm2001Ang KiukokLeon Gallery Private collection
Still Life FruitsPaintingOil on Canvas61 x 91 cm1999Ang KiukokLeon Gallery Private collection
Still Life Table with FruitsPaintingOil on Canvas61 x 61 cm1980Ang KiukokLeon Gallery Private collection
Sunday MorningPaintingOil on Wood44 x 75 cm1957Ang KiukokLeon Gallery In 1956, Ang Kiukok’s first one-man exhibit was not at the Philippine Art Gallery, but in Manuel Rodriguez’ newly-established “Contemporary Art Gallery” on Mabini Street. He showed 31 works, in both watercolor (said to be his forte at the time) and oil, under the aegis of Vicente Manansala. At the time, the newspapers reported, he was a 3rd year student at the University of Santo Tomas and Manansala was both teacher and mentor. Interestingly, a work called “Sunday Morning” on oil and wood, and far more representational than this piece at hand, was also featured. His first recognition at the Art Association of the Philippines competition would be in 1961, after which he would receive prizes for a watercolor entitled “Fish” in 1963; followed by another one, this time for oil, for a work called “Geometric Still Life Fish”, for the competition later in the year of 1963, and for a work eerily the same title as Manansala’s oil in this exhibition, “Still Life in Red.” By 1957, however, he would be in the fold of Philippine Art Gallery and would be exhibiting in its vaunted rooms regularly. He would also illustrate Lyd Arguilla’s poetry that would appear in the press. His work in this period continued to resonate with Manansala’s themes, colors, and cubistic fragmentations. “Sunday Morning” is a chalk-white basilica surrounded by crowds of the faithful, reduced to triangular forms — reminiscent of Luz’s prize-winning “Procession” in 1955. A bright sun shines above, the same color as the holy light that colors the church windows. Blue, the color of celestial truth and love, fills the sky and the plaza around the church. -Lisa Guerrero NakpilPrivate collection
Table with Fruits (1974) 1PaintingOil on Canvas60 x 40 cm1974Ang KiukokLeon Gallery Over the decades of his career, Ang incorporated into his painting a repertory of themes that are unmistakably domestic in character. The simplicity of the arrangement, the enjoyment of the appearance of food, and the homeliness of the setting suggest a side of his which is opposite the angry angst-filled image his name usually conjures. Still life was a staple of Ang’s work. His catalogue raisonne lists scores of canvases attending to arrangements of fruit, objects, and the like on the table, large or compact. Characteristically, the table-top on which they are laid is stretched downward, flattened out in an overview, with the contents presented upright in their most familiar aspects. But this work is more of a close-up view of the objects cum food served on the table. The otherwise commonplace subject has been reduced to an almost abstract arrangement of tone and line. The artist emphasizes the cubistic visual tricks here: the illusionism of the fruit is undermined by overlapping the cut-out sections, somewhat obscuring the boundaries of the images. Throughout his career Ang Kiukok was to remain faithful to the cubist base of his aesthetic; his work developed from simplified, precise forms based on the world of objects, to monumental, emotional compositions.Private collection
Table with Fruits (1974) 2PaintingOil on Canvas61 x 61 cm1974Ang KiukokLeon Gallery Tables zigzagging with square boxes within boxes, shifting in shape and color, more citing than any kaleidoscope. Tables riddled with geometric shapes that can be interpreted as doors or windows like uncanny invitations to magic mystery tours for the jaded eye. Less typically, a table which vaguely suggest surreal deserts a la Giorgio de Chirico, with fruits bursting out of dishes. No matter how many objects pile up on each table, a restive configuration of linear and chromatic rhythms, Ang imposes an authoritative decorum over every busy detail. The jaunty clockwise or counter clockwise movements are “contained” within a rigid system of “frames” and propped by uptight table legs, which in most cases number more than four, and which in turn lead me to think that Ang is not painting just one but several tables to conjure a multiple exposure effect. Eminent art critic Cid Reyes asked Ang Kiukok: “You’re very fond of doing still lifes. Do you copy them from actual objects?” Ang Kiukok answered: “No, I just use my imagination. I don’t want them to be realistic.” Cid Reyes: “Do you constantly change styles?” Ang Kiukok: “No, I don’t know. I don’t think my style changes. It changed only when I came back from the United States.” Here is a still life from early on in Ang Kiukok’s career, and the influence of his teacher Vicente Manansala is very apparent. Kiukok's first formal recognition came in the form of a third prize award in the Shell National Students Art Competition for Calesa in 1953. Then, at the urging of Vicente Manansala, Kiukok launched his first one-man show at the Contemporary Arts Gallery in 1954. After that he earned numerous awards from the Art Association of the Philippines for his works: Honorable Mention, "Still Life" (1951), First Prize, "The Bird" (1959), Third Prize, "Still Life in Red" (1963), Second Prize, "Fish" (1963), and Second Prize on "Geometric Still-Life Fish" (1963).Private collection
Tablescape (1966)PaintingMixed Media66 x 48 cm1966Ang KiukokLeon Gallery Private collection
Tablescape (1970)PaintingOil on Wood15 x 54 cm1970Ang KiukokLeon Gallery Private collection
Tablescape (1971)DrawingPen and Ink on Paper22 x 25 cm1971Ang KiukokLeon Gallery Private collection
Tenth Station - Jesus Stripped Off His UndergarmentsPaintingOil on Canvas152 x 61 cm1997Ang KiukokLeon Gallery Jesus’ downward gaze does not directly engage the eye of the spectator. With all profundity and mystery it is one of the more poetical and sublime pictures of Christ as depicted by Ang Kiukok. One of the most purely poetical pictures of divine suffering he produced. “In the earliest crosses, the figure of Christ is straight and erect, placed symmetrically along the center line of the cross, with the eyes wide open and neither face nor body giving any indication of pain. Writing on the subject Henry Clifford has said, “As time goes on, the head gradually droops, and the body starts to bend slightly to the left, under the weight of suffering. The next development is to show the figure of Christ dead on the cross and the body curved out more and more. While it is not an infallible rule, roughly speaking, these painted crosses can be dated almost by the degree of curvature up until the time of Giotto.” Ang Kiukok borrows its approach and techniques to pursue the opposite i.e., to synthesize what has been broken down into a unified interpretation of human agony. In his maturity, Ang Kiukok’s essential subject became even more the violence of the elements, above all of the forces that both create and destroy. It is no wonder that cave paintings are still invested with so powerful an emotional reality. This emotional reality, sometimes departing far from visual reality, is the preoccupation of the expressionistic artist today. Although Ang Kiukok reduces his images into basic planes and shapes to bring out only the most elemental forms, his works nevertheless ably achieves emotional power within the context of a contemporary art idiom. The cross is in no landscape or other spatial setting. Its Spartan design and intense, but quietly expressed feeling make this a powerful image reminiscent of some of Medieval frescoes in the convents of Europe. The formal balance as brought by the centrality of the cross imbues a spiritual restraint to an otherwise raging theme. This image has a more self contained, meditative feel about it. This depiction of Christ with the Cross behind him is an outraged cry of protest on one hand and a quiet plea on the other, against man’s inhumanity to man, against corruption, meanness and human degradation.Private collection
The Harvest (plate) 1460th copy of 2000Print22 cm2002Ang KiukokLeon Gallery Davao Central High School Alumni Association limited edition platePrivate collection
The Harvest (plate) 1543rd copy of 2000Print22 cm2002Ang KiukokLeon Gallery
Third Station: Jesus Falls The First TimePaintingOil on Canvas61 x 122 cm1996Ang KiukokLeon Gallery Private collection
Thirteenth Station: Jesus is Laid on the Lap of His MotherPaintingOil on Canvas91 x 91 cm1997Ang KiukokLeon Gallery Private collection
Twelfth Station: Jesus died on the CrossPaintingOil on Canvas122 x 91 cm1997Ang KiukokLeon Gallery Private collection
Two Figures (1980) 1PrintEtching24 x 22 cm1980Ang KiukokLeon Gallery Private collection
Two Figures (1980) 2PrintEtching24 x 22 cm1980Ang KiukokLeon Gallery Private collection
Two Figures (1980) 3PrintEtching24 x 22 cm1980Ang KiukokLeon Gallery Private collection
Two Figures (1980) 4PrintEtching24 x 22 cm1980Ang KiukokLeon Gallery Private collection
Two Figures (1980) 5PrintEtching24 x 22 cm1980Ang KiukokLeon Gallery Private collection
Two Figures (1980) 6PrintEtching24 x 22 cm1980Ang KiukokLeon Gallery Private collection
Untitled (1955)PaintingWatercolor on Paper30 x 46 cm1955Ang KiukokLeon Gallery These dramatic formations echo and augment the imposing castle structure. The painting is horizontally broken into strong contrasting areas of color and light charged with an irregular, craggy expressionism. And, coupled with the cloudy shapes... they imbue the canvas with a sense of movement and rapidly changing atmosphere. The brushstrokes, though too broad to be strictly speaking descriptive, provide visual equivalents of natural massive yet distant objects and the feel of weather effects which make an impact on the spectator just as they had been executed with immediacy. Everywhere there is nervous energy coming from above which breaks the calm below.
Untitled (1968)DrawingPen and Ink on Paper36 x 25 cm1968Ang KiukokLeon Gallery Perhaps no Filipino artist has drawn the human figure more memorably than Ang Kiukok. In his countless works, the body, while appearing as a concatenation of geometric shapes, is endowed with tension and strength in its every sinew and bone, shown to be resisting from an internal or an external force. In these two drawings, the National Artist portrays the body both at relative rest and in strife. The trio of figures, while standing erect, evinces a tensive verticality, as though they are being stretched out physically to their limits. The other work features a lone body which would becoming iconic to the Ang Kiukok canon: the screaming figure. Wound tightly with barbed wire, the figure reveals a struggle of heroic proportions as the wire sends shooting pain as he attempts to break free from it. These two drawings constitute part of the National Artsit’s visual thinking as he grappled with rendering corporeality on a flat surface.Private collection
Untitled (1969)PaintingWatercolor on Paper46 x 116 cm1969Ang KiukokLeon Gallery When Picasso and Braque smashed through painting’s centuries-old reliance on one-point perspective and a static apprehension of the object, they ushered in the visual equivalent for the ambiguities, contradictions, and shifting viewpoints of the early 20th century. Representative of an Asian engagement with Cubism, Vincente Manansala, who had famously studied under Fernand Leger, bore a strong initial influence on Ang Kiukok. The student, who would also eventually become a National Artist, would come into his own inimitable style by the mid-1970s with works characterized by tight pictorial organization, strident colors and fragmented, severely angular forms, which evoke the torments of a world of constant struggle and uncertainty.Private collection
Untitled (1970) 1DrawingPen and Ink on Paper36 x 25 cm1970Ang KiukokLeon Gallery Perhaps no Filipino artist has drawn the human figure more memorably than Ang Kiukok. In his countless works, the body, while appearing as a concatenation of geometric shapes, is endowed with tension and strength in its every sinew and bone, shown to be resisting from an internal or an external force. In these two drawings, the National Artist portrays the body both at relative rest and in strife. The trio of figures, while standing erect, evinces a tensive verticality, as though they are being stretched out physically to their limits. The other work features a lone body which would becoming iconic to the Ang Kiukok canon: the screaming figure. Wound tightly with barbed wire, the figure reveals a struggle of heroic proportions as the wire sends shooting pain as he attempts to break free from it. These two drawings constitute part of the National Artsit’s visual thinking as he grappled with rendering corporeality on a flat surface.Private collection
Untitled (1970) 2 DrawingPen and Ink on Paper33 x 25 cm1970Ang KiukokLeon Gallery Private collection
Untitled (1970) 3DrawingPen and Ink on Paper33 x 25 cm1970Ang KiukokLeon Gallery Private collection
Untitled (1970) 4DrawingPen and Ink on Paper33 x 25 cm1970Ang KiukokLeon Gallery Private collection
Untitled (1970) 5DrawingPen and Ink on Paper33 x 25 cm1970Ang KiukokLeon Gallery Private collection
Untitled (1971)PaintingWatercolor on Paper46 x 93 cm1971Ang KiukokLeon Gallery Private collection
Untitled (1974) 1DrawingPen and Ink on Paper34 x 27 cm1974Ang KiukokLeon Gallery For Ang Kiukok, the landscape is not merely a neutral ground in which something happens but in itself a dynamic locale of terrific action and shifting planes. Such quality is exemplified in these two works of pen-and-ink-on-paper, which the National Artist accomplished in 1974. In these drawings, Ang Kiukok evokes a kind of post-apocalyptic scenery in which the landscape is a jumble of detritus and a tree is reduced to its skeletal framework. The Cubist idiom, which the master transformed into his own coruscating style, is very much present in the works, offering multiple vantage points to destruction as well as a sense of irrevocable doom. In a way, Ang Kiukok was the Filipino artist who worked in the pessimist vein not to deny the presence of hope but to hold a mirror to humanity that is capable of great harm to the planet.Private collection
Untitled (1974) 2DrawingPen and Ink on Paper34 x 27 cm1974Ang KiukokLeon Gallery For Ang Kiukok, the landscape is not merely a neutral ground in which something happens but in itself a dynamic locale of terrific action and shifting planes. Such quality is exemplified in these two works of pen-and-ink-on-paper, which the National Artist accomplished in 1974. In these drawings, Ang Kiukok evokes a kind of post-apocalyptic scenery in which the landscape is a jumble of detritus and a tree is reduced to its skeletal framework. The Cubist idiom, which the master transformed into his own coruscating style, is very much present in the works, offering multiple vantage points to destruction as well as a sense of irrevocable doom. In a way, Ang Kiukok was the Filipino artist who worked in the pessimist vein not to deny the presence of hope but to hold a mirror to humanity that is capable of great harm to the planet.Private collection
Untitled (1974) 3DrawingPen and Ink on bristol board36 x 27 cm1974Ang KiukokLeon Gallery Private collection
Untitled (1981)DrawingPen and Ink on Paper30 x 23 cm1981Ang KiukokLeon Gallery Private collection
Untitled (ca. 1960s) 96th copy of 130Print39 x 29 cmca. 1960sAng KiukokLeon Gallery Private collection
Untitled (Cat)DrawingPen and Ink on Paper33 x 25 cm1974Ang KiukokLeon Gallery Private collection
Untitled (Dog) 1DrawingPen and Ink on Paper30 x 23 cm1997Ang KiukokLeon Gallery When not painting, Ang Kiukok would create ink-on-paper works, which bear some of his most iconic figures. These two images (that of a seated figure and of a dog) are already well-established in the National Artist’s canon and have direct connection to some of his notable works. While the paintings prove Ang Kiukok’s fluency with color, pictorial distortion, and a sense of scale, the drawings establish his mastery of draftsmanship — a prerequisite, if one thinks about it, for credible figuration.Private collection
Untitled (Dog) 2DrawingPen and Ink on Paper30 x 24 cm1974Ang KiukokLeon Gallery Private collection
Untitled (Dog) 3DrawingPen and Ink on Paper33 x 25 cm1973Ang KiukokLeon Gallery Private collection
Untitled (Man)DrawingPen and Ink on Paper30 x 23 cm1987Ang KiukokLeon Gallery When not painting, Ang Kiukok would create ink-on-paper works, which bear some of his most iconic figures. These two images (that of a seated figure and of a dog) are already well-established in the National Artist’s canon and have direct connection to some of his notable works. While the paintings prove Ang Kiukok’s fluency with color, pictorial distortion, and a sense of scale, the drawings establish his mastery of draftsmanship — a prerequisite, if one thinks about it, for credible figuration.Private collection
Untitled WingsPaintingOil on Canvas89 x 99 cm1978Ang KiukokLeon Gallery Private collection
Window StudyPaintingWatercolor on Paper22 x 29 cm1975Ang KiukokLeon Gallery “Pittura Metafisica” is how Alice Guillermo elegantly describes in Italian how “the sections of neutral grays, whites and blacks that form acute angles of shadow have a heightened surreal quality...” in Ang Kiukok’s series of Windows, which includes “geometric and quasi abstract framework of paneled doors opening into rooms that provide a glimpse of even more doors and more rooms receding to infinity.” Alfredo Roces writes: “Windows and doorways are not, strictly speaking, landscapes; though Kiukok’s windows offer us a bit of a view. Here, Kiukok plays still life vocabulary against his landscape motifs. There is a counterpoint of deep spaces and flat color planes. Cubism’s ploy of utilizing multiple vanishing points serve to play a game of space with parts of painting moving forward, as several focal points take our eyes deep into a nearly infinite horizon.” Ang Kiukok’s use of black and white reinforces what he said to Cid Reyes in 1983: “I’m not a colorist. I’m more interested in form.” Alfredo Roces writes: “In some windows there is an actual still life in the foreground as well as that ubiquitous Kiukok sun or moon in the background. An unseen breeze wafts an air of mystery. Doors that lead to nowhere are almost a denial of landscape, and perhaps, defy a category.”Private collection
Abstract in RedPaintingOil on Canvas41 x 56 cm1983Federico Aguilar-AlcuazLeon Gallery Throughout his career Alcuaz continually alternated between abstraction and figuration, wherein his figurative works contained nuances of abstractions, and his abstract works often featured figurative elements.His works are marred with abstract colored strokes. More so than in his other figurative works, Alcuaz here succeeded in unifying the pictorial elements so that they could be perceived simultaneously. The structural rhythm of the picture surface prevents the fragmentation of elements, while the color contrasts—the brighter colors and the darker tones—aid this harmony by their interaction. As this work shows, Alcuaz had moved beyond orthodox Cubism and Abstraction, though it had been invaluable to his development. For him, his sojourn to Spain constituted but one step on the road towards a more personal art form entirely detached from the visible world. Alcuaz was conferred the title of National Artist for Visual Arts, Painting, Sculpture, and Mixed Media in 2009.Private collection
Untitled (Madrid)PaintingWatercolor on Paper30 x 46 cm1973Federico Aguilar-AlcuazLeon Gallery There is a profound European quality to Federico Aguilar-Alcuaz’ heavy abstraction. Cleverly conceived, Alcuaz depicts more than just the figurative qualities of his subjects — capturing their essence rather than their form. This very brilliant approach to his abstraction boasts of Alcuaz’ European influence and inimitable genius. As in this watercolor work, we are treated to one of the National Artist’s abstracted landscapes. Ever brilliant in his approach, we are left to decipher the scenery — an intellectual and potent rendition of what appears to be a lovely view of Madrid. This piece was done in 1973, the same year as Alcuaz’ solo exhibitions in the Museo de Bellas Artes de Bilbao and Eindhoven.Private collection
Still Life (1958)PaintingOil on Canvas66 x 81 cm1958Federico Aguilar-AlcuazLeon Gallery An artist who has, for innumerable times fastened his observant eye on women as subjects sitting for portraits, Alcuaz is no less accustomed to setting his eyes on the more banal objects in life. The still life composition is very precise yet subtle in its effects. The statement about subtlety is significant because as a colorist, Alcuaz has one of the brightest palettes known. This still life was executed three years after Alcuaz’ arrival in Spain. By this time, the Iberian spirit of place began to overshadow his art. For those who have accepted Alcuaz as an abstractionist, it is the figurative themes such as this early work which show how he returns to review techniques of light and shadow, of color and form. Unlike the dried fish, the other object, probably a chicken, appears as an almost indistinct shape presented in perspective. There are no other objects on the table. Perhaps the artist wanted to take the tray as mere abstract shapes so that the main object, or leitmotif, which is the fish and what looks like chicken set off against a gray blue background, will remain the focus of attention.Private collection
Cinco MariasPaintingOil on Canvas64 x 79 cm1985Federico Aguilar-AlcuazLeon Gallery Private collection
AlcuazPaintingWatercolor on Paper46 x 30 cm1973Federico Aguilar-AlcuazLeon Gallery Private collection
Night ScenePaintingOil on Canvas33 x 46 cm1977Federico Aguilar-AlcuazLeon Gallery Iconic modernist Federico Aguilar-Alcuaz is among the most recognized artists of today. Concocting a distinct blend of Filipino sensibilities and European stylistics, Alcuaz has captivated audiences on an international scale with his creative genius. As in this oil work from 1977, we are treated to an exquisite display of Alcuaz’ unique aesthetic. His stylization of forms, redolent to that of plein air impressionism, hint of his well-travelled character. The National Artist’s maturity, masterfully exhibited.Private collection
InteriorPaintingOil on Canvas91 x 71 cm1975Federico Aguilar-AlcuazLeon Gallery The genius that is the well-renowned Federico Aguilar-Alcuaz has made a name for himself internationally, garnering numerous awards and accolades both locally and abroad. A strong European quality exists in Alcuaz’ work — such meld with his Filipino perspective, has allowed him to concoct his own powerful brand of art. This work from 1975 could very well be of the Alcuaz’ studio in Europe at the time.Private collection
Abstract (1970)PaintingWatercolor on Paper61 x 41 cm1970Federico Aguilar-AlcuazLeon Gallery The creative genius that is Federico Aguilar-Alcuaz has garnered recognition for his brilliant approach to his art. The very European means of abstraction in Alcuaz’ creations flaunt his well-travelled character — but even so, a very strong Filipino quality remains in his works. As in this abstraction by the National Artist from 1970, a very powerful yet alluring choice of palette and form is put on display — the earthy, abstracted figure roaring with emotion, set against the deep, calming blue.Private collection
Untitled (1971)PaintingWatercolor on Paper23 x 31 cm1971Federico Aguilar-AlcuazLeon Gallery Private collection
Abstract (1978)PaintingMixed Media46 x 33 cm1978Federico Aguilar-AlcuazLeon Gallery Private collection
City ViewPaintingMixed Media48 x 69 cm1957Federico Aguilar-AlcuazLeon Gallery Private collection
Untitled (1975)PaintingWatercolor on Paper30 x 46 cm1975Federico Aguilar-AlcuazLeon Gallery In the abstract works of Federico Aguilar-Alcuaz, we are more often than not treated to a whole new perspective. In the capturing and re-envisioning of the essences of his subjects, Alcuaz goes so deep into the idea behind his imagery that we are left to surmise the scene in all its complexity. This watercolor work is from 1975. Presumably of a train, where passengers across the aisle exchange glances as the train zips into the distance, or a group of individuals gathered round a table about to dine, or even something else — the complexity in the abstraction of Alcuaz captures a certain essence that leaves the work to the audiences for interpretation, laying his creative genius for his viewers to scrutinize.Private collection
Bacolod (Nude 1)Ceramic plate29 cm1976Federico Aguilar-AlcuazLeon Gallery There is a unique, and powerful quality to the abstraction featured in the art of Federico Aguilar-Alcuaz. He delineates his figures with coarse poise, and gives life to his subjects with his playful use of color — be they still-lifes, nudes, or heavy abstractions.Alcuaz’nudes bear with them a sense of equanimity, and it is his thorough understanding of the female form that has allowed him to evoke the figure with such grace and elegance through various media. In this pair of ceramic works by the National Artist, we see how attentive he is to detail, as he incorporates fabric as an integral element in the nude composition, just as he would in an oil painting.Private collection
Bacolod (Nude 2)Ceramic plate29 cm1976Federico Aguilar-AlcuazLeon Gallery There is a unique, and powerful quality to the abstraction featured in the art of Federico Aguilar-Alcuaz. He delineates his figures with coarse poise, and gives life to his subjects with his playful use of color — be they still-lifes, nudes, or heavy abstractions.Alcuaz’nudes bear with them a sense of equanimity, and it is his thorough understanding of the female form that has allowed him to evoke the figure with such grace and elegance through various media. In this pair of ceramic works by the National Artist, we see how attentive he is to detail, as he incorporates fabric as an integral element in the nude composition, just as he would in an oil painting.Private collection
Untitled (1978)PaintingOil on Canvas51 x 69 cm1978Federico Aguilar-AlcuazLeon Gallery Private collection
Barcelona (1965)PaintingWatercolor and Ink on Paper84 x 46 cm1965Federico Aguilar-AlcuazLeon Gallery Private collection
Of Mossant FlowersPaintingOil on Canvas130 x 89 cmca. 1960Federico Aguilar-AlcuazLeon Gallery Penetrating and sophisticated, the abstracts of Alcuaz are very much a reflection of his love for life and his love for art, where he was able to bring out the best qualities of his chosen medium, as well in the colors, hues, and shades that he methodically selected. The way he lived his life –with passion—was how he also worked on his paintings, as this piece (“of Mossant Flowers”) attests to.Private collection
Untitled (1979) 1PaintingOil on Canvas32 x 46 cm1979Federico Aguilar-AlcuazLeon Gallery Private collection
Madrid 1PaintingMixed Media23 x 33 cm1975Federico Aguilar-AlcuazLeon Gallery Private collection
Madrid 2PaintingMixed Media23 x 33 cm1975Federico Aguilar-AlcuazLeon Gallery Private collection
Abstract CompositionPaintingOil on Canvas44 x 58 cm1983Federico Aguilar-AlcuazLeon Gallery Private collection
Manila BayPaintingOil on Canvas22 x 24 cm1976Federico Aguilar-AlcuazLeon Gallery Private collection
WesbadenPaintingOil on Board46 x 61 cm1972Federico Aguilar-AlcuazLeon Gallery Private collection
Still Life (ca. 1967)PaintingOil on Canvas99 x 126 cmca. 1967Federico Aguilar-AlcuazLeon Gallery Private collection
Japanese WomanPaintingOil on Canvas44 x 58 cm1982Federico Aguilar-AlcuazLeon Gallery Private collection
Still Life (1975)PaintingOil on Canvas46 x 56 cm1975Federico Aguilar-AlcuazLeon Gallery Renaissance man, Bon Vivant, and peripatetic artist of the highest order – these are but some of the accolades bestowed upon Alcuaz who, as a visual artist, has travelled the world extensively, garnering numerous awards here and abroad. It is said that his abstract works drew inspiration from Picasso and Matisse; Still, he managed to inject his own world-view, as well his own personality, in his works – mischievous, revolutionary, and brimming with life. This still work from 1975 mirrors the artist as a music lover, foodie, and epicurean.Private collection
Untitled (1979) 2PaintingTapestry118 x 137 cm1979Federico Aguilar-AlcuazLeon Gallery Federico Aguilar Alcuaz’ long stay in various cities in Europe - Barcelona where he stayed for part of the year, in Germany, where his wife and sons resided, and Brno in the former Czechoslovakia, gave him access to cultures so different from his Filipino heritage. Yet, as his art shows, not one of these other cultures was favored exclusively. This is among the several tapestries which he did in Brno, for fifteen years, well into the 1980s.Private collection
Manila Bay SunsetPaintingOil on Canvas76 x 91 cm1977Federico Aguilar-AlcuazLeon Gallery It was the Romantic movement in Europe that established the skyscape as a worthy, spiritually-elevating subject for creative minds. Federico Aguilar Alcuaz may have just captured the spirit of that movement, given his lengthy stay in various cities of the continent, what with this most dramatic blazing sunset, with its sumptuous yellows and oranges breaking against the contrasting blue clouds, emphasizing the spectacular, theatrical aspects of nature. Manila Bay Sunset evokes a warm, yet soothing mood of the calmness of the canopy above.Private collection
Dos Marias (Tres Marias Series)PaintingOil on Canvas76 x 91 cm1982Federico Aguilar-AlcuazLeon Gallery Private collection
Barcelona (ca. 1959)PaintingOil on Wood panel89 x 112 cmca. 1959Federico Aguilar-AlcuazLeon Gallery Private collection
Nude (1974)PaintingOil on Canvas62 x 80 cm1974Federico Aguilar-AlcuazLeon Gallery Private collection
Untitled (n.d.)DrawingPen and Ink on Paper30 x 46 cmFederico Aguilar-AlcuazLeon Gallery Private collection
Landscape in BaguioPaintingOil on Canvas77 x 97.5 cm1987Federico Aguilar-AlcuazChristie'sIn a departure from his acclaimed Tres Marias series, the work presented here from Federico Aguilar Alcuaz is of a pastoral nature, superbly depicting the natural beauty of a Baguio landscape, seen from below the veranda of a traditionally built house. Landscape in Baguio (Lot 208) displays Alcuaz's swift yet confident brushwork, as he depicts a semi-modernist rendition of this mountainous vista. The perspective painted from below is unusual in a traditional landscape work, causing the viewer's gaze to sweep from the base of the artwork up into verdant clusters of leaves overhead, and finally soar into the sunshine-dappled blue sky to great effect.Private collection
Self Portrait of the Artist Painting with Four WomenPaintingOil on Canvas63 x 82 cm1985Federico Aguilar-AlcuazChristie'sFederico Aguilar Alcuaz is highly recognized for his deft, gestural brushwork and visually captivating compositions that range from abstracts to landscapes, to most notably his acclaimed Tres Marias salon scenes depicting beautiful women in Spanish-influenced gowns amidst elegant, languorous settings. Inspired by the time he spent residing at the Manila Hotel, where high society women and their daughters would come to model for him, Alcuaz's lush Tres Marias works evoke an almost Parisian sense of the demi-monde. Self Portrait of the Artist Painting, with Four Women is exceptionally rare as Alcuaz has incorporated himself, the artist, into the frame. As he portrays one of the sitters on his easel, other Alcuaz nudes and portraits can be seen in the background, creating an interesting 'paintings within a painting' effect. As much as portrait of himself and his work, as of the sitters, Alcuaz offers an intimate glimpse into an artist's life and his creative process.Private collection
Afternoon GatheringPaintingOil on Canvas93 x 108 cm1985Federico Aguilar-AlcuazChristie's
Abstract (1967)PaintingOil on Canvas102 x 122 cm1967Federico Aguilar-AlcuazChristie'sPrivate collection
A view from the balconyPaintingOil on Canvas66 x 80 cm1988Federico Aguilar-AlcuazChristie'sPrivate collection
Reveries of LovePaintingOil on Canvas58 x 74 cm1985Federico Aguilar-AlcuazChristie's (https://www.christies.com/lot/lot-5273204)Reveries of Love is the elemental Federico Aguilar Alcuaz. In this painting, he ties together his fascination for the feminine form, a predilection for the romance of turn-of-the-century costume, and the bold strokes that define his style. It is both powerfully modern yet other-worldly. Ironies abound in this privately commissioned work, including a subtle nod to the Filipino old master Juan Luna's famous work with the same title, "Ensuenos de Amor", ("Reveries of Love"): a sleeping beauty captured in a daydream, the nuances of her ballgown lit, not by candlelight, but by the soft sunlit glare of the city skyline. Aguilar Alcuaz employs an unusual color palette in this work, mutating from midnight black, frost grey to stark white, references to early daguerrotypes, snapshots of a forgotten time and place.Private collection
Seated NudePaintingOil on Canvas97 x 61 cm1976Federico Aguilar-AlcuazChristie'sPrivate collection
New York (1974)PaintingOil on Canvas70 x 42 cm1974Federico Aguilar-AlcuazChristie'sPrivate collection
Woman with a catPaintingOil on Canvas83 x 83 cm1974Federico Aguilar-AlcuazChristie'sPrivate collection
Tres Marias (Three Sisters)PaintingOil on Canvas71 x 86 cm1982Federico Aguilar-AlcuazChristie'sPrivate collection
Serie Tres MariasPaintingOil on Canvas66 x 81 cm1982Federico Aguilar-AlcuazChristie'sPrivate collection
Untitled (1981) 1PaintingOil on Board34.5 x 27 cm1981Federico Aguilar-AlcuazChristie'sPrivate collection
Untitled (1981) 2PaintingOil on Board34.5 x 30 cm1981Federico Aguilar-AlcuazChristie'sPrivate collection
Festive motifPaintingOil on Canvas laid down on board90 x 133 cm1966Federico Aguilar-AlcuazChristie's (https://www.christies.com/lot/lot-1667843)Private collection
Untitled (1964)PaintingOil on Canvas94 x 106 cm1964Federico Aguilar-AlcuazChristie'sPrivate collection
CockfightPaintingOil on Canvas98 x 130 cm1968Federico Aguilar-AlcuazChristie'sAlcuaz' eldest son Christian dates this present lot, Cockfight, to the artist's Barcelona period, prior to 1964, although it is retroactively signed 1968. By size and importance it could very well have been included in Alcuaz's 1964 Retrospective. Often, especially if Alcuaz intended to keep the work, he left it unsigned and undated, doing so only when he parted with it - in this case, in 1968.

Alcuaz' Barcelona period was influenced by medieval Catalan frescoes: they utilized primary colours, all heavily outlined in black, with a darkly shaded surrounding field, and the modern treatment of space as a flat surface rather than the creation of an illusion of depth within an image, which was then accepted technique of perspective within European art. They also did not strictly follow the idea of proportional scale. One form would be disproportionately larger than others, a method often used by children when they make the objects most important to them the biggest objects in the image. This technique of juxtaposing an overly large central image against the secondary motifs can be clearly observed within Cockfight.
Private collection
Still life with landscapePaintingOil on Canvas100 x 82 cm1979Federico Aguilar-AlcuazChristie'sPrivate collection
Panoramic View of ManilaPaintingOil on Canvas100 x 300 cm1977Federico Aguilar-AlcuazChristie'sThe present lot is part of a landscape series which Alcuaz did from the 1970s throughout the 80s. In 1977, there was an exhibition of the artist inaugurating the Museum of Philippines Art (MOPA) and the present lot is most likely exhibited in the show. Like his other panoramic views of Manila, Alcuaz has prepared his compositions by going from the different top-floor rooms of the Holiday Inn where he was residing during the time when he painted the work.Private collection
New York (1967)PaintingOil on Canvas48.5 x 76 cm1967Federico Aguilar-AlcuazChristie'sPrivate collection
Abstract (1966)PaintingAcrylic and collage on paper54 x 68.5 cm1966Federico Aguilar-AlcuazChristie'sPrivate collection
Two young girls in an interiorPaintingOil on Canvas78 x 63 cm1982Federico Aguilar-AlcuazChristie'sPrivate collection
Tap room PaintingOil on Canvas54 x 71 cm1981Federico Aguilar-AlcuazChristie'sThe artist is seen here standing at the entrance, looking inside the room.Private collection
SampalocPaintingOil on Canvas board29 x 39.5 cm1981Federico Aguilar-AlcuazChristie'sPrivate collection
Sleeping girlPaintingOil on Canvas50 x 60 cm1980Federico Aguilar-AlcuazChristie'sPrivate collection
In the Drawing Room (Tres Marias)PaintingOil on Canvas71 x 86.5 cm1982Federico Aguilar-AlcuazChristie's In the Drawing Room (Tres Marias) (Lot 213) is part of Federico Aguilar Alcuaz's acclaimed Tres Marias (Three Maidens) series. Depicting an idealized triumvirate of young girls, often clad in elaborate Spanish-style gowns, the Tres Marias paintings represent a romantic, softer side to Alcuaz's oeuvre, in comparison to his other strictly modernist still lifes and landscapes. Often taking place in drawing rooms or boudoirs, the world of the Tres Marias generally tends to be a feminine domain. However in In the Drawing Room, a male figure is unusually present, lending a touch of relaxed, urban masculinity to the scene, while one of the girls is only visible from her reflection in the mirror. The entire scene is charmingly and intimately presented, supposedly in a drawing room of the Manila Hotel, a Spanish colonial hotel and celebrated spot for social figures, politicians, artists and entertainers to gather.Private collection
Portrait (Boy)PaintingOil on Canvas34 cm x 23 cm1941Fernando AmorsoloLeon GalleryPrivate collection
Flame TreePaintingOil on Canvas41 cm x 52 cm1959Fernando AmorsoloLeon Gallery
Portrait of a GirlPaintingOil on Canvas61 cm x 46 cm1963Fernando AmorsoloLeon Gallery
Seascape (a)PaintingOil on Canvas56 cm x 76 cm1958Fernando AmorsoloLeon Gallery
VintaPaintingOil on Canvas45 cm x 63 cm1958Fernando AmorsoloLeon Gallery
Burning of ManilaPaintingOil on Canvas1944Fernando AmorsoloLeon Gallery
LandscapePaintingOil on Panel33 cm x 23 cm1930Fernando AmorsoloLeon Gallery
Market ScenePaintingOil on Canvas41 cm x 51 cm1947Fernando AmorsoloLeon GalleryPrivate collection
Portrait of a Woman (a)PaintingOil on Canvas64 cm x 51 cm1925Fernando AmorsoloLeon Gallery
Portrait of a Man (a)PaintingOil on Canvas64 cm x 51 cm1925Fernando AmorsoloLeon GalleryPrivate collection
FishermenPaintingOil on Canvas76 cm x 99 cm1959Fernando AmorsoloLeon GalleryPrivate collection
Mayon ScenePaintingOil on Canvas36 cm x 46 cm1952Fernando AmorsoloLeon GalleryPrivate collection
Malate ChurchPaintingOil on Canvas71 cm x 99 cm1963Fernando AmorsoloLeon Gallery"Commissioned from the artist by Don Jose M. Ossorio, son of sugar baron Miguel J. Ossorio and brother of renowned Filipino-American abstract expressionist Alfonso Ossorio, and from thence, a gift to his daughter, Claire Marie Ossorio."
Lady in GreenPaintingOil on Canvas76 cm x 51 cm1959Fernando AmorsoloLeon GalleryPrivate collection
Rice PoundingPaintingOil on Canvas43 cm x 58 cm1958Fernando AmorsoloLeon GalleryPrivate collection
Portrait of a DowagerPaintingOil on Wood46 cm x 36 cm1944Fernando AmorsoloLeon GalleryPrivate collection
Seascape (b)PaintingOil on Wood36 cm x 30 cm1950Fernando AmorsoloLeon Gallery
Mt. ArayatPaintingOil on Canvas76 cm x 99 cm1959Fernando AmorsoloLeon GalleryPrivate collection
Planting Rice (a)PaintingOil on Canvas36 cm x 46 cm1952Fernando AmorsoloLeon GalleryPrivate collection
Portrait of Dr. Reyes as a Young GraduatePaintingOil on Canvas86 cm x 64 cm1944Fernando AmorsoloLeon Gallery
Portrait of Dr. Reyes as a Distinguished ProfessionalPaintingOil on Canvas71 cm x 56 cm1951Fernando AmorsoloLeon Gallery
Portrait of Sra. Doña Marcela Meer MillarPaintingOil on Canvas61 cm x 56 cm1956Fernando AmorsoloLeon Gallery
Lavanderas (a)PaintingOil on Panel61 cm x 86 cm1953Fernando AmorsoloLeon Gallery
BatherPaintingOil on Canvas71 cm x 58 cm1958Fernando AmorsoloLeon Gallery
Dampilan (Country Scene)PaintingOil on Canvas25 cm x 34 cm1924Fernando AmorsoloLeon Gallery
The OfferingPaintingOil on Canvas91 cm x 76 cm1945Fernando AmorsoloLeon GalleryPrivate collection
Flame Tree in BlossomPaintingOil on Canvas30 cm x 41 cm1951Fernando AmorsoloLeon Gallery"Acquired directly from the artist by Mrs. Ethel Thomas Herold in 1951, thence by descent."
AnihanPaintingOil on Canvas76 cm x 114 cm1965Fernando AmorsoloLeon Gallery
Lavanderas (b)PaintingOil on Canvas71 cm x 102 cm1949Fernando AmorsoloLeon Gallery
Untitled (Cattleya Orchid)PaintingOil on Canvas51 cm x 41 cm1959Fernando AmorsoloLeon Gallery
NudePaintingOil on Canvas41 cm x 30 cm1962Fernando AmorsoloLeon Gallery
Portrait of Captain Teofilo A. BenitezPaintingOil on Canvas86 cm x 61 cm1954Fernando AmorsoloLeon Gallery"Commissioned from the artist by Doña Rosenda lavadia Benitez, the mother of Captain Jose Teofilo Benitez in his memory. Capt. Benitez died in a fiery airplane crash in 1949."
Noonday MealPaintingOil on Canvas51 cm x 71 cm1938Fernando AmorsoloLeon Gallery
Portrait of a BoyPaintingWatercolor on Paper34 cm x 27 cm1918Fernando AmorsoloLeon Gallery
Under the Mango Tree (a)PaintingOil on Canvas76 cm x 102 cm1947Fernando AmorsoloLeon Gallery
Lady with BangaPaintingOil on Canvas50 cm x 39 cm1933Fernando AmorsoloLeon Gallery
Lavanderas (c)PaintingOil on Canvas23 cm x 30 cm1950Fernando AmorsoloLeon GalleryPrivate Collection
Porta Vaga, CavitePaintingOil on Canvas30 cm x 40 cm1927Fernando AmorsoloLeon GalleryPrivate Collection
The Filipino FamilyPaintingOil on Canvas56 cm x 71 cm1961Fernando AmorsoloLeon GalleryPrivate Collection
Princess UrdujaPaintingOil on Canvas56 cm x 43 cm1948Fernando AmorsoloLeon GalleryPrivate Collection
Crossing The RiverPaintingOil on Canvas32 cm x 41 cm1924Fernando AmorsoloLeon Gallery"Acquired and commissioned by La Compania General de Tabacos de Filipinas / CdF (La Tabacalera) in 1924 from Barcelona, Spain. Purchased in 2006 from Tabacalera under a private collector. This painting has been on loan to the Ayala Museum since 2006."
Tobacco MaidenPaintingOil on Canvas61 cm x 81 cm1938Fernando AmorsoloLeon Gallery"Acquired and commissioned by La Compania General de Tabacos de Filipinas / CdF (La Tabacalera) from Barcelona, Spain. Purchased in 2006 from Tabacalera under a private collector. This painting has been on loan to the Ayala Museum since 2006."
The BathersPaintingOil on Canvas95 cm x 75 cm1953Fernando AmorsoloLeon Gallery"Acquired and commissioned by La Compania General de Tabacos de Filipinas / CdF (La Tabacalera) in 1953 from Barcelona, Spain. Purchased in 2006 from Tabacalera under a private collector. This painting has been on loan to the Ayala Museum since 2006."
Portrait of a GentlemanPaintingOil on Canvas76 cm x 61 cm1954Fernando AmorsoloLeon GalleryPrivate Collection
Untitled (The Filipino Family)PaintingOil on Canvas71 cm x 102 cm1952Fernando AmorsoloLeon Gallery
PasayPaintingOil on Canvas28 cm x 46 cm1932Fernando AmorsoloLeon Gallery
Water CarrierPaintingOil on Canvas48 cm x 33 cm1935Fernando AmorsoloLeon GalleryPrivate Collection
Cooking Under the Mango TreePaintingOil on Canvas86 cm x 127 cm1946Fernando AmorsoloLeon Gallery
Head Study of an Old ManSketchOil on Canvas21 cm x 14 cm1919Fernando AmorsoloLeon Gallery
LavanderaPaintingOil on Canvas34 cm x 44 cm1964Fernando AmorsoloLeon GalleryPrivate Collection
Barrio FiestaPaintingOil on Canvas76 cm x 102 cm1960Fernando AmorsoloLeon GalleryPrivate Collection
Portrait of A LadyPaintingOil on Canvas44 cm x 36 cm1930Fernando AmorsoloLeon GalleryPrivate Collection
SabungeroPaintingOil on Wood61 cm x 76 cm1929Fernando AmorsoloLeon GalleryPrivate Collection
Barrio ScenePaintingOil on Canvas19 cm x 30 cm1950Fernando AmorsoloLeon GalleryPrivate Collection
RiverPaintingOil on Canvas46 cm x 30.5 cm1927Fernando AmorsoloLeon Gallery
Still Life (Orchids)PaintingOil on Canvas51 cm x 41 cm1950Fernando AmorsoloLeon GalleryPrivate Collection
Retrato de Un Viejo ViolinistaPaintingOil on Canvas49.5 cm x 34 cm1918Fernando AmorsoloLeon Gallery
Under the Mango Tree (b)PaintingOil on Canvas61 cm x 86 cm1962Fernando AmorsoloLeon GalleryPrivate Collection
TiniklingPaintingOil on Canvas61 cm x 86 cm1960Fernando AmorsoloLeon GalleryPrivate Collection
Church and Flame TreePaintingOil on Canvas64 cm x 89 cm1950Fernando AmorsoloLeon GalleryPrivate Collection
Cooking LadyPaintingOil on Canvas33 cm x 45 cm1938Fernando AmorsoloLeon GalleryPrivate Collection
Lavanderas (d)PaintingOil on Canvas22.5 cm x 32 cm1940Fernando AmorsoloLeon GalleryPrivate Collection
River WashersPaintingOil on Canvas30 cm x 41 cm1950Fernando AmorsoloLeon Gallery
La MestizaPaintingOil on Canvas76 cm x 61 cm1947Fernando AmorsoloLeon GalleryPrivate Collection
Portrait of a Woman (b)PaintingOil on Canvas14 cm x 8 cm1914Fernando AmorsoloLeon Gallery
Portrait of a Man (b)PaintingOil on Canvas14 cm x 8 cm1914Fernando AmorsoloLeon Gallery
Planting Rice (b)PaintingOil on Canvas71 cm x 102 cm1949Fernando AmorsoloLeon Gallery
Resting And Cooking Under The TreePaintingOil on Canvas51 cm x 66 cm1951Fernando AmorsoloLeon Gallery
Noonday MealPaintingOil on Canvas76 cm x 107 cm1959Fernando AmorsoloLeon Gallery
Susan MagalonaPaintingOil on Canvas85 cm x 61 cm1961Fernando AmorsoloLeon Gallery
Fishpond in MalabonPaintingOil on Wood33 cm x 41 cm1927Fernando AmorsoloLeon Gallery
Baguio ScenePaintingOil on Canvas33 cm x 46 cm1935Fernando AmorsoloLeon Gallery
Lavanderas (e)PaintingOil on Canvas61 cm x 86 cm1954Fernando AmorsoloLeon GalleryPrivate Collection
Mango GatherersPaintingOil on Canvas78 cm x 84 cm1931Fernando AmorsoloLeon Gallery
Fishermen (b)PaintingOil on Canvas46 cm x 61 cm1957Fernando AmorsoloLeon Gallery
LavanderaPaintingOil on Wood24 cm x 32 cm1936Fernando AmorsoloLeon Gallery
Pagsanjan FallsPaintingOil on Canvas61 cm x 76 cm1949Fernando AmorsoloLeon Gallery
ProcessionPaintingOil on Canvas28 cm x 36 cm1949Fernando AmorsoloLeon Gallery
Under the Mango Tree (c)PaintingOil on Canvas61 cm x 84 cm1955Fernando AmorsoloLeon GalleryPrivate Collection
HarvestPaintingOil on Canvas27 cm x 37 cm1940Fernando AmorsoloLeon Gallery
Ynchausti Rope Factory (Later the Old Elizalde Building)PaintingOil on Canvas71 cm x 107 cm1926Fernando AmorsoloLeon Gallery
Dalagang Bukid (Woman with Banga)PaintingOil on Wood41 cm x 34 cm1927Fernando AmorsoloLeon GalleryFernando Zobel de Ayala y Montojo Private Collection, Madrid
Noon Day MealPaintingOil on Canvas34 cm x 44 cm1955Fernando AmorsoloLeon Gallery
Lavandera (b)PaintingOil on Canvas51 cm x 41 cm1956Fernando AmorsoloLeon GalleryPrivate Collection, USA
Portrait of a LadyPaintingOil on Canvas33 cm x 27 cm1918Fernando AmorsoloLeon GalleryPrivate Collection, USA
Portrait of a GentlemanPaintingWatercolor on Paper33 cm x 27 cm1918Fernando AmorsoloLeon GalleryPrivate Collection, USA
Under the Mango Tree (d)PaintingOil on Canvas51 cm x 76 cm1936Fernando AmorsoloLeon Gallery
Untitled (War Scene)PaintingOil on Canvas36 cm x 46 cm1942Fernando AmorsoloLeon GalleryDr. and Mrs. Romeo Gustilo Collection
Baguio Scene (b)PaintingOil on Canvas51 cm x 71 cm1937Fernando AmorsoloLeon Gallery
Portrait of a Lady (b)PaintingOil on Canvas107 cm x 79 cm1958Fernando AmorsoloLeon GalleryPrivate Collection, USA
Winnowing RicePaintingOil on masonite board33 cm x 41 cm1946Fernando AmorsoloLeon Gallery
Lavandera (c)PaintingOil on Canvas33 cm x 43 cm1938Fernando AmorsoloLeon Gallery
Elias and Ibarra on Pasig RiverPaintingOil on Canvas61 cm x 81 cm1961Fernando AmorsoloLeon GalleryChristies, Asian 20th Century Art, Hong Kong, 27 May 2012, Lot No. 2192
Boy and CarabaoPaintingOil on Canvas61 cm x 86 cm1951Fernando AmorsoloLeon Gallery
Noonday MealPaintingOil on Canvas46 cm x 61 cm1931Fernando AmorsoloLeon GalleryPrivate Collection, Makati City
Princess Urduja (The Daughter of the Rajah)PaintingOil on Canvas81 cm x 66 cm1934Fernando AmorsoloLeon Gallery
SalambaoPaintingOil on Canvas26 cm x 36 cm1938Fernando AmorsoloLeon Gallery
IgorotPaintingOil on Canvas51 cm x 38 cm1917Fernando AmorsoloLeon GalleryPrivate Collection, Manila
Nude LavanderaPaintingOil on Canvas46 cm x 32 cm1937Fernando AmorsoloLeon GalleryPrivate Collection, USA
Nude 1PrintLithograph28 cm x 36 cmundatedFernando AmorsoloLeon Gallery
Nude 2PrintLithograph28 cm x 36 cmundatedFernando AmorsoloLeon Gallery
Nude 3PrintLithograph28 cm x 36 cmundatedFernando AmorsoloLeon Gallery
Nude 4PrintLithograph28 cm x 36 cmundatedFernando AmorsoloLeon Gallery
Nude 5PrintLithograph36 cm x 28 cmundatedFernando AmorsoloLeon Gallery
Nude 6PrintLithograph36 cm x 28 cmundatedFernando AmorsoloLeon Gallery
Nude 7 PrintLithograph36 cm x 28 cmundatedFernando AmorsoloLeon Gallery
Nude 8PrintLithograph36 cm x 28 cmundatedFernando AmorsoloLeon Gallery
Nude 9PrintLithograph36 cm x 28 cmundatedFernando AmorsoloLeon Gallery
Nude 10PrintLithograph36 cm x 28 cmundatedFernando AmorsoloLeon Gallery
PicnicPaintingWatercolor on Paper14 cm x 9 cm1915Fernando AmorsoloLeon Gallery
Portrait of a Lady (c)PaintingOil on Canvas33 cm x 25 cm1955Fernando AmorsoloLeon GalleryPrivate Collection, Manila
By the RiverPaintingOil on Board 1333 cm x 23 cm1916Fernando AmorsoloLeon Gallery
19th CenturyPaintingOil on Wood24 cm x 33 cm1927Fernando AmorsoloLeon Gallery
Burning of the IdolsPaintingOil on Canvas61 cm x 86 cm1952Fernando AmorsoloLeon Gallery
View of San SebastianPaintingOil on Wood25 cm x 35 cm1927Fernando AmorsoloLeon GalleryPrivate Collection, Makati City
Flame Tree at Sunset on Manila BayPaintingOil on Canvas30 cm x 41 cm1953Fernando AmorsoloLeon Gallery
La SiegaPaintingOil on Canvas61 cm x 81 cm1961Fernando AmorsoloLeon Gallery
Ruins on Rizal AvenuePaintingOil on masonite board43 cm x 64 cm1945Fernando AmorsoloLeon Gallery
MangingisdaPaintingOil on Canvas56 cm x 76 cm1955Fernando AmorsoloLeon Gallery
UntitledPaintingOil on Wood33 cm x 56 cm1932Fernando AmorsoloLeon Gallery"With billowing flame-like colors, Amorsolo’s 1932 painting powerfully exhibits a facility for portraying the fleeting nuances of sundown."
Set of drawings (a)SketchPencil on Paper30 cm x 23 cm1958Fernando AmorsoloLeon Gallery
Set of drawings (b)SketchPencil on Paper30 cm x 23 cm1958Fernando AmorsoloLeon Gallery
Set of drawings (c)SketchPencil on Paper28 cm x 22 cm1958Fernando AmorsoloLeon Gallery
Set of drawings (d)SketchPencil on Paper28 cm x 22 cm1958Fernando AmorsoloLeon Gallery
Portrait of Chona KastenPaintingOil on Canvas64 cm x 50 cm1953Fernando AmorsoloLeon Gallery
LigawanPaintingOil on Canvas61 cm x 86 cm1963Fernando AmorsoloLeon Gallery
Lavanderas (f)PaintingOil on Canvas71 cm x 102 cm1951Fernando AmorsoloLeon Gallery
El Encuentro de Oro Por SalcedoPaintingOil on Canvas21 cm x 31 cm1952Fernando AmorsoloLeon Gallery
Novaliches / LandscapePaintingOil on Canvas23 cm x 30 cm1925Fernando AmorsoloLeon Gallery
Rio AgnoPaintingOil on Wood30 cm x 41 cm1967Fernando AmorsoloLeon Gallery
Portrait of a Wealthy Lady from MarinduquePaintingOil on Canvas122 cm x 81 cm1964Fernando AmorsoloLeon Gallery
Plowing in a FieldSketchPen and Ink on Paper14 cm x 20 cm1930Fernando AmorsoloLeon Gallery
Manalastas Luchando Contra ExtranjerosPaintingOil on Canvas23 cm x 36 cm1952Fernando AmorsoloLeon Gallery
Portrait of Chona at 21PaintingOil on Canvas121 cm x 85 cm1943Fernando AmorsoloLeon Gallery
La Construccion de IntramurosPaintingOil on Canvas25 cm x 33 cm1955Fernando AmorsoloLeon Gallery
Musicos NativosPaintingOil on Canvas23 cm x 30 cm1956Fernando AmorsoloLeon Gallery
Winnowing Rice (b)PaintingOil on Canvas69 cm x 94 cm1956Fernando AmorsoloLeon Gallery
Clave de CalantiaoPaintingOil on Canvas30 cm x 41 cm1962Fernando AmorsoloLeon Gallery
Under the Mango Tree (e)PaintingOil on Canvas30 cm x 41 cm1963Fernando AmorsoloLeon Gallery
Landscape (b)SketchPencil on Paper21 cm x 27 cm1926Fernando AmorsoloLeon Gallery
Portrait of a Girl (b)PaintingOil on Canvas33 cm x 25 cm1926Fernando AmorsoloLeon GalleryInscribed "Innocencia Feliciano"
Portrait of J. Antonio AranetaPaintingOil on Canvas97 cm x 71 cm1952Fernando AmorsoloLeon Gallery
Portrait of Doña Pacita Araneta y ZaragozaPaintingOil on Canvas41 cm x 30 cm1943Fernando AmorsoloLeon Gallery
Under the Mango Tree (f)PaintingOil on Canvas46 cm x 66 cm1941Fernando AmorsoloLeon GalleryPrivate Collection, Makati City
Portrait of a Girl (c)PaintingOil on Canvas41 cm x 33 cm1932Fernando AmorsoloLeon Gallery
Bullock CartPaintingOil on masonite board25 cm x 36 cm1967Fernando AmorsoloLeon Gallery
Portrait of a Lady in TernoPaintingOil on Canvas30 cm x 23 cm1955Fernando AmorsoloLeon GalleryPrivate Collection, Manila
Igorot from the Hills, BaguioPaintingOil on Wood34 cm x 41 cm1928Fernando AmorsoloLeon Gallery
Lavandera (d)PaintingOil on Canvas48 cm x 61 cm1915Fernando AmorsoloLeon Gallery
Nude (a)PaintingOil on Canvas30 cm x 46 cm1960Fernando AmorsoloLeon Gallery
Nude (b)PaintingOil on Canvas30 cm x 46 cm1960Fernando AmorsoloLeon Gallery
Female Nude 1SketchCharcoal with Pastel on Paper33 cm x 23 cm1920Fernando AmorsoloLeon Gallery
Female Nude 2SketchCharcoal with Pastel on Paper33 cm x 23 cm1920Fernando AmorsoloLeon Gallery
Planting Rice (Mayon)PaintingOil on Canvas66 cm x 97 cm1949Fernando AmorsoloLeon Gallery
Untitled (b)PaintingOil on Wood33 cm x 24 cmFernando AmorsoloLeon Gallery
Lavandera (e)PaintingOil on Canvas66 cm x 49 cm1935Fernando AmorsoloLeon Gallery
Seascape (c)PaintingOil on Canvas25 cm x 36 cm1958Fernando AmorsoloLeon Gallery
Fernando Amorsolo (1892-1972)
Portrait of Doña Leona Pasion de Garcia
PaintingOil on Canvas71 cm x 57 cm1943Fernando AmorsoloLeon Gallery
Portrait of Don Juan GarciaPaintingOil on Canvas71 cm x 57 cm1943Fernando AmorsoloLeon Gallery
Water CarrierPaintingOil on Canvas41 cm x 33 cm1928Fernando AmorsoloLeon Gallery
The Church of San Francisco at Santa Potenciana Street in IntramurosSketchPencil on Paper21 cm x 27 cm1945Fernando AmorsoloLeon Gallery
Untitled 1SketchPencil on Paper22 cm x 28 cmundatedFernando AmorsoloLeon Gallery
Untitled 2SketchPencil on Paper13 cm x 20 cmundatedFernando AmorsoloLeon Gallery
Untitled 3SketchPencil on Paper20 cm x 28 cmundatedFernando AmorsoloLeon Gallery
Untitled 4SketchPencil on Paper18 cm x 24 cmundatedFernando AmorsoloLeon Gallery
Untitled 5SketchPencil on Paper27 cm x 20 cmundatedFernando AmorsoloLeon Gallery
Untitled 6SketchPencil on Paper20 cm x 15 cmundatedFernando AmorsoloLeon Gallery
Under the Mango Tree (g)PaintingOil on Canvas51 cm x 71 cm1952Fernando AmorsoloLeon Gallery
Bathers by the StreamPaintingOil on Canvas110 cm x 90 cm1949Fernando AmorsoloLeon GalleryPrivate Collection, USA
Coming from the FieldPaintingOil on Wood24 cm x 36 cm1939Fernando AmorsoloLeon Gallery
Under the Mango Tree (h)PaintingOil on Canvas62 cm x 87 cm1958Fernando AmorsoloLeon GalleryPrivate Collection, USA
Seated NudePaintingOil on Canvas53 cm x 38 cm1947Fernando AmorsoloLeon Gallery
Departure of the FishermenPaintingOil on Canvas62 cm x 87 cm1958Fernando AmorsoloLeon GalleryPrivate Collection, USA
Noon-Time MealPaintingWatercolor on Paper19 cm x 28 cm1953Fernando AmorsoloLeon Gallery
Little GirlPainting25 cm x 18 cm1920Fernando AmorsoloLeon Gallery
Portrait of Sonia RiftkinPaintingOil on Canvas board25 cm x 20 cm1928Fernando AmorsoloLeon Gallery
War-time Market ScenePaintingOil on Wood29 cm x 44 cm1952Fernando AmorsoloLeon Gallery
Pintong BatoSketchPencil on Paper21 cm x 13 cm1916Fernando AmorsoloLeon Gallery
Sta. MariaSketchPencil on Paper13 cm x 21 cm1916Fernando AmorsoloLeon Gallery
SabongeroPaintingOil on Canvas49 cm x 66 cm1938Fernando AmorsoloLeon GalleryPrivate Collection, USA
Vendedor de FrutasPaintingOil on Canvas61 cm x 76 cm1950Fernando AmorsoloLeon Gallery
Lavanderas (g)PaintingOil on Board33 cm x 48 cm1933Fernando AmorsoloLeon Gallery
Pilgrims on SunsetPaintingOil on Canvas57 cm x 281 cm1928Fernando AmorsoloLeon Gallery
Female Nude 1 (a)PrintLithograph27 cm x 19 cm1919Fernando AmorsoloLeon Gallery
Female Nude 2 (b)PrintLithograph27 cm x 19 cm1919Fernando AmorsoloLeon Gallery
Manila BayPaintingOil on Canvas50 cm x 66 cm1937Fernando AmorsoloLeon Gallery
La IgorotaPaintingWatercolor on Paper20 cm x 13 cm1948Fernando AmorsoloLeon Gallery
Sabungero (b)PaintingOil on Canvas52 cm x 41 cm1952Fernando AmorsoloLeon Gallery
Afternoon Meal of the Rice WorkersPaintingOil on Canvas56 cm x 76 cm1958Fernando AmorsoloLeon Gallery
Boy on Carabao Crossing a FordPaintingOil on Canvas18 cm x 27 cm1942Fernando AmorsoloLeon Gallery
Manila Bay SunsetPaintingOil on Canvas82 cm x 121 cm1922Fernando AmorsoloLeon Gallery
Untitled (c)SketchMimeograph20 cm x 17 cmundatedFernando AmorsoloLeon Gallery
Nude Series (a)PaintingPrint29 cm x 22 cmundatedFernando AmorsoloLeon Gallery
Nude Series (b)PaintingPrint29 cm x 22 cmundatedFernando AmorsoloLeon Gallery
Nude Series (c)PaintingPrint29 cm x 22 cmundatedFernando AmorsoloLeon Gallery
Untitled (d)SketchInk on Paper36 cm x 27 cmundatedFernando AmorsoloLeon Gallery
Unattentive Student in a ClassroomSketchInk on Paper36 cm x 27 cmundatedFernando AmorsoloLeon Gallery
Study of a Mother and ChildPaintingOil on Canvas20 cm x 18 cmundatedFernando AmorsoloLeon Gallery
Portrait of a Woman in a TernoPaintingOil on Canvas84 cm x 64 cm1958Fernando AmorsoloLeon Gallery
Barrio ScenePaintingOil on Canvas30 cm x 41 cm1970Fernando AmorsoloLeon Gallery
LadyPaintingPrint19 cm x 25 cmundatedFernando AmorsoloLeon Gallery
A Portrait of Henry Schradieck (a)PaintingOil on Canvas36 cm x 28 cm1935Fernando AmorsoloLeon Gallery
A Portrait of Henry Schradieck (b)PaintingOil on Canvas46 cm x 36 cm1937Fernando AmorsoloLeon Gallery
Portrait of a Man (c)PaintingOil on Canvas41 cm x 30 cm1960Fernando AmorsoloLeon Gallery
Portrait of a Woman (c)PaintingOil on Canvas50 cm x 39 cm1951Fernando AmorsoloLeon Gallery
A Portrait of Henry Schradieck’s WifePaintingOil on Canvas36 cm x 28 cm1936Fernando AmorsoloLeon Gallery
Nude IPrintEtching30 cm x 20 cmundatedFernando AmorsoloLeon Gallery
Nude IIPrintEtching30 cm x 20 cmundatedFernando AmorsoloLeon Gallery
Nude IIIPrintEtching20 cm x 30 cmundatedFernando AmorsoloLeon Gallery
Burning of the Idols (b)PrintLithograph30 cm x 46 cm1958Fernando AmorsoloLeon Gallery
Untitled 1 (b)SketchPencil on Paper25 cm x 18 cm1952Fernando AmorsoloLeon Gallery
Untitled WPaintingPencil on Paper15 cm x 24 cmundatedFernando AmorsoloLeon Gallery
Nude, Seated (a)PaintingPrintundatedFernando AmorsoloLeon Gallery
Nude, Standing (b)PaintingPrintundatedFernando AmorsoloLeon Gallery
Untitled (e)SketchPencil on Paper23 cm x 17 cmundatedFernando AmorsoloLeon Gallery
Untitled (f)SketchPencil on Paper30 cm x 23 cmundatedFernando AmorsoloLeon Gallery
Untitled (g)SketchPencil on Paper20 cm x 27 cmundatedFernando AmorsoloLeon Gallery
Untitled (h)PaintingOil on Canvas23 cm x 25 cmundatedFernando AmorsoloLeon Gallery
Nude (d)PrintLithograph20 cm x 28 cm1919Fernando AmorsoloLeon Gallery
Portrait of a Lady (d)PaintingWatercolor on Paper30 x 24 cm1932Fernando AmorsoloLeon Gallery
Untitled (Girl in White) Painting1951Fernando AmorsoloSalcedo AuctionsCONNOISSEUR COLLECTION: Fine and Decorative Arts, Wines, and Timepieces
Pair of female nudesPrintLithographs25.5 x 20.5 cm1919Fernando AmorsoloSalcedo Auctions
Sabungero (c)PaintingOil on Canvas37.5 x 47.6 cmundatedFernando AmorsoloSalcedo Auctions
Women Bathing by the StreamPaintingOil on Canvas48.5 x 64.5 cm1947Fernando AmorsoloSalcedo Auctions
Under the Mango Tree (i)PaintingOil on Board44 x 64.5 cm 1941Fernando AmorsoloSalcedo Auctions
Untitled (Female Nude)PaintingOil on Canvas49.8 x 39.8 cm1965Fernando AmorsoloSalcedo Auctions
Nude (e)PaintingOil on Canvas40 x 30 cm 1959Fernando AmorsoloSalcedo Auctions
War RuinsPaintingOil on Board31.4 x 39 cm1945Fernando AmorsoloSalcedo Auctions
The StreamPaintingOil on Canvas65.5. x 48 cm1928Fernando AmorsoloSalcedo Auctions
Las LavanderasPaintingOil on Canvas57 x 82.5 cm1956Fernando AmorsoloSalcedo Auctions
Early TradersPaintingOil on Canvas52 x 73 cm1959Fernando AmorsoloSalcedo Auctions
Untitled (Female Nude with Butterfly)PrintLithograph33 x 40.6 cmcirca 1920sFernando AmorsoloSalcedo Auctions
Untitled (Female Seated Nude)PrintLithograph33 x 40.6 cmcirca 1920sFernando AmorsoloSalcedo Auctions
Untitled (Woman in Terno)PaintingOil on Canvas80 x 64 cm1947Fernando AmorsoloSalcedo Auctions
Dalagang BukidPaintingOil on Canvas85 x 59.5 cm1958Fernando AmorsoloSalcedo Auctions
Young Filipina on a CarabaoPaintingOil on Canvas29.5 x 40 cm1938Fernando AmorsoloSalcedo Auctions
Manila Bay (b)PaintingOil on Canvas50 x 65 cm1958Fernando AmorsoloSalcedo Auctions
Sunday Morning Going to TownPaintingOil on Canvas40 x 54.7 cm1946Fernando AmorsoloSalcedo Auctions
Churchyard in SummerPaintingOil on Canvas32 x 45 cm1964Fernando AmorsoloSalcedo Auctions
Landscape with IgorotsPaintingOil on Board25 x 36.3 cm1940Fernando AmorsoloSalcedo Auctions
Planting Rice (c)PaintingOil on Canvas49 x 69.5 cm1961Fernando AmorsoloSalcedo Auctions
ExplosionPaintingOil on Canvas33 x 23.5 cm1944Fernando AmorsoloSalcedo Auctions
Untitled (Woman in the Kitchen)PaintingOil on Canvas44 x 34 cm1940Fernando AmorsoloSalcedo Auctions
A lot of two lithographs of female nudes (a)PrintLithograph30.5 x 20 cmundatedFernando AmorsoloSalcedo Auctions
A lot of two lithographs of female nudes (b)PrintLithograph34 x 24 cm undatedFernando AmorsoloSalcedo Auctions
Untitled (Nude) (a)PrintLithograph23.5 x 31 cmundatedFernando AmorsoloSalcedo Auctions
Untitled (Nude) (b)PrintLithograph28 x 18 cmundatedFernando AmorsoloSalcedo Auctions
Maria MakilingPaintingOil on masonite37 x 59.8 cm 1947Fernando AmorsoloSalcedo Auctions
Untitled (i)PrintEtching4 1/3 x 5 1/2 inundatedFernando AmorsoloSalcedo Auctions
Untitled (j)PrintEtching4 1/3 x 5 1/2 inundatedFernando AmorsoloSalcedo Auctions
Departure of the FishermenPaintingOil on Canvas61 x 76.2 cm1952Fernando AmorsoloSalcedo Auctions
Cooking LadyPaintingOil on Canvas39.5 x 49.5 cm 1959Fernando AmorsoloSalcedo Auctions
Untitled (k)PaintingWatercolor on Paper16 x 22 cm1934Fernando AmorsoloSalcedo Auctions
Untitled (Nude) (c)SketchEtching19 x 25.4 cm undatedFernando AmorsoloSalcedo Auctions
Boat on Water's EdgePaintingOil on Canvas43.5 x 60 cm1951Fernando AmorsoloSalcedo Auctions
Ruins of a Squared BuildingSketchPencil on Paper17 x 24 cmundatedFernando AmorsoloSalcedo Auctions
Marikina ValleyPaintingOil on Canvas70 x 89 cm1946Fernando AmorsoloSalcedo Auctions
Untitled (Lavandera)PaintingOil on Canvas45 x 35 cm1958Fernando AmorsoloSalcedo Auctions
Nude (f)SketchMonoprint25.4 x 20.3 cmundatedFernando AmorsoloSalcedo Auctions
SunrisePaintingOil on Canvas53.3 x 39.4 cm1958Fernando AmorsoloSalcedo Auctions
Untitled (Women Cooking)PaintingOil on Canvas34.3 x 44.5 cm1955Fernando AmorsoloSalcedo Auctions
Untitled (Farm House)PaintingOil on Canvas50.8 x 91.4 cm1935Fernando AmorsoloSalcedo Auctions
A pair of nude etchings (a)PrintEtching27.9 x 35.5 cm1920Fernando AmorsoloSalcedo Auctions
A pair of nude etchings (b)PrintEtching35.5 x 27.9 cm1920Fernando AmorsoloSalcedo Auctions
Portrait of an Old LadyPaintingOil on Canvas33.2 x 23.5 cm1941Fernando AmorsoloSalcedo Auctions
Man and Carabao Near Ruins at SunsetPaintingOil on Canvas31.4 x 47.7 cm1948Fernando AmorsoloSalcedo Auctions
Carabao Cart in ArayatPaintingOil on Canvas40 x 50 cm1946Fernando AmorsoloSalcedo Auctions
Fisherman at SunsetPaintingOil on Canvas86 x 55 cm1955Fernando AmorsoloSalcedo Auctions
Untitled (l)PaintingOil on Canvas85.5 x 60 cm1961Fernando AmorsoloSalcedo Auctions
Untitled (Sunday Morning Going to Town)PaintingOil on Canvas50 x 66 cm1942Fernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (a)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (b)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (c)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (d)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (e)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (f)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (g)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (h)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (i)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
A set of 10 Nude Etchings (j)PrintEtching28 x 43.2 cm1920sFernando AmorsoloSalcedo Auctions
Untitled (Nude Woman)PaintingLithograph29 x 21.5 cmundatedFernando AmorsoloSalcedo Auctions
Untitled (Filipino Woman in Mestiza Dress)PaintingOil on Canvas40 x 30 cm1954Fernando AmorsoloSalcedo Auctions
BaguioPaintingOil on Canvas32 x 29 cm 1932Fernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (a)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (b)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (c)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (d)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (e)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (f)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (g)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (h)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (i)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (j)PrintLithographundatedFernando AmorsoloSalcedo Auctions
A lot of 11 lithographic prints (k)PrintLithographundatedFernando AmorsoloSalcedo Auctions
Still Life of a DollPainting56 x 76 cm1965Fernando AmorsoloSalcedo Auctions
Landscape with BuildingSketchPencil on Paper21 x 29.5 cm undatedFernando AmorsoloSalcedo Auctions
Untitled (Coconut Farmers)PaintingWatercolor on Paper17.5 x 25.5 cm1956Fernando AmorsoloSalcedo Auctions
Untitled (m)PaintingWatercolor on Paper17.5 x 26.5 cm1950Fernando AmorsoloSalcedo Auctions
Portrait of a Woman (d)PaintingOil on Canvas36.5 x 46.5 cm1941Fernando AmorsoloSalcedo Auctions
A lot of 2 lithographs (a)PrintLithograph20.5 x 25.5 cmundatedFernando AmorsoloSalcedo Auctions
A lot of 2 lithographs (b)PrintLithograph20.5 x 25.5 cmundatedFernando AmorsoloSalcedo Auctions
Lady in the GardenSketchGraphite on Paper14.5 x 21.5 cmundatedFernando AmorsoloSalcedo Auctions
Untitled (n)PrintOffset lithograph24 x 19 cmundatedFernando AmorsoloSalcedo Auctions
Main Altar Baras ChurchPaintingWatercolor on Paper38 cm x 28 cm1955Carlos V. FranciscoLeon Gallery
Philippine SagaPaintingWatercolor on Paper38 cm x 102 cm1950sCarlos V. FranciscoLeon Gallery
First Mass in Limasawa (Study)PaintingWatercolor on Paper33 cm x 64 cm1965Carlos V. FranciscoLeon Gallery
Untitled (a)PaintingOil on Board43 cm x 56 cmundatedCarlos V. FranciscoLeon Gallery
The Nose FlutePaintingoil on double canvas121 cm x 182 cm1955Carlos V. FranciscoLeon Gallery
Manuel Conde in Vende Cristo Movie PosterPosterMixed Media26 cm x 22 cm1952Carlos V. FranciscoLeon Gallery
Study for Camote DiggersSketchPencil on Paper36 cm x 42 cm1966Carlos V. FranciscoLeon Gallery
Wawa, Angono RizalPaintingOil on Canvas53 cm x 71 cm1963Carlos V. FranciscoLeon Gallery
Camote DiggersPaintingOil on Canvas27 cm x 38 cm1963Carlos V. FranciscoLeon Gallerytitled and dedicated "to my friend Tony Kayanan, in admiration, Botong Francisco"
Kalantiao at LublubanPaintingOil on Canvas107 cm x 70 cm1945Carlos V. FranciscoLeon Gallery
LazaroPaintingWatercolor on Paper30 cm x 23 cmundatedCarlos V. FranciscoLeon Gallery
Landscape (a)PaintingOil on Board48 cm x 64 cm1944Carlos V. FranciscoLeon Gallery
Untitled (b)Sculpturemolave85 cm x 47 cm x 58 cm1965Carlos V. FranciscoLeon Gallery
Untitled (c)PaintingWatercolor on Paper34 cm x 28 cmundatedCarlos V. FranciscoLeon Gallery
Harana (print)Paintingprint39 cm x 36 cmundatedCarlos V. FranciscoLeon Gallery
Dreamer's Catch #2PaintingAcrylic on Canvas122 cm x 61 cmundatedCarlos V. FranciscoLeon Gallery
Mango PickersPaintingWatercolor on Paper23.5 x 33.5 cm1950Carlos V. FranciscoSalcedo Auctions
A LOT OF 5 PHILIPPINE ART PRINTS (BOTONG FRANCISCO)Print217 x 96 x 4.5 cmundatedCarlos V. FranciscoSalcedo Auctions
Philippine Folk Dances SculptureNarra217 x 96 x 4.5 cmundatedCarlos V. FranciscoSalcedo Auctions
Untitled (Warrior)PaintingWatercolor on bristol board43.2 x 30.5 cmundatedCarlos V. FranciscoSalcedo Auctions
Bernardo Carpio (a)PaintingInk and Gouche on Bristol Board41 cm x 28 cmundatedCarlos V. FranciscoMutual Art
HaranaPaintingOil on Canvas71 cm x 97 cmundatedCarlos V. FranciscoMutual Art
Lakeside CookPaintingPrintundatedCarlos V. FranciscoMutual Art
Untitled (d)PrintOffset lithographic reproduction23.5 x 23.5 cmundatedCarlos V. FranciscoMutual Art
MangkukulamPaintingWatercolor 30 cm x 41 cmundatedCarlos V. FranciscoMutual Art
Diwata (The Diwata giving fortune to the man, winning the lottery)PaintingWatercolor on Paper17in x 10 1/2inundatedCarlos V. FranciscoMutual Art
Barrio Salu-saloPrintLithograph28 x 27 cmundatedCarlos V. FranciscoMutual Art
Barrio SingersPrintSerigraph25 cm x 24 cmundatedCarlos V. FranciscoMutual Art
Last SupperPaintingOil on Canvas47 x 122 cmundatedCarlos V. FranciscoMutual Art
Mural StudyPaintingWatercolor on Paper28 cm x 46 cmundatedCarlos V. FranciscoMutual Art
Bernardo Carpio (b)PaintingWatercolor on Paper14” x 9”undatedCarlos V. FranciscoMutual Art
Tikbalang (a)PaintingWatercolor on Paper11” x 16”1950Carlos V. FranciscoMutual Art
Untitled (e)PrintSerigraph9.75 x 11.25 inundatedCarlos V. FranciscoMutual Art
Tikbalang (b)PaintingWatercolor on Paper16” x 10 1/2”undatedCarlos V. FranciscoMutual Art
Nuno sa punsoPaintingWatercolor on Paper16” x 10 1/2”undatedCarlos V. FranciscoMutual Art
Arnis de ManoPrintSerigraph25 x 25 cmundatedCarlos V. FranciscoMutual Art
Untitled (f)Mixed Media on paper25 cm x 24 cmundatedCarlos V. FranciscoMutual Art
Untitled (g)Carvingwood68 x 157 x 3 cmundatedCarlos V. FranciscoMutual Art
Untitled (h)PaintingWatercolor on Paper43 cm x 36 cmundatedCarlos V. FranciscoMutual Art
Doors (2 panels)Carvingwood208.3 x 180.3 x 5 cmundatedCarlos V. Francisco
Romeo at JulietaPaintingOil on Canvas28 cm x 36 cmundatedCarlos V. FranciscoLeon Gallery
Bugan and AliguyonPaintingOil on Canvas64 cm x 48 cm1930s-1940sCarlos V. FranciscoLeon Gallery
Untitled (i)Print25 cm x 25 cmundatedCarlos V. FranciscoLeon Gallery
Untitled (j)PrintundatedCarlos V. FranciscoLeon Gallery
Untitled 1Print25 cm x 30 cmundatedCarlos V. FranciscoLeon Gallery
Untitled 2Print25 cm x 30 cmundatedCarlos V. FranciscoLeon Gallery
Madonna of the BamboosCarvingWood214 cm x 81 cmundatedCarlos V. FranciscoLeon Gallery
Lakeside Cooks (serigraph)PrintSerigraph26 cm x 26 cmundatedCarlos V. FranciscoLeon Gallery
Harana (serigraph)PrintSerigraph29 cm x 27 cmundatedCarlos V. FranciscoLeon Gallery
Fiesta (serigraph)PrintSerigraphundatedCarlos V. FranciscoLeon Gallery
Family (serigraph)PrintSerigraph33 cm x 28 cmundatedCarlos V. FranciscoLeon Gallery
Indak-indakPaintingWatercolor on Paper25 x 35.5 cm1948Carlos V. FranciscoSalcedo Auctions
Untitled (Band)PrintSerigraphs A/P with Watercolor23 x 26 cm1956Carlos V. FranciscoSalcedo Auctions
Untitled (Folk Dance)PrintSerigraphs A/P with Watercolor23 x 26 cm1956Carlos V. FranciscoSalcedo Auctions
The Lady in Maria Clara Playing the HarpPaintingWatercolor on Paper23.5 x 20 cmundatedCarlos V. FranciscoSalcedo Auctions
Untitled (k)SketchCharcoal on Paper43 cm x 69 cmundatedCarlos V. FranciscoLeon Gallery
Baras ChurchPaintingWatercolor on Paper28 cm x 37 cm1955Carlos V. FranciscoLeon Gallery
The Virgin of AntipoloPaintingOil on Canvas183 cm x 122 cm1950Carlos V. FranciscoLeon Gallery
DamaPrint28 x 28 cmundatedCarlos V. FranciscoLeon Gallery
Untitled (l)SketchCharcoal on PaperundatedCarlos V. FranciscoLeon Gallery
Fiestas and MythsCarvingNarra48 cm x 57 cm1960Carlos V. FranciscoLeon Gallery
Study for a MuralSketchPencil on Paper23 cm x 67 cmundatedCarlos V. FranciscoLeon Gallery
Untitled, (Pista ng Angono, The Fiesta of Angono)PaintingOil on Canvas51 cm x 76 cmundatedCarlos V. FranciscoLeon Gallery
GethsemanePaintingOil on Canvas82 cm x 71 cm1958Carlos V. FranciscoSalcedo Auctions
Detail No.1PaintingWatercolor on Paper45 cm x 31 cm1953Carlos V. FranciscoLeon Gallery
Tikbalang (c)PaintingWatercolor on Paper31 cm x 31 cm1960Carlos V. FranciscoLeon Gallery
CourtesanPaintingWatercolor on Paper42 cm x 24 cm1990Carlos V. FranciscoLeon Gallery
Landscape (b)PaintingOil on Canvas25 cm x 36 cmundatedCarlos V. FranciscoLeon Gallery
Bahay KuboSketchPencil on Paper34 cm x 55 cmundatedCarlos V. FranciscoLeon Gallery
BayanihanSketchCharcoal on Paper34 cm x 50 cmundatedCarlos V. FranciscoLeon Gallery
First Mass at Limasawa (study)PaintingWatercolor33 cm x 63.5 cm1965Carlos V. FranciscoLeon Gallery
Village ScenePaintingOil on Canvas laid on board35.5 by 60.5 cm1968Carlos V. FranciscoSotheby's, Singapore
Untitled (Fiesta with Higantes, Angono in Rizal Philippines)PaintingWatercolor on Paper46 cm x 41 cm1958Carlos V. FranciscoChristie's, Hong KongInscribed and dated 'To my dear friend BAg Ang, CARLOS, V. Inanigeos, June 58'
24 Works: Male with HorseSketchPencil on Paper17 cm x 12 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: VendorsSketchPencil on Paper17 cm x 12 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: Female VendorsSketchPencil on Paper20 cm x 13 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: TreesSketchPencil on Paper32 cm x 21 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: VendorsSketchPencil on Paper23 cm x 32 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: HousesSketchPencil on Paper22 cm x 27 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: StudySketchPencil on Paper22 cm x 27 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: Movie PosterPosterPrint22 cm x 29 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: StudySketchPencil on Paper27 cm x 21 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: Sleeping MaleSketchPencil on Paper11 cm x 18 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: StudySketchPencil on Paper29 cm x 41 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: Man and CarabaoSketchPencil on Paper15 cm x 15 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: Mandarin Production #3SketchPencil on Paper30 cm x 18 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: Musket 15 CenturySketchPencil on Paper18 cm x 28 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: Chinese ManSketchWatercolor on Paper37 cm x 18 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: StudySketchMixed Media27 cm x 21 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: History of the WorldSketchPencil on Paper27 cm x 21 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: 3 MenSketchPencil on Paper19 cm x 13 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: Barrio SceneSketchPencil on Paper18 cm x 25 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: StudySketchPencil on Paper23 cm x 32 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: IfugaoSketchPencil on Paper27 cm x 21 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: Two tribesSketchPencil on Paper27 cm x 21 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: StudySketchPencil on Paper22 cm x 27 cmundatedCarlos V. FranciscoLeon Gallery
24 Works: StudySketchPencil on Paper23 cm x 29 cmundatedCarlos V. FranciscoLeon Gallery
The Harvest FestivalWood carvingNarra75.5 cm × 164.5 cm1965Carlos V. FranciscoMutual Art
Magpupukot (Pulling in the net)PaintingOil on Canvas91.5 cm x 139.5 cmundatedCarlos V. FranciscoMutual Art
Philippine Folk Dances (Cañao)Wood carvingNarra with stand98 1/2 in x 50 1/4 in x 42 1/4 in1968Carlos V. FranciscoMutual Art
Philippine Folk Dances (Singkil)Wood carvingNarra with stand98 1/2 in x 50 1/4 in x 42 1/4 in1968Carlos V. FranciscoMutual Art
Untitled (a)SculptureWood40.2 cm x 31 cm x 14.3 cm1979Napoleon V. AbuevaSalcedo Auctions
TransfigurationSculptureCast metal 16/2040.5 x 26 x 12 cm1992Napoleon V. AbuevaSalcedo Auctions
Untitled (Sleeping Infant)SculptureBronze on Resin60 x 52 x 37.5 x 9.5 cm1997Napoleon V. AbuevaSalcedo Auctions
Untitled (Mother and Child)SculptureVolcanic Stone27 x 11 x 8 cm1971Napoleon V. AbuevaSalcedo Auctions
King Solomon's ChairFurniture (Chair)Narra and stainless steel98.43 x 109.86 x 74.30 cm2007Napoleon V. AbuevaSalcedo Auctions
NudeSketchPen on kraft paper19.2 x 29.6 cm1970Napoleon V. AbuevaSalcedo Auctions
A medallion with wood standundatedNapoleon V. AbuevaSalcedo Auctions
Sanggol SeriesSculpture Wood30.4 x 29.2 cm2007Napoleon V. AbuevaSalcedo Auctions
Untitled (Study of Foot)Sculpture Wood13 x 6 3/4 x 3 1/2 in1965Napoleon V. AbuevaSalcedo Auctions
Untitled (Man)Sculpture Wood30 x 25 cm1999Napoleon V. AbuevaSalcedo Auctions
Untitled (Doves)Sculpture Marble16 x 36 x 24 cm 1977Napoleon V. AbuevaSalcedo Auctions
Untitled (b)Sculpture Wood55 x 16.3 x 22.5 cm1975Napoleon V. AbuevaSalcedo Auctions
Untitled (c)Sculpture Wood42 x 14.7 x 15.3 cmundatedNapoleon V. AbuevaSalcedo Auctions
Untitled (d)Sculpture Resin36 x 19 x 14 cmundatedNapoleon V. AbuevaSalcedo Auctions
Untitled (e)Sculpture Wood48 x 16 x 18 cm2010Napoleon V. AbuevaSalcedo Auctions
Untitled (f)Sculpture Wood51 x 37.7 cm1991Napoleon V. AbuevaSalcedo Auctions
Untitled (g)Sculpture Steel mounted on wood67 x 17.3 x 17.3 cm1990Napoleon V. AbuevaSalcedo Auctions
Untitled (h)Sculpture Solid brass4.5 x 19.5 x 7 cm1962Napoleon V. AbuevaSalcedo Auctions
Untitled (i)Sculpture Ironwood30.5 x 100 cm1986Napoleon V. AbuevaSalcedo Auctions
Sanctuario EstudiarSculpture Metal mounted on stone38.5 x 34 x 24 cm1954Napoleon V. AbuevaSalcedo Auctions
A lot of three 'Carabaos' (a)Sculpture Wood and casted marble6.5 x 42.5 x 28.5 cmundatedNapoleon V. AbuevaSalcedo Auctions
A lot of three 'Carabaos' (b)Sculpture Wood and casted marble7.5 x 31.5 x 11 cmundatedNapoleon V. AbuevaSalcedo Auctions
A lot of three 'Carabaos' (c)Sculpture Wood and casted marble6.5 x 30.5 x 11 cmundatedNapoleon V. AbuevaSalcedo Auctions
Untitled (j)Sculpture Marble43 x 45 x 42 cm1971Napoleon V. AbuevaSalcedo Auctions
Allegorical AbstractSculpture Wood139.7 x 76.2 x 4 cm1997Napoleon V. AbuevaSalcedo Auctions
Untitled (Carabaos) (a)Sculpture Wood19 x 58 x 21 cm1993Napoleon V. AbuevaSalcedo Auctions
Study of Sculpture Installed in Front of the Commission on Audit Building, Quezon CitySculpture Wood30.5 x 49 cm 1984Napoleon V. AbuevaSalcedo Auctions
CrucifixSculpture Bronze32 x 27 cm1967Napoleon V. AbuevaSalcedo Auctions
Untitled (Totem)Sculpture Wood60 x 13 x 5 cm1989Napoleon V. AbuevaSalcedo Auctions
Kalabaw (a)Sculpture Marble13 x 30.5 x 7.5 cm1981Napoleon V. AbuevaSalcedo Auctions
Rice Planters (a)Sculpture Brass23 x 14 x 17 cm1993Napoleon V. AbuevaSalcedo Auctions
Untitled (Carabao)Sculpture Resin mounted on wood19 x 14 x 8 cm2007Napoleon V. AbuevaSalcedo Auctions
Untitled (Descent from the Cross)Sculpture Resin31 x 21 cm2005Napoleon V. AbuevaSalcedo Auctions
Untitled (Bench)Sculpture Wood32 x 183 x 37 cm2005Napoleon V. AbuevaSalcedo Auctions
A three-seater bench with planterFurniture (Chair)Narra, veneer40 x 275 x 58 cmundatedNapoleon V. AbuevaSalcedo Auctions
Untitled (k)Sculpture Kamagong96.5 x 216 cm1986Napoleon V. AbuevaSalcedo Auctions
Carabao (a)Sculpture Ceramic7.5 x 34.5 x 23 cm1980Napoleon V. AbuevaSalcedo Auctions
MausoleumSculpture Marble20 x 25.5 x 18 cm1974Napoleon V. AbuevaSalcedo Auctions
AbstractSculpture Wood30 x 99 cm1982Napoleon V. AbuevaSalcedo Auctions
Carabao (b)Sculpture Brass on wooden base25.5 x 11.5 x 5 cm1962Napoleon V. AbuevaSalcedo Auctions
Untitled (Carabaos) (b)Sculpture Wood40 x 34 x 10 cm1981Napoleon V. AbuevaSalcedo Auctions
Study of a MotherSketchInk on Paper19.5 x 13.5 cmundatedNapoleon V. AbuevaSalcedo Auctions
Rice Planters (b)SculptureBronze22 x 17 x 14 cm1993Napoleon V. AbuevaSalcedo Auctions
Prototype for Philippine Art Awards TrophySculpture Wood60 x 23.5 x 18 cm2010Napoleon V. AbuevaSalcedo Auctions
Sanggol SeriesSculpture Bronze and wood51 x 60 x 13 cm1997Napoleon V. AbuevaSalcedo Auctions
Untitled (l)Sculpture Wood27 x 32 cm1971Napoleon V. AbuevaSalcedo Auctions
Untitled BenchFurniture (Chair)Wood224.7 x 47 x 37 cm2005Napoleon V. AbuevaSalcedo Auctions
XIV Station of the CrossSculpture Fiberglass100 x 100 cm1989Napoleon V. AbuevaSalcedo Auctions
A medallion signed 'Napoleon Abueva'Brass10.5 x 10 cmundatedNapoleon V. AbuevaSalcedo Auctions
Rice Planters (c)Sculpture Bronze25 x 17 x 16 cm 1993Napoleon V. AbuevaSalcedo Auctions
Untitled (m)Sculpture Bronze39 x 27 x 11 cm1997Napoleon V. AbuevaSalcedo Auctions
Untitled (Carabao) (b)Sculpture Marble9 x 38 x 12 cm1970Napoleon V. AbuevaSalcedo Auctions
Abstract FormsSculpture Steel88 cm x 30 cm x 33 cm1973Napoleon V. AbuevaLeon Gallery
Untitled (n)Sculpture Wood218 cm x 116 cm x 5 cm1967Napoleon V. AbuevaLeon Gallery
Mother and Child (a)Sculpture marble on woodmarble: 42 cm x 23 cm x 24 cm
wood: 48 cm x 24 cm x 5 cm
1974Napoleon V. AbuevaLeon Gallery
Untitled (o)Sculpture Wood104 cm x 46 cm x 6 cmundatedNapoleon V. AbuevaLeon Gallery
Untitled (p)Sculpture Wood26 cm x 46 cm1986Napoleon V. AbuevaLeon Gallery
Untitled (q)Sculpture Marble43 cm x 13 cm x 9 cm1970Napoleon V. AbuevaLeon Gallery
Untitled (r)Sculpture Wood58 cm x 20 cm x 13 cm2003Napoleon V. AbuevaLeon Gallery
PlaygroundSculpture Solid wood1977Napoleon V. AbuevaLeon Gallery
Untitled (s)Sculpture Wood13 cm x 48 cm x 25 cm1977Napoleon V. AbuevaLeon Gallery
Untitled (t)Sculpture Marble28 cm x 18 cm 18 cm1974Napoleon V. AbuevaLeon Gallery
Kalabaw (b)Sculpture Marble13 cm x 38 cm x 15 cm1971Napoleon V. AbuevaLeon Gallery
Mother and Child (b)Sculpture Wood43 cm x 25 cmundatedNapoleon V. AbuevaLeon Gallery
Untitled (u)Sculpture Wood44 cm x 65 cm1979Napoleon V. AbuevaLeon Gallery
Carabaos (a)Sculpture Marble8 cm x 33 cm x 28 cm1981Napoleon V. AbuevaLeon Gallery
BenchFurniture (Chair)Wood53 cm x 193 cm x 53 cm1978Napoleon V. AbuevaLeon Gallery
Untitled (v)Sculpture Wood39 cm x 71 cm1992Napoleon V. AbuevaLeon Gallery
Portrait of a WomanPaintingOil on Canvas 1960Victorio C. EdadesLeon Gallery
IkebanaPaintingoil on masonite board69 cm x 58 cm1971Victorio C. EdadesLeon Gallery
SacadasPaintingOil on Canvas61 cm x 71 cm1971Victorio C. EdadesLeon Gallery
Untitled (a)PaintingOil on Canvas61 cm x 51 cm1930Victorio C. EdadesLeon Gallery
LandscapePaintingOil on Canvas61 cm x 46 cm1969Victorio C. EdadesLeon Gallery
Nude (a)SketchPastel on Paper29 cm x 43 cm1973Victorio C. EdadesLeon Gallery
Una GuapaPaintingOil on Canvas72 cm x 65 cmundatedVictorio C. EdadesLeon Gallery
Untitled (b)PaintingOil on Canvas23 cm x 38 cm1980Victorio C. EdadesLeon Gallery
Untitled (c)PaintingOil on Canvas23 cm x 38 cm1980Victorio C. EdadesLeon Gallery
Untitled (d)PaintingOil on Canvas23 cm x 38 cm1980Victorio C. EdadesLeon Gallery
Untitled (e)PaintingOil on Canvas23 cm x 44 cm1979Victorio C. EdadesLeon Gallery
The Lady in Maria ClaraPaintingOil on Canvas140 cm x 102 cm1971Victorio C. EdadesLeon Gallery
Esther's Two ProfilesPaintingoil on masonite board65 cm x 72 cm1965Victorio C. EdadesLeon Gallery
CamillePaintingOil on Canvas47 cm x 41 cm1983Victorio C. EdadesLeon Gallery
Untitled (f)PaintingWatercolor on Paper30 cm x 30 cm1968Victorio C. EdadesLeon Gallery
The Happy BridePaintingWatercolor on Paper34 cm x 25 cm1976Victorio C. EdadesLeon Gallery
Untitled (By the Sea)PaintingOil on Canvas46 cm x 56 cm1981Victorio C. EdadesLeon Gallery
PortraitSketchCharcoal on Paper64 cm x 47 cm1980Victorio C. EdadesLeon Gallery
Mending NetsPaintingWatercolor on Paper28 cm x 37 cm1977Victorio C. EdadesLeon Gallery
Untitled (g)PaintingOil on Canvas46 cm x 56 cm1981Victorio C. EdadesLeon Gallery
Nude (b)PaintingOil on Canvas41 cm x 46 cm1980Victorio C. EdadesLeon Gallery
Nude (c)SketchCharcoal on Paper69 cm x 46 cm1964Victorio C. EdadesLeon Gallery
Forest PathPaintingOil on Canvas49.5 x 35.5 cm1950sVictorio C. EdadesSalcedo AuctionsExhibition: "Edades: From Freedom to Fruition," Bulwagang Juan Luna, Cultural Center of the Philippines, 2 December 2011-07 January 2012
WomanPaintingWatercolor33.5 x 25 cmundatedVictorio C. EdadesSalcedo Auctions
Untitled (Female Nude) (a)SketchCharcoal on Paper44.5 x 59.5 cm1980Victorio C. EdadesSalcedo Auctions
Untitled (Seated Female)SketchCharcoal on Paper35 x 28 cm1974Victorio C. EdadesSalcedo Auctions
Untitled (Female Nude) (b)SketchCharcoal on Paper29 x 42.5cm1974Victorio C. EdadesSalcedo Auctions
Untitled (h)PaintingOil on Canvas69.8 x 58.4 cm1975Victorio C. EdadesSalcedo Auctions
Untitled (Woman with Garland)PaintingOil on Canvas59 x 49 cm1966Victorio C. EdadesSalcedo Auctions
Davao LandscapePaintingOil on masonite61.5 x 70.8 cm1967Victorio C. EdadesSalcedo Auctions
Untitled (i)SketchCharcoal on Paper42.5 x 28.8 cm1974Victorio C. EdadesSalcedo Auctions
Untitled (Workers)Mixed Media56 x 74.5 cm1979Victorio C. EdadesSalcedo Auctions
Davao FruitsPaintingOil on Canvas50 x 61 cm1980Victorio C. EdadesSalcedo Auctions
A pair of portraits of Vicente Manansala and his wife (a)SketchGraphite on Paper23 x 30.5 cm1968Victorio C. EdadesSalcedo Auctions
A pair of portraits of Vicente Manansala and his wife (b)SketchGraphite on Paper23 x 30.5 cm1968Victorio C. EdadesSalcedo Auctions
Untitled (A lady with clasped hands)SketchCharcoal on Paper41.5 x 28 cm1974Victorio C. EdadesSalcedo Auctions
Untitled (Saranggola)PaintingOil on Canvas25 x 37 cm1980Victorio C. EdadesSalcedo Auctions
Untitled (Man with Dog)PaintingOil on Canvas24.5 x 37.5 cm1980Victorio C. EdadesSalcedo Auctions
Untitled (Boy on Carabao)PaintingWatercolor on Paper33 x 25.5 cm1970sVictorio C. EdadesSalcedo Auctions
Untitled (Fisherman)PaintingOil on Canvas44.5 x 60 cm1973Victorio C. EdadesSalcedo Auctions
Untitled (a)PaintingWatercolor49.5 x 72 cm1969Vicente S. ManansalaSalcedo Auctions
Still Life (a)PrintWoodcut A/P24 x 32 cm1957Vicente S. ManansalaSalcedo Auctions
PaintingOil on Canvas53 x 72 cm1966Vicente S. ManansalaSalcedo Auctions
Still Life (b)PrintWoodcut A/P42 x 32.5 cm1957Vicente S. ManansalaSalcedo Auctions
Untitled (Bamboos)PaintingIndia Ink on Paper32 x 37 cmUndatedVicente S. ManansalaSalcedo Auctions
Nude Woman (a)DrawingCharcoal on Paper94 x 63.5 cm1972Vicente S. ManansalaSalcedo Auctions
Market Scene (a)PaintingOil on Canvas91.4 x 91.4 cm1969Vicente S. ManansalaSalcedo Auctions
LondonDrawingGraphite on Paper58 x 77 cm1974Vicente S. ManansalaSalcedo Auctions
Untitled (Taytay)PaintingWatercolor35.5 x 53.5 cm1971Vicente S. ManansalaSalcedo Auctions
Untitled (Guadalupe, Makati)PaintingOil on Canvas29.5 x 39.5 cm 1946Vicente S. ManansalaSalcedo Auctions
Two WomenPaintingOil Pastel on Paper42 x 30.5 cm1974Vicente S. ManansalaSalcedo Auctions
Untitled (Sabungero)PaintingGouache on paper89.5 x 60 cm1965Vicente S. ManansalaSalcedo Auctions
Untitled (Nude in Interior)DrawingCharcoal on Paper47.5 x 37 cm1950Vicente S. ManansalaSalcedo Auctions
Still Life With FishPaintingEnamel, oil, and tin strips on masonite41.2 x 74 cm 1958Vicente S. ManansalaSalcedo Auctions
Untitled (Red Cityscape)PaintingGouache75 x 54.7 cm1966Vicente S. ManansalaSalcedo Auctions
EnlightenmentPaintingOil on Canvas mounted on lawanit73.3 x 85 cm1966Vicente S. ManansalaSalcedo Auctions
RoosterPaintingGouache on paper68.6 x 66.1 cm1966Vicente S. ManansalaSalcedo Auctions
Nude (a)DrawingPastel on Paper60 x 47 cm1975Vicente S. ManansalaSalcedo Auctions
Simbang GabiPaintingWatercolor55.9 x 76.2 cm1965Vicente S. ManansalaSalcedo Auctions
Female Nude (a)DrawingCharcoal on Paper73.5 x 54 cm1977Vicente S. ManansalaSalcedo Auctions
Mother & ChildPrintWoodcut44.3 x 20.4 cmUndatedVicente S. ManansalaSalcedo Auctions
Female Nude (b)SketchCharcoal on Paper75.5 x 51.5 cm1974Vicente S. ManansalaSalcedo Auctions
Untitled (Festival Masks)PaintingOil on Board29 x 21.5 cm1947Vicente S. ManansalaSalcedo Auctions
Untitled (Manila Street Scene)PaintingOil on Canvas50 x 70 cm 1972Vicente S. ManansalaSalcedo Auctions
Still Life (Sinigang)PaintingOil on Canvas68 x 78 cm1966Vicente S. ManansalaSalcedo Auctions
Untitled (Female Nude) (a)SketchCharcoal on Paper33.7 x 49.6 cm1976Vicente S. ManansalaSalcedo Auctions
Man with RoosterPaintingWatercolor58.4 x 78.7 cm1963Vicente S. ManansalaSalcedo Auctions
A lot of two untitled landscape paintings (a)PaintingWatercolor25.5 x 38 cm1957Vicente S. ManansalaSalcedo Auctions
A lot of two untitled landscape paintings (b) PaintingWatercolor25.5 x 38 cm1957Vicente S. ManansalaSalcedo Auctions
FishPaintingWatercolor47 x 67.3 cm1960Vicente S. ManansalaSalcedo Auctions
Untitled (Trees) (a)PaintingWatercolor29 x 44 cm1970Vicente S. ManansalaSalcedo Auctions
Untitled (Man with Rooster)PaintingWatercolor68 x 54.5 cm1960Vicente S. ManansalaSalcedo Auctions
Virgin of AntipoloDrawingOil pastel63 x 45 cm1975Vicente S. ManansalaSalcedo Auctions
Ecce HomoSculptureBrass sheet metal54 x 13.5 x 13.5 cm1957Vicente S. ManansalaSalcedo Auctions
Candle VendorsPaintingWatercolor55 x 75.5 cm1977Vicente S. ManansalaSalcedo Auctions
Untitled (Female Nude) (b)SketchCharcoal on Paper56 x 44 cm1957Vicente S. ManansalaSalcedo Auctions
Untitled (Female Nude) (c)SketchCharcoal on Paper49 x 31 cm1973Vicente S. ManansalaSalcedo Auctions
Mother and Child (a)PaintingWatercolor52.5 x 74.5 cm1964Vicente S. ManansalaSalcedo Auctions
Mother and Child (b)PaintingWatercolor40.6 x 55.9 cm1967Vicente S. ManansalaSalcedo Auctions
Untitled (Two Carabaos)PrintWoodcut 3/2433 x 66 cmUndatedVicente S. ManansalaSalcedo Auctions
Houses (Mandaluyong)PaintingWatercolor52.5 x 73.5 cm1971Vicente S. ManansalaSalcedo Auctions
Untitled (Trees) (b)PaintingWatercolor on Paper50 x 71 cm1972Vicente S. ManansalaSalcedo Auctions
TreesPaintingWatercolor29 x 44 cm1970Vicente S. ManansalaSalcedo Auctions
Untitled (Trees) (c)PaintingWatercolor on Paper48.3 x 71.1 cm1970Vicente S. ManansalaSalcedo Auctions
Untitled (Paris)PaintingOil on Wood45 3/4 x 54 cm1950Vicente S. ManansalaSalcedo Auctions
SabungeroPaintingWatercolor78.7 x 58.4 cm1959Vicente S. ManansalaSalcedo Auctions
Untitled (Vendors)PrintSerigraph 154/22634.7 x 34.7 cmUndatedVicente S. ManansalaSalcedo Auctions
Untitled (Nude) (a)SketchCharcoal on Paper40.6 cm x 27.9 1976Vicente S. ManansalaSalcedo Auctions
Untitled (Nude) (b)SketchCharcoal on Paper40.6 cm x 27.9 1976Vicente S. ManansalaSalcedo Auctions
Mother and Child (c)PaintingOil on Canvas83.8 x 100.3 cm1980Vicente S. ManansalaSalcedo Auctions
Untitled (b)PaintingWatercolor on Paper24 x 30.4 cm1981Vicente S. ManansalaSalcedo Auctions
Untitled (Fish Vendors) (a)PrintSerigraph 7/34628 x 23.5 cm1971Vicente S. ManansalaSalcedo Auctions
Untitled (Fish Vendors) (b)PrintSerigraph, Studio proof 5/1433.25 x 33 cmUndatedVicente S. ManansalaSalcedo Auctions
Study of the Ten Foolish VirginsSketchCrayon on paper43.2 x 27.9 cm1950Vicente S. ManansalaSalcedo Auctions
Untitled (Mother and Child)PrintSerigraph13.9 x 13.9 cm1970Vicente S. ManansalaSalcedo Auctions
Untitled (c)Mixed media14 x 50 cm1951Vicente S. ManansalaSalcedo Auctions
Mother and Child (d)PaintingOil on Canvas75 x 56 cm 1976Vicente S. ManansalaSalcedo Auctions
Maria MakilingPaintingWatercolor33 x 53.3 cm1966Vicente S. ManansalaSalcedo Auctions
Untitled (d)PrintScreen Print on capiz 473/50013 x 30.5 cmUndatedVicente S. ManansalaSalcedo Auctions
Untitled (Farm House)PaintingWatercolor37.5 x 45 cm1964Vicente S. ManansalaSalcedo Auctions
Untitled (Landscape) (b)PaintingWatercolor29.2 x 39.4 cmUndatedVicente S. ManansalaSalcedo Auctions
A pair of folk genre scenesPrintSerigraph27 x 24 cmUndatedVicente S. ManansalaSalcedo Auctions
Untitled (e)PrintSerigraph A/P27 x 24 cmUndatedVicente S. ManansalaSalcedo Auctions
Masaganang Ani (From the IRRI mural series)PrintGiclee Print on canvas 9/2546 x 151 cmUndatedVicente S. ManansalaSalcedo Auctions
Still Life with Fish and WatermelonPaintingWatercolor36.2 x 26.7 cm1977Vicente S. ManansalaSalcedo Auctions
Still Life with Jar and FishPaintingWatercolor36.2 x 26.7 cm1977Vicente S. ManansalaSalcedo Auctions
Still Life with Watermelon and MangoesPaintingWatercolor36.2 x 26.7 cm1977Vicente S. ManansalaSalcedo Auctions
Still Life with Prawns and TomatoesPaintingWatercolor36.2 x 26.7 cm1977Vicente S. ManansalaSalcedo Auctions
Untitled (Landscape) (c)PaintingWatercolor24.8 x 36.8 cm1977Vicente S. ManansalaSalcedo Auctions
Binangonan (a)PaintingWatercolor53 x 74.5 cm1976Vicente S. ManansalaSalcedo Auctions
Nude (b)SketchCharcoal on Paper41.5 x 33 cmUndatedVicente S. ManansalaSalcedo Auctions
GuadalupePaintingOil on Canvas56 x 41 cm1955Vicente S. ManansalaSalcedo Auctions
Untitled (f)PrintSerigraph 92/22634.7 x 34.7 cmUndatedVicente S. ManansalaSalcedo Auctions
Untitled (Paris Metro)PaintingWatercolor on Paper28.7 x 39 cm1950sVicente S. ManansalaSalcedo Auctions
My PrincessSketchPencil and Pastel on Paper60 x 45 cm1948Vicente S. ManansalaSalcedo Auctions
QuiapoPaintingOil on Board50 x 61 cm1953Vicente S. ManansalaSalcedo Auctions
Untitled (Nude) (c)SketchIndia Ink on Paper34 x 25 cm1967Vicente S. ManansalaSalcedo Auctions
Untitled (g)PaintingWatercolor and Ink on Paper60 x 99 cm1965Vicente S. ManansalaSalcedo Auctions
Untitled (h)PaintingAcrylic and poster paint on paper47 x 61 cm UndatedVicente S. ManansalaSalcedo Auctions
Untitled (Detail of ‘Le Tour d’ Eiffel’)PaintingWatercolor on Paper35.5 x 25 cm1953Vicente S. ManansalaSalcedo Auctions
Untitled (Nude) (d)SketchCharcoal on Paper34 x 29 cm1974Vicente S. ManansalaSalcedo Auctions
Untitled (i)SketchInk on Paper21 x 28 cm1965Vicente S. ManansalaSalcedo Auctions
Houses on a CliffPaintingWatercolor on Paper25.5 x 35 cm1951Vicente S. ManansalaSalcedo Auctions
Untitled (j)PaintingWatercolor30 x 40 cm 1967Vicente S. ManansalaSalcedo Auctions
ESTATE OF VICENTE MANANSALAPrintGiclee Print on canvas 10/2546 x 151 cm1962Vicente S. ManansalaSalcedo Auctions
Bahay Kubo (a)PaintingWatercolor on Paper36 x 53 cm1975Vicente S. ManansalaSalcedo Auctions
Untitled (Nude) (e)SketchCharcoal on Paper26.5 x 41.5 cm1974Vicente S. ManansalaSalcedo Auctions
Market Scene (b)PaintingPastel on Paper59 x 43 cm1974Vicente S. ManansalaSalcedo Auctions
Untitled (Portrait)DrawingCharcoal on Paper50 x 40 cm1946Vicente S. ManansalaSalcedo Auctions
Untitled (Gesture)PaintingPastel on Paper64 x 48 cm1963Vicente S. ManansalaSalcedo Auctions
Portrait of a LadySketchPen and Ink on Paper32.5 x 24 cm1951Vicente S. ManansalaSalcedo Auctions
Untitled (k)PaintingWatercolor on Paper9 1/2 x 13 1/2 in1967Vicente S. ManansalaSalcedo Auctions
Untitled (l)PaintingWatercolor on Paper53 x 35.5 cm1971Vicente S. ManansalaSalcedo Auctions
Untitled (Still Life with Fruits)PaintingWatercolor on Paper61 x 91 cm1965Vicente S. ManansalaSalcedo Auctions
Sabungero (a)PrintWoodblock 18/27 99 x 40.5 cm1981Vicente S. ManansalaSalcedo Auctions
Crucifixion (b)PaintingWatercolor on Paper39 x 30 cm1981Vicente S. ManansalaSalcedo Auctions
Binangonan (b)PaintingWatercolor on Paper29.5 x 34 cm1971Vicente S. ManansalaSalcedo Auctions
Untitled (Nude Lady)PaintingWatercolor on Paper29 x 39.5 cm1952Vicente S. ManansalaSalcedo Auctions
Untitled (Roosters)PaintingOil on Board68.5 x 51 cm1955Vicente S. ManansalaSalcedo Auctions
Untitled (Nude) (f)SketchCharcoal on Paper73.5 x 53 cm1978Vicente S. ManansalaSalcedo Auctions
Paris (1)PaintingWatercolor38 cm x 30 cm1951Vicente S. ManansalaLeon Gallery
Trees (a)PaintingWatercolor51 cm x 71 cm1970Vicente S. ManansalaLeon Gallery
Pila sa Bigas (a)PaintingOil on Canvas99 cm x 83 cm1975Vicente S. ManansalaLeon Gallery
Self-PortraitMixed Mediastained glass and light box64 cm x 74 cm x 28 cm1960Vicente S. ManansalaLeon Gallery
CarabaoMixed Mediastained glass and light box46 cm x 32 cm x 29 cm1960Vicente S. ManansalaLeon Gallery
Sacred Heart of JesusMixed Mediastained glass and light box61 cm x 86 cm x 15 cm1960Vicente S. ManansalaLeon Gallery
Still Life (c)Paintinggouache and Watercolor on Paper69 cm x 132 cmUndatedVicente S. ManansalaLeon Gallery
Baguio 1PaintingWatercolor on Paper71 cm x 53 cm1973Vicente S. ManansalaLeon Gallery
Baguio 2PaintingWatercolor on Paper71 cm x 53 cm1966Vicente S. ManansalaLeon Gallery
Fish Vendors (a)PaintingOil on Canvas69 cm x 78 cm1972Vicente S. ManansalaLeon Gallery
Landscape (a)PaintingWatercolor47 cm x 71 cmUndatedVicente S. ManansalaLeon Gallery
Mother and Child (e)Mixed Mediastained glass and light box76 cm x 149 cm x 38 cm1960Vicente S. ManansalaLeon Gallery
Still Life (Sinigang Na Hipon)PaintingOil on Canvas63 cm x 86 cm1966Vicente S. ManansalaLeon Gallery
Nude (c)DrawingPastel on Paper81 cm x 56 cm1979Vicente S. ManansalaLeon Gallery
Crucifixion (b)Drawingpastel on board37 cm x 32 cm1970Vicente S. ManansalaLeon Gallery
Nude (d)SketchCharcoal27 cm x 22 cmUndatedVicente S. ManansalaLeon Gallery
Still Life (Lobster)PaintingWatercolor on Paper76 cm x 56 cm1975Vicente S. ManansalaLeon Gallery
Nude (e)DrawingPastel on Paper61 cm x 46 cm1975Vicente S. ManansalaLeon Gallery
West BerlinPaintingWatercolor38 cm x 28 cm1975Vicente S. ManansalaLeon Gallery
Still Life (d)PaintingOil on Canvas36 cm x 46 cm1965Vicente S. ManansalaLeon Gallery
Untitled (Still Life)Paintinggouache on paper71 cm x 122 cmUndatedVicente S. ManansalaLeon Gallery
Trees (b)PaintingWatercolor53 cm x 36 cm1971Vicente S. ManansalaLeon Gallery
Landscape (b)PaintingWatercolor on Paper33 cm x 43 cm1959Vicente S. ManansalaLeon Gallery
Trees (c)PaintingWatercolor on Paper30 cm x 41 cm1979Vicente S. ManansalaLeon Gallery
Nude (f)SketchCharcoal on Paper86 cm x 61 cm1975Vicente S. ManansalaLeon Gallery
Nude (g)SketchCharcoal on Paper69 cm x 100 cm1972Vicente S. ManansalaLeon Gallery
Ang PulubiPaintingOil on Canvas109 cm x 74 cm1979Vicente S. ManansalaLeon Gallery
Trees (d)PaintingWatercolor on Paper74 cm x 53 cm1976Vicente S. ManansalaLeon Gallery
Nude (h)DrawingPastel on Paper98 cm x 62 cm1972Vicente S. ManansalaLeon Gallery
Study for the Stained Glass Window in UPPaintingWatercolor on Paper15 cm x 31 cm1965Vicente S. ManansalaLeon Gallery
Still-Life (b)PaintingWatercolor on Paper24 cm x 34 cm1971Vicente S. ManansalaLeon Gallery
AbstractPaintingWatercolor on Paper75 cm x 107 cm1966Vicente S. ManansalaLeon Gallery
Mother and Child (f)PaintingOil on Canvas94 cm x 64 cm1978Vicente S. ManansalaLeon Gallery
Untitled (m)PaintingWatercolor on Paper71 cm x 52 cm1976Vicente S. ManansalaLeon Gallery
Holland ParkPaintingWatercolor36 cm x 46 cm1974Vicente S. ManansalaLeon Gallery
Binangonan (c)PaintingWatercolor on Paper53 cm x 74 cm1971Vicente S. ManansalaLeon Gallery
Nude (i)SketchCharcoal on Paper66 cm x 97 cm1970Vicente S. ManansalaLeon Gallery
Mother and Child (g)PaintingOil on Canvas57 cm x 89 cm1973Vicente S. ManansalaLeon Gallery
LoversSketchCharcoal on Paper74 cm x 97 cm1975Vicente S. ManansalaLeon Gallery
Binangonan (d)PaintingWatercolor on Paper51 cm x 71 cm1971Vicente S. ManansalaLeon Gallery
Binangonan (e)PaintingWatercolor on Paper46 cm x 53 cm1971Vicente S. ManansalaLeon Gallery
Tres MariasPaintingOil on Canvas89 cm x 94 cm1972Vicente S. ManansalaLeon Gallery
Nude (j)DrawingCharcoal on Paper102 cm x 69 cm1972Vicente S. ManansalaLeon Gallery
Pounding Rice (a)PaintingOil on Canvas44 cm x 61 cm1944Vicente S. ManansalaLeon Gallery
Nude (k)SketchCharcoal on Paper56 cm x 86 cm1974Vicente S. ManansalaLeon Gallery
Untitled (n)PaintingWatercolor on Paper17 cm x 22 cmUndatedVicente S. ManansalaLeon Gallery
Planting RicePaintingOil on Canvas61 cm x 102 cm1977Vicente S. ManansalaLeon Gallery
Woman SewingPaintingOil on Canvas86 cm x 69 cm1980Vicente S. ManansalaLeon Gallery
Port-Cros, FrancePaintingWatercolor on Paper30 cm x 41 cm1951Vicente S. ManansalaLeon Gallery
Nude (l)SketchPastel on Paper33 cm x 58 cm1976Vicente S. ManansalaLeon Gallery
Barong-Barong (a)PaintingWatercolor on Paper43 cm x 56 cm1965Vicente S. ManansalaLeon Gallery
KahigPaintingOil on Canvas84 cm x 99 cm1973Vicente S. ManansalaLeon Gallery
Still-Life (b)PaintingOil on Canvas53 cm x 69 cm1972Vicente S. ManansalaLeon Gallery
Still-Life (c)PaintingOil on Canvas53 cm x 69 cm1972Vicente S. ManansalaLeon Gallery
Pila sa Bigas (Study)DrawingMixed Media on Board91 cm x 175 cm1972Vicente S. ManansalaLeon Gallery
BeggarsPaintingWatercolor on Paper67 cm x 84 cm1971Vicente S. ManansalaLeon Gallery
The Candle-SellersPaintingOil on Canvas69 cm x 94 cm1962Vicente S. ManansalaLeon Gallery
Bahay Kubo (b)PaintingWatercolor on Paper18 cm x 25 cm1942Vicente S. ManansalaLeon Gallery
Market Scene (c)PaintingOil on Canvas109 cm x 152 cm1980Vicente S. ManansalaLeon Gallery
Nude (m)SketchCharcoal on Paper48 cm x 37 cm1950Vicente S. ManansalaLeon Gallery
Horse RacePaintingOil on Canvas53 cm x 79 cm1977Vicente S. ManansalaLeon Gallery
Nude (n)SketchCharcoal on Paper76 cm x 93 cm  1973Vicente S. ManansalaLeon Gallery
Pounding Rice (b)PaintingOil on Canvas84 cm x 98 cm1979Vicente S. ManansalaLeon Gallery
Nude (o)PaintingWatercolor on Paper37 cm x 28 cm1979Vicente S. ManansalaLeon Gallery
Nude (p)SketchCharcoal on Paper64 cm x 61 cm1975Vicente S. ManansalaLeon Gallery
Pila sa Bigas (b)PaintingOil on Canvas91 cm x 122 cm1979Vicente S. ManansalaLeon Gallery
Untitled (o)PaintingWatercolor on Paper37 cm x 28 cm1976Vicente S. ManansalaLeon Gallery
CockfightPaintingInk Wash And Watercolor on Paper51 cm x 114 cm1965Vicente S. ManansalaLeon Gallery
Nude (q)SketchCharcoal on Paper102 cm x 66 cm1979Vicente S. ManansalaLeon Gallery
Trees (e)PaintingWatercolor on Paper46 cm x 61 cm1952Vicente S. ManansalaLeon Gallery
Bahay Kubo (c)PaintingWatercolor on Paper41 cm x 51 cm1968Vicente S. ManansalaLeon Gallery
Nude (r)SketchCharcoal on Paper91 cm x 80 cm1973Vicente S. ManansalaLeon Gallery
Nude (s)DrawingPastel on Paper97 cm x 64 cm1972Vicente S. ManansalaLeon Gallery
FishPaintingWatercolor on Paper30 cm x 57 cm1965Vicente S. ManansalaLeon Gallery
BambooPaintingWatercolor on Paper33 cm x 20 cm1955Vicente S. ManansalaLeon Gallery
NasugbuPaintingWatercolor on Paper51 cm x 76 cm1973Vicente S. ManansalaLeon Gallery
Untitled (p)PaintingWatercolor on Paper108 cm x 78 cm1967Vicente S. ManansalaLeon Gallery
Nude (t)SketchCharcoal on Paper112 cm x 64 cm1974Vicente S. ManansalaLeon Gallery
Trees (f)PaintingWatercolor on Paper56 cm x 74 cmUndatedVicente S. ManansalaLeon Gallery
Landscape (c)PaintingWatercolor on Paper37 cm x 56 cm1959Vicente S. ManansalaLeon Gallery
Landscape (d)PaintingWatercolor on Paper37 cm x 56 cm1959Vicente S. ManansalaLeon Gallery
MangangalakalPaintingOil on Canvas89 cm x 145 cm1980Vicente S. ManansalaLeon Gallery
HibiscusPaintingWatercolor on Paper36 cm x 28 cm1959Vicente S. ManansalaLeon Gallery
Nude (u)SketchCharcoal on Paper103 cm x 69 cm1972Vicente S. ManansalaLeon Gallery
CavitePaintingWatercolor on Paper37 cm x 50 cm1959Vicente S. ManansalaLeon Gallery
Landscape (e)PaintingWatercolor on Paper71 cm x 52 cm1966Vicente S. ManansalaLeon Gallery
Female Nude (c)PaintingWatercolor on Paper62 cm x 51 cm1975Vicente S. ManansalaLeon Gallery
Portrait of Doña Pacita Carmen y Zaragoza y Roxas vda. De AranetaPaintingOil on Canvas111 cm x 86 cm1956Vicente S. ManansalaLeon Gallery
Baguio 1 (a)PaintingWatercolor on Paper74 cm x 55 cm1973Vicente S. ManansalaLeon Gallery
Baguio 2 (a)PaintingWatercolor on Paper74 cm x 55 cm1973Vicente S. ManansalaLeon Gallery
Mother and Child (h)PaintingUnavailableUnavailable1956Vicente S. ManansalaLeon Gallery
Trees (g)PaintingWatercolor on Paper29 cm x 39 cm1971Vicente S. ManansalaLeon Gallery
Still Life (e)PaintingOil on Canvas51 cm x 86 cm1965-1966Vicente S. ManansalaLeon Gallery
TablescapeDrawingPastel on Paper41 cm x 57 cm1974Vicente S. ManansalaLeon Gallery
Man, Girl and CockPaintingoil on masonite board61 cm x 46 cm1953Vicente S. ManansalaLeon Gallery
Mother and Child (i)PaintingOil on Canvas, board104 cm x 69 cm1971Vicente S. ManansalaLeon Gallery
Carabaos (a)PaintingWatercolor on Paper34 cm x 80 cm1958Vicente S. ManansalaLeon Gallery
Nude (v)PaintingWatercolor on Paper104 cm x 69 cm1970Vicente S. ManansalaLeon Gallery
Adam and EvePaintingOil and Ink on Canvas156 cm x 86 cm1975Vicente S. ManansalaLeon Gallery
Barong-Barong (b)PaintingWatercolor on Paper56 cm x 77 cm1970Vicente S. ManansalaLeon Gallery
Binangonan, RizalPaintingOil on Wood30 cm x 24 cm1952Vicente S. ManansalaLeon Gallery
Nude (w)SketchCharcoal58 cm x 44 cmUndatedVicente S. ManansalaLeon Gallery
GolgothaPaintingOil on Canvas88 cm x 54 cm1963Vicente S. ManansalaLeon Gallery
Untitled (q)DrawingPastel on Paper57 cm x 42 cm1939Vicente S. ManansalaLeon Gallery
Birds (a)PaintingWatercolor on rice paper128 cm x 88 cm1965Vicente S. ManansalaLeon Gallery
VendorsPaintingOil on Canvas100 cm x 105 cm1972Vicente S. ManansalaLeon Gallery
Untitled (r)PaintingWatercolor on Paper38 cm x 58 cm1959Vicente S. ManansalaLeon Gallery
FlowersPaintingWatercolor on Paper60 cm x 99 cm1963Vicente S. ManansalaLeon Gallery
Still life (f)PaintingWatercolor on Paper69 cm x 47 cm1971Vicente S. ManansalaLeon Gallery
Praying Mantis and MaskPaintingOil on Board41 cm x 30 cm1955Vicente S. ManansalaLeon Gallery
Angono, RizalPaintingWatercolor on Paper51 cm x 66 cm1975Vicente S. ManansalaLeon Gallery
Female Nude (d)PaintingOil on Canvas46 cm x 37 cm1978Vicente S. ManansalaLeon Gallery
Carabaos (b)PaintingWatercolor on Paper31 cm x 70 cm1958Vicente S. ManansalaLeon Gallery
Fish Vendors (b)PrintSilkscreen (162/226)34 cm x 35 cm1967Vicente S. ManansalaLeon Gallery
AtimonanPaintingWatercolor on Paper28 cm x 36 cm1959Vicente S. ManansalaLeon Gallery
Men at SiestaPaintingWatercolor on Paper36 cm x 49 cm1951Vicente S. ManansalaLeon Gallery
Candle Vendors (Study)DrawingPen and Ink on Paper20 cm x 29 cm1972Vicente S. ManansalaLeon Gallery
Untitled (s)Sculpturemolave22 cm x 66 cm x 58 cm1971Vicente S. ManansalaLeon Gallery
Nude (x)SketchPastel on Paper33 cm x 44 cm1971Vicente S. ManansalaLeon Gallery
Nude (y)SketchCharcoal on Paper66 cm x 89 cm1972Vicente S. ManansalaLeon Gallery
Trees (front) and Crucifixion (back)PaintingWatercolor on Paper23 cm x 30 cm1978Vicente S. ManansalaLeon Gallery
Trees (front) and Crucifixion (back)SketchPen and Ink23 cm x 30 cm1978Vicente S. ManansalaLeon Gallery
Still Life (g)PaintingWatercolor on Paper51 cm x 72 cm1966Vicente S. ManansalaLeon Gallery
Landscape (f)PaintingWatercolor on Paper24 cm x 33 cm1967Vicente S. ManansalaLeon Gallery
From the Arera Hotel WindowPaintingWatercolor34 cm x 20 cm1974Vicente S. ManansalaLeon Gallery
Untitled (Mural Study)PaintingWatercolor on Paper13 cm x 122 cm1963Vicente S. ManansalaLeon Gallery
Nude (z)PaintingWatercolor on Paper29 cm x 23 cm1972Vicente S. ManansalaLeon Gallery
Nude (a) (1)SketchCharcoal on Paper42 cm x 25 cm1975Vicente S. ManansalaLeon Gallery
New York ApartmentSketchink and Watercolor on Paper25 cm x 17 cm1960Vicente S. ManansalaLeon Gallery
Trees IDrawingPen and Ink on Paper43 cm x 28 cm1961Vicente S. ManansalaLeon Gallery
Trees IISketchPen and Ink on Paper43 cm x 28 cm1961Vicente S. ManansalaLeon Gallery
Still Life (h)PaintingWatercolor on Paper25 cm x 20 cm1970Vicente S. ManansalaLeon Gallery
Study of Human FormSketchMixed Media on paper27 cm x 20 cm1967Vicente S. ManansalaLeon Gallery
Abstract NudeSketchWatercolor10 cm x 15 cmUndatedVicente S. ManansalaLeon Gallery
Still Life (Seafood)PrintWoodcut36 cm x 44 cm1955Vicente S. ManansalaLeon Gallery
Sabungero (b)SketchInk on Paper24 cm x 18 cm1969Vicente S. ManansalaLeon Gallery
Still Life (i)SketchPastel on Paper33 cm x 23 cm1953Vicente S. ManansalaLeon Gallery
front: Vendor back: LandscapeSketchPen and Ink on Paper22 cm x 23 cm1960Vicente S. ManansalaLeon Gallery
front: Vendor back: LandscapePaintingWatercolor22 cm x 23 cm1960Vicente S. ManansalaLeon Gallery
Still Life (j)DrawingInk on Paper25 cm x 33 cm1967Vicente S. ManansalaLeon Gallery
Nude (b) (1)SketchCharcoal on Paper28 cm x 41 cm1974Vicente S. ManansalaLeon Gallery
Nude (c) (1)SketchCharcoal on Paper81 cm x 88 cm1974Vicente S. ManansalaLeon Gallery
Nude (d) (1)SketchCharcoal74 cm x 97 cm1974Vicente S. ManansalaLeon Gallery
Nude (e) (1)SketchCharcoal30 cm x 41 cm1975Vicente S. ManansalaLeon Gallery
Nude (f) (1)SketchCharcoal on Paper99 cm x 65 cm1972Vicente S. ManansalaLeon Gallery
Nude (g) (1)SketchCharcoal on Paper69 cm x 99 cm1972Vicente S. ManansalaLeon Gallery
Nude (h) (1)SketchCharcoal on Paper76 cm x 89 cm1975Vicente S. ManansalaLeon Gallery
Nude (i) (1)SketchCharcoal on Paper76 cm x 118 cm1974Vicente S. ManansalaLeon Gallery
Landscape (g)PaintingWatercolor38 cm x 56 cmUndatedVicente S. ManansalaLeon Gallery
Untitled (t)SketchPen and Ink on Paper28 cm x 20 cm1965Vicente S. ManansalaLeon Gallery
Nude (j) (1)IllustrationPastel on PaperUnavailable1987Vicente S. ManansalaLeon Gallery
UP Campus (Sunken Garden)PaintingWatercolor33 cm x 48 cm1970Vicente S. ManansalaLeon Gallery
Bahay Kubo (d)PaintingWatercolor43 cm x 56 cmUndatedVicente S. ManansalaLeon Gallery
Landscape (h)PaintingWatercolor on Paper36 cm x 48 cm1945Vicente S. ManansalaLeon Gallery
Nude (k) (1)SketchCharcoal63 cm x 47 cm1951Vicente S. ManansalaLeon Gallery
Still Life (k)PaintingWatercolor25 cm x 23 cm1948Vicente S. ManansalaLeon Gallery
Nude (l) (1)SketchCharcoal on Paper86 cm x 61 cm1975Vicente S. ManansalaLeon Gallery
Farm ScenePrintSerigraph 80/5228 cm x 25 cm1971Vicente S. ManansalaLeon Gallery
Fish Vendors (c)PrintSerigraph, 162/22634 cm x 36 cmUndatedVicente S. ManansalaLeon Gallery
Nude (m) (1)SketchPastel on Paper44 cm x 33 cm1971Vicente S. ManansalaLeon Gallery
Female Nude (e)SketchGraphite on Paper39 cm x 27 cmUndatedVicente S. ManansalaLeon Gallery
Still Life (l)PaintingWatercolor on Paper19 cm x 24 cm1952Vicente S. ManansalaLeon Gallery
Untitled (k) (1)PaintingWatercolor on Paper25 cm x 36 cm1971Vicente S. ManansalaLeon Gallery
Nude (n) (1)SketchCharcoal on Paper20 cm x 28 cmUndatedVicente S. ManansalaLeon Gallery
Untitled (l) (1)PaintingWatercolor on Paper24 cm x 20 cm1954Vicente S. ManansalaLeon Gallery
Sabungero 1982PrintPrint 18/2799 cm x 42 cmUndatedVicente S. ManansalaLeon Gallery
SuwaganPrintPrint 18/2430 cm x 64 cmUndatedVicente S. ManansalaLeon Gallery
Untitled (m) (1)PrintSerigraph 197/25044 cm x 21 cmUndatedVicente S. ManansalaLeon Gallery
Landscape (i)PaintingWatercolor on Paper30 cm x 41 cmUndatedVicente S. ManansalaLeon Gallery
Nude (o) (1)SketchCharcoal on Paper70 cm x 50 cm1979Vicente S. ManansalaLeon Gallery
Untitled (n) (1)PaintingWatercolor on Paper44 cm x 51 cm1971Vicente S. ManansalaLeon Gallery
Sketch 1SketchCharcoal on Paper30 cm x 20 cmUndatedVicente S. ManansalaLeon Gallery
Sketch 2SketchCharcoal on Paper30 cm x 23 cmUndatedVicente S. ManansalaLeon Gallery
Sketch 3SketchCharcoal on Paper24 cm x 30 cmUndatedVicente S. ManansalaLeon Gallery
Nude (p) (1)SketchCharcoal on Paper59 cm x 45 cm1948Vicente S. ManansalaLeon Gallery
Paris (2)SketchCharcoal on Paper64 cm x 48 cm1951Vicente S. ManansalaLeon Gallery
Barong-Barong (c)PaintingWatercolor on Paper36 cm x 53 cm1969Vicente S. ManansalaLeon Gallery
Nude (q) (1)SketchCharcoal on Paper66 cm x 98 cm1972Vicente S. ManansalaLeon Gallery
Nude 1 (a)SketchPencil on Paper 28 cm x 22 cmUndatedVicente S. ManansalaLeon Gallery
Nude 2 (a)SketchPencil on Paper 28 cm x 22 cmUndatedVicente S. ManansalaLeon Gallery
Nude (r) (1)SketchPencil on Paper 46 cm x 30 cmUndatedVicente S. ManansalaLeon Gallery
CatSketchPen and Ink on Paper33 cm x 51 cmUndatedVicente S. ManansalaLeon Gallery
Nude 1 (b)SketchCharcoal on Paper36 cm x 25 cm1967Vicente S. ManansalaLeon Gallery
Nude 2 (b)SketchCharcoal on Paper36 cm x 25 cm1967Vicente S. ManansalaLeon Gallery
Trees (h)PaintingWatercolor on Paper14 in x 21 in1974Vicente S. ManansalaLeon Gallery
Water CarrierPrintPrint 8/34628 x 23 cm1971Vicente S. ManansalaLeon Gallery
Jesus ChristDrawingPen and Ink on Paper28 x 20 cm1948Vicente S. ManansalaLeon Gallery
MosaicMosaicMixed Media46 cm x 132 cm x 79 cmUndatedVicente S. ManansalaLeon Gallery
Untitled (o) (1)PaintingWatercolor on Paper38 cm x 29 cm1974Vicente S. ManansalaLeon Gallery
Birds (b)PrintPrint 17/2451 cm x 61 cmUndatedVicente S. ManansalaLeon Gallery
Still Life (Fruits)PaintingWatercolor on Paper37 cm x 53 cmUndatedVicente S. ManansalaLeon Gallery
Village on FirePaintingOil on Panel71 cm x 55 cm1948Cesar T. LegaspiLeon Gallery
Mother and ChildPaintingOil on Panel61 cm x 56 cm1978Cesar T. LegaspiLeon Galleryin collaboration with Rod Paras-Perez
Habagat (The Southwest Wind)PaintingOil on Panel91 cm x 122 cm1978Cesar T. LegaspiLeon Gallery
Untitled (a)PaintingOil on Canvas76 cm x 114 cm1980Cesar T. LegaspiLeon Gallery
SorbeteroPaintingGouache on Paper32 cm x 25 cm1950Cesar T. LegaspiLeon Gallery
Untitled (Nude)PaintingOil on Wood76 cm x 76 cm1978Cesar T. LegaspiLeon Gallery
Mystic Seaport, Massachussetts, USASketchUnavailable30 cm x 30 cm1979Cesar T. LegaspiLeon Gallery
Toronto, Ontario, Canada (a)SketchUnavailable30 cm x 30 cm1979Cesar T. LegaspiLeon Gallery
Louxembourg Gardens, ParisSketchUnavailable30 cm x 30 cm1979Cesar T. LegaspiLeon Gallery
SolarmutationPaintingOil on Canvas98 cm x 65 cm1993Cesar T. LegaspiLeon Gallery
Untitled (Couple)PaintingOil on Panel79 cm x 60 cm1980Cesar T. LegaspiLeon Gallery
MinersPaintingOil on Wood161 cm x 157 cm1979Cesar T. LegaspiLeon Gallery
Untitled (b)PaintingOil on Wood71 cm x 97 cm1976Cesar T. LegaspiLeon Gallery
Quarry WorkersPaintingWatercolor on Paper 56 cm x 36 cm1976Cesar T. LegaspiLeon Gallery
JarPotteryCeramic27 cm x 18 cm1976Cesar T. LegaspiLeon Gallery
Untitled signed and dated 1983PaintingOil on Board71 cm x 64 cm1983Cesar T. LegaspiLeon Gallery
Pink NudePaintingOil on Board51 cm x 122 cm1970Cesar T. LegaspiLeon Gallery
Mirror, MirrorPaintingOil on Canvas91 cm x 56 cm1987Cesar T. LegaspiLeon Gallery
Nude (a)SketchPastel on Paper34 cm x 27 cm1979Cesar T. LegaspiLeon Gallery
PlexusPaintingOil on Canvas74 cm x 91 cm1993Cesar T. LegaspiLeon Gallery
Nude (b)SketchCharcoal on Paper46 cm x 30 cm1976Cesar T. LegaspiLeon Gallery
Untitled (c)PaintingOil on Wood76 cm x 122 cm1978Cesar T. LegaspiLeon Gallery
Untitled (d)PaintingOil on Canvas38 cm x 69 cm1981Cesar T. LegaspiLeon Gallery
Nude (c)PaintingOil on Canvas41 cm x 64 cm1992Cesar T. LegaspiLeon Gallery
VendorPotteryCeramic25 cm1976Cesar T. LegaspiLeon Gallery
WorkersPaintingOil on Masonite Board64 cm x 90 cm1953Cesar T. LegaspiLeon Gallery
Nude 2SketchCharcoal on Paper55 cm x 38 cm1978Cesar T. LegaspiLeon Gallery
AbstractPaintingOil on Board61 cm x 97 cm1970Cesar T. LegaspiLeon Gallery
Nude (d)SketchCharcoal on Paper38 cm x 53 cm1979Cesar T. LegaspiLeon Gallery
LavanderasPaintingOil on Canvas55 cm x 39 cm1946Cesar T. LegaspiLeon Gallery
Tres MariasPaintingOil on Wood61 cm x 79 cm1975Cesar T. LegaspiLeon Gallery
Nude (e)SketchCharcoal on Paper56 cm x 38 cm1979Cesar T. LegaspiLeon Gallery
Still Life (a)PaintingOil on Canvas61 cm x 41 cm1987Cesar T. LegaspiLeon Gallery
First Mass of LimasawaPaintingWatercolor on Paper 46 cm x 52 cm1967Cesar T. LegaspiLeon Gallery
Nude (f)IllustrationPastel on Paper56 cm x 41 cm1987Cesar T. LegaspiLeon Gallery
Nude (g)IllustrationPastel on Paper56 cm x 41 cm1987Cesar T. LegaspiLeon Gallery
Untitled (e)PaintingOil on Canvas25 cm x 30 cm1992Cesar T. LegaspiLeon Gallery
Untitled (f)PaintingOil on Board58 cm x 44 cm1975Cesar T. LegaspiLeon Gallery
Magellan and Lapu-LapuPaintingAcrylic on Paper30 cm x 50 cm1962Cesar T. LegaspiLeon Gallery
SearchingPaintingOil on Canvas46 cm x 61 cm1983Cesar T. LegaspiLeon Gallery
Three NudesPaintingOil on Wood122 cm x 76 cm1979Cesar T. LegaspiLeon Gallery
WaterliliesPaintingOil on Canvas61 cm x 85 cm1983Cesar T. LegaspiLeon Gallery
Still Life (b)PaintingOil on Canvas64 cm x 51 cm1984Cesar T. LegaspiLeon Gallery
Female Nude 1SketchPastel on Paper53 cm x 36 cm1993Cesar T. LegaspiLeon Gallery
Female Nude 1SketchPastel on Paper48 cm x 30 cm1993Cesar T. LegaspiLeon Gallery
Nude (h)SketchCharcoal on Paper56 cm x 38 cm1977Cesar T. LegaspiLeon Gallery
RitualPaintingOil on Canvas82 cm x 60 cm1951Cesar T. LegaspiLeon Gallery
Untitled (g)IllustrationPastel on Paper71 cm x 56 cm1977Cesar T. LegaspiLeon Galleryin collaboration with Jose Joya
Sea of GoldPaintingOil on Canvas91 cm x 122 cm1990Cesar T. LegaspiLeon Gallery
Untitled (h)PaintingWatercolor on Paper 47 cm x 55 cm1967Cesar T. LegaspiLeon Gallery
Untitled (i)PaintingAcrylic on Paper28 cm x 14 cm1973Cesar T. LegaspiLeon Gallery
Untitled (j)PaintingOil on Wood36 cm x 61 cm1974Cesar T. LegaspiLeon Gallery
GladiolaIllustrationPastel on Paper49 cm x 32 cm1990Cesar T. LegaspiLeon Gallery
SoldiersPaintingWatercolor44 cm x 30 cmUndatedCesar T. LegaspiLeon Gallery
Nude (i)PaintingOil on Canvas61 cm x 81 cm1976Cesar T. LegaspiLeon Gallery
Untitled (k)PaintingOil on Wood81 cm x 61 cm1974Cesar T. LegaspiLeon Gallery
Untitled (l)PaintingOil on Board48 cm x 74 cm1965Cesar T. LegaspiLeon Gallery
Nude (j)PaintingWatercolor on Paper 107 cm x 56 cm1978Cesar T. LegaspiLeon Gallery
Untitled (m)PaintingOil on Canvas76 cm x 61 cm1970Cesar T. LegaspiLeon Gallery
Female NudeSketchCharcoal on Paper37 cm x 30 cm1978Cesar T. LegaspiLeon Gallery
Untitled (n)PaintingOil on Wood42 cm x 77 cm1982Cesar T. LegaspiLeon Gallery
Untitled (o)IllustrationWatercolor and Ink20 cm x 34 cm1956Cesar T. LegaspiLeon Gallery
Nude (k)SketchCharcoal43 cm x 30 cm1976Cesar T. LegaspiLeon Gallery
Nude (l)SketchCharcoal on Paper46 cm x 30 cm1973Cesar T. LegaspiLeon Gallery
Nude (m)SketchGraphite on Paper46 cm x 29 cm1973Cesar T. LegaspiLeon Gallery
Toronto, Ontario, Canada (b)PrintPrint, A/P28 cm x 24 cm1979Cesar T. LegaspiLeon Gallery
“Tucampo” Strikes Again!SketchPen and Ink on Paper28 cm x 23 cm1948Cesar T. LegaspiLeon Gallery
Nude (n)SketchPastel on Paper32 cm x 50 cm1976Cesar T. LegaspiLeon Gallery
Nude (o)SketchCharcoal on Paper20 cm x 36 cm1979Cesar T. LegaspiLeon Gallery
LandscapePaintingWatercolor on Paper 56 cm x 37 cm1984Cesar T. LegaspiLeon Gallery
Untitled (Abstract) (a)PaintingUnavailable24 cm x 30 cm1978Cesar T. LegaspiLeon Gallery
BonsaiIllustrationPastel on Paper36 cm x 27 cm1985Cesar T. LegaspiLeon Gallery
Nude (p)IllustrationPastel on Paper48 cm x 30 cmUndatedCesar T. LegaspiLeon Gallery
Mystic Seaport, Conn., USA (a)PrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Mystic Seaport, Conn., USA (b)PrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Eglise Notre Dame de Bon Secour,PrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Serena Gandy Park, Toronto, CanadaPrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Rue St. Sulpice, Montreal, CanadaPrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Luxembourg Gardens, ParisPrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Hotel Nelson, Montreal, CanadaPrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Eglise, St. Sulpice, ParisPrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Eglise, St. Sulpice, ParisPrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Toronto, Ontario, CanadaPrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Vancouver, BC, CanadaPrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Niagara, Ontario, CanadaPrintLitograph28 cm x 29 cm1979Cesar T. LegaspiLeon GallerySet of Litographs (filename)
Ang lahat ng ito’y pasimula pa lamang ng
mga paghihirap “Matthew 24:8”
SketchGraphite on Paper56 cm x 38 cm1990Cesar T. LegaspiLeon Gallery
Still Life (Set of sketches)SketchPen and Ink on Paper10 cm x 14 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper8 cm x 10 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper8 cm x 10 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper5 cm x 10 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper10 cm x 17 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper14 cm x 18 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper8 cm x 10 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper9 cm x 10 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper8 cm x 10 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper8 cm x 10 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper8 cm x 9 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper6 cm x 9 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper9 cm x 10 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled I and IISketchPen and Ink on Paper14 cm x 8 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
Untitled (Set of sketches)SketchPen and Ink on Paper13 cm x 9 cmUndatedCesar T. LegaspiLeon GallerySet of sketches (filename)
TrianglePrintLitograph32 cm x 22 cmUndatedCesar T. LegaspiLeon Gallery
Nude (q)IllustrationPastel on Paper56 cm x 76 cmUndatedCesar T. LegaspiLeon Gallery
Torso (a)PrintPrint48 cm x 32 cm1992Cesar T. LegaspiLeon Gallery
Sick Child (Set of prints)PrintPrint25 cm x 18 cmUndatedCesar T. LegaspiLeon GallerySick Child (Set of prints) (filename)
Sick Child (Set of prints)PrintPrint27 cm x 20 cmUndatedCesar T. LegaspiLeon GallerySick Child (Set of prints) (filename)
Sick Child (Set of prints)PrintPrint34 cm x 22 cmUndatedCesar T. LegaspiLeon GallerySick Child (Set of prints) (filename)
Sick Child (Set of prints)PrintPrint35 cm x 22 cmUndatedCesar T. LegaspiLeon GallerySick Child (Set of prints) (filename)
Sick Child (Set of prints)PrintPrint30 cm x 23UndatedCesar T. LegaspiLeon GallerySick Child (Set of prints) (filename)
Sick Child (Set of prints)PrintPrint28 cm x 15 cmUndatedCesar T. LegaspiLeon GallerySick Child (Set of prints) (filename)
Sick Child (Set of prints)PrintPrint25 cm x 18 cmUndatedCesar T. LegaspiLeon GallerySick Child (Set of prints) (filename)
Sick Child (Set of prints)PrintPrint8 3/4 in x 9 1/4 inUndatedCesar T. LegaspiLeon GallerySick Child (Set of prints) (filename)
Torso (b)PrintSerigraph51 cm x 33 cm1992Cesar T. LegaspiLeon Gallery
Still Life (c)IllustrationPastel on Paper53 cm x 36 cm1982Cesar T. LegaspiLeon Gallery
Fruit VendorPaintingWatercolor on Paper39 cm x 32 cm1954Cesar T. LegaspiLeon Gallery
Mag-InaPrintPrint 86/30067 cm x 52 cm1992Cesar T. LegaspiLeon Gallery
Nude (r)SketchCharcoal on Paper75 cm x 55 cm1981Cesar T. LegaspiLeon Gallery
Still Life (d)IllustrationPastel on Paper49 cm x 32 cm1993Cesar T. LegaspiLeon Gallery
Nude (s)IllustrationPastel on Paper48 cm x 30 cm1982Cesar T. LegaspiLeon Gallery
Mystic Seaport, Mass, USAPaintingWatercolor on Paper24 cm x 32 cm1979Cesar T. LegaspiLeon Gallery
Untitled (Interaction)IllustrationMixed Media29 cm x 44 cm1974Cesar T. LegaspiSalcedo AuctionsIn collaboration with Jose Joya, Solomon Saprid, HR Ocampo, et. al.
Untitled (Abstract) (b)PaintingOil on Canvas80 cm x 59.5 cm1978Cesar T. LegaspiSalcedo AuctionsIn collaboration with HR Ocampo and Justin Nuyda
Untitled (a)PrintPrint28 cm x 22 cm 1977Hernando R. OcampoSalcedo Auctions
Untitled (b)SketchPen and Ink29 x 21.5 cm 1972Hernando R. OcampoSalcedo Auctions
Untitled (c)SketchPen and Ink on Paper32 x 19.5 cm1948Hernando R. OcampoSalcedo Auctions
GroinPrintSerigraph 22/10035.5 x 38.1 cm1970Hernando R. OcampoSalcedo Auctions
Untitled (Abstract) (a)IllustrationColored pen on paper27 x 17 cm1954Hernando R. OcampoSalcedo Auctions
RehearsalSketchPen and Ink53 x 35 cm1976Hernando R. OcampoSalcedo Auctions
CantataPaintingOil on Canvas127 x 86.4 cm1971Hernando R. OcampoSalcedo Auctions
Untitled (d)SketchPen and Ink30 x 17.8 cm1974Hernando R. OcampoSalcedo Auctions
Abstraction 148PaintingAcrylic on pressed board53.5 x 74 cm 1978Hernando R. OcampoSalcedo Auctions
Reclining NudePaintingOil on Canvas75 x 100 cm1971Hernando R. OcampoSalcedo Auctions
Untitled (e)PaintingOil on Canvas81.3 x 61 cm1970Hernando R. OcampoSalcedo Auctions
Untitled (Abstract) (b)PaintingOil on Canvas80 x 59.5 cm1978Hernando R. OcampoSalcedo Auctions
Untitled (f)PaintingWatercolor and ink43 x 27.5 cm1973Hernando R. OcampoSalcedo Auctions
PagodaPaintingOil on Canvas101.6 x 76.2 cm1973Hernando R. OcampoSalcedo Auctions
Untitled (Abstract) (c)PaintingOil on Canvas29.5 x 22 cm1973Hernando R. OcampoSalcedo Auctions
Untitled (g)SketchPen on Paper27.5 x 21 cm1971Hernando R. OcampoSalcedo Auctions
Green RevolutionPaintingAcrylic on Paper Mounted on Board53.5 cm x 36.5 cm1976Hernando R. OcampoSalcedo Auctions
Untitled (Collaboration)PaintingOil on Canvas200 x 120 cm1974Hernando R. OcampoSalcedo AuctionsIn collaboration with CESAR LEGASPI, JUSTIN NUYDA, H.R. OCAMPO, JOSE JOYA, GALO OCAMPO AND SOLOMON SAPRID
Untitled (h)SketchInk on Paper27 x 19.5 cm1973Hernando R. OcampoSalcedo Auctions
Untitled (Plant)SketchInk on Paper27 x 19.5 cm1973Hernando R. OcampoSalcedo Auctions
Untitled (Sketch)PaintingPencil on Paper19 x 25 cm1970Hernando R. OcampoSalcedo Auctions
Untitled (i)SketchInk on Paper27 x 20 cm1977Hernando R. OcampoSalcedo Auctions
Untitled (j)IllustrationAcrylic on Paper30.5 x 22.9 cm1974Hernando R. OcampoSalcedo Auctions
Untitled (k)IllustrationAcrylic on Paper30.5 x 22.9 cm1974Hernando R. OcampoSalcedo Auctions
StudySketchInk on Paper26.7 x 20.3 cm1958Hernando R. OcampoSalcedo Auctions
Study, Happy Birthday, JayveeSketchPen and Ink26.7 x 20.3 cm1974Hernando R. OcampoSalcedo Auctions
Abstraction 138PaintingAcrylic on Pressed Board73.7 x 54.6 cm1977Hernando R. OcampoSalcedo Auctions
Untitled (l)PaintingOil on Paper26.7 x 21 cm1969Hernando R. OcampoSalcedo Auctions
Domingo de RamosPaintingAcrylic on Canvas101.6 x 76.2 cm1978Hernando R. OcampoSalcedo Auctions
Untitled (m)PaintingOil on Paper26.7 x 21 cm1969Hernando R. OcampoSalcedo Auctions
53-DPaintingOil on Canvas54.6 x 69.8 cm1953Hernando R. OcampoSalcedo Auctions
Untitled lot (a)SketchPen and Ink26.6 x 19 cm1972Hernando R. OcampoSalcedo Auctions2 Untitled Lots (filename)
Untitled lot (b)SketchPen and Ink26.6 x 19 cm1972Hernando R. OcampoSalcedo Auctions2 Untitled Lots (filename)
Untitled (Nude) (a)SketchPencil on Paper30.4 x 22.8 cm1970Hernando R. OcampoSalcedo Auctions
Untitled (Nude) (b)SketchPen and Ink on Paper21.5 x 29.2 cm1972Hernando R. OcampoSalcedo Auctions
Homage to Emilio JacintoPaintingOil on Canvas76.2 x 101.6 cm1977Hernando R. OcampoSalcedo Auctions
Untitled (n)IllustrationInk on Paper30 x 22 cm1978Hernando R. OcampoSalcedo Auctions
Untitled (Nude) (c)SketchPen and Ink28 x 21 cm1970Hernando R. OcampoSalcedo Auctions
Untitled (Five Figures)SketchPen on Cotton50 x 121 cm 1976Hernando R. OcampoSalcedo Auctions
Mga KitiIllustrationAcrylic on Tetoron90 x 900 cm1978Hernando R. OcampoSalcedo Auctions
Untitled (o)SketchPen and Ink25 x 19 cm1973Hernando R. OcampoSalcedo Auctions
Mask (1)PaintingOil on Canvas70.5 x 54.6 cm1961Hernando R. OcampoSalcedo Auctions
Untitled (p)IllustrationPen and Ink53 x 36.8 cm1978Hernando R. OcampoSalcedo Auctions
Untitled (q)SketchPen and InkUnavailable1972Hernando R. OcampoSalcedo Auctions
Untitled (r)SketchPen and InkUnavailable1972Hernando R. OcampoSalcedo Auctions
Untitled (s)IllustrationInk on Paper21.5 x 29.8 cm1978Hernando R. OcampoSalcedo Auctions
A lot of three drawings of 'kiti'SketchPen and Ink26.5 x 20 cm1952Hernando R. OcampoSalcedo Auctions
Polo PlayersPaintingOil on Canvas33 x 40.6 cm1939Hernando R. OcampoSalcedo Auctions
Semana SantaPaintingOil on Canvas75 x 100 cm1978Hernando R. OcampoSalcedo Auctions
Untitled (t)PaintingOil on Canvas27.5 x 21 cm1970Hernando R. OcampoSalcedo Auctions
Untitled (Dedicated to Celia)IllustrationInk on Paper30 x 22.5 cm1977Hernando R. OcampoSalcedo Auctions
Untitled (u)IllustrationInk on Paper29 x 21.5 cm 1978Hernando R. OcampoSalcedo Auctions
Untitled (Dedicated to Candea)IllustrationInk on Paper27.5 x 21 cm 1978Hernando R. OcampoSalcedo Auctions
Abstraction 105PaintingAcrylic on Board52.5 x 35 cm1976Hernando R. OcampoSalcedo Auctions
Interaction '72PaintingOil on Canvas75 x 60 cm1972Hernando R. OcampoSalcedo Auctions
Untitled (Barong-Barong)IllustrationInk on Paper45 x 30 cm1974Hernando R. OcampoSalcedo Auctions
Untitled (Mother and Child)PaintingAcrylic on Paper44 x 30 cm1974Hernando R. OcampoSalcedo Auctions
Untitled (v)IllustrationInk on Paper9 x 13 cmUndatedHernando R. OcampoSalcedo Auctions
Untitled (w)IllustrationPastel on Paper36.5 x 27 cm1952Hernando R. OcampoSalcedo Auctions
Untitled (x)IllustrationInk on Paper29 x 21 cm1973Hernando R. OcampoSalcedo Auctions
Cantata for LourdesPaintingOil on Canvas101 x 75.5 cm1975Hernando R. OcampoSalcedo Auctions
Revelation - 7PaintingOil on Canvas81.2 x 61 cm1978Hernando R. OcampoSalcedo Auctions
Children PlayingPrintLitograph20.3 x 27.9 cm1977Hernando R. OcampoSalcedo Auctions
Untitled (y)PaintingOil on Canvas60 x 56 cm1961Hernando R. OcampoSalcedo Auctions
Untitled (z)IllustrationInk on Paper27 x 18 cm1972Hernando R. OcampoSalcedo Auctions
Untitled (a) (1)PaintingAcrylic and Ink on Paper42 x 29 cm1976Hernando R. OcampoSalcedo Auctions
QuestionsPaintingWatercolor on Paper22.5 x 15 cm1948Hernando R. OcampoSalcedo Auctions
Bosquejo IIPaintingOil on Canvas46 x 35.5 cm1969Hernando R. OcampoSalcedo Auctions
GeminiPaintingOil on Canvas91.5 x 61 cm1967Hernando R. OcampoSalcedo Auctions
Untitled (very possibly 'Cells')PaintingOil on Canvas70.5 x 55.5 cm1961Hernando R. OcampoSalcedo Auctions
Untitled (Face)PaintingOil on Paper28 x 21.5 cm1966Hernando R. OcampoSalcedo Auctions
Abstraction 126PaintingOil on Canvas72.5 x 54 cm1977Hernando R. OcampoSalcedo Auctions
Composition in Red and Black on WhitePaintingAcrylic on Canvas101 cm x 76 cm1977Hernando R. OcampoLeon Gallery
Side ShowPaintingOil on Canvas51 cm x 42 cm1946Hernando R. OcampoLeon Gallery
PutunganPaintingAcrylic on Canvas112 cm x 76 cm1974Hernando R. OcampoLeon Gallery
Natures Ray of HopePaintingAcrylic on canvas82 x 92 cmAbdulmari Asia ImaoArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Signed and dated ‘97
Sari-BongSculptureBronze sculpture127 x 91 x 84 cmAbdulmari Asia ImaoArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.1980 33rd AAP-PISO Annual; Painting, Sculpture and Print Competition and Exhibition; Philamlife; Gold Medal, Sculpture CategoryCollection of the Artist
SarimanokPaintingAcrylic on canvas122 x 143 cmAbdulmari Asia ImaoArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Signed and dated ‘97
Sarimanok (2)SculptureCast BronzeAbdulmari Asia ImaoAteneo Art GalleryCollection of Ambeth R. Ocampo
Sarimanok (3)SculptureBronze cast27.9 x 13.3 x 43.1 cm.Abdulmari Asia ImaoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Department of Humanities, College of Arts and Sciences, UPLB
UntitledSketchPentel on paper30.4 x 45 cm.Abdulmari Asia ImaoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
Untitled (2)SculptureBrass406.4 x 353 x 121.9 cm.Abdulmari Asia ImaoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
Untitled (3)PaintingOil on canvas60 x 60 cm.Abdulmari Asia ImaoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
AngerPaintingTempera30 x 22.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
ChristPaintingOil on canvas44.8 x 33 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
ClownPaintingOil on canvas101.60 x 35.56 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
CockfightPaintingOil on canvas88 x 142 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
CrucifixionPaintingTempera22.5 x 27 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Crucifixion (2)DrawingPen and Ink30 x 22.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Crucifixion (3)PaintingOil on canvas173.5 x 71.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
DefeatDrawingPen and Ink23 x 26 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
DespairSketchPen and Ink study21.5 x 28 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Despair (2)PaintingTempera30.5 x 22.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
DogPaintingOil on canvas91.5 x 91.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Dog FightPaintingOil on canvas89 x 114.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
DogfightDrawingPen and Ink22.5 x 30 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Fish with NetPaintingOil on canvas61 x 81 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
HarvestPaintingOil on canvas81.5 x 61.3 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
HolocaustDrawingOil on canvas100.5 x 88 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
JunkscapePaintingOil on canvas60.96 x 45.72 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Junkscape (2)PaintingOil on canvas63.7 x 122 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Madonna and ChildPaintingAcrylic76 x 56 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
ManDrawingPen and Ink28 x 21.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Man with Red BirdPaintingWatercolor54.61 x 68.58 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.Bernice Legaspi
Mother and ChildPaintingOil on canvas81.5 x 61 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Mother and TwinsPaintingOil on canvas91.5 x 91.3 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
PietaPaintingOil on canvas106.7 x 80 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.Bernice Legaspi
Pieta (2)PaintingOil on canvas127 x 152.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
ProtestDrawingPen and Ink14.5 x 10.2 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Protest (2)DrawingPen and Ink22.5 x 30 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Seated FigurePaintingOil on canvas122 x 65.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Seated ManDrawingPen and Ink28 x 21.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
Seated Man (2)PaintingTempera30 x 22.5 cm.Ang KiukokLimbo, M. S. R. (1990). Three Filipino Figurative Expressionists (Ang Kiukok, Solomon Saprid, Onib Olmedo). Galleria Bernice L and Galeria de las Islas.
TablescapePaintingMixed Media on PaperAng KiukokAteneo Art GalleryCollection of Ambeth R. Ocampo
The Blind MusicianPaintingOil on Canvas62.5 x 90 cmAng KiukokArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.1959 12th Annual Art Exhibition; Honorable Mention, Oil Painting Category; Private Collection
AnitoSculpturePhilippine HardwoodArturo R. LuzAteneo Art GalleryCollection of Ambeth R. Ocampo
Carnival Walls 2DrawingBrush and ink on Manila paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.The most recent, this is a composite of earlier paintings and prints of the same subject. The details, with variations, have appeared re peatedly in earlier compositionsManila
Cathedral, FlorenceDrawingPencil on onion skinArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Florence
Church [above] Rue Canebiere [below]DrawingPen and ink on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Marseilles
CityPaintingOil and pencil on canvas85 x 152 cmArturo R. LuzArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.1959 AAP Semi-Annual Art Exhibition; 1st Prize, Painting CategoryCollection of the Ateneo Art Gallery
Detail, Quai des OrfevresDrawingPen and ink on watercolor paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Paris
Drawing for woodcut - CyclistsDrawingPencil on Manila paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Originally conceived in 1953-54 as a painting, this materialized into a woodcut in 1955. Preceded by about thirty thumbnail sketches, a painting was started, abandoned and destroyed. After a year and more drawings, this was made into a woodcut, from which seven im pressions were taken. The prints are in two shades of brown, printed on Manila paper.Manila
Early studies for MusiciansDrawingPencil on Chinese paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.In Manila, musicians with neither talent nor jobs make a living by serenading from door to door. They go about in pairs, forming the most unlikely musical duos, such as clarinet and drum or cymbals and horn. The music is in rariably jazz and loud. Money is given, not as a sign of approval, but as a plea to stop.Manila
Figure StudiesDrawingPencil on newsprintArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.These sketches are part of 300 to 400 done over a period of several months while attending the life classes at the Academie Grande Chaumiere in Paris.Paris
Figure studies for HopscotchDrawingPen and ink on Chinese paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Figure studies for SerenataDrawingInk on onion skin and bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.From a series of thirty to forty sketches.Manila
Figure study for Flower VendorDrawingInk and pencil on Japanese paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.The flowers are artificial, with long wire stems and paper blossoms ut both ends. These are held in the middle and sold in the streets by ambulatory vendors. The geometric shape was emphasized to suggest the metallic artificiality of the flowers.Manila
GuitaristDrawingPen and ink on Chinese paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.The drawing was a study for a painting in tempera, completed about 1953 and shown in New York and Washington as part of the First Philippine Cultural Exhibition.
The drawing belongs to a group of about fifteen, executed on large sheets of Chinese paper with dif ferent colored inks.
Manila
Homage to Fernando ZobelSculptureSteelArturo R. LuzAteneo Art GalleryGift of the Artist
IntramurosDrawingPen and inkArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.An old section of Manila patterned after Spain, Intramuros was almost totally destroyed during the last war, including its many fine churches. One or two have been reconstructed; little else remains.Manila
June HildebrandDrawingPencil on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Herself an artist of exceptional promise, June was a former class mate, friend and patient model.New York
KristoSculptureAdobeArturo R. LuzAteneo Art GalleryGift of the Artist
Line drawing for Carnival 4DrawingPen and ink on newsprintArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Line drawing for MarblesDrawingPen and ink on Chinese paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Masked Portrait 1PaintingAcrylic on CanvasArturo R. LuzAteneo Art GalleryCollection of Ambeth R. Ocampo
Masked Portrait 2PaintingAcrylic on CanvasArturo R. LuzAteneo Art GalleryCollection of Ambeth R. Ocampo
Masked Portrait 3PaintingAcrylic on CanvasArturo R. LuzAteneo Art GalleryCollection of Ambeth R. Ocampo
Metro, MadridDrawingPen and ink on bondArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Coll, Fogg Museum, HarvardMadrid
Musee Des TroismailletzDrawingPen and ink on watercolor paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Paris
Musicians & AcrobatsDrawingPen and ink on Manila paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Madrid
MyselfDrawingPencil on newsprintArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.The time was winter and my room was frigid; the muffler helped.Paris
Notre Dame, ParisDrawingPen and ink on newsprintArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Owned by Napoleon JamirParis
Original study for Carnival FormsDrawingPen and ink on onion skinArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Piazza San Marco, VeniceDrawingPencil on onion skinArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Venice
Portrait studies: Fernando ZobelDrawingPencil on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Rue Frederic SautonDrawingPen and ink on watercolor paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Paris
Rue Pierre NicoleDrawingPen and ink on watercolor paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Paris
Rue Saint Julien Le PauvreDrawingPen and ink on watercolor paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Paris
Sacred MountainDrawingPencil on paper29.5 x 42 cmArturo R. LuzArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Signed and undated
SidewalkDrawingPen and ink on Chinese paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Sidewalk ChildrenDrawingMatchstick and inkArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.An aftermath of war, homeless and emaciated children, living and sleeping and begging on sidewalks, left a deep impression. These drawings are a record of that impression -- an attempt to transmit its ugly, intense and emotional quality.Manila
Sketches of Roberta CassellDrawingPencil on newsprintArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.The sketches are part of a series of quick studies done of the ballet dancer while she went through the motions of the ballet - "Midsum mer Night's Dream".Manila
Sketches of the Metro, MadridDrawingPen and ink on newsprintArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Metro is the European equivalent for subway.Madrid
Studies - Notre Dame, ParisDrawingPen and ink on watercolor paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Paris
Studies for Carnival 2DrawingPencil on newsprintArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Repeatedly unsuccessful as a paint ing, this became a woodent in 1955.Madrid
Studies for Carnival FormsDrawingBrush and ink on Manila paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.These drawings attempt to trans late into linear patterns the geome try, motion, tensions, shapes and forms, twists and interlockings that make up a carnival, with all its planes and framework and skeleton. They attempt to com municate in graphic terms the color, sound and gaiety of celebration.Manila
Studies for Carnival Forms (2)DrawingPencil on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Studies for Carnival WallsDrawingPen and ink on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.The head and the hand, symbols for palmistry and fortune telling, have always held a strong fascination. I have seen them here and every where, and always with the same feeling: inhuman and detached, but strangely compelling. Done by sign painters unpreoccupied by anatomy but possessed with a no tural flair for improvisation and design, they are charming exam ples of popular art.Manila
Studies for Carnival Walls (2)DrawingInk and tempera on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.This developed, with considerable modifications, into Carnival 1, a woodcut completed in 1955.Madrid
Studies for CityDrawingPencil on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Studies for Ferris WheelsDrawingPen and ink on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Studies for JugglersDrawingPen and ink on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.From a series of about fifty drawings.Manila
Studies for MusiciansDrawingPen and ink on onion skinArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.First started about 1952, the musi cian series has undergone many changes, mainly towards simplification and, in the words of a critic musicality. The drawings, as well as the paintings and prints that followed, are simply attempts to capture the musical mood in terms of line and movement. Con sequently, the drawings have be come increasingly linear and ac tive.
The studies number about sixty to eighty drawings and have resulted in three paintings and a woodcut. The first painting is in the collec tion of LYD ARGUILLA; the other two, completed in 1955, are owned by FREDERICK and ROBERT OSSORIO.
Manila
Studies for Roller CoasterDrawingPen and ink on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Study for Carnival Forms 2DrawingPencil on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Manila
Study for HaranaDrawingPencil on Japanese paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Commissioned by Steuben Glass, this drawing was engraved in crys tal as part of a collection entitled "Asian Artists in Crystal". The original drawing is in the print collection of the NEW YORK PUBLIC LIBRARY; the crystal is owned by the STEUBEN GLASS MUSEUM.Manila
Study for SerenataDrawingPencil on Manila paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.The sketch led to two paintings and a woodcut, all completed in 1955.Manila
Temples of WorshipDrawingPencil on paper29.5 x 42 cmArturo R. LuzArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Signed and undated
Ticket Vendor, MadridDrawingTempera on newsprintArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.In Madrid, the blind earn a living by selling lottery tickets. They stand in street corners with tickets pinned to their coats, perpet ually announcing the number of tickets unsold for the day.Madrid
Trolley StopDrawingPen and ink on bond paperArturo R. LuzDrawings: Arturo Rogerio Luz. (1956). Carmelo & Bauermann.Marseilles
White Temples (The Palirana Series)PaintingAcrylic on CanvasArturo R. LuzAteneo Art GalleryCollection of Ambeth R. Ocampo
A Blue-Footed Booby with Green FeetPaintingWatercolor on handmade paper33 x 45.7 cm.Benedicto R. CabreraBirds of Tubbataha. (2012). Bencab Museum.
A Pair of Black NoddiesPaintingWatercolor on handmade paper45.7 x 33 cm.Benedicto R. CabreraBirds of Tubbataha. (2012). Bencab Museum.
Four Faces of SabelDrawingDigital DrawingA3, Artist Proof IllBenedicto R. CabreraDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA,UP Diliman
GarroteEtchingEtching15.2 x 19.6 cm.Benedicto R. CabreraDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA,UP Diliman
Green-footed Booby with JuvenilePaintingWatercolor on handmade paper33 x 45.7 cm.Benedicto R. CabreraBirds of Tubbataha. (2012). Bencab Museum.
José RizalPaintingOil on canvas106.5 x 86 cm.Benedicto R. CabreraDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CAL, UP Diliman
Man ThikingSculptureCast BronzeBenedicto R. CabreraAteneo Art GalleryCollection of Ambeth R. Ocampo
Red-Footed BoobiesPaintingWatercolor on handmade paper45.7 x 33 cm.Benedicto R. CabreraBirds of Tubbataha. (2012). Bencab Museum.
Red-Footed BoobyPaintingWatercolor on handmade paper45.7 x 33 cm.Benedicto R. CabreraBirds of Tubbataha. (2012). Bencab Museum.
Red-Footed Booby NestingPaintingWatercolor on handmade paper45.7 x 33 cm.Benedicto R. CabreraBirds of Tubbataha. (2012). Bencab Museum.
Running WomenPaintingOil on CanvasBenedicto R. CabreraAteneo Art GalleryCollection of Ambeth R. Ocampo
SabelPaintingAcrylic on canvas60.96 x 45.72 cm.Benedicto R. CabreraDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA,UP Diliman
SayaEtchingEtching20.3 x 14.6 cm.Benedicto R. CabreraDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA,UP Diliman
Sunset at Tubbataha Bird IslePaintingWatercolor on handmade paper45.7 x 33 cm.Benedicto R. CabreraBirds of Tubbataha. (2012). Bencab Museum.
Tern NestingPaintingWatercolor on handmade paper33 x 45.7 cm.Benedicto R. CabreraBirds of Tubbataha. (2012). Bencab Museum.
Tribal ImagesPaintingAcrylic on cast paper relief129.5 x 129.5 cmBenedicto R. CabreraArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Signed and dated ‘96
UntitledDrawingPencil on paper40.6 x 30.4 cm.Benedicto R. CabreraDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Untitled (2)DrawingColored pencil on paper40.6 x 30.4 cm.Benedicto R. CabreraDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA,UP Diliman
YerroPainting25.3 x 20.2 cmBenedicto R. CabreraArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.1967 20th Annual Painting and Photography Art Exhibition; Northern Motors Showroom; 1st Prize, Photography CategoryCollection of Justin Nyuda
HaranaPaintingSilkscreen24.7 x 29.2 cm.Carlos V. FranciscoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery
History of Medicine in the Philippines (1)PaintingOil on canvas309.8 x 279.4 cm.Carlos V. FranciscoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.PGH, UP Manila
History of Medicine in the Philippines (2)PaintingOil on canvas309.8 x 279.4 cm.Carlos V. FranciscoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.PGH, UP Manila
History of Medicine in the Philippines (3)PaintingOil on canvas309.8 x 279.4 cm.Carlos V. FranciscoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.PGH, UP Manila
History of Medicine in the Philippines (4)PaintingOil on canvas309.8 x 279.4 cm.Carlos V. FranciscoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.PGH, UP Manila
CockfightPaintingOil on BoardCesar T. LegaspiAteneo Art GalleryCollection of Ambeth R. Ocampo
UntitledDrawingBallpen on paper6 x 7 cmCesar T. LegaspiArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Signed and embossed “LEGASPI” at bottom margin
Untitled (2)DrawingBallpen on paper7.2 x 10.8 cmCesar T. LegaspiArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Unsigned and embossed “LEGASPI” at bottom left
Untitled (3)DrawingBallpen on paper8.5 x 11.5 cmCesar T. LegaspiArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Unsigned and embossed “LEGASPI” at bottom left and right margin, inscribed in pencil by the artist - bottom lefy margin “CAT” #00BPNS 9”
Untitled (4)PaintingOil on wood29.3 x 39.4 cm.Cesar T. LegaspiDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, Iloilo City
Federico Aguilar Alcuaz (Exhibit Poster)PrintFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.France
Out in the SunsetTapestryTapestryFederico Aguilar AlcuazAteneo Art GalleryCollection of Ambeth R. Ocampo
Self PortraitSculptureBronze BustFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.
Self ReliefSculptureBronze BustFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.
The Flying DutchmanPaintingOil on CanvasFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.France
UntitledDrawingCharcoal on PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.
Untitled (2)PaintingOil on CanvasFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (3)PaintingOil on CanvasFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (4)PaintingWatercolor on PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (5)PaintingWatercolor on PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (6)PaintingWatercolor on PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (7)PaintingWatercolor on PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (8)CollageCollage on Felt PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (9)CollageCollage on Felt PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (10)PaintingWatercolor on PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (11)PaintingOil on CanvasFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (12)PrintEtchingFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (13)PrintEtchingFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (14)PrintEtchingFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (15)PrintEtchingFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Spain
Untitled (16)PaintingOil on CanvasFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.France
Untitled (17)PaintingOil on CanvasFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.France
Untitled (18)PaintingOil on CanvasFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Germany
Untitled (19)PaintingOil on PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Germany
Untitled (20)PaintingOil on CanvasFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Germany
Untitled (21)CollageMixed Media on PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Germany
Untitled (22)CollageCollage on PaperFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Germany
Untitled (23)TapestryTapestry, WoolFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Czech Republic
XIITapestryTapestry, WoolFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Czech Republic
XVITapestryTapestry, WoolFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Czech Republic
XXITapestryTapestry, WoolFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Czech Republic
XXVITapestryTapestry, WoolFederico Aguilar AlcuazAlcuaz, F. A. (2015). Aguilar Alcuaz: Un Voyage Pictural en Europe a Picturesque Journey in Europe Selected Works. Alliance Francaise de Manille.Czech Republic
Alejandro RocesPaintingOil on canvas96.5 x 71.1 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Ang Wakas ni MagallanesPaintingOil on canvas87.6 x 130.8 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Assassination of Governor BustamantePaintingOil on canvas88.2 x 125.7 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
BataanPaintingOil on canvas99.6 x 120.6 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Bienvenido S. GonzalezPaintingOil on canvas79.3 x 59.6 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Elpidio QuirinoPaintingOil on canvas69.8 x 54.6 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Faustino S. AguilarPaintingOil on canvas64.7 x 49.5 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
George A. MalcolmPaintingOil on canvas113 x 87.6 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CL, UP Diliman
Jorge C. BocoboPaintingOil on canvas80 x 59.6 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Judge Guillermo B. GuevaraPaintingOil on canvas74.9 x 59.6 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Manuel A. RoxasPaintingOil on canvas90 x 70.4 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Murray S. BartlettPaintingOil on canvas80 x 59.6 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Rafael V. PalmaPaintingOil on canvas79.3 x 59.6 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Vidal A. TanPaintingOil on canvas78.7 x 59 cm.Fernando C. AmorsoloDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Andres BonifacioSculptureOriginal plaster, covered with bronze paintGuillermo E. TolentinoAteneo Art GalleryCollection of Ambeth R. Ocampo
BalagtasSculpturePlaster cast63.5 x 58.4 x 30.4 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
José RizalSculptureBronze cast68.5 x 50.8 x 30.4 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Palma Hall, UP Diliman
José RizalSculpturePlaster73.5 x 50 x 31 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CAL, UP Diliman
OblationSculptureConcrete cast267.9 x 500.3 x 321.3 cmGuillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Oblation (Bronze cast from the original by Anastacio Caedo)SculptureBronze cast252.7 x 485.1 x 306 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Iloilo City
Oblation (Bronze cast from the original by Anastacio Caedo)SculptureBronze cast252.7 x 485.1 x 306 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UP Baguio
Oblation (Bronze cast from the original by Anastacio Caedo)SculptureBronze cast252.7 x 485.1 x 306 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UP Manila
Oblation (Bronze cast from the original by Guillermo TolentinoSculptureBronze cast252.7 x 485.1 x 306 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Quezon Hall, UP Diliman
Oblation (Bronze cast from the original by Napoleon Abueva)SculptureBronze cast252.7 x 485.1 x 306 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPLB
Oblation (Bronze cast from the original by Napoleon Abueva)SculptureBronze cast252.7 x 485.1 x 306 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Miagao
Oblation (Bronze cast from the original by Napoleon Abueva)SculptureBronze cast252.7 x 485.1 x 306 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UP Mindanao, Mintal, Davao City
Oblation (Cast from the original in mixed media by Gigi Javier Alfonso)SculptureBronze cast252.7 x 485.1 x 306 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UP Open University
Oblation Painted concrete cast from the original by Napoleon Abueva)SculptureBronze cast252.7 x 485.1 x 306 cm.Guillermo E. TolentinoDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UP College Tacloban
RizalSculpturePlaster cast pulled from original negativeGuillermo E. TolentinoAteneo Art GalleryCollection of Ambeth R. Ocampo
The JugglersPaintingOil on BoardHernando R. OcampoAteneo Art GalleryCollection of Ambeth R. Ocampo
MindanaoPaintingTempera on paper59 x 49.5 cmJ. Elizalde NavarroArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.1952 2nd Watercolor Exhibition; Chamber of Commerce Showroom; 1st Prize, Poster CategoryCollection of the Artist
Waterpool of Amandari, BaliPainting75 x 58.5J. Elizalde NavarroArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Signed, dated “2-20-96,” and title inscribed by the artist on the right margin
Barter of PanayPaintingOil on canvas175.2 x 609.6 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CBA, UP Diliman
Beautiful LadyDrawingCharcoal and Colored pencil on paper43.4x 28.7 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, Iloilo City
Church Belfry (Laoag, locos Norte)DrawingCharcoal and colored pencil on paper43.4 x 28.9 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, Iloilo City
City SilhouettePrintEtching22.8 x 15.2 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
CityscapePrintIntaglio22.8 x 15.2 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
Controversial CompositionPaintingOil on CanvasJose T. JoyaAteneo Art GalleryCollection of Ambeth R. Ocampo
Decorative Painting,PaintingOil on wood130.8 x 59.6 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Executive House, UP Diliman
Dream OdysseyPaintingAcrylic on canvas85 x 85 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CBA, UP Diliman
FateCollageMixed media34.6 x 55 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, Iloilo City
FriendDrawingCharcoal and colored pencil on paper43.1 x 28.5 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, Iloilo City
Girl with FlowersSketchPencil on paper43 x 28.5 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CAS Dean’s Office, UPV Miagao
InundationCollageMixed media96 x 65 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
Lady with a FanSketchPencil on paper43.2 x 28.8 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, Iloilo City
Lonely WomanDrawingCharcoal and colored pencil on paper42 x 27.2 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, Iloilo City
Mind CavesPaintingOil on canvas78 x 119 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CBA, UP Diliman
MorionesPrintEtching17.1 x 15.2 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
Mother and ChildSketchPastel on paper49 x 31 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
Mother and SonSketchPastel on paper44 x 28.6 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, lloilo City
Nude: MaleSketchPencil on paper44.4 x 29.8 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Old WomanDrawingCharcoal and colored pencil on paper55 x 34.7 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, Iloilo City
Piddig, Ilocos NorteDrawingCharcoal and colored pencil on paper28.5 x 44 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
Portrait of Nene BorjaDrawingPencil on paper24.7 x 29.6 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Space TransfigurationPaintingOil on Canvas152 x 178.5 cmJose T. JoyaArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.1959 12th Annual Exhibition; Northern Motors Showroom; 2nd Prize, Painting CategoryJoya-Baldovino Collection
Study of an Old ManSketchPencil on paper53 x 40 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Study of an Old ManSketchPencil on paper40.6 x 55.2 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
The Tree of LifeCollageMixed media100 x 63.8 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Art Gallery, Iloilo City
The VisayansPrintEmbossing19 x 24.7 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CFA, UP Diliman
Two WomenDrawingInk on paper51.4 x 34.9 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
UntitledPaintingAcrylic on Canvas91.5 x 61 cmJose T. JoyaArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Signed and dated ‘92
UntitledPaintingOil on canvas274.4 x 152.4 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CHE, UP Diliman
Untitled (2)SketchPencil on paper44.4 x 29.8 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Yeseria VII1PaintingOil on canvas59.6 x 120.6 cm.Jose T. JoyaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Executive House, UP Diliman
Abaca StrippersPaintingOilNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.FMC
AbanicoSculptureVarious Types of Wood and Stainless Steel96 x 110 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Abanico (2)SculptureVarious Types of WoodHeight 182 (excluding metal support) x 299 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
AbstractionSculptureIron and Concrete61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JNC
Abstraction (2)SculptureNarra Wood14 x 35.5 x 5.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Abstraction (3)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Adoration of the Sto. NinoSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CPH
Aguinaldo ShrineSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NHI
Alabaster CitySculptureAlabaster61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ND
Allegorical HarpoonSculptureMolave WoodHeight 129 x length 303 x breadth 44 cm.Napoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.XXXII Venice BiennialCultural Center of the Philippines Collection
Allegorical Harpoon IISculptureNarra and Kamagong WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Alma MaterSculptureConcrete cast259 x 160 x 83.8 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UP Baguio
Alma Mater (2)SculpturePainted concrete cast93 x 70 x 72 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Ang Bahay ng Alumni, UPAA
Alma Mater (3)SculptureReinforced ConcreteHeight 259 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPB
AltarSculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ZC
Altar TableSculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDCHS
Altar Table (2)SculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DCMC
Altar Table (3)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ES
Altar Table (4)SculptureStainless Steel and GlassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Altar Table (5)SculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Altar Table (6)SculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ZC
Altar Table (7)SculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Altar WallSculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MDV
AmericanSculptureBronze38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.SC
Amihan's ChairSculptureNarra Wood and Leather106.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Ang NagdarasalSculptureStone61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.FTC
Ang Sigaw ng Pugad Lawin (Cry of Pugad Lawin)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-size and more than life-sizeQCPB
AnneSculptureBronze50.8 x 20.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Arceo Family ReliefSculptureBronze50.8 x 20.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Arceo Family Relief (2)SculptureInk on Paper26.7 x 23 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Arceo Collection
ArmadilloSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MGL3
Arts (Theater Arts)SculptureReinforced Concrete914.4 x 182.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QMT
As an ActorSculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.EC
Asian HistorySculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-sizeArtist's Collection
AthleteSculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
AuditSculptureIron and brass and reinforced concreteHeight of tallest figure 183 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCCA
Babel Tower ISculptureBronzeHeight 43.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Babel Tower IISculptureWoodHeight 259.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Baby DueroSculptureWoodLength 50 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Baby MosesSculptureWood and Metal76.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Baby Moses (2)SculptureJackfruit WoodLength 81.28 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Baby Moses FloatingSculptureWoodNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Cranbrook Academy of Art, Michigan, USA
Baby on a MangerSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Bagong BuhaySculptureMarbleNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Artist’s Collection
Bagong Buhay (2)SculptureMarbleHeight c. 152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Balangiga Massacre MonumentSculptureBronze and Reinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Balanggiga, Eastern Samar
Ballet BookSculptureNarra Wood, Marble, and Acrylic35 x 32 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Ballet Dancers (Nonoy Froilan and Edna Vida)SculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.More than life sizeCultural Center of the Philippines
Balut VendorSculptureMarble91.4 x 70 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JGC
Baptism of ChristSculptureReinforced ConcreteHeight of Christ 202 cm., Height of St. John the Baptist 206 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Little Temple of the Child Jesus, Artist's Residence
Bataan Heroes MemorialSculptureFiberglassc. 12.80 m. x c. 150 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bataan Heroes Memorial College, Bataan
Batang PGHSculpturePainted concrete cast401.32 x 401.32 cmNapoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Dept. of Otorhinolaryngology, PGH
BathalaSculptureTerracotta38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
BedSculptureBronze25.4 x 47 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
BelfrySculptureIron and Reinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCCAG
BenchSculptureNarra Wood60.9 x 243.8 x 91.4 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CBA, UP Diliman
Bench (2)SculptureConcrete553.7 x 116.8 x 60.9 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Right side, University Avenue, UP Diliman
Bench (3)SculptureConcrete553.7 x 116.8 x 60.9 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Left side, University Avenue, UP Diliman
Bench (4)SculptureNarra Wood60.9 x 243.8 x 91.4 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CBA, UP Diliman
Bench (5)SculptureNarra Wood60.9 x 243.8 x 91.4 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CBA, UP Diliman
Bench (6)SculptureNarra WoodLength 304.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bench (7)SculptureWoodLength 335.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bench (8)SculptureWoodLength 298 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Bench (9)SculptureWoodHeight 59 x length 236.2 x width 78.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RCC
Bench (10)SculptureAcacia WoodLength (of long side) 285 x length (of short side) 129.5 x height 64.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bangko Sentral ng Pilipinas
Bench (11)SculptureWood90.17 x 187.96 x 107.95 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Bench (12)SculptureWoodHeight 81.5 x Length 91 x Width 71.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Bench (13)SculptureWood68.58 x 307.34 x 149.86 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Bench (14)SculptureAcacia Wood335.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Bench (15)SculptureMolave Wood75 x 45 x 222 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Bench (16)SculptureNarra Wood and Metal (Bronze)396.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Bench (17)SculptureNarra Wood60.9 x 243.8 x 91.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDCBA
Bench (18)SculptureWoodLength 246 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Bench (19)SculptureMolave WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Bench (20)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City
Bench (21)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Bench (22)SculptureAcacia WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.EKC
Bench (23)SculptureAcacia WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Corito Araneta-Kalaw Collection
Bench (24)SculptureAcacia WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JMC
Bench (25)SculptureMolave WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Bench (26)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JTC
Bench (27)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MSC
Bench (28)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PQC
Bench (29)SculptureNarra Wood and RopeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PQC
Bench (30)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Carlos Arguelles Collection
Bench (31)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.SLC
Bench (Arroceros Forest Park)SculptureConcreteNapoleon V. Abueva
Bench with Chess BoardSculptureMolave Wood30 in.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bench/ Sculptural BenchSculptureMolave Wood and Metal (Bronze)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LLC
BenchesSculptureConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Benches (2)SculptureMolave Wood and Metal (Bronze)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LLC
Benches (3)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PSC
Benches (4)SculptureWood and Metal (Bronze)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DRC
Benches (5)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Government Service Insurance System Museum
Benches (6)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.HKC
Benches (7)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DC
Benches, UP GatewaySculptureReinforced Concrete553.7 x 60.9 x 116.8 cmNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDCBA
Bending NudeSculptureSantol Wood76.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LAC
BillicopterSculptureWood and Metal (Copper)30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
BirdSculptureWood64.5 x 113 x 20.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JJC
Bird (2)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RSC
Bird BathSculptureStoneNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.FZC
Bird in FlightSculptureCopper30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
BirdsSculptureNarra Wood and Metal (Bronze)76.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Birds (2)SculptureCapizLength of tallest figure 76.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LAO
Birds (3)SculptureMarble15 x 16 x 19 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RAC
Birds (4)SculptureMarble38 x 40.6 x 48.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Birds (5)SculptureCoralNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LLC
Birds in FlightSculptureWood and Metal (Stainless steel)Height 91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Birth ControlSculptureMolave Wood61 x 152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bitin (Suspension Chair)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Blind JusticeSculptureWood152.4 x 365.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CQC
BoatSculptureNarra Wood152.4 x 365.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bones of a MotherSculptureWood457.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Born FreeSculptureWood and IronNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Camp Aguinaldo, QC
Born Free (2)SculptureFiberglassHeight 56 cm. (including base)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Born Free (3)SculptureWood and MetalHeight 365.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCNCC
BowlSculptureTerracotta22.9 x 30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bridge of LoveSculptureReinforced ConcreteNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist’s Collection
Bridge of Love (2)SculptureConcrete cast182 x 390 x 117 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CBA, UP Diliman
Bridge of Love (3)SculptureReinforced Concrete540 x 325 x 170 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Removed from original Sculpture Garden.UPD
Bridge of Love (4)SculptureFiberglass and Metal (Steel)Height c. 320 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.More than life-sizeArtist's Collection, on loan to Malagos Garden Resort, Davao
Bridge of Love (5)SculptureReinforced Concrete and FiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDCFASC
Bridge of Love (6)SculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
BuildingSculptureMolave Wood and Narra Wood28.2 x 40 x 17.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Buoyant SculpturesSculptureWood and MetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Burning BushSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DCMC
Bust (Self-Portrait)SculpturePainted concrete castHeight 78 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.With inscription on brass plate: Legal Name: Esabelio Veloso Abueva; Name given during confirmation: Napoleon Veloso Abueva, Alias BILLY; Born: January 26, 1930 (Pay Ward) Phil. Gen. Hospital; Tentative and Optimistic Date of Death: November 8, 2020 (I.C.U.) Makati Medical Center.Artist's Collection, on loan to Malagos Garden Resort, Davao
Bust of a WomanSculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Bust of Agnes RuleSculpture38.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Armando Rule Collection
Bust of AmihanSculptureWoodHeight 50 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Amihan Abueva and Jimmy Lanoy Collection
Bust of Beth ArcellanaSculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.FAC
Bust of CarriedoSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCBF
Bust of Chuckie WarrenSculpturePlaster25.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Claudio TeehankeeSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Ateneo Law School, Makati
Bust of CojuangcoSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PLDT
Bust of Cong. Lacson de LeonSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Bust of David SycipSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Bust of Dean Jorge BocoboSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Bust of Dean Jorge BocoboSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.TG
Bust of Don BoscoSculptureConcrete274.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DBS
Bust of Douglas LeeSculpturePlaster35.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Bust of Dr. Hippolito AznarSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Aznar Collection
Bust of F. Sionil JoseSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Bust of Fr. John DelaneySculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDDH
Bust of Joan EdadesSculpturePlasterHeight 40.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JEC
Bust of Jose EspirituSculpturePlasterHeight 66 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDCL
Bust of Juvenal SansoSculpturePlasterHeight 38.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JSC
Bust of Katy LawtonSculpturePainted PlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Lualhati TolentinoSculpturePlaster38.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Mang Bert PuentespinaSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Bust of Marcelita Lopez-KabayaoSculpturePlaster38.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Maria Paz GuanzonSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPMCM
Bust of Marian AndersonSculptureStoneNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Monique VillongcoSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of MulawinSculptureMolave WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Bust of Nicanor AbelardoSculpturePainted Plaster CastHeight 76.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDCM
Bust of Nikki KaplanSculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Ninoy AquinoSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-sizeArtist's Collection
Bust of President Fidel V. RamosSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Pura Villanueva-KalawSculpturePlaster45.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Bust of Purita Kalaw-LedesmaSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Bust of Rafael PalmaSculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Robert KochSculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Rodolfo CuencoSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Bust of SandinoSculpturePlaster on Iron BaseHeight of head 28 cm. (heigh of base 7.5 cm.)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Amihan Abueva and Jimmy Lanoy Collection
Bust of Sec. Emmanuel PelaezSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DFA
Bust of Teodoro YangcoSculptureConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ZSA
Bust of Teresita MangueraSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Bust of Titus Brandsma and LecternSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCTBC
Bust of TVASculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Bust of Vicente ManansalaSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NHC
Bust of Vicente ManansalaSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Busts of ASEAN MinistersSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.IAP
Busts of Mr. and Mrs. AngelesSculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Angeles University Collection
Caballero Rusticana de MachinaSculptureAcrylic, wood and bronzeHeight 91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Caganapan (Kaganapan)SculptureMarble33 x 20.3 x 114.3 cmNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words; Artworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.1953 Semi-Annual Art Exhibition; Northern Motors Showroom; 1st Prize, Sculpture Category and Special Award for Best Female FigureArtist’s Collection
Candelabra with Doe and FawnSculptureWood and BronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Candle HolderSculptureStainless SteelNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
CandlesticksSculptureWood and BronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
CannonSculptureMolave Wood and Brass609.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
CarabaoSculptureBronzeHeight 20 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Arceo Collection
Carabao (2)SculptureBronzeHeight 19 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Carabao (3)SculptureMarbleLength 71.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Carabao (Water Buffalo)SculptureBronzeHeight 22.86 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Mr. and Mrs. Arturo Tangco, Jr. Collection
Carabao (Water Buffalo)SculptureTerracotta20.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Carabao (Water Buffalo)SculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MOCAM
Carabao Party (Carabao Herd)SculptureAlabasterLength 39.37 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
CarabaosSculptureBronzeApprox. 100 cm. eachNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Carabaos (2)SculptureBlack MarbleLength 14 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Carabaos (3)SculptureKamagong WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Carlos P. Romulo PodiumSculptureLaminated Narra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
CarolersSculptureLimestoneHeight 66 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Carrying of the CrossSculptureFiberglass50 x 75 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bahay ng Alumni, University of the Philippines, Diliman, Quezon City
CaruajeSculptureWooed and Metal213.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
CaryatidSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
CatapultSculptureWood and StoneHeight 114 x Length 85 x Width 62 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
CathedralSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PPT
Ceiling DecorSculptureWood and Plaster426.7 x 426.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Amihan Abueva and Jimmy Lanoy Collection
Ceiling DesignsSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PMB
Celebration of LifeSculpturePainted concrete cast304.8 cm. highNapoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.College of Medicine, UP Manila
Celebration of Life (2)SculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPMCM
Centennial Ring (Millenium Ring)SculptureStainless SteelNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Government Service Insurance System
Centennial Tower (model)Sculpturelength 107 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Ceramic PiecesSculptureTerracottaNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Ceramic TilesSculptureGlazed Terracotta152.4 x 304.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PGC
Ceremonial Urn at Dambana ng KagitinganSculptureReinforced ConcreteNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.
ChairSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Chair (2)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Mr. & Mrs Geronimo Velasco Collection
Chair with WheelsSculptureWood, Metal, and RubberHeight 78.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Chair with Wheels (2)SculptureNarra and IronHeight 89.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
ChariotSculptureVarious MaterialsNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Chastity BeltSculptureMolave Wood76.2 x 14 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PQPC
Chess SetSculptureKamagong and Molave WoodsHeight of tallest figute 20.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Child with a DuckSculptureConcrete91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCBF
Child Wrapped in Swaddling ClothesSculptureBronze66 x 61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
ChildbirthSculptureBamboo WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Chopping BlocksSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Christ Among the Doctors (Christ Disputing with the Elders)SculptureReinforced ConcreteHeigh of Christ 116 cm., height of man on the steps 173 cm., height of standing man at the back 178 cm., height of seated man to Christ's right 133 cm., height of man behind Christ 123 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Little Temple of the Child Jesus, Artist's Residence
CitySculptureMolave Wood35.6 x 139.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Little Temple of the Child Jesus, Artist's Residence
Code of KalantiaoSculptureMetalHeight 198.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Coffee TablesSculptureNarra and Kamagong Wood152.4 182.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
CoffinSculptureWood and MetalLength 224 x height 56 x width 61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
ColumnSculptureWood330.2 x 67.3 x 63.3 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CMC, UP Diliman
Column (2)SculptureWood102.8 x 19.6 x 19.6 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Executive House, UPLB
Columna ConsunjiSculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Columna/Kolumna FredesvindaSculptureWood305 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Columns, Pews, and DoorwaySculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Comb Letter RackSculptureWoodLength 53.5 cm. (height 14 cm.)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Comb Letter Rack (2)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Comb Letter Rack (3)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Come Unto MeSculptureAcacia Wood76.2 x 114.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JJC
CompositionSculptureKamagong Wood35.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Composition ESculptureTerracotta50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Composition No. 1SculptureWood50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Composition No. 2SculptureBrass50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Composition No. 3SculptureWood and Bronze50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Composition No. 4SculptureWood and Bronze50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Composition No. 5SculptureWood and Bronze50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Computer Arts/ Information TechnologySculptureHeight 22 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Concept of DesignSculptureMarble and Steel61 x 30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Concrete ChairSculptureConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
ConferenceSculptureMolave Wood30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Conference (2)SculptureMolave Wood50.8 x 34.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
ConformistSculptureBamboo Wood101.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Consummate EmbraceSculptureBronzeNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Artist’s Collection
Consummate Embrace (2)SculptureMarble63.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Crankshaft and FlywheelSculptureMolave, Kamagong, and Narra Woods76.2 x 152.4 x 76.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
CrossbowSculptureBamboo and Molave Woods and Metal63.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Crossroad to ProgressSculptureWoodHeight 190.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DAP
Crucifix with Two CorporaSculptureWood304.8 x 335.2 x 106.6 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Crucifix, UP ChapelSculptureWoodNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Architect: Leandro V. Locsin; Builder: DMCIU.P. Chapel, Diliman, QC
CrucifixionSculptureWood304.8 x 335.2 x 106.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDCHS
Crucifixion (2)SculptureBronze48.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Ateneo Chapel, Quezon City
Crucifixion (3)SculptureWoodHeight 152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NEDC
Crucifixion (4)SculptureWoodHeight 152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Duero Church, Bohol
Crucifixion (5)SculptureBronzeHeight 152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MBAC
Crucifixion (6)SculptureWoodHeight 243.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DCMC
Crucifixion (7)SculptureWoodHeight 243.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCSLR
Crucifixion (8)SculptureWoodHeight 274.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ICA
Crucifixion (9)SculptureWoodHeight 274.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CSCS
Crucifixion (10)SculptureFiberglassHeight 365.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Lourdes Church, Tagbilaran, Bohol
Crucifixion (11)SculptureBronzeLength 35 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Crucifixion (12)SculptureBronzeHeight 273.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCPC
Crucifixion (13)SculptureFiberglassc. 40 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Amihan Abueva and Jimmy Lanoy Collection
Crucifixion (14)SculptureWoodHeight 134.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MLAHC
Crucifixion (15)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PQMM
Crucifixion (16)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCSLC
Cultivated FieldsSculptureNarra Wood63.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PHSA
Cultivated PlainsSculptureIpil and Molave Woods and Bronze148.3 x 351 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bangko Sentral ng Pilipinas
Dalag at PalaySculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Dambana ng KagitinganSculptureReinforced Concrete (Relief Sculpture on the Cross); Bronze (Doors); Reinforced Concrete (Two Urns); Marble (Relief Sculpture)Doors: 256 x 136 cm. (272 x 177 cm. with frame); Dimension per panel: 60 x 27.5 cm.; Two urns: Diameter 216 cm., height 110 cm. each; Relief sculpture: height 150 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Relief sculptures on the crossMt. Samat, Bataan
Dambana ng Kagitingan ReliefsSculptureMarbleNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Architect: Lorenze del Castillo; Builder: DMCI
Dambana ng mga SantoSculptureMarblec. 110 x c. 155 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Dambana ng PaskoSculptureMolave Wood and Brass and Bronze479 x 450 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bangko Sentral ng Pilipinas
DanceSculptureHeight 30 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
De SautileSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.XSM
Death Mask of Fernando Poe, Jr.SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Death Mask of Jaime Cardinal SinSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Deer GroupSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Defensive SocietySculptureMolave Wood129 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bangko Sentral ng Pilipinas
DemonstrationPaintingOil on wood66.5 x 104 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bangko Sentral ng Pilipinas
Deposition of St. PeterPaintingOil91.5 x 30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City
Descent from the CrossSculptureMarblec. 305 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Descent from the Cross (maquette)SculptureFiberglass31 x 21 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Design StatementSculptureBronze91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Diamond JubileeSculptureKamagong Wood53.3 x 127 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Diamond Jubilee (2)SculptureMetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
DividerSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Divider & Reception DeskSculptureWood & MetalNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Meralco Building, Manila
Diwata ng DagatSculptureConcrete cast487.68 x 258 x 330 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPV Miagao
Diwata ng Dagat (2)SculptureReinforced ConcreteHeight 518.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPVCF
DMCI logoSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Dog HouseSculptureReinforced Concrete152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
DolphinsSculptureStainless SteelNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MHI
Don and Dona Antonio FloirendoSculptureSteel and Stainless SteelHeight 260 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Dona Carmen vds. de Soriano ColumnSculptureStainless SteelHeight c. 340 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
DoorSculptureAcacia Wood212 x 149 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Door (2)SculptureWood and Bronze2.9x 1.7 mNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Door (3)SculptureWood198 x 88 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Door (4)SculptureWood208 x 81 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Door (5)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ELM
Door (6)SculptureWood and BronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JMC
Door (7)SculptureAcacia WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.EKPC
Door (8)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MOC
Door (9)SculptureNarra Wood and BronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.VSC
Door (10)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Andres Cristobal Cruz Collection
Door HandleSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDFC
Door HandlesSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NMP
Door of Eugenio Lopez Memorial Museum and Library (bronze cast)SculptureBronzeHeight 133.35 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JJC
Door, J. Moreno ResidenceSculptureBronze and WoodNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.
DoorsSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Little Temple of the Child Jesus, Artist's Residence
Doors (2)SculptureWood and MetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.VSC
Doors (3)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DDC
Doors (4)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.WIJW
Doors (5)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.TTC
Double Rocking ChairSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
DoveSculptureBronzeLength 35 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Dove (2)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCP
Dove (3)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
DramaSculptureBronzeHeight 30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Duero's Steel BouquetSculptureSteel50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
DumbellSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RHC
ElectrocutedSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Elevator Doors and PanelSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MMH
Equestrian Statue of Gen. Emilio AguinaldoSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-sizeArtist's Collection
Eternal FlameSculptureStainless SteelNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RPC
Face in SpaceSculptureBronze30.5 x 30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
FamilySculptureWoodHeight 84 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NMP
Family (2)SculptureReinforced ConcreteHeight 121.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Mr. and Mrs. Carlos Moran Sison Collection
Family (3)SculptureKamagong WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DPC
Family GroupSculptureWoodNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.National Museum, Manila
Family Group (2)SculptureWood35.5 x 20.3 x 83.8 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Executive House, UP Diliman
Family Group (3)SculptureTanguile Wood152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PBC
Family Group (4)SculptureStainless SteelHeight of talest figure 256 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Family Group (5)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.TDC
Family Group (6)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.EC
Family Group (Family at Play)SculptureReinforced Concrete304.8 x 73.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.FRC
Father and SonSculptureWood109 x 48 cmNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
FEB Center MuralSculptureMetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MFEB
Fil-Chinese RelativesSculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.TMI
Filipino FamilySculptureMarble with Aggregate Finish and Reinforced Concrete4.5 x 15 mNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ILB
Fire HydrantSculptureIron121.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Ateneo de Manila University, Quezon City
Fish FormSculptureWood and MetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LMA
Fish FormsSculptureCherry Wood and Brass RodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Fish Forms ISculptureWoodLength 61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Buoyant SculptureUC
Fish Forms IISculptureWood and BrassLength 76.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Buoyant SculptureUC
FlightSculptureMolave Wood57.2 x 118.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JCC
Flying Carabao (Winged Carabao)SculptureReinforced Concrete and FiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPLB
Flying CarabaosSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Flying ChristSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Little Temple of the Child Jesus, Artist's Residence
Flying FishSculptureBrass38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
For Heavy-Duty WifeSculptureWoodDiameter 22.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
For Light-Duty WIfeSculptureWoodDiameter 15.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Fort DagohoySculptureBlack MarbleHeight 23.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Foundation Design in the Inter-Seismic RegionSculptureMetal91.5 x 14 sq. cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Fountain SculptureSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PMB
Fourteen Stations of the CrossSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CSC
Fr. John Patrick DelaneySculptureBronze cast73 x 54 x 27 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Garden of Communion, Church of the Holy Sacrifice, UP Diliman
Francisco DagohoySculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Danao, Bohol
FredesvindaSculptureConcrete627 x 1156 x 330 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Art Collection
Fredesvinda (2)SculptureConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Fredesvinda (3)SculptureInk on paperNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Fredesvinda (scale model)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Fredesvinda 2, Asean Boat No. 2SculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDCFASC
Free FormSculpturePlaster38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JVR
Freedom ParkSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCM
FrogsSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MNE
Galleon RibsSculptureMolave WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.GCC
Gallery of the MindSculptureMarble35.6 x 83.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
GemmaSculptureMolave Wood96 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LG
GlobeSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.INC
Goodbye to Lateral ThrustSculptureBronze96.5 x 71.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Goodbye to Lateral Thrust (2)SculptureNarra and Kamagong Wood12 ft.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Cultural Center of the Philippines, National Arts Center, Laguna
Goodbye to Lateral Thrust (3)SculptureWood182 x 88.6 x 190 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MET
Goodbye to Lateral Thrust (4)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Graciano Lopez-Jaena PodiumSculptureWoodHeight 91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
GrowthSculptureNarra Wood38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Gulong ng PaladSculptureNarra Wood345 x 16.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PQPC
Halik/KissSculptureAdobe60 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Hall of the Three MusesSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Hand SculpturesSculptureWalrus TeethNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Handorawan (Remembrance Stairway)SculptureMolave WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, Duero, Bohol
Happy LandingSculptureBronzeLength 34.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
He is Not HereSculptureMarble143 x 93 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
He Stood HereSculptureMarble40.6 x 31.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PBC
HeadSculptureTerracotta38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
High Reliefs at Dambana ng Kagitingan CrossSculptureReinforced ConcreteNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Mount Samat, Bataan
Historical Events of CebuSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CPH
Homage to BrancusiSculptureReinforced ConcreteHeight 914.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Formerly at UPDCFASC
Homage to D.M. ConsunjiSculptureReinforced ConcreteNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Cainta, Rizal
Homage to DM ConsunjiSculptureReinforced Concrete457.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Homage to Dr. Jaime C. Laya: The Saints are Celebrating the Restoration of the Walls of IntramurosSculptureWood95.5 x 351.5 x 4.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Homage to USASculptureBronze10,000 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Horse HeadSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LMA
Horse HeadsSculptureNarra Wood104.1 x 160 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.SBC
Horse-drawn WagonsSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
House Post (Mother and Child)Sculpture129.5 x 45 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Panel of three-sided house postArtist's Collection
House Post 2 (Father and Son)Sculpture129.5 x 45 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Panel of three-sided house postArtist's Collection
House Post I (Abueva Family Tree)Sculpture129.5 x 45 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Panel of three-sided house postArtist's Collection
If You Are Not with Me (Cross)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Ifugao DancersSculptureHeight 61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
IlohanSculptureStone, Wood, and MetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Cultural Center of the Philippines
Ilohan (Presser)SculptureWood, Stone, and BronzeNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.DAP, Tagaytay City
Images of NVASculptureMolave Wood85 x 210 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Images of NVA (2)SculptureIncised Acrycic61 x 91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
In My Father's House There Are Many MansionsSculptureBamboo WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ND
Interfaith ChapelSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CSU
Interlocking FormsSculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Atty. and Mrs. Avelino Cruz Collection
Iron SetSculptureIron91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Isa Pa NgaSculptureMarbleHeight 20.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Jahoy na PanggatongSculptureTanguile Wood213.4 x 91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Jesus Christ in JailSculptureNarra Wood and IronNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-sizeArtist's Collection
Jesus Meets the Women of JerusalemSculptureNarra Wood61 x 177.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Jewelry CaseSculptureAnodized Chrome11.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Joints to RememberSculptureMolave Wood61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Joints to Remember (2)SculptureMolave Wood27.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Chito Madrigal-Collantes Collection
Joints to Remember (3)SculptureWood27.9 x 24.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JPC
Joy-JoySculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JPC
KaganapanSculptureMarbleHeight 113 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Kaganapan (2)SculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.FAC
Kaganapan (cast of 1953 original)SculptureFiberglassHeight 113 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Kaganapan (cast of 1953 original)SculptureBronzeHeight 113 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NMP
Kaganapan (reproduction of the marble original)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Kaganapan (study of the original)SculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JLG
Kalaw MausoleumSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LPB
KalesaSculptureVarious Materials154.94 x 104.14 x 187.96 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Key HolderSculptureMetal and Narra Wood66 x 109.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Kiss of JudasSculptureOak Wood61 cm.Napoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Detroit, Michigan, USAEKPC
Kiss of Judas (Thirty Pieces of Silver)SculptureAdobeHeight 59 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Ateneo Art Gallery
Kusina PilipinaSculptureSand152.5 x 577 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Lady with GarlandSculptureBronzeHeight 91 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bahay ng Alumni, University of the Philippines, Diliman, Quezon City
Lady with Garland (maquette)SculptureFiberglassHeight c. 25 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Lalake at BabaeSculptureWoodLength of Lalake 214 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Lamentation (study)SculptureClay55.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Lapu-LapuSculptureFiberglassHeight 51.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Last SupperSculptureBronze13.5 x 20 in.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Last Supper (2)SculptureBronze34.3 x 50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Last Supper (3)SculptureBronze35.6 x 50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Last Supper (4)SculptureBronze38 x 25.4 cmNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Last Supper (5)SculptureNarra Wood91.5 x 50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MEC
Last Supper (6)SculptureNarra Wood121.9 x 91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MKK
Last Supper (7)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JKC
Law BooksSculptureWood and SteelNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.IC
LecternSculptureNarra Wood121.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Legaspi Founding ManilaSculptureMolave Woodc. 213.4 x 273 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NMP
Letter HolderSculptureMolave Wood91.5 x 22.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MEC
Letter OpenerSculptureKamagong Wood25.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
LiteratureSculpture30 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Little Temple of the Child JesusSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Love BirdsSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Mr. and Mrs. Bienvenido Tantoco Collection
Love SeatSculptureNarra Wood61 x 289 x 61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Lucky JOlSculptureNarra Wood101.6 x 71.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Lying Woman (Mary Magdalene)SculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Little Temple of the Child Jesus, Artist's Residence
MadonnaSculptureMolave Wood45.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCC
MagdangalSculpturePainted concrete cast274.32 cm highNapoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CAL, UP Diliman
Mag-InaSculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RMC
MagkayakapSculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.SNC
Magtanim Hindi BiroSculptureNarra Wood38 x 67.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RBZ
Maiden in the PoolSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Atty. and Mrs. Avelino Cruz Collection
Mao Tse TungSculptureBronze53.3 x 40.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Maranaw DesignsSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MMH
Maria Paz Guanzon Memorial SculptureSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MPD
Maria Paz Mendoza GuazonSculpturePainted concrete cast81.28 x 55.88 x 30.48 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Paz Mendoza Guazon Hall, CM, UP Manila
Mariang MakilingSculptureBronze25.4 x 19.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
MarkerSculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bohol Provincial Government, Tagbilaran, Bohol
MarySculptureKamagong Wood71.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Mary and JosephSculptureReinforced ConcreteHeight of Mary 175 cm., Height of Joseph 182 cm., Height of Donkey 100 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Little Temple of the Child Jesus, Artist's Residence
MayniladSculptureMolave Wood165 x 251.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Mayor Rodrigo Duterte ColumnSculptureStainless Steel281 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Means of Communication (Column)SculptureWood3,302 x 67.3 x 63.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDCMC
Meat Chopping BoardSculptureGranite25.4 x 25.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Medals (various)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Men in a HuddleSculpturePlaster30.5 x 25.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Mental HealthSculptureConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NMH
MetropolisPaintingOil on wood66 x 111.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Mga Batang Naglalaro ng GagambaSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Grepalife Collection
Miguel Malvar MonumentSculptureMetalNapoleon V. Abueva
Miniature ColumnSculptureBronze with Wooden BaseHeight without wooden base 54.5 cm. (height of base 12.2 cm.)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Miss GaSculptureBronze and Stainless SteelHeight 84 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Miss LiSculptureBronzeHeight of figure 86 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Missal StandSculptureNarra Wood and BrassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Mocking of ChristSculptureFiberglass50 x 75 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bahay ng Alumni, University of the Philippines, Diliman, Quezon City
ModelSculptureAcacia Wood73.7 x 54.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Molave BenchSculptureMolave WoodNapoleon V. AbuevaAteneo Art GalleryCollection of Ambeth R. Ocampo
Monument to Fr. Diego CeraSculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LPC
Mortar and PestleSculptureMarble25.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.SCC
MosesSculptureAlabasterNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Galerie Bleue, Makati, Metro Manila
Moses (2)SculptureAdobeHeight 101.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.FZC
Mother and ChildSculptureMolave Wood45.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCC
Mother and Child (2)SculptureAluminum and Plaster61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Mother and Child (3)SculptureAdobeHeight c. 117 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NMP
Mother and Child (4)SculptureNarra WoodHeight 63 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Mother and Child (5)SculptureAlabasterHeight 22.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Mother and Child (6)SculptureBronzeHeight 36 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Amihan Abueva and Jimmy Lanoy Collection
Mother and Child (7)SculptureConcrete99.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.FLTC
Mother and Child (8)SculptureNarra Wood185.4 x 45.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Mother and Child (9)SculptureConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Mother and Child (10)SculptureAlabasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Mr. and Mrs. Alejandro Melchor Collection
Mother and Child (11)SculptureAlabasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Mother and Child (12)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.SEJA
Mother and Child (13)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.EGC
MotherlySculptureWood33 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Buoyant SculptureUC
MourningSculptureWood30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Mr. and Mrs. Roberto Puentespina, Sr. ColumnSculptureIronHeight 307 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Muslim ArtSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ZP
My GrandmotherSculpturePainted PlasterHeight 45 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Nagpapalamig ng PuwetSculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PQC
NankingDrawingInk on paper30.4 x 43.1 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.University Library, UP Diliman
Nariel CarreSculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
NativitySculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Nicanor AbelardoSculpturePainted plaster cast76.2 x 53.3. x 33 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CM, UP Diliman
Nine MusesSculpturePainted concrete cast83.84 x 487 x 487 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CAL, UP Diliman
Nipple TicklerSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Noah's ArkSculptureBronze88.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JFC
Non-conformistSculptureBamboo Wood121.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Nude Girl with MonkeySculptureMarbleHeight 129.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Nude WomenSculptureWood72 x 140 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Old PortSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Olivetti Typewriter StandSculptureNarra Wood61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Palo-PaloSculptureSantol Wood30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Palo-SeboSculptureWood and Metal12.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Pandanggo sa IlawSculptureNarra Wood55.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Alfredo Morales Collection
Pang-upo at Iba PaSculptureYakal Wood41.9 x 29.2 x 5.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Panty-CheckerSculptureWood and MirrorLength 55.5 cm. x width 8.5 cm. x 3.5 cm. (mirrors 4 x 3.2 cm. and 3.3 x 3.5 cm.)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RCC
PasasalamatSculptureBronze121.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bahay ng Alumni, University of the Philippines, Diliman, Quezon City
Peace PodiumSculptureIron and WoodHeight 274.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.YGC
PeopleSculptureNarra Wood63.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Philippines in Abstract FormSculptureBronze, Copper, and Aluminum76.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Plains of EndearmentSculptureMarble35.6 x 38.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Play SculptureSculptureReinforced ConcreteNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Artist’s Collection
Play Sculpture (2)SculptureReinforced ConcreteLength 300 x height 115 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Play Sculpture (3)SculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DAF
Play Sculpture (4)SculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QGL
Play Sculptures (Archway, Viewing Tower, and Slide)SculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDP
Please Sit Pretty Close to MeSculptureWood and FiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
PodiumSculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ZC
PodiumSculptureWood and BrassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCTBC
Polychrome ReliefSculptureWood and PaintNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKC
Portait of Mrs. KintanarSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Portrait of Dr. KintanarSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Portrait of Evelio JavierSculptureBronzeHeight 152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Province of Aklan
Portrait of Felipe YsmaelSculptureBronze304.8 x 182.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.FYC
Portrait of Mayor Tonying BorjaSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Xavier University, Cagayan de Oro
Pregnant CarabaoSculptureMarble42.2 x 15.5 x 16 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Pregnant Lady with Two BirdsSculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LTC
PrescilaSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Mr. and Mrs. Carlos Moran Sison Collection
President Carlos P. Garcia StatueSculptureBronzeNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Tagbilaran, Bohol
PrintingSculptureMetal243.8 x 213.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bustamante Press, Quezon City
Raja HumabonSculpturePlaster30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Rajah Sulayman with His EscortsSculptureMolave Woodc. 213.4 x 273 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NMO
Ramon MagsaysaySculpturePlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Reception DeskSculptureMarble and BrassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PMB
Reclining ChairSculptureWoodHeight 86.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Reclining FigureSculptureTerracottaLength 38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DCML
Reclining Mother and ChildSculptureMarbleLength 147 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
RejoiceSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PPT
Relief SculptureSculptureAdobe304.8 x 365.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MGB
Relief Sculpture (2)SculptureNarra woodc. 152.4 x 152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCPS
Relief Sculpture (3)SculptureConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PPN
Relief Sculpture (4)SculptureWood and BronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JRC
Relief Sculpture (5)SculptureWood and BronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LC
Relief Sculpture (6)SculptureWood and BronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Mr. & Mrs Geronimo Velasco Collection
Relief Sculpture (7)SculptureMetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.VRC
Relief Sculpture (8)SculptureTerracottaNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MHRH
Relief Sculpture (9)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RBC
Relief Sculpture (10)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMP
Relief Sculpture (11)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MFCP
Relief Sculpture (12)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCSC
Relief Sculpture (13)SculpturePainted woodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NBC
Relief Sculptures (14 panels)SculptureVarious MaterialsNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCSLR
Resurrection (XIV Station)SculptureBronze100 x 100 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Resurrection (XIV Station)SculptureFiberglass100 x 100 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bahay ng Alumni, University of the Philippines, Diliman, Quezon City
RewardSculptureMarble85.5 x 41.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Rice PlantersSculptureBronzeHeight 23.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Rice Planters (2)SculptureSantol WoodHeight 170 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Rice Planters (3)SculptureBronzeHeight of largest figure 87.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Rice Planters (4)SculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Rice Planters (reproduction of 1952 wood original)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.EGC
Ring of the GodsSculptureStainless Steel279.4 x 218.4 x 116.84 cm. (diameter 274.3 cm.)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Ring of the Gods (small-scale replica of 1971 stainless steel original)SculptureBronzeHeight 30.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Amihan Abueva and Jimmy Lanoy Collection
Ring Round the RoseSculptureBronze and GlassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.GCC
Risen Christ (Risen Lord)SculptureKamagong Wood62.5 x 42 x 20 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Risen Christ (Risen Lord) (2)SculptureBrassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Memorial Park, Angat, Bulacan
Risen Christ (Risen Lord) (3)SculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Lourdes Church, Tagbilaran, Bohol
Risen Christ (Risen Lord) (4)SculptureBrassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PMP
Risen Christ (Risen Lord) (5)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Risen Christ (study)SculptureBronze34.3 x 29.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Rizal and Josephine in BedSculptureWood102 x 70 x 25 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Rompe CandadoSculptureWoodLength 30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
RoroSculptureKamagong Wood27.9 x 48.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Rose GunSculptureWood and Metal, with Bamboo BowLength 101 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Sacred HeartSculptureMolave Wood101.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DFC
Sacred HeartSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.TDC
Sacrifice of IsaacSculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.More than life-sizeLittle Temple of the Child Jesus, Artist's Residence
Sagrada Corazon de JesusSculptureWood61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.GBC
Sagrada FamiliaSculptureMolave WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DLF
SailboatSculptureBronze with Wooden BaseHeight without wooden base 47.5 cm. (height of base 9.2 cm.)Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Sails of the Seven SeasSculptureNarra Wood55.9 x 40.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Sandugo (Blood Compact)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-sizeTagbilaran City, Bohol
SarimanokSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PPT
Satirway to HeavenSculptureMolave Wood243.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCM
School ModelSculpturePainted PlasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Now damagedArtist's Collection
ScreenSculptureWood and MetalLength 640.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PMB
Sculpture to the New FilipinoSculptureWood and IronHeight 823 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Sculptured BenchSculptureWoodNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Artist’s Collection
Seated LadySculptureConcrete cast91.4 x 76.2 x 76.2 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CL, UP Diliman
Seated Lady (Seated Girl)SculptureConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDLC
Seated Woman (Our Lady of Consolation, study)SculptureFiberglassHeight 39.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Amihan Abueva and Jimmy Lanoy Collection
Seated Woman (Our Lady of Consolation, study)SculptureReinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City
Security Check (Panty Checker)SculptureWood and GlassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
See Your ProfileSculptureWood and Iron152.4 x 121.9 x 182.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
See-SawSculptureWood and Iron304.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Self-PortraitSculptureWood83.5 x 51 x 6.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Set Design for CCP BalletSculptureMolave Wood100 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Sewing the First Philippine FlagSculptureBlack Pebbles, Reinforced Steel, Fiberglass, Reinforced ConcreteHeight 274 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDDG
Shoe MakerSculptureNarra Wood121.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.TRT
SimoySculptureSteel175.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Siyam na Diwata ng Sining (Nine Muses of the Arts)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Various sizesArtist's Collection, on loan to Malagos Garden Resort, Davao
Siyam na Diwata ng Sining (Nine Muses of the Arts)SculptureReinforced Concrete and FiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.More than life-sizeUPDFCC
Slippers of RizalSculptureWood and BrassLength 7.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Adela Planas Paterno Collection
Small HarpoonSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Mr. & Mrs Geronimo Velasco Collection
Socrates About to Drink the HemlockSculptureFiberglass83 x 84 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Solid Law BooksSculptureNarra Wood and Stainless Steel116.8 x 182.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.IC
Spirit of BusinessSculptureConcrete and Metal365.7 x 243.8 x 121.9 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CBA, UP Diliman
Stabilization of a Compressive LoadSculptureNarra and Kamagong Wood, Metal, and RopeHeight 42.5 in.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Stabilization of the Monetary SystemSculptureWood, Brass, and RopeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bangko Sentral ng Pilipinas
StaircaseSculptureWood and Stainless SteelNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.IRB
StairwaySculptureReinforced Concrete243.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MVC
Stairway Posts (Man and Woman)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDVM
Stations of the CrossSculptureNarra Wood152.4 x 365.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.IHM
Stations of the Cross (EDSA Shrine)SculptureBronze76.2 x 50.8 cm. eachNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ES
Statue of Fernando Poe, Jr.SculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.More than life-sizeArtist's Collection
Statue of Francisco DagohoySculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-sizeArtist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City
Statue of Gen. Miguel MalvarSculptureBronzeHeight 365.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Statue of Gov. JocsonSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PLW
Statue of Graciano Lopez-JaenaSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-sizeArtist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City
Statue of Jaime Cardinal SinSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MSA
Statue of Jose RizalSculptureBronzeHeight 243.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CRS
Statue of Jose RizalSculptureBronzeHeight 274.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCH
Statue of Mayor Tonying BorjaSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Liceo de Cagayan, Cagayan de Oro
Statue of Mr. and Mrs. PelaezSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Liceo de Cagayan, Cagayan de Oro
Statue of Pres. Carlos P. GarciaSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-sizeCapitol Grounds, Tagbilaran, Bohol
Statue of Pres. Elpidio QuirinoSculptureConcrete243.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ISV
Statue of Sec. HernandezSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CSNC
Statue of Sen. Arturo TolentinoSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MSP
Statue of Teodoro M. KalawSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NLM
Statue of Victoria TirolSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bohol University, Tagbilaran, Bohol
StepSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.IRB
Stool for Two-Year OldSculptureWoodHeight 15.2 cm., diameter 15.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
StructureSculptureWood and IronNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.U. N. Building, New York, USA
StructuresSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UNNY
Study for Columna/Kolumna ImeldaSculptureWoodHeight 79.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Sugar Cane Milling IndustrySculpturePlaster and Sugar457.2 x 365.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
SunburstSculptureCopper and Bronze, with silver-leaf finishdiameter 12 m.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PEN
SungkaSculptureWood and Brass106.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Sungka (2)SculptureNarra Wood50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Sungka (3)SculptureBrass76.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Gilda Cordero-Fernando Collection
Sungka (4)SculptureKamagong Wood91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Sungka (5)SculptureMolave Wood91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Sungka (6)SculptureMolave Wood109.2 x 14 x 5.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Sungka (7)SculptureNarra Wood66 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Super Executive ChairSculptureMolave Wood85.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Suspended Metal TracerySculptureBrassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NHC
Swaying HouseSculptureIron, Steel, Stainless Steel, BambooWidth 500 x length 770 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
SwingSculptureMolave Wood and SteelHeight 240 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
TableSculptureWood and MetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
TableSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
TalismanSculptureBronze27 x 16 x 2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Tatlong KrusSculptureMarble and Iron25.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Temptation of ChristSculptureReinforced Concrete and FiberglassHeight of Christ c. 330 cm., height of Satan c. 310 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Little Temple of the Child Jesus, Artist's Residence
The Philippines and the Spirit of APECSculptureSteel, Stainless Steel, and BrassHeight 261 x width 177 x breadth or thickness 17 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bangko Sentral ng Pilipinas
The Pursuit of Higher EducationSculptureStainless SteelNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPOU
The Rice PlantersSculptureWoodNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.P. K. Ledesma Collection, Makati
The Unknown Political PrisonerSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
They Call Me in So Many NamesSculptureConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCSLR
They Call Me in So Many Names (2)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Three GracesSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.LTC
Three Kings (Crossing the River)SculptureBronzeLength c. 20 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Three Kings (Crossing the River) (2)SculptureWood and CeramicsNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Three Women Sewing the First Philippine FlagSculpturePolychromed concrete cast274.3 cm. highNapoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPD Donors Garden
To and From the SeaSculptureNarra, Tanguile, and Molave WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
To Live is to DieSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
To Live is to LoveSculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
TorsoSculptureAdobec. 92 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NMP
TorsoSculptureFiberglassHeight 148 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
TorsoSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Mr. and Mrs. Bienvenido Tantoco Collection
Totem PoleSculpturePainted WoodHeight 238.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Tourist SpotsSculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCPS
TransfigurationSculptureWelded BrassNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Eternal Gardens Memorial Park, Caloocan City
Transfiguration (2)SculptureBrass and IronHeight 1,371.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.EGCL
Transfiguration (3)SculptureBrass and IronHeight 792.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.EGMC
Transfiguration (4)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Transfiguration (Head)SculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Tribute to Higher EducationSculptureReinforced Concrete1360.6 square meters (680.3 sq. m. each)Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Left and right structures, University Avenue, UP Diliman
Tribute to the Filipino EntrepreneurSculpture762 x 121.9x 91.4 cm.Napoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards; Defeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UP Institute of Small Scale Industries, Diliman, QC
Triple GunSculptureWood55.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.SVC
Trophy (ADCP)SculptureBronze25.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Trophy (Aurora A. Quezon Peace Awards)SculptureNarra Wood48.3 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Cory Aquino Collection
Trophy (Children's Museum)SculptureNarra Wood50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Trophy (College of Fine Arts' Outstanding Student)SculptureNarra WoodHeight 38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Trophy (Disabled Awards)SculptureNarra Wood43.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Trophy (Fulbright Scholar Awards)SculptureNarra Wood and BrassHeight 35.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PAEF
Trophy (Fulbright-Hays/Philippine-American Educational Foundation)SculptureWood and BrassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Trophy (German-Philippine Cultural Cooperation)SculptureKamagong and Steel and Stainless Steel61 x 21.54 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCM
Trophy (Golden Carabao Awards)Sculpture17.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Trophy (International Cooperation)SculptureKamagong Wood63.5 x 38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.CPR
Trophy (Kayamanan Award)SculptureWood and BronzeHeight c. 91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Bangko Sentral ng Pilipinas
Trophy (Metro Aid)SculptureNarra Wood45.7 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Trophy (NEA)SculptureNarra Wood61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Trophy (Philippine Art Awards or Joints to Remember: Variations II)SculptureWood and BronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Trophy (Ten Outstanding Young Men Awards)SculptureNarra WoodHeight 61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Trophy (Toyota Dealers Awards)SculptureNarra WoodHeight 35.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Trophy (Toyota Dealers Awards, study)SculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Alquin F. Gayagoy Collection
Trophy (Voice of America)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Trophy for Walk-a-thonSculptureMolave Wood61 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Trophy with Female FigureSculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
TurtleSculptureCoral Stone50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.NDC
Turtle (2)SculptureCoral Stone63.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Turtle (3)SculptureMolave Wood61 x 38 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PEL
Turtle (4)SculptureNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PQC
Twin CatapultsSculptureWood and Brass, Iron, and Stainless SteelHeight 127 x Length (from front to back wheels) 162 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
University GatewaySculptureConcrete739.6 square metersNapoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Left and right structures, University Avenue, UP Diliman
UntitledSculptureCarved wood150 x 100 cmNapoleon V. AbuevaArtworks First Fifty Years, 1948-1998. (2004). Artists’ Association of the Philippines Foundation.Signed and dated ‘92
Untitled (2)SculptureWood20.2 x 43.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Untitled (3)SculptureWood20.2 x 43.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Untitled (4)SculptureWoodLength 114 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCN
Untitled (5)SculptureWood29 x 72.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Untitled (6)SculptureWood56 x 137.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Untitled (7)SculptureWood80 x 170 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCN
Untitled (8)SculptureWood28 x 40.2 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
Untitled (9)SculptureFiberglassNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Life-sizeArtist's Collection, on loan to the College of Fine Arts, University of the Philippines, Diliman, Quezon City
Untitled (10)SculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Untitled (11)SculptureMolave WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Cultural Center of the Philippines
Untitled (12)SculptureMetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Untitled (bas-relief)SculptureBronze and Reinforced ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCTL
Untitled (relief from Dambana ng Kagitingan Urn)SculpturePainted plasterNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Arceo Collection
Untitled (relief with angels and initials)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.RKC
Untitled (relief)SculptureWoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Untitled (relief) (2)SculptureWood and MetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Various sizesDMCC
Untitled (To Freddie)SculptureWood30.5 x 43 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Arceo Collection
UP GatewaySculptureReinforced Concrete369.8 sq. m.Napoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words; Reyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Diliman, Quezon City; Associate Designer: Architect Jess Reyes; UP Physical Plant, BuilderUPD
Use It Now, Use It LaterSculptureNarra WoodNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, Duero, Bohol
Uyug-UyuganSculptureSteel, Metal, Concrete50.8 x 50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.QCMC
Vanishing Nobility of ManSculptureKamagong WoodLength 91.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
VaseSculptureTerracottaNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
VedaSculptureBronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PBC
Venus de MiloSculpturePlaster38.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MNC
Vessel 1, 2, 3SculptureSilver and CopperNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Viable CommunitiesSculptureWood and BronzeLength 182.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Virgin MarySculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ZC
Voice of DemocracySculptureNarra Wood40.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Wall Floral DesignSculptureTerracottaNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MCPS
Wall ReliefSculptureWood and BronzeNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DMCC
Warm-UpSculptureConcrete121.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Water BuffaloSculptureNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.City Art Museum, St. Louis, Missouri, USA
Water Catapult (For the Burning of the Books of Alexandria)SculptureWood, Bronze, and CopperNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Artist’s Collection
WatermelonSculptureStainless Steel30.5 x 71.1 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Welcome Tower (Post)SculptureMetalNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection
What Is Love?SculptureIron, Steel, Stainless Steel, and ConcreteNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.Artist's Collection, on loan to Malagos Garden Resort, Davao
Wheels of ProgressSculptureStone170.18 x 142.24 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.DAP
Wild BoarSculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ELC
Wild Boar GroupSculptureMarbleNapoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.ELC
Winged CarabaoSculpturePainted concrete cast360 x 202 x 272 cm.Napoleon V. AbuevaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPLB
WomanSculptureTerracotta152.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
Woman (2)SculptureReinforced Concrete50.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.JNC
Woman (3)SculptureBrass31.8 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PKLC
Woman (4)SculptureBronze with wooden BaseHeight 25.4 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UPDVM
Woman’s WorldSculptureMarbleNapoleon V. AbuevaAbueva, N. (1990). Abueva: Works and Words.Private Collection, USA
Woman's World (2)SculptureMarblec. 121.9 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.UC
WrestlersSculptureMarblec. 30.5 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.PC
Wrestlers (2)SculptureNarra Wood43.2 x 68.6 cm.Napoleon V. AbuevaReyes, C., Abueva, N. V., Burgos, A., & David, M. (2010). Abueva. PMFTC for Philippine Art Awards.MDC
Abstract CompositionDrawingPen and Ink on Bond Paper11 x 8.5Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000265
Abstract Composition (2)DrawingPen and Ink on Light Cotton Paper8.52 x 10.93 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000250
AbstractionDrawingSepia Ink on Bond Paper10.92 x 8.5Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000259
BananasDrawingPen and Ink on Sketchpad Paper5.83 x 9 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000245
Bust of a Young GirlDrawingLead Pencil on Bond Paper10.83 x 8.42Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000268
Chicken YardDrawingSepia Ink on Light Sketchpad Paper5.5 x 8.46 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000244
CrabDrawingPen and Ink on Light White Paper5.75 x 8.45 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000246
European MansionDrawingPen and Ink on Light Sketchpad Paper10 x 7.33 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000253
Female NudeDrawingPen and Ink on Light Buff Sketchpad Paper10.92 x 8.42Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000257
Fernando CalderonPaintingOil on canvas119.3 x 96.5 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CM, UP Manila
Girl’s HeadDrawingLead Pencil on Bond Paper10.92 x 8.52Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000266
Girl’s Head (2)DrawingLead Pencil on Bond Paper10.92 x 8.52Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000267
Girl’s Head (3)DrawingLead Pencil on Bond Paper10.83 x 8.35Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000269
Girl’s Head (4)DrawingLead Pencil on Bond Paper10.92 x 8.50Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000270
Heads of Two RoostersDrawingSepia Ink on (Bond Paper)11 x 8.5 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000237
HelpPaintingOil on canvas118 x 80 cm.Vicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CBA, UP Diliman
Male NudeDrawingBlack Ink on Light Cotton Paper10.93 x 8.52Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000251
Male Nude, SquattingDrawingBlack Feltpen on Light Bond Paper11 x 8.5Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000256
Man With HatDrawingLead Pencil on (Bond Paper)10.93 x 8.42Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000262
Nude WomanDrawingPen and Ink Bond Paper10.92 x 8.42Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000258
Quiapo ScenePaintingOil on canvas86 x 131 cm.Vicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.CBA, UP Diliman
Reclining WomanDrawingPen and Ink on Bond Paper8.5 x 11Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000255
RoosterDrawingSepia Ink on (Bond Paper)11 x 8.5 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000231
Rooster (2)DrawingSepia Ink on (Bond Paper)11 x 8.5 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000238
Rooster (3)DrawingSepia Ink on (Bond Paper)11 x 8.5 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000241
Rooster and a HenDrawingSepia Ink on Light Sketchpad Paper8.07 x 6.36 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000243
Rooster and ChickDrawingBlack India Ink Wash on Buff Sketchpad Paper10.11 x 8.5 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000247
Rooster, sitting on a poleDrawingSepia Ink on (Bond Paper)8.42 x 10.92 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000233
Rooster, sitting on a poleDrawingSepia Ink on (Bond Paper)8.42 x 10.92 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000235
RoostersDrawingSepia Ink on (Bond Paper)10.92 x 8.42 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000234
SabongPaintingOil on CanvasVicente S. ManansalaAteneo Art GalleryCollection of PLDT
Salvador P. LopezPaintingOil on canvas82.8 x 66.6 cm.Vicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Seated Male NudeDrawingBlack Feltpen on Light Bond Paper8.5 x 11Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000252
Seated WomanDrawingLead Pencil on Light Bond Paper8.52 x 10.93 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000248
Still Life with Chair MotifDrawingPen and Ink on Light Bond PaperVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000254
Studies for Squatting WomanDrawingPen and Ink on Light Cotton Paper8.52 x 10.93 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000249
Studies of Three GeeseDrawingPen and Ink on Heavy Sketchpad Paper7.75 x 10 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000242
Studies of Three HensDrawingSepia Ink on (Bond Paper)8.5 x 11 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000239
Study for Planting RiceDrawingPen and Ink on Light Bond Paper8.5 x 10.93Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000261
Study for the Crowing of Art GoddessDrawingLead Pencil on (Bond Paper)11 x 8.52Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000263
Study of LampsDrawingPen and Ink on Bond Paper11 x 8.58Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000264
Study of Seven ChicksDrawingSepia Ink on (Bond Paper)8.5 x 11 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000240
Study of the Squatting PostureDrawingPen and Ink on Light Bond Paper11 x 8.5Vicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000260
The Arts and the SciencesPaintingOil on canvas208.2 x 1412.2 cm.Vicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Palma Hall, UP Diliman
The AscensionPaintingOil on board274.3 x 457.2 cm.Vicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Two Hens, sitting on polesDrawingSepia Ink on (Bond Paper)8.42 x 10.92 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000236
Two Roosters, sitting on polesDrawingSepia Ink on (Bond Paper)8.42 x 10.92 inchesVicente S. ManansalaParas-Perez, Dr. R. (Ed.). (1981). Manansala Drawings. The Asean Institute of Art.No. 000232
UntitledPaintingWatercolor on rice paper69.8 x 14.6 cm.Vicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.University Library, UP Diliman
Untitled (2)PrintLinocut 133/250,42 x 18.5 cm.Vicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UP Baguio
Untitled (3)PrintSerigraph34.2 x 34.9 cm.Vicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.UPLB
Via Crucis (First Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Second Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Third Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Fourth Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Fifth Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Sixth Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Seventh Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Eighth Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Ninth Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Tenth Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Eleventh Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Twelfth Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Thirteenth Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman
Via Crucis (Fourteenth Station)PaintingOil on board274.3 x 457.2 cmVicente S. ManansalaDefeo, R. D. F. (2008). Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines. University of the Philippines System.Church of the Holy Sacrifice, UP Diliman

© 2025 National Commission for Culture and the Arts. Philippine Registry of Cultural Property.
NCCA
Pambansang Museo ng Pilipinas
Pambansang Komisyong Pangkasaysayan
ImageKomisyon sa Wikang Filipino
National Archives of the Philippines
Pambansang Aklatan ng Pilipinas

Coat of Arms of the Philippines

REPUBLIC OF THE PHILIPPINES

All content is in the public domain unless otherwise stated.

ABOUT GOVPH

Learn more about the Philippine government, its structure, how government works, and the people behind it.

GOV.PH
Open Data Portal
Official Gazette